Papel

Guia de Obras de Estudantes

Self-portrait

Nome Turma Data

Manuel González Serrano, Self-portrait (1943), colección-blaisten. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Manuel González Serrano originaluniqueart.com/pt/artists/manuel-gonzalez-serrano/
Datas do artista
1917 – 1966
Pintura a óleo
1943
Dimensões originais
58 x 48 cm
Realizado em
colección-blaisten originaluniqueart.com/pt/museums/coleccion-blaisten-mexico-city/

No contexto

Self-portrait — Manuel González Serrano

Qual é o tamanho?

As dimensões originais são 58 × 48 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 49 ao falecer.

Pintado quando o artista tinha 26. O artista viveu até aos 49. 0 das 2 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Manuel González Serrano (1917–1966) ▲ esta obra, 1943 cada pintura datada, década por década

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/manuel-gonzalez-serrano-self-portrait-D4822X-en/

Cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #ae9c74

    Paleta catalogada

    • #AE9C74
    • #373328
    • #807555
    • #5E5641

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Nome da cor principal
    Rosy Brown
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Self-portrait — Manuel González Serrano

    La obra de Manuel González Serrano se encuentra muy ligada a las tendencias internacionales del surrealismo y de la metafísica, ya que sus composiciones poseen elementos fuera de lugar, casi siempre con mensajes ocultos. Sin embargo, en este autorretrato, González Serrano se presenta a sí mismo tal cual se considera, plasmando sin temor lo que siente y piensa, proyectándose ante el mundo sin ningún recato. A pesar de que este cuadro no posee grandes dimensiones y sólo se muestra un pequeño fragmento del cuerpo del autor, podemos decir que pocos autorretratos logran transmitir con tanta intensidad la personalidad interior del artista. La pincelada pictórica y suelta comprueba la maestría de su técnica. Se trata aquí de una imagen un tanto intrigante. Este hombre despeinado y desaliñado, con la mirada hacia el espectador, por un lado vacía e introspectiva, por otro honesto y sensual, nos da una sensación de miedo. Al mismo tiempo, percibimos otros sentimientos como soledad, tristeza, desolación, drama, pasión, desesperación e incluso hasta adivinar una mentalidad suicida, en parte porque ya sabemos que era una persona desequilibrada emocionalmente. Vale la pena destacar la fecha precisa. González Serrano la inscribe muy visible en la parte superior de la pintura, cerca de su rostro. Con ella, el autor revela que la obra fue realizada en el transcurso de una sola noche, ya que la fecha dice: ?del 3 al 4 de septiembre de 1943?. Es una prueba textual del momento creativo y emocional por el que el artista estaba pasando, probablemente atormentado por la responsabilidad que representaba su primera exposición individual, que se llevaría a cabo 6 días después en la Biblioteca Benjamín Franklin. Vid. Renata Blaisten, Arte moderno de México. Colección Andrés Blaisten, México, Universidad Nacional Autónoma de México, 2005.

    Artista e museu

    Artista

    Manuel González Serrano

    Nascido em Mexico City, Mexico

    Manuel González Serrano: A Mexican Painter of Vibrant Forms

    Born: Mexico City, Mexico (1917)

    Died: 1966

    Manuel González Serrano was a significant figure in the landscape of mid-20th century Mexican art. Born in Mexico City in 1917, his artistic journey unfolded against a backdrop of cultural and political change within Mexico. Though biographical details about his early life remain scarce, it is evident that he emerged as part of a generation deeply influenced by Mexico’s rich heritage and the burgeoning modernist movements.

    Early Life and Artistic Development

    While information regarding González Serrano's formal training is limited, he appears to have been largely self-taught. He began painting at an early age, demonstrating a natural inclination towards artistic expression. His initial works showcased a fascination with the fantastical and surreal, reflecting international trends of the time. He briefly attended classes at La Esmeralda National School of Painting and Sculpture but did not pursue formal studies extensively.

    Key Works and Artistic Style

    González Serrano is perhaps best known for his painting “From the Balcony” (1948), a work that exemplifies his distinctive style. His artistic approach is characterized by:

    Bold Colors: González Serrano employed a vibrant palette, utilizing strong and contrasting colors to create visually striking compositions.

    Geometric Shapes: A defining feature of his work is the incorporation of geometric forms – squares, rectangles, circles – which he integrated into both figurative and abstract elements.

    Influence of Mexican Muralism: While not directly a muralist himself, González Serrano’s art was influenced by the broader movement's emphasis on national identity and social commentary, albeit expressed through a more personal and less overtly political lens.

    Other notable works demonstrate his exploration of portraiture, landscapes, and still lifes, often imbued with symbolic meaning.

    Exhibitions and Recognition

    Early Exhibitions: González Serrano first exhibited his work in 1943 at the Primer Salón de Arte Libre held at the Palacio de Bellas Artes. He continued to exhibit there the following year and had his first individual exhibition at the Galería Decoración.

    Collective Shows: Between 1947 and 1949, he participated in collective exhibitions alongside prominent artists such as Juan Soriano, Jesús Guerrero Galván, and Francisco González Camarena.

    International Exposure: Through his marriage to a wealthy North American woman, González Serrano gained opportunities to exhibit his work in California and connect with the Hollywood art scene.

    Colección Andrés Blaisten: A significant portion of his works can be found within the Colección Andrés Blaisten in Mexico, a renowned collection of Latin American art.

    Later Years and Legacy

    In his later years, González Serrano experienced periods of isolation and mental health challenges, which impacted his artistic output. Despite this, his work continues to be recognized for its unique blend of vibrant color, geometric abstraction, and symbolic imagery. His contribution to Mexican art lies in his ability to synthesize modernist influences with a distinctly Mexican sensibility, creating a body of work that is both visually compelling and culturally resonant.

    For more information about Manuel González Serrano and his artwork, visit AllPaintingsStore.

    Museu

    colección-blaisten

    Em exibição em Mexico City, Mexico

    A Sanctuary of Mexican Modernity: Exploring the Colección Blaisten

    Mexico City pulses with a creative energy born from centuries of cultural confluence—a vibrant tapestry woven with indigenous traditions, colonial legacies, and a relentless spirit of an enduring innovation. Within this dynamic metropolis lies the

    Colección Blaisten

    , not merely a museum but a carefully curated journey through the very heart of 20th and 21st-century Mexican art. Founded by the passionate collector Andrés Blaisten, the collection began as a deeply personal pursuit, an intimate engagement with the artists shaping a nation’s identity in the wake of revolution and modernization. It has since blossomed into one of Mexico's most significant cultural institutions, offering an unparalleled panorama of artistic expression that extends far beyond familiar narratives of muralism to embrace the diverse voices of a generation grappling with profound change.

    The collection distinguishes itself through its comprehensive representation of the

    Generación de la Ruptura

    —the “Breakaway Generation.” Emerging in the 1950s, these artists deliberately rejected the dominant nationalist style of Mexican muralism, seeking new avenues for expression rooted in abstraction, experimentation, and a dialogue with international art movements. Figures like Gustavo Arias Murueta stand as central to this shift, his work embodying a sophisticated interplay between form, color, and texture that moved beyond overt political messaging towards a more introspective exploration of the human condition. But the museum’s scope is vast; it thoughtfully traces the evolution of Mexican art from early Modernism through contemporary practices, showcasing the enduring influence of masters like Juan O'Gorman—whose unique fusion of modernist principles with pre-Hispanic motifs continues to resonate today—and Manuel González Serrano, whose contributions helped define a new visual language for Mexico.

    Architecture as Atmosphere and Intellectual Dialogue

    The museum itself provides an ideal setting for contemplation and discovery. Housed within the

    Centro Cultural Universitario Tlatelolco

    , the architecture complements rather than competes with the artworks on display. The space is designed to foster a sense of serenity, allowing visitors to fully immerse themselves in the visual experience. Thoughtful lighting and carefully considered layouts guide the eye through the collection, revealing subtle connections and thematic resonances between different works. It is an environment that encourages slow viewing, inviting viewers to linger with each piece and engage in a personal dialogue with the art. The building's history as part of the UNAM campus adds another layer of significance, connecting the museum to Mexico’s broader intellectual and cultural landscape—a testament to the enduring legacy of humanist scholarship.

    Throughout its history, the Colección Blaisten has hosted groundbreaking exhibitions that have challenged conventional interpretations of Mexican art history. Recurring themes explored include indigenous symbolism revisited through modern lenses, explorations of identity and diaspora within Latin American contexts, and investigations into the intersection of art and social activism. Collaborations with prominent curators and artists alike have ensured that the museum remains at the forefront of artistic discourse, fostering critical engagement and inspiring new perspectives on Mexican cultural heritage. These exhibitions underscore the institution’s commitment to promoting intellectual curiosity and stimulating conversations about the role of art in shaping our understanding of the world.

    A Unique Cultural Compass for the Discerning Eye

    What truly sets the Colección Blaisten apart is its unwavering focus on the nuances of Mexican artistic identity. While acknowledging the influence of international trends, it consistently emphasizes the unique cultural context in which these artworks were created—the interplay between indigenous traditions and European influences, the legacy of colonialism, and the ongoing search for national expression. It is a museum that does not simply present art

    from

    Mexico; it presents art

    of

    Mexico, imbued with its history, its struggles, and its enduring spirit.

    For interior designers seeking pieces that tell a profound story, collectors looking to diversify their portfolios with unparalleled historical depth, or art lovers eager to delve deeper into the richness of Mexican culture, the Colección Blaisten offers an experience that is both intellectually stimulating and profoundly moving. It remains a definitive destination for anyone seeking to understand the soul of a nation through its most masterful visual achievements.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Self-portrait

    originaluniqueart.com/pt/art/download/manuel-gonzalez-serrano-self-portrait-D4822X-en/

    Como citar esta obra

    MLA
    Serrano, Manuel González. Self-portrait. 1943, colección-blaisten. https://originaluniqueart.com/pt/art/manuel-gonzalez-serrano-self-portrait-D4822X-en/
    APA
    Serrano, Manuel González (1943). Self-portrait [Painting]. colección-blaisten. https://originaluniqueart.com/pt/art/manuel-gonzalez-serrano-self-portrait-D4822X-en/
    Chicago
    Manuel González Serrano. Self-portrait. 1943. colección-blaisten. https://originaluniqueart.com/pt/art/manuel-gonzalez-serrano-self-portrait-D4822X-en/
    Harvard
    Serrano, Manuel González (1943) Self-portrait. colección-blaisten. Available at: https://originaluniqueart.com/pt/art/manuel-gonzalez-serrano-self-portrait-D4822X-en/

    Observe de perto

    Self-portrait — Manuel González Serrano

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre From the Balcony (1948), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Manuel González Serrano tinha cerca de 26 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Qual cor mais se destaca em "Self-portrait"?

    A cor que mais se destaca em "Self-portrait" é Rosy Brown (#ae9c74). A cor dominante é útil ao combinar uma obra de arte com um ambiente interno.

    Manuel González Serrano, criador(a) de "Self-portrait", é conhecido(a) por outros nomes?

    Manuel González Serrano também é conhecido como Manuel Gonzalez Serrano.

    Em que ano foi criada a obra "Self-portrait", de Manuel González Serrano?

    "Self-portrait", de Manuel González Serrano foi criado em 1943.