Papel

Guia de Obras de Estudantes

A Widow

Nome Turma Data

Paul Sérusier, A Widow (1919). Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
Paul Sérusier originaluniqueart.com/pt/artists/paul-serusier_pt/
Datas do artista
1864 – 1927
Pintura
1919
Dimensões originais
92 x 71 cm
Movimento
Synthetism

No contexto

A Widow — Paul Sérusier

Dimensões

As dimensões originais são 92 × 71 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 63 ao falecer.

Pintado quando o artista tinha 55. O artista viveu até aos 63. 116 das 124 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Paul Sérusier (1864–1927) ▲ esta obra, 1919 cada pintura datada, década por década

Primeiras obras: até 1890 Principais anos de atividade: 1890–1906 Obras tardias: a partir de 1906

Essas três faixas dividem as obras que este catálogo data em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a vida do artista traçada neles

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/paul-serusier-a-widow-8YE8YX-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Sap Green #65653e

    Paleta catalogada

    • #65653E
    • #454533
    • #27251E
    • #AE905A

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Nome da cor principal
    Sap Green
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Paul Sérusier nos últimos doze meses — 13 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 China 70,2%
    2. 2 Estados Unidos da América 10,6%
    3. 3 França 4,8%
    4. 4 Singapura 3,8%
    5. 5 Hong Kong 2,9%
    6. 6 Áustria 1,0%
    7. 7 Bélgica 1,0%
    8. 8 Canadá 1,0%
    9. 9 Alemanha 1,0%
    10. 10 Espanha 1,0%
    11. · 3 outros países 2,7%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Paul Sérusier

    1. 1 Still Life with Corn and Tomatoes, 1921 4,5%
    2. 2 Avenue de Neuilly 3,6%
    3. 3 Susanna and the Elders 3,6%
    4. 4 End of the day, 1893 2,7%
    5. 5 Fisherman on the Laita, 1890 2,7%
    6. 6 The Talisman, 1888 2,7%
    7. 7 La colline aux platanes, 1907 2,7%
    8. 8 Apple Harvest, 1891 2,7%
    9. 9 La Guirlande de roses, 1898 2,7%
    10. 10 Celtic Tale, 1894 1,8%
    11. 11 Roda de Cores 1,8%
    12. 12 Portrait de Paul Ranson, 1890 1,8%
    13. 13 Breton woman going to the washing place, 1890 1,8%
    14. 14 The Breton Weaver, 1888 1,8%
    15. 15 The Fairy and the Knight, 1912 1,8%
    16. 16 A Widow, 1919 esta pintura 1,8%
    17. 17 Still Life with Fruit and a Pitcher, 1913 1,8%
    18. 18 Portrait of Paul Ranson Dressed as a Prophet, 1890 1,8%
    19. 19 The Wall, 1890 1,8%
    20. 20 The Youth of Queen Anne, 1904 1,8%

    Juntas, estas obras representam 47,7% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 177 obras deste artista, das quais 73 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 16 posição entre elas, com 1,8% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    A Widow — Paul Sérusier

    The painting A Widow by Paul Serusier is a beautiful representation of a woman in mourning, created in 1919. This oil on canvas piece is a prime example of the Synthetism style, characterized by the use of bold colors and geometric shapes. The painting features a woman wearing a blue dress with a white collar, sitting on the grass in a field or garden setting, surrounded by trees and bushes.

    Artistic Background

    Paul Serusier was a French painter and pioneer of abstract art, who left an indelible mark on the world of Synthetism and Cloisonnism. His work, such as A Widow, is a testament to his innovative style and artistic vision. The painting is characterized by its harmonious composition, with the woman as the focal point surrounded by elements that create depth and interest in the scene.

    The Dayton Art Institute is a museum that features an impressive collection of over 27,000 works spanning 5,000 years, including paintings by Paul Serusier. The museum's collection includes a range of styles and periods, from ancient to modern art. Some notable works include The Times and Celtic Tale, both by Paul Serusier.

    The painting A Widow is a beautiful representation of a woman in mourning

    The painting features a woman wearing a blue dress with a white collar, sitting on the grass in a field or garden setting

    The painting is characterized by its harmonious composition, with the woman as the focal point surrounded by elements that create depth and interest in the scene

    The Paul Serusier style is characterized by the use of Synthetism, which emphasizes the use of bold colors and geometric shapes. His paintings, such as The Fern Harvesters in the Boid d'Amour at Pont Aven, are a testament to his innovative style and artistic vision. For more information on Paul Serusier and his work, visit AllPaintingsStore.com.

    Artista e museu

    Artista

    Paul Sérusier

    Nascido em Paris, França

    Early Life and Artistic Foundations

    Paul Sérusier, a pivotal figure in the evolution of modern art, was born on November 9th, 1864, in the heart of Paris. His early years were steeped in the cultural richness of the capital, yet his artistic journey began unexpectedly, far removed from the traditional avenues of formal training. Sérusier’s father, a successful businessman of Flemish descent involved in the perfume industry, envisioned a career for his son within the commercial world. However, young Paul harbored an undeniable passion for art, a desire that ultimately led him to abandon his family's expectations and pursue his artistic calling. He enrolled at the Lycée Condorcet, a prestigious secondary school renowned for its emphasis on philosophy and classical studies – an education that would subtly shape his later approach to art, imbuing it with intellectual depth and a nuanced understanding of form. It was during this period that he encountered Maurice Denis, a fellow student who would become a lifelong friend and collaborator, profoundly influencing Sérusier’s artistic development. The summer of 1888 marked a transformative moment in Sérusier's life: his journey to Pont-Aven, a small village nestled in the Breton countryside. This pilgrimage proved crucial, as it introduced him to a vibrant community of artists—Paul Gauguin, Emile Bernard, and others—who were challenging conventional artistic norms and experimenting with new ways of seeing and representing the world.

    The Nabis Movement and Pioneering Techniques

    Pont-Aven became the epicenter of a groundbreaking artistic movement known as the Nabis (meaning “prophets” in Hebrew). Under the guidance of Paul Gauguin, Sérusier began to shed his earlier academic training and embrace a radically new approach to painting. Gauguin encouraged him to move beyond mere imitation of nature, urging him instead to capture the essence of his impressions—the feeling, the color, the emotion—rather than meticulously replicating visual details. This shift was further solidified by conversations with Emile Bernard, who introduced Sérusier to the principles of cloisonnism, a technique characterized by bold outlines and flat areas of color applied in distinct compartments, reminiscent of stained glass windows. This innovative approach, combined with Gauguin’s emphasis on simplification and symbolic representation, culminated in Sérusier's iconic painting, “The Talisman” (1888). This work stands as a seminal example of cloisonnism, pushing the boundaries of abstraction and foreshadowing the developments of later avant-garde movements. The painting’s seemingly simple composition—a depiction of a Breton landscape—is in fact a complex exploration of color, form, and symbolism, reflecting Sérusier's evolving artistic vision.

    Key Works and Artistic Evolution

    Sérusier’s oeuvre is characterized by a remarkable fluidity and experimentation. Beyond “The Talisman,” he produced a series of paintings that demonstrate his ongoing exploration of color, line, and composition. "L'Averse" (1893) showcases his ability to capture the atmospheric effects of Breton weather, while "Portrait of Paul Ranson" (1890) reveals his interest in portraying human subjects with a sense of immediacy and psychological depth. “Melancholy” (1890), a hauntingly evocative work, exemplifies Sérusier’s capacity to convey complex emotions through subtle color harmonies and carefully constructed forms. Later in his career, Sérusier continued to refine his style, incorporating elements of synthetism—a technique that sought to reduce natural forms to their essential geometric components—and exploring the expressive potential of abstraction. His work during this period reflects a growing interest in spirituality and symbolism, drawing inspiration from Theosophical ideas and other esoteric traditions. Notably, Sérusier also served as an instructor at the École Ranson, founded by his fellow Nabi Paul Ranson, where he instilled his innovative approach to painting in a new generation of artists.

    Legacy and Historical Significance

    Paul Sérusier’s contribution to the development of modern art is profound and multifaceted. He was not merely a follower of Gauguin; rather, he played a crucial role in shaping the direction of the Nabis movement and, more broadly, in paving the way for subsequent avant-garde movements such as Fauvism and Cubism. His pioneering use of cloisonnism—a technique that emphasized simplified forms and bold outlines—demonstrated a radical departure from traditional artistic conventions and opened up new possibilities for abstract expression. Sérusier’s emphasis on capturing the essence of impressions, rather than simply replicating visual reality, profoundly influenced his contemporaries and successors. His legacy extends beyond his individual paintings; he is remembered as a key figure in the intellectual and aesthetic ferment that characterized late 19th-century Paris—a period marked by experimentation, innovation, and a profound questioning of established artistic norms. Paul Sérusier passed away on October 7, 1927, leaving behind a body of work that continues to inspire and challenge viewers today.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de A Widow

    originaluniqueart.com/pt/art/download/paul-serusier-a-widow-8YE8YX-en/

    Como citar esta obra

    MLA
    Sérusier, Paul. A Widow. 1919, https://originaluniqueart.com/pt/art/paul-serusier-a-widow-8YE8YX-en/
    APA
    Sérusier, Paul (1919). A Widow [Painting]. https://originaluniqueart.com/pt/art/paul-serusier-a-widow-8YE8YX-en/
    Chicago
    Paul Sérusier. A Widow. 1919. https://originaluniqueart.com/pt/art/paul-serusier-a-widow-8YE8YX-en/
    Harvard
    Sérusier, Paul (1919) A Widow. Available at: https://originaluniqueart.com/pt/art/paul-serusier-a-widow-8YE8YX-en/

    Observe de perto

    A Widow — Paul Sérusier

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Quantos rostos você consegue encontrar? ____ (o nosso catálogo conta 1 — você concorda?)
    4. O nosso catálogo classifica esta obra sob: woman in mourning, lush landscape, geometric forms. Concorda? O que acrescentaria ou removeria?
    5. Relembre Portrait de Paul Ranson (1890), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Quem criou "A Widow" e em qual estilo se encontra?

    Paul Sérusier criou "A Widow" dentro do movimento Synthetism.

    Como posso descobrir obras de arte semelhantes a "A Widow" de Paul Sérusier?

    A página Semelhantes de "A Widow" de Paul Sérusier apresenta obras relacionadas.

    Quanta luz as cores de "A Widow" parecem refletir?

    As cores de "A Widow" apresentam uma luminância Dark.