Papel

Guia de Obras de Estudantes

Pheasant-shooting

Nome Turma Data

Samuel John Egbert Jones, Pheasant-shooting. Domínio público.

Informações principais

Artista
Samuel John Egbert Jones originaluniqueart.com/pt/artists/samuel-john-egbert-jones/
Datas do artista
1797 – 1861

No contexto

Pheasant-shooting — Samuel John Egbert Jones

Quando poderá ter sido pintada esta obra?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840
  7. 1850
  8. 1860

Sombreado: a trajetória de Samuel John Egbert Jones (1797–1861)

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Espresso #3d291d

    Paleta catalogada

    • #3D291D
    • #826641
    • #604329
    • #B7B19D
    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Espresso
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    Samuel John Egbert Jones

    Nascido em United Kingdom

    Samuel John Egbert Jones: A Sporting Vision of Victorian Britain

    Samuel John Egbert Jones (1797-1861) stands as a prominent figure in British art history, celebrated primarily for his captivating depictions of sporting pursuits—specifically pheasant shooting and hunting. Born in Lincolnshire, England, Jones’s artistic journey unfolded against the backdrop of the Victorian era, a period characterized by aristocratic leisure and an obsession with tradition. While biographical details remain somewhat sparse, his oeuvre speaks volumes about the cultural values of his time and demonstrates remarkable skill in capturing movement and atmosphere.

    Jones's artistic style leaned heavily towards realism, albeit imbued with a subtle Romantic sensibility. He meticulously rendered landscapes—often featuring marshes and woodlands—providing the setting for dynamic scenes of sportsmen engaged in their activities. The artist’s technique involved layering brushstrokes to achieve textural depth and luminosity, skillfully conveying the immediacy of the hunt. His compositions prioritized clarity and balance, ensuring that every element contributed to the narrative unfolding before the viewer's eyes. Notably, Jones frequently employed a muted palette—dominated by browns, greens, and ochres—reflecting the natural environment and enhancing the solemn grandeur of the subject matter.

    A significant influence on Jones’s artistic sensibilities was undoubtedly George Stubbs (1724-1806), whose anatomical precision and dramatic portrayal of animals established a precedent for portraying wildlife with scientific accuracy alongside expressive emotion. Similarly, Jones absorbed lessons from topographical artists who documented Britain's landscapes with meticulous detail. These influences combined to produce an artist capable of blending observation with imagination—a hallmark of Victorian art itself.

    Among Jones’s most notable works are “Woodcock Shooting,” “The Duke Entering The House Of Lords,” and “Grouse-shooting With Two Guns And Pointers.” Each painting exemplifies his mastery of capturing the essence of a sporting occasion, conveying not only the physical activity but also the social rituals associated with it. "Woodcock Shooting," for instance, showcases Jones’s ability to depict birds in flight with astonishing realism, while “The Duke Entering The House Of Lords” captures a formal portrait imbued with aristocratic dignity. These paintings are treasured additions to WahooArt's collection and serve as enduring reminders of Victorian Britain’s fascination with the natural world and its social hierarchy.

    Jones’s contribution to British art extends beyond individual masterpieces; he helped solidify the genre of sporting painting as a respected artistic pursuit. His work stands alongside other celebrated artists of the era, demonstrating the importance of documenting and interpreting cultural traditions through visual representation. Samuel John Egbert Jones remains an artist whose legacy continues to inspire admiration for his technical prowess and his ability to convey the spirit of Victorian Britain—a testament to the enduring power of art to capture both observation and emotion.

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    Disponível online

    QR code que direciona para a página de download de Pheasant-shooting

    originaluniqueart.com/pt/art/download/samuel-john-egbert-jones-pheasant-shooting-9CW83Q-en/

    Como citar esta obra

    MLA
    Jones, Samuel John Egbert. Pheasant-shooting. n.d., https://originaluniqueart.com/pt/art/samuel-john-egbert-jones-pheasant-shooting-9CW83Q-en/
    APA
    Jones, Samuel John Egbert (n.d.). Pheasant-shooting [Painting]. https://originaluniqueart.com/pt/art/samuel-john-egbert-jones-pheasant-shooting-9CW83Q-en/
    Chicago
    Samuel John Egbert Jones. Pheasant-shooting. n.d. https://originaluniqueart.com/pt/art/samuel-john-egbert-jones-pheasant-shooting-9CW83Q-en/
    Harvard
    Jones, Samuel John Egbert (n.d.) Pheasant-shooting. Available at: https://originaluniqueart.com/pt/art/samuel-john-egbert-jones-pheasant-shooting-9CW83Q-en/

    Observe de perto

    Pheasant-shooting — Samuel John Egbert Jones

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