Papel

Guia de Obras de Estudantes

Across to the Mount

Nome Turma Data

Kurt Jackson, Across to the Mount (1999), Penlee House Gallery - Museum. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
Kurt Jackson originaluniqueart.com/pt/artists/kurt-jackson/
Datas do artista
1961 –
Pintura
1999
Dimensões originais
15 x 35 cm
Movimento
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Realizado em
Penlee House Gallery - Museum originaluniqueart.com/pt/museums/penlee-house-gallery-museum-penzance/

No contexto

Across to the Mount — Kurt Jackson

Dimensões

As dimensões originais são 15 × 35 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Linha superior: os anos. Linha inferior: a idade do artista no início e no fim de cada período, contando 0 a partir do nascimento.

Pintado quando o artista tinha 38. 2 das 6 obras datadas deste artista em nosso catálogo são anteriores.

▲ esta obra, 1999 cada pintura datada, década por década

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/kurt-jackson-across-to-the-mount-AR2D9W-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Gray #768571

    Paleta catalogada

    • #768571
    • #2B638A
    • #93B7C5
    • #4C5046

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Nome da cor principal
    Gray
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Softly Mixed Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Bright O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Kurt Jackson nos últimos doze meses — 2 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 China 80,0%
    2. 2 Reino Unido 20,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 5 obras mais visualizadas de Kurt Jackson

    1. 1 Infant Tamar Evening Warbler Song, 2008 33,3%
    2. 2 Several Winter Evenings Delabole 16,7%
    3. 3 Sun and Rain, Strong Winds, Drilling Carnsew Mine, 1999 16,7%
    4. 4 Catch the Light 16,7%
    5. 5 Across to the Mount, 1999 esta pintura 16,7%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 9 obras deste artista, das quais 5 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 5 posição entre elas, com 16,7% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Kurt Jackson

    Kurt Jackson: Bridging Abstract Expressionism and Landscape Impression

    Kurt Jackson (b. 1961) stands as a distinctive voice within contemporary British art, blending the dynamism of Abstract Expressionism with the serene beauty of landscape painting. Born in Stoke-on-Trent, Staffordshire, his artistic journey began amidst the industrial heritage of the Potteries, fostering an early fascination with texture and materiality – influences that would permeate his subsequent work. Jackson’s distinctive style is characterized by bold color palettes juxtaposed against textured impasto surfaces, creating canvases brimming with emotion and capturing fleeting moments of natural grandeur.

    Early Influences: Jackson's formative years were shaped by the gritty landscapes of Stoke-upon-Trent and a deep appreciation for the expressive techniques pioneered by artists like Willem de Kooning and Franz Kline. These encounters instilled in him a conviction that abstraction could serve as a conduit for conveying profound feelings about the natural world.

    Technique & Material Exploration: Jackson’s artistic process is marked by meticulous experimentation with various mediums, including watercolor, acrylics, oil paints, and mixed media. He frequently incorporates found objects – stones, driftwood, and even soil – into his paintings, elevating them beyond mere representation to become tactile explorations of form and texture.

    Notable Works: Among Jackson’s celebrated pieces are “Across to the Mount,” a monumental watercolor depicting coastal cliffs bathed in sunlight; “Sun and Rain, Strong Winds, Drilling Carnsew Mine,” a dramatic depiction of a Cornish mine site capturing industrial energy against atmospheric conditions; and “Greece,” an impressionistic landscape portraying rural Greece with evocative color harmonies.

    Critical Recognition: Jackson’s work has garnered considerable acclaim from critics and collectors alike. He was awarded the Turner Prize in 2003, cementing his position as one of Britain's most prominent artists of his generation.

    The Legacy of Abstract Expressionism & Luminist Vision

    Jackson’s artistic vision draws heavily from the principles of Abstract Expressionism, particularly the emphasis on spontaneous gesture and emotional intensity—a reaction against the formalism prevalent in earlier art movements. However, unlike many of his contemporaries who focused solely on internal psychological landscapes, Jackson consistently returns to external observation, channeling Luminist influences into his depictions of natural environments. This dual inspiration informs his approach, resulting in paintings that resonate with both visceral energy and contemplative stillness.

    De Kooning & Kline Influence: The influence of Willem de Kooning’s gestural brushstrokes and Franz Kline's stark black-and-white compositions is palpable in Jackson’s canvases. He strives to capture the immediacy of experience, mirroring the expressive fervor characteristic of these seminal artists.

    Luminist Aesthetic: Drawing inspiration from Luminist painters like Frederic Church and Albert Bierstadt, Jackson seeks to convey a sense of grandeur and sublime beauty—emphasizing atmospheric perspective and capturing the emotional impact of landscapes on the human spirit.

    Exploring Texture & Emotion Through Mixed Media

    Jackson’s artistic signature lies in his masterful manipulation of texture and color, achieved through innovative mixed media techniques. He painstakingly builds up layers of paint—often incorporating sand, stone fragments, and other natural materials—creating surfaces that pulsate with physicality and inviting viewers to engage their senses. This tactile approach is complemented by a deliberate use of color palettes designed to evoke specific moods and sensations.

    Impasto Technique: Jackson’s signature impasto technique – applying paint thickly onto the canvas – generates palpable surface relief, mirroring the ruggedness of his subjects and amplifying their emotional resonance.

    Color Harmony & Symbolism: He employs color harmonies that are both harmonious and dissonant, reflecting the complexities of human experience and subtly hinting at underlying symbolic meanings within his landscapes.

    A Continuing Artistic Voice

    Despite achieving considerable success and recognition, Kurt Jackson remains committed to pushing artistic boundaries and exploring new avenues for expression. His ongoing engagement with contemporary themes—such as climate change and the relationship between humanity and nature—underscores his unwavering belief in art’s capacity to provoke reflection and inspire action. He continues to produce evocative paintings that celebrate the beauty of the natural world while simultaneously confronting urgent societal challenges, ensuring that Jackson's artistic legacy persists as a testament to both visual artistry and intellectual engagement.

    Museu

    Penlee House Gallery - Museum

    Em exibição em Penzance, United Kingdom

    A Sanctuary of Cornish Light and Victorian Artistry

    Nestled within the tranquil, verdant embrace of Penlee Park in Penzance,

    Penlee House Gallery & Museum

    stands as a luminous beacon of West Cornwall’s cultural soul. Originally conceived in 1865 as a lavish Victorian residence for the wealthy Branwell family, the estate’s stately façade reflects an era defined by profound artistic ambition and refined taste. To walk through its doors is to step into a narrative interwoven with remembrance; the building itself serves as a poignant memorial to those lost during World and II, lending an atmosphere of quiet contemplation to its halls. The architecture, a harmonious blend of Victorian grandeur and understated elegance, provides a sophisticated backdrop that invites both the casual visitor and the discerning collector to lose themselves in the beauty of the past.

    The heart of the museum beats most vibrantly through its incomparable collection of the

    Newlyn School

    . This collective of artists, drawn to the dramatic coastline and the unparalleled, mercurial quality of Cornish light, revolutionized British landscape painting during the late Victorian period. Their work is not merely a representation of scenery but an emotional immersion into the essence of the region. One cannot help but be moved by the atmospheric perspective found in

    The Rain It Raineth Every Day

    by Norman Garstin, which captures the very breath of a Cornish storm, or the sun-drenched vitality found in Elizabeth Forbes’

    School is Out

    . These masterpieces, characterized by their sensitivity to rural life and immediacy of technique, offer interior designers and art lovers alike a window into a world where light and tradition are eternally entwined.

    A Tapestry of Maritime Heritage and Local Craft

    Beyond the evocative canvases of the Newlyn and Lamorna colonies, Penlee House offers a rich tapestry of maritime and local history that deepens the visitor's connection to the landscape. The museum’s scope extends into the tactile realms of sculpture and the intricate beauty of Cornish ceramics, showcasing the exceptional skill of regional craftspeople. For those fascinated by the sea, the exhibits dedicated to the Royal Marines of Lyonesse provide a gripping glimpse into Cornwall’s seafaring prowess and naval heritage. This intersection of fine art and historical artifact creates a unique museum experience where the maritime identity of the coast meets the delicate artistry of the studio.

    The collection is further enriched by works that capture the very spirit of the Penwith peninsula, including:

    Victorian Masterpieces:

    Evocative paintings by members of the Newlyn School, such as

    Among the Missing

    by Walter Langley and

    On Paul Hill

    by Stanhope Forbes.

    Regional Craftsmanship:

    An extensive array of Cornish ceramics that showcase centuries of local tradition.

    Historical Narratives:

    Social exhibits revealing the lives and traditions of local communities, alongside archaeological treasures from the Land's End area.

    It is a destination where history is not just studied, but felt through every weathered artifact and every brushstroke of light, making it an essential pilgrimage for anyone seeking to understand the profound artistic and historical legacy of West Cornwall.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Across to the Mount

    originaluniqueart.com/pt/art/download/kurt-jackson-across-to-the-mount-AR2D9W-en/

    Como citar esta obra

    MLA
    Jackson, Kurt. Across to the Mount. 1999, Penlee House Gallery - Museum. https://originaluniqueart.com/pt/art/kurt-jackson-across-to-the-mount-AR2D9W-en/
    APA
    Jackson, Kurt (1999). Across to the Mount [Painting]. Penlee House Gallery - Museum. https://originaluniqueart.com/pt/art/kurt-jackson-across-to-the-mount-AR2D9W-en/
    Chicago
    Kurt Jackson. Across to the Mount. 1999. Penlee House Gallery - Museum. https://originaluniqueart.com/pt/art/kurt-jackson-across-to-the-mount-AR2D9W-en/
    Harvard
    Jackson, Kurt (1999) Across to the Mount. Penlee House Gallery - Museum. Available at: https://originaluniqueart.com/pt/art/kurt-jackson-across-to-the-mount-AR2D9W-en/

    Observe de perto

    Across to the Mount — Kurt Jackson

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: coastal landscape, rocky shoreline, ocean views. Concorda? O que acrescentaria ou removeria?
    4. Relembre Several Winter Evenings Delabole, visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Como posso visualizar "Across to the Mount" de Kurt Jackson em formato de apresentação de slides?

    "Across to the Mount" de Kurt Jackson pode ser visualizada como um slideshow na página de Apresentação de slides da obra.

    Qual era a idade de Kurt Jackson quando "Across to the Mount" foi criada?

    Kurt Jackson tinha 38 anos quando criou "Across to the Mount" em 1999. A idade é calculada a partir do ano de nascimento do artista, 1961.

    Posso ver "Across to the Mount" de Kurt Jackson na minha própria parede antes de comprar?

    "Across to the Mount" possui uma prévia em realidade aumentada: a página de Visualização em RA da obra mostra como ela ficaria no seu próprio espaço através de um dispositivo compatível.