Papel

Guia de Obras de Estudantes

Peter Atkinson

Nome Turma Data

Sir Martin Archer Shee, Peter Atkinson (1825). Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Sir Martin Archer Shee originaluniqueart.com/pt/artists/sir-martin-archer-shee_pt/
Datas do artista
1769 – 1850
Pintura a óleo
1825
Dimensões originais
93 x 71 cm

No contexto

Peter Atkinson — Sir Martin Archer Shee

Qual é o tamanho?

As dimensões originais são 93 × 71 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1760
  2. 1770
  3. 1780
  4. 1790
  5. 1800
  6. 1810
  7. 1820
  8. 1830
  9. 1840
  10. 1850

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 81 ao falecer.

Pintado quando o artista tinha 56. O artista viveu até aos 81. 37 das 63 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Sir Martin Archer Shee (1769–1850) ▲ esta obra, 1825 cada pintura datada, década por década

Primeiras obras: até 1812 Principais anos de atividade: 1812–1833 Obras tardias: a partir de 1833

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/sir-martin-archer-shee-peter-atkinson-AQRRMJ-en/

Cores

Medido a partir da imagem

    Cor principal

    Espresso #3c241d

    Paleta catalogada

    • #3C241D
    • #D8BB99
    • #060A09
    • #8B6C4A

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Espresso
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Softly Mixed Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Sir Martin Archer Shee nos últimos doze meses — 4 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 88,6%
    2. 2 Hong Kong 4,5%
    3. 3 Estados Unidos da América 4,5%
    4. 4 México 2,3%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Sir Martin Archer Shee

    1. 1 Sir Thomas Andrew Strange (1756–1841), 1829 8,9%
    2. 2 Charles Wightwick (c.1778–1861) 8,9%
    3. 3 Thomas Denman, 1st Baron Denman, 1832 6,7%
    4. 4 George Wilbraham de Delamere Lodge, 1842 6,7%
    5. 5 Sir John Freeman Mitford, Speaker (1801–1802) 6,7%
    6. 6 Ariadne Deserted by Theseus, 1834 4,4%
    7. 7 Peter Atkinson, 1825 esta obra 4,4%
    8. 8 Thomas Earnshaw (1749–1829), 1808 4,4%
    9. 9 William Roscoe (1753–1831), 1816 4,4%
    10. 10 Thomas Vowler Short, Bishop of St Asaph 4,4%
    11. 11 Lieutenant General Sir Thomas Picton (1758–1815), 1820 4,4%
    12. 12 William Popham, 1814 2,2%
    13. 13 Sir William Webb Follett, 1820 2,2%
    14. 14 Major General Sir Thomas Munro (1761–1827), KCB, Governor of Madras, in General Officer’s Uniform, 1819 2,2%
    15. 15 George Hamilton Gordon (1784–1860), 4th Earl of Aberdeen, Statesman, 1838 2,2%
    16. 16 Sir Francis Burdett, 5th Bt, 1843 2,2%
    17. 17 Henry Thomson (1773–1843), RA, 1828 2,2%
    18. 18 Portrait of a Girl, traditionally identified as Princess Victoria, later Queen Victoria 2,2%
    19. 19 Sir Gilbert Blane (1747–1834), 1833 2,2%
    20. 20 Queen Victoria (1819–1901), 1842 2,2%

    Juntas, estas obras representam 84,1% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 99 obras deste artista, das quais 27 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 7 posição entre elas, com 4,4% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Peter Atkinson — Sir Martin Archer Shee

    The painting Peter Atkinson by Sir Martin Archer Shee is a stunning example of 19th-century art. Created in 1825, this oil on canvas piece measures 93 x 71 cm and showcases the artist's skill in capturing the essence of his subject. As an expert in art and a salesman at AllPaintingsStore.com, I am delighted to delve into the intricacies of this artwork and explore its significance.

    Artist Background

    Sir Martin Archer Shee was a renowned Irish painter who was known for his portraits of prominent figures. His style is characterized by the use of oil on canvas, and his works often depict a sense of realism and attention to detail. Sir Martin Archer Shee was a prominent figure in the art world during his time, and his paintings are still admired today for their beauty and historical significance.

    The Painting

    The painting Peter Atkinson is a portrait of a man wearing a suit and tie, with his mouth open as if he's speaking or yelling. He appears to be holding papers in his hand while standing next to a curtain. The man is the main focus of the painting, occupying most of the frame. In addition to the man, there are two other people visible in the background, one on the left side and another further back on the right side.

    For more information on Sir Martin Archer Shee and his works, please visit /en/art/show/art-aqrrmj-en/ You can also explore other artworks by renowned artists such as Henri De Toulouse Lautrec and his painting La Macarona in Riding Habit at /art/list/?Filter=8EWHXL-Henri-De-Toulouse-Lautrec-La-Macarona-in-Riding-Habit.

    Importance of the Painting

    The painting Peter Atkinson is a significant work of art that showcases the skill and mastery of Sir Martin Archer Shee. It is an example of oil on canvas painting, which was a popular medium during the 19th century. The painting is also a testament to the artist's ability to capture the essence of his subject, making it a valuable piece of art history.

    The Brooke Robinson Museum in Dudley, United Kingdom, is another example of a museum that houses numerous artworks from renowned artists. You can learn more about the museum and its collections at /art/list/?Filter=A@D3CKNK-Discovering-the-Artworks-of-Brooke-Robinson-Museum-Dudley-United-Kingdom.

    The Uffizi Gallery in Florence, Italy, is also home to many famous artworks, including those by Raphael (Raffaello Sanzio Da Urbino). You can explore more of his works and other artists at /art/list/?Filter=5ZKE8W-Raphael-(Raffaello-Sanzio-Da-Urbino)-Self-Portrait.

    In conclusion, the painting Peter Atkinson by Sir Martin Archer Shee is a masterpiece that showcases the artist's skill and mastery of oil on canvas painting. Its significance lies in its ability to capture the essence of the subject, making it a valuable piece of art history.

    Artista e museu

    Artista

    Sir Martin Archer Shee

    Nascido em Dublin, Irlanda

    Sir Martin Archer Shee: A Dubliner’s Ascent – The Life and Art of a Royal Academician

    Born in the vibrant city of Dublin on December 23rd, 1769, Sir Martin Archer Shee emerged as a pivotal figure in 19th-century British art. His journey was not simply that of a talented portraitist, but also of an administrator dedicated to shaping the artistic landscape of his time. Initially met with familial disapproval – his merchant father deemed painting an unsuitable profession for a man of their standing – young Martin’s passion proved unyielding. He began his studies at the Royal Dublin Society, laying the foundation for a career that would ultimately lead him to the heart of London's art world and the presidency of the Royal Academy. A crucial introduction by Edmund Burke in 1788 to Joshua Reynolds opened doors to the Royal Academy Schools, marking a turning point in Shee’s artistic development. Early works like “Head of an Old Man” and “Portrait of a Gentleman,” exhibited in 1789, signaled the arrival of a promising new talent, one poised to capture the essence of his era through brush and canvas.

    Early Influences: Shee’s formative years were steeped in classical learning and fostered by a supportive familial environment despite his father's reservations about artistic pursuits. His exposure to Reynolds’ teachings at the Royal Academy Schools proved instrumental in shaping his stylistic sensibilities.

    The Reynolds Connection: The friendship forged between Shee and Reynolds solidified his commitment to academic principles and established Reynolds as a significant mentor, profoundly impacting Shee’s artistic vision.

    The Brush and the Bureau: A Dual Path to Prominence

    Shee swiftly established himself as a sought-after portraitist, skillfully capturing the likenesses of prominent figures with an elegance and sensitivity that resonated deeply with his clientele. In 1798 he was elected an associate of the Royal Academy, a testament to his growing reputation, followed by full membership just two years later in 1800 – a remarkable ascent for an artist of his age. However, Shee’s ambitions extended beyond the purely artistic realm. He possessed a keen interest in the administration of the art world, believing that artists had a responsibility not only to create but also to shape the future of their discipline. This dedication culminated in his election as President of the Royal Academy in 1830, succeeding Sir Thomas Lawrence. For over two decades, he served as a powerful advocate for artists and a staunch defender of academic standards, guiding the institution through a period of significant change and ensuring its continued vitality. His presidency was characterized by stability and a commitment to fostering artistic excellence within Britain.

    Academic Leadership: Shee’s tenure at the RA wasn't merely about presiding over exhibitions; it involved actively championing artistic training, promoting innovation while upholding tradition – a stance that cemented his legacy as a guardian of British art history.

    Reynolds Legacy: Shee’s admiration for Reynolds extended beyond mentorship, influencing his stylistic choices and reinforcing his belief in the importance of adhering to established artistic conventions.

    A Neoclassical Vision: Style and Subject Matter

    While celebrated primarily as a portraitist, Shee’s oeuvre extended beyond capturing individual likenesses. He ventured into historical and literary subjects, demonstrating versatility and intellectual depth. Among his most renowned works are “Belisarius” (1826), a powerful depiction of the exiled Roman general that speaks to themes of injustice and resilience; portraits of Queen Victoria and King George IV – testaments to his status as a royal painter; and paintings inspired by classical literature, revealing a deep engagement with the intellectual currents of his time. His style is characterized by a refined neoclassical sensibility, influenced by Reynolds and other masters of the era. Shee’s portraits are notable for their meticulous detail, subtle modeling, and psychological insight. He possessed an ability to convey not just physical resemblance but also something of the sitter's character and inner life. His paintings weren’t merely representations; they were interpretations, imbued with a sense of dignity and grace.

    Reynolds Influence: Shee’s artistic style mirrored Reynolds’ meticulous technique and psychological depth, prioritizing accuracy and conveying emotion through subtle nuances in brushwork and composition.

    Classical Inspiration: The influence of classical literature is evident in his subject matter—particularly the portrayal of historical figures—demonstrating a profound understanding of humanist ideals and artistic traditions.

    Legacy and Lasting Influence

    Sir Martin Archer Shee passed away on August 13th, 1850, in Brighton, leaving behind a legacy as both an accomplished artist and a dedicated administrator. He was buried in the western extension of St Nicholas’ Churchyard, though his headstone has since been moved to the perimeter of the site. His personal life was marked by a happy marriage to Mary Power, with whom he had six children – three sons who became successful barristers and three daughters. Interestingly, his descendant George Archer-Shee inspired Terence Rattigan's poignant play, “The Winslow Boy,” adding another layer to the family’s historical significance. Shee’s influence extended beyond his direct artistic output; as President of the Royal Academy, he played a crucial role in shaping the direction of British art during a period of significant change. He championed academic training while also acknowledging the importance of innovation and experimentation. His commitment to both tradition and progress helped to ensure the continued vitality of the British art scene. Today, his works are held in prestigious collections such as the Royal Academy of Arts, offering enduring glimpses into a bygone era and celebrating the talent of a remarkable artist who dedicated his life to the pursuit of beauty and the advancement of art.

    Family Connection: The inspiration for Rattigan’s play underscores Shee’s familial heritage and contributes to the broader narrative of Irish artistic history.

    Further Exploration: https://AllPaintingsStore.com/@/sir-martin-archer-shee Discover the Royal Academy of Arts collection at: /pt/art/show/art-d3cf6h-pt/ Learn more about Shee’s life and works on Wikipedia: https://en.wikipedia.org/wiki/martin_archer_shee

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Peter Atkinson

    originaluniqueart.com/pt/art/download/sir-martin-archer-shee-peter-atkinson-AQRRMJ-en/

    Como citar esta obra

    MLA
    Shee, Sir Martin Archer. Peter Atkinson. 1825, https://originaluniqueart.com/pt/art/sir-martin-archer-shee-peter-atkinson-AQRRMJ-en/
    APA
    Shee, Sir Martin Archer (1825). Peter Atkinson [Painting]. https://originaluniqueart.com/pt/art/sir-martin-archer-shee-peter-atkinson-AQRRMJ-en/
    Chicago
    Sir Martin Archer Shee. Peter Atkinson. 1825. https://originaluniqueart.com/pt/art/sir-martin-archer-shee-peter-atkinson-AQRRMJ-en/
    Harvard
    Shee, Sir Martin Archer (1825) Peter Atkinson. Available at: https://originaluniqueart.com/pt/art/sir-martin-archer-shee-peter-atkinson-AQRRMJ-en/

    Observe de perto

    Peter Atkinson — Sir Martin Archer Shee

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre William Roscoe (1817), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Sir Martin Archer Shee tinha cerca de 56 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Qual é a cor predominante de "Peter Atkinson", de Sir Martin Archer Shee?

    Espresso (#3c241d) é a cor predominante de "Peter Atkinson", de Sir Martin Archer Shee.

    De onde vêm os visitantes de "Peter Atkinson", de Sir Martin Archer Shee?

    A página Estatísticas de "Peter Atkinson", de Sir Martin Archer Shee apresenta estatísticas de visitas públicas: o número de visitas mensais desta obra, uma comparação com as obras mais visualizadas do artista e a origem dos seus visitantes.

    Onde posso encontrar obras de arte semelhantes a "Peter Atkinson", de Sir Martin Archer Shee?

    A página Obras semelhantes de "Peter Atkinson", de Sir Martin Archer Shee apresenta obras relacionadas.