Papel

Guia de Obras de Estudantes

Colonel W. C. Gerard

Nome Turma Data

Samuel Lawson Booth, Colonel W. C. Gerard (1903), Duke of Lancaster's Own Yeomanry Museum. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Samuel Lawson Booth originaluniqueart.com/pt/artists/samuel-lawson-booth/
Datas do artista
1836 – 1928
Pintura a óleo
1903
Dimensões originais
65 x 45 cm
Realizado em
Duke of Lancaster's Own Yeomanry Museum originaluniqueart.com/pt/museums/duke-of-lancaster-s-own-yeomanry-museum-preston/

No contexto

Colonel W. C. Gerard — Samuel Lawson Booth

Qual é o tamanho?

As dimensões originais são 65 × 45 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 92 ao falecer.

Pintado quando o artista tinha 67. O artista viveu até aos 92. 2 das 5 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Samuel Lawson Booth (1836–1928) ▲ esta obra, 1903 cada pintura datada, década por década

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/samuel-lawson-booth-colonel-w-c-gerard-AQUBLS-en/

Cores

Medido a partir da imagem

    Cor principal

    Espresso #3a261e

    Paleta catalogada

    • #3A261E
    • #6A5B49
    • #A7957B
    • #1E1812

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Espresso
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Softly Mixed Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Samuel Lawson Booth nos últimos doze meses — 2 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 50,0%
    2. 2 Reino Unido 50,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 3 obras mais visualizadas de Samuel Lawson Booth

    1. 1 Ty Croes, near Holyhead, Anglesey, 1901 50,0%
    2. 2 Windermere, Cumbria, 1900 50,0%
    3. — Colonel W. C. Gerard, 1903 esta obra 0,0%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 12 obras deste artista, das quais 2 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Samuel Lawson Booth

    Samuel Lawson Booth: A Master of Hudson River Light

    Samuel Lawson Booth (1836-1928) stands as a significant, yet often understated, figure in the landscape painting tradition of late 19th-century America. Born in Leeds, Yorkshire, and trained initially in England, Booth’s artistic journey ultimately led him to establish himself as a respected artist working primarily within the evocative style of the Hudson River School. His career spanned several decades, marked by a dedication to capturing the subtle nuances of light and atmosphere, particularly in scenes of rural New Jersey – a region he came to deeply admire and depict with remarkable fidelity.

    Booth’s early life provided a grounding in artistic principles, though not necessarily within the established academic framework. He began his career as an art teacher, first at the Leeds School of Art and later as an Art Master at Bradford Technical College. This role instilled in him a practical understanding of technique and a commitment to educating others about the visual arts. However, it was his travels and subsequent artistic pursuits that truly defined his legacy. A pivotal moment arrived in 1902 when he received a commission from King Edward VII to travel to Egypt and Israel, undertaking a series of expeditions dedicated to documenting the landscapes and light of those regions. These journeys profoundly influenced his style, introducing him to new color palettes and techniques for rendering atmospheric effects – skills he subsequently applied to his depictions of American scenery.

    The Influence of the Hudson River School

    Booth’s artistic development is inextricably linked to the broader context of the Hudson River School. This influential movement, which flourished throughout the mid-19th century, championed a romanticized vision of America's natural landscapes. Artists like Thomas Cole, Frederic Church, and Albert Bierstadt sought to capture the sublime beauty of the American wilderness, often imbuing their works with moral and spiritual significance. While Booth’s style diverged slightly from the grand scale and overtly didactic themes associated with some of his contemporaries, he shared a fundamental commitment to portraying nature with accuracy, sensitivity, and an appreciation for its inherent grandeur.

    Booth's paintings are characterized by a meticulous attention to detail—the way light filters through trees, the textures of rocks and foliage, the subtle shifts in color across the sky. He eschewed dramatic compositions and theatrical lighting effects, instead favoring a more restrained approach that allowed the natural beauty of his subjects to speak for themselves. His palette was generally muted, dominated by earthy tones and soft blues and greens—a deliberate choice designed to evoke a sense of tranquility and harmony.

    Key Works and Artistic Techniques

    Several of Booth’s paintings stand out as particularly noteworthy examples of his artistic skill and vision. “Windermere, Cumbria” (available for reproduction) exemplifies his mastery of capturing the atmospheric effects of a misty lake scene—the way light diffuses through the fog, creating an ethereal sense of depth and distance. Similarly, "Resurrection" showcases his ability to render the rugged beauty of the New Jersey countryside, with its rolling hills, dense forests, and dramatic skies. These works demonstrate Booth’s meticulous observation skills and his talent for translating visual impressions onto canvas.

    Booth's technique involved a layered approach, building up color gradually through multiple thin glazes. He employed a dry brush technique to create subtle variations in texture and tone, adding depth and realism to his landscapes. His use of light was particularly innovative—he sought not merely to depict the appearance of light but also its effect on the surrounding environment, capturing the way it transformed colors and shapes.

    Legacy and Historical Significance

    Despite often operating outside the mainstream spotlight, Samuel Lawson Booth’s contribution to American landscape painting is considerable. His work reflects a deep appreciation for the natural world and a commitment to portraying its beauty with honesty and sensitivity. He represents a quieter, more contemplative voice within the Hudson River School tradition—an artist who prioritized observation and craftsmanship over grand gestures and overt symbolism.

    Booth’s paintings continue to be appreciated today for their technical skill, atmospheric effects, and evocative sense of place. They offer a valuable glimpse into the artistic sensibilities of late 19th-century America and serve as a reminder of the enduring power of landscape painting to inspire awe and wonder.

    Museu

    Duke of Lancaster's Own Yeomanry Museum

    Em exibição em Preston, United Kingdom

    A Legacy Forged in Lancashire’s Military Spirit

    Nestled within the historic heart of Preston, the

    Duke of Lancaster's Own Yeomanry Museum

    serves as a profound testament to Britain’s enduring military heritage and a singular celebration of regional identity. It is far more than a mere repository for relics; it is an immersive journey through time, tracing the remarkable evolution of the DLOY from its humble origins as a rural defense force to its modern incarnation within the Royal Armoured Corps. To step into this collection is to encounter the very soul of Lancashire, where the echoes of cavalry charges meet the mechanical precision of the twentieth century. The museum offers a rare opportunity for historians and enthusiasts alike to witness how a single regiment’s story mirrors the broader, sweeping shifts in global military strategy and technological progress.

    The collection itself is a captivating panorama of nineteenth-century artistry and martial prowess. For the discerning eye, the museum’s core treasures reveal a breathtaking dedication to craftsmanship that transcends the battlefield. One might find themselves mesmerized by the intricate embroidery adorning ceremonial jackets or the gleaming, meticulous polish of period rifles, where every detail speaks to a profound respect for tradition and aesthetic excellence. These meticulously preserved uniforms and weaponry do not merely represent tools of war; they are artifacts of social custom and personal identity, offering tangible connections to the lives of soldiers who served with unwavering commitment. For collectors and lovers of historical texture, the sheer tactile history present in these displays provides an unparalleled sensory experience.

    A Narrative of Resilience and Transformation

    Beyond the elegance of its regimental attire, the museum delves into the raw, transformative power of conflict, illuminating pivotal moments such as the Boer War and the harrowing experiences of World War II. Through a poignant blend of photographic documentation and detailed logistical accounts, the exhibits portray battles not just as strategic maneuvers, but as formative events that forged the regiment’s very

    esprit de corps

    . Visitors are guided through the evolution of warfare itself—from the sweeping mounted duties in Egypt and Palestine to the gritty reality of the Western Front and the eventual transition into the age of armored vehicles and cyclists.

    The institution benefits from a rich collaborative synergy with the Lancashire County Council Museums Service, ensuring that the regimental narrative is presented in an engaging, accessible format. Whether you are an interior designer seeking inspiration from the storied textures of military history or an art lover drawn to the preserved beauty of nineteenth-century craftsmanship, the Duke of Lancaster's Own Yeomanry Museum offers a sanctuary of remembrance. It stands as a powerful illustration of a region steadfastly committed to preserving its past while embracing the complexities of the present, inviting all who enter to become part of its ongoing legacy.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Colonel W. C. Gerard

    originaluniqueart.com/pt/art/download/samuel-lawson-booth-colonel-w-c-gerard-AQUBLS-en/

    Como citar esta obra

    MLA
    Booth, Samuel Lawson. Colonel W. C. Gerard. 1903, Duke of Lancaster's Own Yeomanry Museum. https://originaluniqueart.com/pt/art/samuel-lawson-booth-colonel-w-c-gerard-AQUBLS-en/
    APA
    Booth, Samuel Lawson (1903). Colonel W. C. Gerard [Painting]. Duke of Lancaster's Own Yeomanry Museum. https://originaluniqueart.com/pt/art/samuel-lawson-booth-colonel-w-c-gerard-AQUBLS-en/
    Chicago
    Samuel Lawson Booth. Colonel W. C. Gerard. 1903. Duke of Lancaster's Own Yeomanry Museum. https://originaluniqueart.com/pt/art/samuel-lawson-booth-colonel-w-c-gerard-AQUBLS-en/
    Harvard
    Booth, Samuel Lawson (1903) Colonel W. C. Gerard. Duke of Lancaster's Own Yeomanry Museum. Available at: https://originaluniqueart.com/pt/art/samuel-lawson-booth-colonel-w-c-gerard-AQUBLS-en/

    Observe de perto

    Colonel W. C. Gerard — Samuel Lawson Booth

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Portrait of an Unknown Man (1904), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Samuel Lawson Booth tinha cerca de 67 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Onde posso comprar uma imagem digital de "Colonel W. C. Gerard", de Samuel Lawson Booth?

    Para obter uma versão digital de "Colonel W. C. Gerard", de Samuel Lawson Booth, peça download de imagem digital em alta resolução em sua página Imagem Digital de Alta Resolução.

    Como faço para baixar a imagem de "Colonel W. C. Gerard", de Samuel Lawson Booth?

    Um download está disponível para "Colonel W. C. Gerard": a página de Download da obra oferece download de imagem digital em alta resolução.

    Qual é a situação dos direitos autorais de "Colonel W. C. Gerard", de Samuel Lawson Booth?

    "Colonel W. C. Gerard", de Samuel Lawson Booth está em em domínio público — seus direitos autorais expiraram. O período de direitos autorais conta a partir do falecimento do artista, ocorrido em 1928.