Papel

Guia de Obras de Estudantes

Bust Selfportrait in Paiting Overall

Nome Turma Data

Max Liebermann, Bust Selfportrait in Paiting Overall (1922), Stiftung Brandenburger Tor. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Max Liebermann originaluniqueart.com/pt/artists/max-liebermann_pt/
Datas do artista
1847 – 1935
Pintura a óleo
1922
Técnica
Oil On Canvas
Movimento
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Período
19th Century
Realizado em
Stiftung Brandenburger Tor originaluniqueart.com/pt/museums/stiftung-brandenburger-tor-berlim_pt/
Artistic style
Realistic Impressionism
Influences
European Painting
Notable elements or techniques
Detailed portraiture; Light and color rendering
Subject or theme
Self-portrait

No contexto

Bust Selfportrait in Paiting Overall — Max Liebermann

Quando foi pintado?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920
  10. 1930

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 88 ao falecer.

Pintado quando o artista tinha 75. O artista viveu até aos 88. 103 das 137 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Max Liebermann (1847–1935) ▲ esta obra, 1922 cada pintura datada, década por década

Primeiras obras: até 1895 Principais anos de atividade: 1895–1921 Obras tardias: a partir de 1921

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/max-liebermann-bust-selfportrait-in-paiting-overall-D7JCJZ-en/

Cores

Medido a partir da imagem

    Cor principal

    Phthalo Green #2c2924

    Paleta catalogada

    • #2C2924
    • #8F7D64
    • #77624C
    • #5A4A3A

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Phthalo Green
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Max Liebermann nos últimos doze meses — 15 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 67,7%
    2. 2 Estados Unidos da América 8,7%
    3. 3 Singapura 5,6%
    4. 4 Alemanha 5,0%
    5. 5 Hong Kong 2,5%
    6. 6 Canadá 1,9%
    7. 7 Finlândia 1,9%
    8. 8 Países Baixos 1,9%
    9. 9 Reino Unido 1,2%
    10. 10 Equador 0,6%
    11. · 5 outros países 3,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Max Liebermann

    1. 1 Munich Beer Garden: The Augustine Brewery, 1884 5,6%
    2. 2 Garden Bench beneath the Chestnut Tree in the Wannsee Garden, 1925 4,5%
    3. 3 Hospital Garden in Edam, 1904 3,0%
    4. 4 Hora livre no orfanato de Amsterdã, 1876 2,5%
    5. 5 Parrot Avenue, 1902 2,5%
    6. 6 Self Portrait with Brush and Palette, 1913 2,5%
    7. 7 KIRCHGANG IN Laren 2,5%
    8. 8 Street in the Jewish Quarter of Amsterdam, 1905 2,0%
    9. 9 The Surgeon, Ferdinand Sauerbruch, 1932 2,0%
    10. 10 Flower Terrace in the Wannsee Garden, Facing East, 1924 2,0%
    11. 11 Country House in Hilversum (also known as Villa in Hilversum), 1901 2,0%
    12. 12 Old Men's Home in Amsterdam, Study, 1880 2,0%
    13. 13 Restaurant Garden (also known as Beer Garden in Leiden (Zelten.)), 1900 1,5%
    14. 14 Digging for Potatoes in the Dunes at Zandvoort, 1895 1,5%
    15. 15 View from the Birch Avenue toward the Northwest, 1929 1,5%
    16. 16 View over the Tall Linden Hedge into the Cutting Garden toward the West, 1929 1,5%
    17. 17 Dune near Nordwijk with Child (also known as Dune bei Nordwijk mit Kind), 1906 1,5%
    18. 18 Schreitender Bauer, 1894 1,5%
    19. 19 Horse races 1,5%
    20. — Bust Selfportrait in Paiting Overall, 1922 esta obra 0,0%

    Juntas, estas obras representam 43,6% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 211 obras deste artista, das quais 103 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Bust Selfportrait in Paiting Overall — Max Liebermann

    A Gaze Into the Self: Max Liebermann's Bust Selfportrait

    To stand before this selfportrait is to encounter not merely a likeness, but a carefully considered meditation on identity itself. Painted in 1922 by Max Liebermann, this bust portrait captures the artist at a moment of profound introspection. The subject gazes out from the canvas with an undeniable seriousness, his mustache and beard lending him an air of intellectual gravitas. Every element—from the precise knot of his bow tie to the thoughtful set of his glasses—contributes to a persona that is both intimately familiar and strikingly composed. It speaks volumes about the artist's self-perception during this pivotal time in his life, offering us a direct line into the mind of a master.

    Technique and Tonal Drama

    Liebermann’s handling of paint here showcases his mastery of tonal contrast. The deliberate use of a black and white color scheme is not a limitation, but rather a powerful artistic choice that heightens the drama and focuses all attention squarely on the nuances of the sitter's expression. Observe how the light seems to sculpt the planes of his face, giving dimension to the subtle contours around his eyes and mouth. The technique employed suggests an Impressionist foundation—a sensitivity to fleeting moments—but channeled through a more formal, almost psychological portraiture lens. This stark palette strips away the distractions of color, leaving only the essential architecture of character.

    Historical Echoes in Berlin

    Created in 1922, this work emerges from a period when Germany was navigating immense social and artistic upheaval. Liebermann, an artist deeply connected to the vibrant cultural pulse of Berlin, captured a moment that feels both timeless and acutely contemporary. While his earlier works celebrated everyday life with Impressionistic joy, this selfportrait suggests a more internalized dialogue—a necessary turning inward amidst the roaring changes of the early 20th century. It is a testament to an artist who remained keenly observant, even when looking at himself.

    Symbolism and Emotional Resonance

    The act of painting a selfportrait has always been fraught with symbolic weight; it is both documentation and declaration. Here, the direct address to the viewer creates an immediate, almost confrontational intimacy. The seriousness in his eyes invites us to question: what is being observed? Is it the artist, or the enduring spirit that survives the passage of time? For collectors and those seeking art for a sophisticated interior space, this piece offers depth. It doesn't merely decorate; it prompts conversation, encouraging contemplation on self-image, intellect, and the weight of experience.

    Bringing Liebermann Home

    Owning a reproduction of "Bust Selfportrait in Paiting" allows one to integrate a piece of this rich artistic dialogue into your own sanctuary. The dramatic contrast inherent in the original composition translates beautifully into any setting, providing a focal point that is both intellectually stimulating and visually arresting. It serves as a sophisticated anchor for a room, echoing the thoughtful elegance of early 20th-century European portraiture while maintaining a modern, stark power.

    Artista e museu

    Artista

    Max Liebermann

    Nascido em Berlim, Alemanha

    A Life Immersed in Light: The World of Max Liebermann

    Born into a prosperous Jewish family in 1847 Berlin, Max Liebermann’s path to becoming one of Germany's foremost Impressionist painters wasn’t preordained. Initially steered towards the respectable professions of law and philosophy at the University of Berlin, his true calling resonated far more powerfully from the canvas than the courtroom. This early period of intellectual exploration, however, undoubtedly shaped his observant eye and thoughtful approach to depicting the world around him. It was a deliberate shift – studies in Weimar, Paris, and the Netherlands – that truly ignited his artistic passion, exposing him to diverse styles and laying the foundation for a career defined by capturing fleeting moments with an exquisite sensitivity to light and color. He wasn’t merely painting what he saw; he was translating the very essence of experience onto the canvas. Liebermann's early works often depicted scenes of everyday life, particularly those of the working class, rendered with a naturalism that challenged the prevailing romanticized aesthetic of the time. These paintings weren’t intended as social commentary, but rather as honest portrayals of human existence, imbued with dignity and respect.

    Embracing Impressionism in a German Context

    Liebermann's artistic development was profoundly influenced by his exposure to French Realism and, crucially, the burgeoning Impressionist movement. The spirit of Édouard Manet – his boldness, his rejection of academic convention, his focus on contemporary life – resonated deeply with Liebermann. However, he didn’t simply replicate what he saw in Paris; instead, he adapted these principles to a German sensibility, creating an Impressionism uniquely his own. His palette became brighter, his brushstrokes looser and more spontaneous, and his subjects shifted towards scenes of bourgeois leisure and the tranquil beauty of his garden near Lake Wannsee. This garden, in particular, became a recurring motif throughout his career, offering a sanctuary from the rapidly changing world outside and providing endless inspiration for his explorations of light and atmosphere. He wasn’t just painting flowers and foliage; he was capturing the very feeling of summer, the warmth of the sun, the gentle breeze rustling through the leaves. Liebermann's early works often featured vibrant colors and a focus on capturing the effects of light, reflecting the influence of artists like Claude Monet and Pierre-Auguste Renoir. He sought to translate the fleeting impressions of nature onto his canvases, prioritizing atmosphere and color over precise detail.

    A Champion of Artistic Freedom

    Liebermann wasn't content to simply paint; he actively championed artistic innovation and independence. Recognizing the stifling constraints imposed by the traditional art establishment, he became a driving force behind the Berlin Secession in 1898, leading this avant-garde group for over a decade. The Secession challenged conventional norms, providing a platform for artists working outside the confines of academic tradition. This commitment to artistic freedom extended beyond his own work; Liebermann believed passionately that artists should be free to explore their vision without interference from political or ideological pressures. His election to the Prussian Academy of Arts in 1909 and subsequent presidency in 1920 were testaments to his growing influence within the German art world, but these positions also brought him face-to-face with the rising tide of anti-Semitism and nationalism that would ultimately threaten his life’s work. The Secession fostered a spirit of experimentation and collaboration, encouraging artists to push boundaries and challenge established artistic conventions. Liebermann's leadership was instrumental in shaping the movement's identity and promoting its ideals.

    Shadows of a Changing World: Legacy and Resilience

    The rise of Nazism cast a dark shadow over Liebermann’s later years. His principled stance against discrimination led to his resignation from the Prussian Academy in 1933, a courageous act that signaled his refusal to compromise his values. Despite facing increasing persecution, he continued to paint, finding solace and purpose in his art. He passed away in Berlin in 1935, leaving behind a rich legacy of paintings, prints, and a profound commitment to artistic freedom. His wife, Martha, tragically took her own life in 1943 to avoid deportation, a heartbreaking testament to the horrors of the Holocaust. For years after the war, Liebermann’s work was somewhat overlooked, but in recent decades there has been a renewed appreciation for his contributions to German Impressionism and modern art history. Today, he is remembered not only as a brilliant painter but also as a courageous advocate for artistic expression and a symbol of resistance against tyranny. His paintings continue to captivate viewers with their luminous beauty, insightful observations, and enduring humanity.

    Key Achievements & Lasting Influence

    “The Twelve-Year-Old Jesus in the Temple”: This early work sparked considerable debate due to its unconventional depiction of a Semitic-looking Jesus, challenging traditional religious iconography.

    Leadership of the Berlin Secession: His pivotal role in leading this avant-garde movement challenged artistic norms and paved the way for modern art in Germany.

    Presidency of the Prussian Academy of Arts: A significant recognition of his artistic merit, though ultimately compromised by the rise of Nazism.

    Masterful Portraiture: His ability to capture the essence of his subjects in over 200 commissioned portraits cemented his reputation as a leading portrait painter.

    Influence on German Impressionism: Liebermann successfully translated the principles of Impressionism into a uniquely German context, inspiring generations of artists.

    Museu

    Stiftung Brandenburger Tor

    Em exibição em Berlim, Alemanha

    Um Farol de Arte Alemã e Memória

    Aninhada no coração pulsante de Berlim, adjacente ao icônico Portão de Brandemburgo, a

    Stiftung Brandenburger Tor

    ergue-se como um profundo testemunho do espírito artístico duradouro da Alemanha e de sua capacidade de renascimento. Mais do que um mero repositório de artefatos, esta instituição serve como uma ponte vital entre as sombras densas da história e a luz vibrante do diálogo cultural contemporâneo. A fundação opera dentro das paredes sagradas da

    Max Liebermann Haus

    , uma estrutura que é, por si só, uma obra-prima do modernismo. Projetada pelo lendário Erich Mendelsohn em 1928, esta residência de inspiração Bauhaus oferece uma experiência arquitetônica definida por seu átrio imponente e janelas expansivas, que convidam a luz mutável de Berlim a dançar sobre suas superfícies, espelhando a missão do museu de iluminar a evolução da identidade alemã.

    Obras-Primas de Emoção e Identidade

    A alma da coleção reside em sua curadoria meticulosa de obras-primas alemãs que abrangem desde as eras transformadoras do Romantismo até a intensidade crua do Expressionismo. Os visitantes são convidados a percorrer uma narrativa de emoção nacional, encontrando obras de luminares que redefiniram os limites da percepção. Não se pode visitar a instituição sem ser tocado pelo poder expressivo de

    Eranc Ludwig Kirchner

    . Sua pintura monumental,

    Brandenburg Gate in Berlin

    , captura o monumento histórico da cidade com um senso de grandiosidade solene, utilizando pinceladas ousadas e rítmicas e uma paleta suave para transmitir o peso psicológico do passado de uma nação.

    Em contraste com a tensão urbana encontrada na obra de Kirchner, a coleção oferece a precisão delicada de

    Max Liebermann

    , cujas séries de retratos desmascaram magistralmente a vida interior de seus sujeitos, revelando a vulnerabilidade humana através de luz e sombra sutis. Estas obras, juntamente com as peças provocativas de

    Otto Dix

    e

    Georg Baselitz

    , criam um diálogo que é ao mesmo tempo profundamente pessoal e amplamente histórico. Para o colecionador ou o designer de interiores, a instituição representa o ápice da inspiração estética, oferecendo um olhar profundo sobre como movimento, cor e forma podem encapsular o zeitgeist de uma era.

    Um Diálogo Vivo com o Presente

    O que verdadeiramente distingue a

    Stiftung Brandenburger Tor

    é sua recusa em permanecer estática dentro dos confins do passado. Embora honre os mestres do patrimônio alemão, a fundação prospera com a energia do presente por meio de exposições temporárias que abordam temas sociais e políticos urgentes. Estas mostras curadas servem como cadinhos intelectuais, estimulando a reflexão crítica sobre questões contemporâneas e promovendo um espaço onde a arte encontra o ativismo. Por meio de suas parcerias internacionais e robustas iniciativas educacionais, a fundação continua a cultivar uma apreciação global pelo poder transformador da arte, garantindo que o legado da criatividade alemã permaneça uma força viva e pulsante no mundo moderno.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Bust Selfportrait in Paiting Overall

    originaluniqueart.com/pt/art/download/max-liebermann-bust-selfportrait-in-paiting-overall-D7JCJZ-en/

    Como citar esta obra

    MLA
    Liebermann, Max. Bust Selfportrait in Paiting Overall. 1922, Stiftung Brandenburger Tor. https://originaluniqueart.com/pt/art/max-liebermann-bust-selfportrait-in-paiting-overall-D7JCJZ-en/
    APA
    Liebermann, Max (1922). Bust Selfportrait in Paiting Overall [Painting]. Stiftung Brandenburger Tor. https://originaluniqueart.com/pt/art/max-liebermann-bust-selfportrait-in-paiting-overall-D7JCJZ-en/
    Chicago
    Max Liebermann. Bust Selfportrait in Paiting Overall. 1922. Stiftung Brandenburger Tor. https://originaluniqueart.com/pt/art/max-liebermann-bust-selfportrait-in-paiting-overall-D7JCJZ-en/
    Harvard
    Liebermann, Max (1922) Bust Selfportrait in Paiting Overall. Stiftung Brandenburger Tor. Available at: https://originaluniqueart.com/pt/art/max-liebermann-bust-selfportrait-in-paiting-overall-D7JCJZ-en/

    Observe de perto

    Bust Selfportrait in Paiting Overall — Max Liebermann

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: portrait, self-portrait, light. Concorda? O que acrescentaria ou removeria?
    4. Relembre Hora livre no orfanato de Amsterdã (1876), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Quiz de arte

    Bust Selfportrait in Paiting Overall — Max Liebermann

    O quanto você conhece esta obra de arte?

    Selecione uma resposta para cada uma das 5 perguntas abaixo. Cada uma possui exatamente uma resposta correta.

    1. 1. Who is the artist of the 'Bust Selfportrait in Paiting'?

      • A Pierre-Auguste Renoir
      • B Max Liebermann
      • C Claude Monet
    2. 2. In what year was the 'Bust Selfportrait in Paiting' created?

      • A 1890
      • B 1922
      • C 1935
    3. 3. What is a notable characteristic of the background in this painting?

      • A Bright, vibrant colors
      • B A landscape scene
      • C A black and white color scheme
    4. 4. Max Liebermann was known for his mastery of which artistic style?

      • A Baroque
      • B Impressionism
      • C Cubism
    5. 5. Where is the 'Bust Selfportrait in Paiting' currently housed?

      • A The Louvre Museum, Paris
      • B Stiftung Brandenburger Tor in Berlin
      • C The Uffizi Gallery, Florence

    Minha pontuação: ____ de 5

    Gabarito — para o professor

    Isto inicia uma nova página impressa, de modo que ela pode simplesmente ser omitida das cópias.

    1A · 2A · 3B · 4A · 5A

    Confira qualquer resposta comparando com o registro do catálogo desta pintura

    Perguntas e Respostas

    Quem criou "Bust Selfportrait in Paiting Overall" e em qual estilo se encontra?

    "Bust Selfportrait in Paiting Overall" foi criada por Max Liebermann no estilo Impressionism. O artista e o movimento identificam a tradição da obra.

    Por que o status de direitos autorais de "Bust Selfportrait in Paiting Overall" é como é?

    O status de direitos autorais de "Bust Selfportrait in Paiting Overall" - em domínio público — seus direitos autorais expiraram - decorre do falecimento do artista em 1935.

    A que período da carreira de Max Liebermann pertence "Bust Selfportrait in Paiting Overall"?

    Dentro da trajetória de Max Liebermann, "Bust Selfportrait in Paiting Overall" pertence ao período Mature Period. Esta fase permite compará-la com outras obras do artista.