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Guia de Obras de Estudantes

Number 12, 1949

Nome Turma Data

Jackson Pollock, Number 12, 1949. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Jackson Pollock originaluniqueart.com/pt/artists/jackson-pollock_pt/
Datas do artista
1912 – 1956
Técnica
Oil On Canvas
Movimento
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Período
Modern
Notable elements
Drip technique, dynamic composition, bold use of color
Style
Drip painting, Action Painting

No contexto

Number 12, 1949 — Jackson Pollock

Quando poderá ter sido pintada esta obra?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 44 ao falecer.

Sombreado: a trajetória de Jackson Pollock (1912–1956) cada pintura datada, década por década

Primeiras obras: até 1941 Principais anos de atividade: 1941–1948 Obras tardias: a partir de 1948

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/paul-jackson-pollock-number-12-1949-8EWJX8-en/

Cores

Medido a partir da imagem

    Cor principal

    Espresso #382c28

    Paleta catalogada

    • #382C28
    • #D5C3A2
    • #756051
    • #AB9476

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Espresso
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Bright O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Jackson Pollock nos últimos doze meses — 70 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 18,8%13.200 visits
    2. 2 França 8,1%5.700 visits
    3. 3 Estados Unidos da América 7,4%5.200 visits
    4. 4 Alemanha 7,1%5.000 visits
    5. 5 Japão 5,7%4.000 visits
    6. 6 Espanha 5,5%3.900 visits
    7. 7 Itália 5,5%3.900 visits
    8. 8 Brasil 3,1%2.200 visits
    9. 9 Singapura 2,7%1.900 visits
    10. 10 México 2,6%1.800 visits
    11. · 60 outros países 33,5%23.500 visits

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Jackson Pollock

    1. 1 Número 1, 1949, 1950 35,3%44.800 visits
    2. 2 Ritmo Outonal Número 30 7,0%8.900 visits
    3. 3 One. Number 31, 1950 5,6%7.100 visits
    4. 4 Convergência 5,1%6.500 visits
    5. 5 Number 5, 1948 3,1%3.900 visits
    6. 6 Number 5, 1948 2,6%3.300 visits
    7. 7 Número 1A 2,3%2.900 visits
    8. 8 Luz Branca, 1954 2,1%2.700 visits
    9. 9 Number 10, 1949 1,7%2.100 visits
    10. 10 Number 3, 1948 1,6%2.000 visits
    11. 11 Number 6, 1949 1,3%1.600 visits
    12. 12 Number 1, 1948 1,2%1.500 visits
    13. 13 Number 3, 1949 1,2%1.500 visits
    14. 14 Number 8 0,9%1.200 visits
    15. 15 The She Wolf, 1943 0,9%1.100 visits
    16. 16 Number 2, 1951 0,9%1.100 visits
    17. 17 Saint 0,8%1.000 visits
    18. 18 Cathedral 0,8%1.000 visits
    19. 19 The Deep 0,8%1.000 visits
    20. 59 Number 12, 1949 esta obra 0,2%300 visits

    Juntas, estas obras representam 75,4% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 176 obras deste artista, das quais 126 foram visualizadas pelo menos uma vez. This painting ranks 59 of them, with 0,2% of that attention (300 visits). Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Number 12, 1949 — Jackson Pollock

    A Universe Within: Decoding Jackson Pollock’s “Number 12, 1949”

    Jackson Pollock's "Number 12, 1949" isn't simply a painting; it’s an event frozen in time – a visual record of energy, gesture, and the burgeoning anxieties of the post-war American psyche. This monumental work stands as a cornerstone of Abstract Expressionism, a movement that irrevocably altered the course of 20th-century art.

    The Birth of Action Painting

    Pollock’s revolutionary technique, often termed “drip painting,” involved abandoning traditional easel painting in favor of working on an unprimed canvas laid directly on the floor. He eschewed brushes, instead employing sticks, hardened brushes, and even syringes to fling, pour, and splatter paint onto the surface. This wasn’t about depicting a subject; it was about the act of painting itself – the physical manifestation of inner turmoil and creative impulse. “Number 12, 1949” exemplifies this process perfectly. The canvas becomes an arena for action, a space where Pollock's movements are directly translated into visual form.

    Deconstructing the Composition

    At first glance, the painting appears chaotic – a tangled web of lines and forms in shades of black, white, yellow, and brown. However, closer inspection reveals a surprising degree of control and balance. The density of paint varies across the canvas, creating areas of intense visual activity alongside quieter, more contemplative spaces. There’s no focal point in the traditional sense; instead, the eye is invited to wander, discovering new patterns and relationships with each viewing. The layering of paint creates a remarkable sense of depth, despite the fundamentally two-dimensional nature of the work.

    Historical Context & Artistic Influences

    Emerging in the aftermath of World War II, Abstract Expressionism reflected a profound shift in artistic sensibilities. Artists sought to move beyond representation and explore the realm of pure emotion and subjective experience. Pollock was influenced by Surrealist automatism – a technique aimed at unlocking the subconscious mind – as well as Native American sand painting traditions. Furthermore, the burgeoning interest in psychoanalysis, particularly the work of Carl Jung, informed the movement’s exploration of archetypes and universal symbols. While often categorized within Abstract Expressionism, “Number 12, 1949” also anticipates elements of Color Field painting, with its emphasis on large areas of color and atmospheric effects.

    Symbolism & Emotional Resonance

    While Pollock resisted explicit interpretations of his work, "Number 12, 1949" evokes a range of powerful emotions – anxiety, energy, freedom, and even a sense of existential angst. The tangled lines can be seen as representing the complexities of the human psyche, while the dynamic interplay of light and dark suggests a constant struggle between opposing forces. The painting isn’t about what it depicts, but rather how it makes you feel.

    A Legacy of Innovation

    Pollock's impact on art history is immeasurable. He liberated painting from the constraints of representation and paved the way for countless subsequent movements, including Minimalism, Pop Art, and Conceptual Art. “Number 12, 1949” remains a powerful testament to his artistic vision – a bold and uncompromising statement about the possibilities of paint and the expressive potential of the human spirit. Its enduring appeal lies in its ability to challenge our perceptions and invite us to engage with art on a deeply personal level.

    Integrating “Number 12, 1949” into Your Space

    For the Collector: A statement piece that anchors any modern or contemporary collection. Its scale demands attention and sparks conversation.

    For the Interior Designer: Its neutral palette allows for versatility, complementing a range of color schemes. The dynamic composition adds energy to minimalist spaces while providing a compelling counterpoint to more traditional interiors.

    Emotional Impact: Ideal for spaces intended for contemplation or creative work, fostering an atmosphere of innovation and introspection.

    Artista e museu

    Artista

    Jackson Pollock

    Nascido em Cody, Estados Unidos da América

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    This innovative approach positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery, reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

    A Complex Figure

    Jackson Pollock’s life was marked by both artistic brilliance and personal struggles. He battled chronic alcoholism throughout much of his career, a condition that profoundly impacted his health and relationships. Despite these challenges, he remained fiercely dedicated to his art, constantly pushing the boundaries of creative expression. His reclusive nature and volatile personality often made him difficult to know personally, yet his work continues to resonate deeply with audiences around the world.

    His legacy extends beyond the canvases themselves—it encompasses a revolutionary approach to painting that redefined artistic practice and forever altered the course of modern art. Pollock’s willingness to embrace spontaneity, challenge conventions, and explore the depths of human emotion cemented his place as one of the most important and influential artists of the 20th century.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Number 12, 1949

    originaluniqueart.com/pt/art/download/paul-jackson-pollock-number-12-1949-8EWJX8-en/

    Como citar esta obra

    MLA
    Pollock, Jackson. Number 12, 1949. n.d., https://originaluniqueart.com/pt/art/paul-jackson-pollock-number-12-1949-8EWJX8-en/
    APA
    Pollock, Jackson (n.d.). Number 12, 1949 [Painting]. https://originaluniqueart.com/pt/art/paul-jackson-pollock-number-12-1949-8EWJX8-en/
    Chicago
    Jackson Pollock. Number 12, 1949. n.d. https://originaluniqueart.com/pt/art/paul-jackson-pollock-number-12-1949-8EWJX8-en/
    Harvard
    Pollock, Jackson (n.d.) Number 12, 1949. Available at: https://originaluniqueart.com/pt/art/paul-jackson-pollock-number-12-1949-8EWJX8-en/

    Observe de perto

    Number 12, 1949 — Jackson Pollock

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: abstract, drip painting, chaos. Concorda? O que acrescentaria ou removeria?
    4. Relembre Número 1, 1949 (1950), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Quiz de arte

    Number 12, 1949 — Jackson Pollock

    O quanto você conhece esta obra de arte?

    Selecione uma resposta para cada uma das 5 perguntas abaixo. Cada uma possui exatamente uma resposta correta.

    1. 1. What artistic movement is Jackson Pollock's 'Number 12, 1949' most closely associated with?

      • A Impressionism
      • B Abstract Expressionism
      • C Renaissance
    2. 2. What is the defining characteristic of Pollock’s technique in 'Number 12, 1949'?

      • A Precise brushstrokes and realistic depiction
      • B Dripping and splattering paint onto canvas
      • C Layering thick impasto with a palette knife
    3. 3. The description mentions 'Number 12, 1949' can also be considered within the context of which other art movement?

      • A Cubism
      • B Surrealism
      • C Color Field painting
    4. 4. How did Pollock typically position his canvas when creating drip paintings like 'Number 12, 1949'?

      • A Erect on an easel
      • B On the floor
      • C Hanging vertically from a wall
    5. 5. The image description highlights what prominent visual element of 'Number 12, 1949'?

      • A Strong shadows and highlights
      • B A clear representational subject matter
      • C Chaotic yet controlled splatters and drips

    Minha pontuação: ____ de 5

    Gabarito — para o professor

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    1B · 2B · 3C · 4B · 5C

    Confira qualquer resposta comparando com o registro do catálogo desta pintura

    Perguntas e Respostas

    Como o movimento e a época se encontram em "Number 12, 1949", de Jackson Pollock?

    Em "Number 12, 1949", de Jackson Pollock, o movimento Abstract Expressionism encontra a era Modernismo.

    De onde vêm os visitantes de "Number 12, 1949", de Jackson Pollock?

    Existe uma página de Estatísticas para "Number 12, 1949". Ela apresenta o gráfico de visitas mensais da obra e de outras obras do artista, com detalhamento por país e idioma.

    A qual movimento artístico "Number 12, 1949", de Jackson Pollock pertence?

    O movimento associado a "Number 12, 1949", de Jackson Pollock é Abstract Expressionism. Esta classificação situa a obra entre artistas e obras de arte relacionados.