Papel

Guia de Obras de Estudantes

Red Hills

Nome Turma Data

June Redfern, Red Hills, Maclaurin Art Gallery at Rozelle House. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
June Redfern originaluniqueart.com/pt/artists/june-redfern/
Datas do artista
1951 –
Dimensões originais
136 x 166 cm
Realizado em
Maclaurin Art Gallery at Rozelle House originaluniqueart.com/pt/museums/maclaurin-art-gallery-at-rozelle-house-ayr/

No contexto

Red Hills — June Redfern

Qual é o tamanho?

As dimensões originais são 136 × 166 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando poderá ter sido pintada esta obra?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Linha superior: os anos. Linha inferior: a idade do artista no início e no fim de cada período, contando 0 a partir do nascimento.

cada pintura datada, década por década

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/june-redfern-red-hills-AR2CYJ-en/

Cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #b8b077

    Paleta catalogada

    • #B8B077
    • #1E1811
    • #9A6E37
    • #5A3E28

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Rosy Brown
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Balanced Harmony A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de June Redfern nos últimos doze meses — 1 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 100,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 2 obras mais visualizadas de June Redfern

    1. 1 From Two Paths, 1994 100,0%
    2. — Red Hills esta obra 0,0%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 11 obras deste artista, das quais 1 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    June Redfern

    June Redfern: A Landscape of Emotion

    Born in Fife, Scotland, in 1951, June Redfern’s artistic journey is one deeply rooted in both traditional academic training and a fiercely expressive, almost visceral approach to landscape painting. Her early years at Edinburgh College of Art provided her with a solid foundation – an understanding of perspective, anatomy, and the technical mastery required for oil and watercolour. However, it was a deliberate rejection of rigid formalism that truly defined her artistic voice, leading her to explore the emotional resonance of place and subject matter rather than simply replicating visual reality.

    Redfern’s work is immediately recognizable by its scale – often monumental canvases that invite viewers into the heart of the scene. This ambition isn't merely about size; it’s a reflection of her desire to capture atmosphere, mood, and the intangible qualities of a landscape. Her early paintings frequently featured female figures, rendered with a striking intensity and vulnerability, suggesting a personal connection to themes of identity, memory, and the human condition. These figures weren’t simply portraits but embodiments of emotional states – longing, contemplation, and perhaps even a touch of melancholy.

    The Influence of Expressionism

    While her academic training provided a crucial starting point, Redfern's artistic development was profoundly shaped by the burgeoning movement of expressionism. Artists like Van Gogh, Gauguin, and particularly the German Expressionists – Kirchner, Heckel, Nolde – offered a model for conveying subjective experience through colour and form. Redfern embraced this approach wholeheartedly, utilizing bold, often clashing colours to evoke specific emotions and sensations. Her palette isn’t descriptive; it's deliberately charged with symbolic meaning, reflecting the inner landscape of her subjects.

    The influence is particularly evident in her later work, where she abandons more representational forms for a looser, more gestural style. She employs thick impasto – building up layers of paint to create texture and depth – and allows colour to bleed and mingle, creating a sense of movement and dynamism. This technique isn’t simply decorative; it's integral to her exploration of atmosphere and the fleeting nature of perception.

    A Shift Towards Landscape

    As Redfern’s career progressed, her focus gradually shifted towards landscape painting. However, this wasn’t a departure from her previous concerns but rather an evolution – a way of translating her emotional vocabulary onto a broader canvas. She began to explore the wilder, more remote corners of Scotland, capturing the rugged beauty of its coastline, moorlands, and forests. These landscapes aren't idyllic vistas; they are imbued with a sense of solitude, mystery, and even foreboding.

    Her approach is deeply observational, yet profoundly subjective. She’s not simply recording what she sees but interpreting it through the lens of her own emotional experience. The light in her paintings isn't neutral; it’s often dramatic and theatrical, casting long shadows and highlighting textures with a palpable intensity. Her use of colour becomes even more expressive, conveying mood and atmosphere with remarkable subtlety.

    Recognition and Legacy

    June Redfern’s work has been exhibited extensively throughout the UK and Europe, garnering critical acclaim for its emotional power and technical skill. She has held solo exhibitions at prestigious galleries such as The Royal Academy, Deson Herstein Fine Art in Chicago, and The Bohun Gallery in Henley-On-Thames. Her paintings are also included in several important public collections, including the National Galleries of Scotland.

    Beyond her artistic achievements, Redfern’s career represents a significant contribution to contemporary landscape painting. She demonstrated that landscape could be more than just a pretty picture; it could be a vehicle for exploring complex emotions and ideas. Her bold use of colour, expressive brushwork, and willingness to embrace subjective experience have inspired generations of artists. Her legacy lies not only in the beauty of her paintings but also in their profound emotional resonance – a testament to the power of art to connect us to ourselves and to the world around us.

    Museu

    Maclaurin Art Gallery at Rozelle House

    Em exibição em Ayr, United Kingdom

    A Sanctuary of Scottish Spirit

    Nestled within the verdant, rolling embrace of the Rozelle Estate in Ayr, the Maclaurin Art Gallery at Rozelle House emerges as more than a mere destination; it is a profound encounter with the soul of Scotland. As one approaches the elegant Georgian façade, which dates back to 1760, there is an immediate sense of stepping into a curated history of refined taste and stately living. The architecture itself, transformed in the nineteenth century by the masterful hand of David Bryce, serves as a stately prelude to the treasures held within. For the visitor, the transition from the tranquil, sun-dappled parklands to the hallowed halls of the gallery is seamless, offering a sanctuary where the whispers of the past meet the vibrant energy of the present. It is a place where the very air seems to hum with stories, inviting both the casual wanderer and the dedicated scholar to lose themselves in a journey through Scottish creativity.

    A Tapestry of Light and Texture

    Inside these walls, the collection unfolds like a grand narrative of Scottish identity, spanning centuries of artistic evolution. One can trace the sweeping movements of landscape painting that capture the rugged, mist-shrouded Highlands, moving through the dignified poise of classical portraiture into the daring frontiers of the contemporary era. For the discerning collector or interior designer, the gallery offers a masterclass in materiality and visual depth. The work of artists such as

    Rosa Lee

    provides a particularly striking experience; her canvases, layered with oil and wax, invite a tactile appreciation of texture and color that echoes the expressive power of both Impressionism and Expressionism. This dialogue between tradition and innovation ensures that every corner of the gallery offers a new perspective on how light, form, and medium can define an era, making it an essential pilgrimage for those who seek inspiration in the interplay of surface and spirit.

    Where History and Art Converge

    Beyond the brilliance of the canvas, the Maclaurin Art Gallery serves as a vital custodian of Ayrshire’s rich cultural heritage. It is a place where fine art and local history are inextricably linked, with exhibits that illuminate the industrial legacy and early settlements of the region. To wander through these galleries is to participate in a living archive, where historical artifacts breathe alongside modern masterpieces. This commitment to accessibility—offering a democratic space for all to explore—makes the gallery a beacon of community engagement and a true cultural landmark. Whether one is drawn by the architectural grandeur of Rozelle House, the profound historical echoes of the region, or the sheer aesthetic beauty of the collection, the Maclaurin stands as an unforgettable testament to the enduring power of art to connect us to our roots and inspire our future.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Red Hills

    originaluniqueart.com/pt/art/download/june-redfern-red-hills-AR2CYJ-en/

    Como citar esta obra

    MLA
    Redfern, June. Red Hills. n.d., Maclaurin Art Gallery at Rozelle House. https://originaluniqueart.com/pt/art/june-redfern-red-hills-AR2CYJ-en/
    APA
    Redfern, June (n.d.). Red Hills [Painting]. Maclaurin Art Gallery at Rozelle House. https://originaluniqueart.com/pt/art/june-redfern-red-hills-AR2CYJ-en/
    Chicago
    June Redfern. Red Hills. n.d. Maclaurin Art Gallery at Rozelle House. https://originaluniqueart.com/pt/art/june-redfern-red-hills-AR2CYJ-en/
    Harvard
    Redfern, June (n.d.) Red Hills. Maclaurin Art Gallery at Rozelle House. Available at: https://originaluniqueart.com/pt/art/june-redfern-red-hills-AR2CYJ-en/

    Observe de perto

    Red Hills — June Redfern

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: abstract landscape, nude figures, emotional art. Concorda? O que acrescentaria ou removeria?
    4. Relembre Composition of People, visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.
    5. Temas recorrentes na obra de June Redfern: hill & adamson landscapes, redfern's expressive style, emotional abstractionism. Quais deles você consegue identificar aqui?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Qual é a saturação e a intensidade de "Red Hills", de June Redfern?

    "Red Hills", de June Redfern apresenta uma saturação Balanced Soft e uma intensidade Balanced.

    Posso ver "Red Hills" como um slideshow em tela cheia?

    "Red Hills", de June Redfern pode ser visualizada em formato de slideshow na página de Apresentação de imagens da obra.

    Quais são as dimensões de "Red Hills", de June Redfern na vida real?

    As dimensões registradas de "Red Hills", de June Redfern são 136 x 166 cm. Reproduções podem ser encomendadas em outros tamanhos, mantendo as mesmas proporções.