Papel

Guia de Obras de Estudantes

Accrington from the Coppice

Nome Turma Data

John Virtue, Accrington from the Coppice, Haworth Art Gallery. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
John Virtue originaluniqueart.com/pt/artists/john-virtue/
Datas do artista
1947 –
Dimensões originais
122 x 153 cm
Realizado em
Haworth Art Gallery originaluniqueart.com/pt/museums/haworth-art-gallery-accrington/

No contexto

Accrington from the Coppice — John Virtue

Qual é o tamanho?

As dimensões originais são 122 × 153 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando poderá ter sido pintada esta obra?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000

Linha superior: os anos. Linha inferior: a idade do artista no início e no fim de cada período, contando 0 a partir do nascimento.

cada pintura datada, década por década

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/john-virtue-accrington-from-the-coppice-AQSNQV-en/

Cores

Medido a partir da imagem

    Cor principal

    Putty #d4d3c8

    Paleta catalogada

    • #D4D3C8
    • #595952
    • #85847C
    • #B2B0A4

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Putty
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de John Virtue nos últimos doze meses — 2 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 Reino Unido 60,0%
    2. 2 China 40,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 5 obras mais visualizadas de John Virtue

    1. 1 Landscape No.664, 2003 41,7%
    2. 2 Landscape No.739, 2004 33,3%
    3. 3 Landscape 715, 2004 16,7%
    4. 4 Landscape No.662, 2003 8,3%
    5. — Accrington from the Coppice esta obra 0,0%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 10 obras deste artista, das quais 4 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    John Virtue

    Nascido em Accrington, United Kingdom

    The Monochrome Vision of John Virtue

    In the vast landscape of contemporary British art, few voices resonate with as much atmospheric intensity as John Virtue. Born in Accrington, United Kingdom, in 1947, Virtue has carved out a singular niche through his mastery of monochrome landscapes. His work does not merely depict scenery; it evokes a profound sense of solitude and urban beauty, stripping away the distractions of color to reveal the raw, structural essence of the world around him. By viewing color as an unnecessary distraction, he focuses the viewer's gaze on the interplay of light, shadow, and form, creating a visual language that is both hauntingly beautiful and deeply meditative.

    Virtue’s artistic journey is one of remarkable evolution and dedication. After training at the Slade School of Fine Art in London between 1965 and 1969, his early years were marked by a transition from traditional painting to a more intricate, linear approach. Following a period in Green Haworth, near Oswaldtwistle, he experimented with pen and ink drawings characterized by dense networks of lines, a style reminiscent of the intricate work of Samuel Palmer. This period of intense study and observation laid the groundwork for his later, more monumental achievements, where the fine line meets the expansive canvas.

    Technique and the Essence of Monochrome

    The technical brilliance of Virtue’s work lies in his ability to create immense depth using a restricted palette. Utilizing shellac black ink and white paint, he constructs landscapes that feel as though they are emerging from a mist or a memory. His process often involves textured impasto and expressive brushwork, particularly evident in his oil on canvas pieces, which lend a tactile quality to the monochromatic surfaces. This method allows him to capture the vitality of a scene—whether it be the ruggedness of an estuary or the sprawling complexity of a metropolis—through purely tonal contrasts.

    His most celebrated period as an Associate Artist at London's National Gallery from 2003 to 2005 brought his "London Paintings" to international prominence. In these works, Virtue provided a new vision of the capital, transforming recognizable landmarks such as St. Paul's Cathedral, the Gherkin, and the NatWest Tower into abstract, atmospheric patterns. By working directly at significant sites, including the rooftops of Somerset House and the National Gallery itself, he captured the topographical relationships and the very soul of the city, presenting a London that is simultaneously familiar and otherworldly.

    Legacy and Artistic Significance

    Beyond his technical prowess, John Virtue’s significance lies in his ability to connect the traditions of the Old Masters with contemporary abstraction. His work has been recognized through numerous prestigious accolades, including the Arts Council Major Award and being named the Best Visual Artist in the South Bank Awards. His dedication to his craft is further evidenced by his role as an honorary Professor of Fine Art at the University of Plymouth.

    Today, the enduring impact of his vision can be found in the esteemed collections of some of the world's most renowned institutions, ensuring that his monochrome explorations continue to inspire future generations. His contributions to the art world include:

    The National Gallery, London: Showcasing his monumental works as an Associate Artist.

    TATE, London: Housing his significant contributions to British landscape art.

    British Museum and Victoria and Albert Museum: Preserving his intricate drawings and historical perspectives.

    Yale Center for British Art: Featuring his profound explorations of urban topography.

    Museu

    Haworth Art Gallery

    Em exibição em Accrington, United Kingdom

    A Sanctuary of Light and Craft: Discovering Haworth Art Gallery

    Nestled in the heart of Lancashire, Haworth Art Gallery isn’t merely a repository of beautiful objects; it's an immersive experience—a journey into the aesthetic ideals of the Arts & Crafts movement and a celebration of artistic brilliance. From its very foundations to the breathtaking collection housed within, the gallery whispers stories of visionaries, dedication, and a profound appreciation for beauty in all its forms. Originally conceived as a private residence for textile manufacturer William Haworth in 1909, the building itself stands as a testament to architectural harmony. Designed by Walter Brierley, often hailed as “the Yorkshire Lutyens,” it embodies the principles of the Arts & Crafts movement—a reaction against industrialization that championed handcrafted quality and natural materials. Walking through its rooms is akin to stepping back in time, surrounded by intricate detailing, warm wood tones, and a sense of tranquil elegance. The structure isn’t simply a container for art; it is art, seamlessly blending with the landscape and enhancing the experience of viewing the treasures within.

    Architectural Significance:

    Walter Brierley's design reflects the Arts & Crafts ethos—a deliberate rejection of mass production favoring organic forms and locally sourced materials like Yorkshire sandstone.

    Historical Context:

    Constructed during a period of significant social reform, Haworth Art Gallery embodies the movement’s commitment to elevating craftsmanship and fostering connection with nature.

    The Tiffany Legacy: A European Treasure

    While the architecture captivates, it is undoubtedly the gallery's extraordinary collection of Louis Comfort Tiffany glass that draws international acclaim. Holding the largest such assemblage in Europe, Haworth Art Gallery offers a dazzling panorama of Tiffany’s innovative techniques and artistic vision. This isn’t merely a display of stained glass; it’s an exploration of light itself—how it can be manipulated, refracted, and transformed into something ethereal and captivating. From vibrant Favrile vases shimmering with iridescent hues to intricate mosaics depicting scenes from nature, each piece demonstrates Tiffany's mastery of color, texture, and form. The collection was generously gifted by Joseph Briggs, a local Accrington man who spent forty years working alongside Tiffany in the United States before returning home to share this extraordinary legacy with his community. Briggs’ foresight ensured that generations could marvel at these masterpieces, experiencing the unique artistry that defined an era. Exploring the four themed rooms dedicated to Tiffany – 'Tiffany and Interior Design', 'Tiffany and The Past', 'Tiffany and Nature', and 'The Tiffany Phenomenon' – offers a comprehensive understanding of his diverse output and enduring influence.

    Notable Pieces:

    Admire iconic lamps like ‘Wisteria’ and ‘Dragonfly’, showcasing Tiffany’s unparalleled skill in fusing glass, enamel, and metalwork.

    Tiffany's Artistic Vision:

    The collection illuminates Tiffany’s fascination with botanical motifs—particularly wildflowers—reflecting the Arts & Crafts movement’s reverence for the natural world.

    Beyond Glass: A Tapestry of Artistic Expression

    However, to define Haworth Art Gallery solely by its Tiffany collection would be to overlook the richness and diversity of its broader holdings. The gallery boasts a remarkable array of oil paintings and watercolours, primarily from the 19th century, showcasing works by renowned artists such as Frederic Leighton, Claude Joseph Vernet, and John Frederick Herring. These pieces offer a fascinating glimpse into artistic trends of the period, reflecting both Romantic sensibilities and emerging Realist approaches. Beyond painting, the gallery’s dedication to decorative arts is evident in its displays of ceramics, textiles, and metalwork—each object carefully chosen for its craftsmanship and aesthetic merit. This commitment to showcasing a wide range of artistic disciplines underscores the gallery's mission to celebrate creativity in all its forms.

    Romanticism & Realism:

    Observe how Leighton’s opulent landscapes contrast with Vernet’s dramatic depictions of Alpine scenery—representing two dominant styles shaping 19th-century art.

    Decorative Arts Showcase:

    Examine exquisite ceramics crafted in Lancashire, alongside intricately woven textiles reflecting regional traditions and artistic skill.

    A Living Space: Gardens, Community & Future Visions

    The beauty of Haworth Art Gallery extends beyond its walls, spilling into the lush gardens that surround the building. These serene spaces provide a peaceful retreat for visitors, offering a chance to reflect on the art they’ve experienced and connect with nature's own artistry. The gallery actively fosters a sense of community through educational programs, workshops, and events designed to engage audiences of all ages. From family-friendly activities to specialized tours, Haworth Art Gallery strives to make art accessible and inspiring for everyone. Moreover, the venue is increasingly popular as a unique setting for weddings, blending historical elegance with contemporary celebrations. The ongoing commitment to preservation, coupled with innovative programming, ensures that Haworth Art Gallery will continue to thrive as a cultural beacon for generations to come—a place where artistry, history, and community converge in harmonious splendor.

    Community Engagement:

    Participate in workshops exploring Tiffany’s techniques or delve into lectures examining the influence of Arts & Crafts ideals on British society.

    Future Initiatives:

    Haworth Art Gallery is actively pursuing collaborations with contemporary artists and designers, ensuring that its legacy inspires creativity for years to come.

    Onde ler mais

    • O artista John Virtue originaluniqueart.com/pt/artists/john-virtue/
    • O museu Haworth Art Gallery originaluniqueart.com/pt/museums/haworth-art-gallery-accrington/
    • Obras semelhantes Mais obras para comparar originaluniqueart.com/pt/art/similar/john-virtue-accrington-from-the-coppice-AQSNQV-en/

    Encontre online

    QR code que direciona para a página de download de Accrington from the Coppice

    originaluniqueart.com/pt/art/download/john-virtue-accrington-from-the-coppice-AQSNQV-en/

    Como citar esta obra

    MLA
    Virtue, John. Accrington from the Coppice. n.d., Haworth Art Gallery. https://originaluniqueart.com/pt/art/john-virtue-accrington-from-the-coppice-AQSNQV-en/
    APA
    Virtue, John (n.d.). Accrington from the Coppice [Painting]. Haworth Art Gallery. https://originaluniqueart.com/pt/art/john-virtue-accrington-from-the-coppice-AQSNQV-en/
    Chicago
    John Virtue. Accrington from the Coppice. n.d. Haworth Art Gallery. https://originaluniqueart.com/pt/art/john-virtue-accrington-from-the-coppice-AQSNQV-en/
    Harvard
    Virtue, John (n.d.) Accrington from the Coppice. Haworth Art Gallery. Available at: https://originaluniqueart.com/pt/art/john-virtue-accrington-from-the-coppice-AQSNQV-en/

    Observe de perto

    Accrington from the Coppice — John Virtue

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Landscape No.664 (2003), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. O que o artista pode ter querido que você sentisse?
    5. Se você pudesse fazer uma pergunta ao artista sobre esta obra, qual seria?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Qual é a tonalidade predominante que percorre "Accrington from the Coppice", de John Virtue?

    A tonalidade dominante de "Accrington from the Coppice", de John Virtue é Green to Violet Spectrum. A tonalidade é o tom subjacente da paleta.

    As cores de "Accrington from the Coppice", de John Virtue são vibrantes ou suaves?

    "Accrington from the Coppice", de John Virtue apresenta uma saturação Muted e uma intensidade Monochromatic.

    Como é construída a composição cromática de "Accrington from the Coppice", de John Virtue?

    A análise cromática de "Accrington from the Coppice", de John Virtue revela um contraste Gentle e uma harmonia Unified Palette.