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Guia de Obras de Estudantes

Mrs. Cecil Wade

Nome Turma Data

John Singer Sargent, Mrs. Cecil Wade (1886), Museu de Arte Nelson-Atkins. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
John Singer Sargent originaluniqueart.com/pt/artists/john-singer-sargent_pt/
Datas do artista
1856 – 1925
Pintura a óleo
1886
Técnica
Óleo sobre tela
Dimensões originais
162 x 134 cm
Realizado em
Museu de Arte Nelson-Atkins originaluniqueart.com/pt/museums/museu-de-arte-nelson-atkins-cidade-do-kansas_pt/

No contexto

Mrs. Cecil Wade — John Singer Sargent

Qual é o tamanho?

As dimensões originais são 162 × 134 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 69 ao falecer.

Pintado quando o artista tinha 30. O artista viveu até aos 69. 335 das 1127 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de John Singer Sargent (1856–1925) ▲ esta obra, 1886 cada pintura datada, década por década

Primeiras obras: até 1884 Principais anos de atividade: 1884–1906 Obras tardias: a partir de 1906

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/john-singer-sargent-mrs-cecil-wade-8YDHD6-en/

Cores

Medido a partir da imagem

    Cor principal

    Preto #161315

    Paleta catalogada

    • #161315
    • #B38F6F
    • #72432C
    • #DDC5A7

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Tons terrosos A família de cores predominante na imagem.
    Nome da cor principal
    Preto
    Intensidade
    Equilibrado O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Declaração O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Forte unidade cromática A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Sombra O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Cores Suaves Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de John Singer Sargent nos últimos doze meses — 52 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 58,1%
    2. 2 Estados Unidos da América 10,6%
    3. 3 Hong Kong 9,1%
    4. 4 Singapura 7,9%
    5. 5 França 2,2%
    6. 6 Espanha 2,0%
    7. 7 Roménia 1,4%
    8. 8 Itália 1,3%
    9. 9 Alemanha 1,2%
    10. 10 Reino Unido 0,8%
    11. · 42 outros países 5,4%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de John Singer Sargent

    1. 1 Carnação, Lírio, Lírio, Rosa, 1885 2,0%
    2. 2 Las Meninas (após Velázquez), 1879 1,5%
    3. 3 Barco nas Águas Próximas a Capri, 1878 1,4%
    4. 4 El Jaleo, 1882 0,9%
    5. 5 As Filhas de Edward Darley Boit, 1882 0,7%
    6. 6 A Nude Boy on a Beach (also known as Boy Lying on a Beach), 1878 0,6%
    7. 7 Uma Mesa de Jantar à Noite (também conhecida como Sr. e Sra. Albert Vickers), 1884 0,6%
    8. 8 The Wyndham Sisters, 1899 0,6%
    9. 9 Nude Egyptian Girl, 1891 0,6%
    10. 10 Two Girls with Parasols at Fladbury, 1889 0,5%
    11. 11 Lady Agnew of Lochnaw 0,5%
    12. 12 Dr. Pozzi at Home, 1881 0,5%
    13. 13 Mulher Egípcia, 1891 0,5%
    14. 14 Título Traduzido: Claude Monet Pintura à Margem da Floresta, 1885 0,5%
    15. 15 Capri (também conhecida como A Girl of Capri), 1878 0,4%
    16. 16 Head of Christ, 1897 0,4%
    17. 17 Madame X 0,4%
    18. 18 Um Retrato Tranquilo, 1888 0,4%
    19. 19 Cachemire, 1908 0,4%
    20. — Mrs. Cecil Wade, 1886 esta obra 0,0%

    Juntas, estas obras representam 13,4% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 1388 obras deste artista, das quais 913 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Mrs. Cecil Wade — John Singer Sargent

    A Portrait of Refined Grace: John Singer Sargent’s Mrs. Cecil Wade

    John Singer Sargent's Mrs. Cecil Wade, painted in 1886 and now residing within the hallowed halls of the Nelson-Atkins Museum of Art, is more than simply a portrait; it’s a meticulously crafted distillation of the Gilded Age’s aesthetic ideals. The painting immediately draws the eye to its subject – Mrs. Cecil Wade herself – a woman radiating an understated elegance that speaks volumes about her social standing and inner composure. Sargent's masterful use of light and shadow, characteristic of his Impressionistic leanings tempered by Realist precision, creates a luminous quality around Mrs. Wade, highlighting the delicate texture of her dress and the subtle curve of her hands clasped together in a gesture of quiet contemplation.

    The scene unfolds within what appears to be a comfortably appointed living room or perhaps a refined dining area. The arrangement – a plush bench, strategically placed chairs, a table adorned with a vase holding fresh blooms, and a potted plant adding a touch of verdant life – speaks to an atmosphere of cultivated domesticity. These details aren’t merely decorative; they contribute significantly to the painting's narrative, suggesting a woman accustomed to luxury and surrounded by objects of beauty. Sargent doesn’t simply depict a room; he constructs a carefully considered tableau that reinforces Mrs. Wade’s position within a world of privilege.

    The Language of Form: Sargent’s Technique and Composition

    Sargent's technique is immediately apparent in the loose, almost shimmering brushstrokes that define the fabric of Mrs. Wade’s dress. He employs a broken color technique, layering thin washes of paint to create an illusion of depth and movement – particularly noticeable in the lace detailing. This approach, combined with his ability to capture fleeting moments of light, imbues the portrait with a remarkable sense of immediacy. The composition itself is remarkably balanced; the diagonal line created by the bench anchors the eye while allowing the gaze to drift across the room, absorbing the details and nuances of the setting.

    Notably, Sargent avoids overly dramatic poses or theatrical lighting, opting instead for a direct gaze that engages the viewer directly. This intimacy is further enhanced by his skillful rendering of Mrs. Wade’s face – her expression serene yet subtly intelligent, hinting at a complex inner life. The careful attention to detail in her eyes, the delicate curve of her lips, and the subtle play of light on her skin all contribute to a portrait that feels remarkably alive.

    A Window into an Era: Historical Context and Social Significance

    Mrs. Cecil Wade is deeply rooted within the context of late 19th-century America – a period often referred to as the Gilded Age, characterized by immense wealth, rapid industrialization, and a burgeoning sense of social ambition. Sargent’s portraits were frequently commissioned by wealthy industrialists and prominent figures, serving not only as visual representations but also as symbols of their status and influence. The painting reflects this societal preoccupation with appearances and the importance of maintaining a carefully constructed image.

    Furthermore, Mrs. Wade herself represents a specific archetype of women during this era: a cultivated lady of leisure, comfortable in her social circle and possessing an air of quiet dignity. Her attire – the white dress, lace detailing, and elegant updo – are all hallmarks of fashionable style at the time, reflecting the prevailing trends in Parisian couture. Sargent’s ability to capture this essence with such precision underscores his understanding of both artistic technique and the social dynamics of his era.

    Emotional Resonance and Lasting Legacy

    Beyond its technical brilliance and historical significance, Mrs. Cecil Wade possesses a profound emotional resonance. The painting evokes a sense of tranquility and understated beauty – a quiet moment captured in time. It’s not a portrait that shouts for attention; rather, it invites the viewer to pause, observe, and contemplate the subject's inner world. Sargent’s work continues to captivate audiences today, demonstrating his enduring legacy as one of the most influential artists of the 19th century.

    A high-quality reproduction of Mrs. Cecil Wade offers a remarkable opportunity to bring this exquisite artwork into your home or office. Its timeless elegance and evocative atmosphere will undoubtedly serve as a source of inspiration and a testament to the enduring power of Sargent’s artistic vision.

    Artista e museu

    Artista

    John Singer Sargent

    Nascido em Florença, Itália

    A Life Immersed in Light and Society

    John Singer Sargent, a name synonymous with the Gilded Age and its shimmering portraits of elegance, was an American artist who spent most of his life cultivating his craft within the European art world. Born in Florence, Italy, in 1856 to American expatriate parents, Fitzwilliam and Mary Newbold Sargent, his upbringing was anything but conventional. The family’s nomadic existence – constantly traversing France, Germany, Italy, and Switzerland – instilled in young John a cosmopolitan sensibility and an early exposure to the artistic treasures of Europe. Rather than formal schooling, his education unfolded within museum halls and ancient churches, fostering a visual literacy that would profoundly shape his artistic vision. This itinerant childhood, while lacking traditional structure, provided a rich tapestry of cultural experiences that fueled his developing talent. His father, a surgeon, and his mother, an amateur artist, encouraged his inclinations, recognizing early on the remarkable acuity of his observational skills. It was clear from a young age that John’s path lay not in medicine or conventional pursuits, but within the realm of art.

    From Parisian Atelier to Portrait Master

    In 1874, at the age of eighteen, Sargent embarked on a pivotal chapter of his artistic development by entering the Paris studio of Carolus-Duran. This mentorship proved transformative. Duran’s emphasis on direct painting – a technique eschewing preliminary sketches in favor of immediate application of paint to canvas – honed Sargent's already impressive technical facility and instilled within him an astonishing ability to capture likenesses with speed and precision. It was a revolutionary approach, encouraging boldness and spontaneity, and it became the hallmark of Sargent’s style. He absorbed Duran’s lessons wholeheartedly, mastering the art of capturing not just physical resemblance but also the very essence of his sitters. Simultaneously, he enrolled at the École des Beaux-Arts to study drawing from casts and life models, further refining his skills in composition and technique. However, it was the influence of Spanish masters like Diego Velázquez, encountered during a formative trip to Spain in 1879, that truly ignited Sargent’s artistic imagination. He became captivated by Velázquez’s masterful use of light, brushwork, and psychological insight – qualities he would strive to emulate throughout his career. The meticulous study of Velázquez's techniques, particularly the way he captured fleeting moments and imbued his subjects with a sense of inner life, profoundly shaped Sargent’s approach to portraiture.

    Navigating Fame, Scandal, and Artistic Evolution

    Sargent quickly established himself as a sought-after portraitist in Paris, attracting commissions from the city’s elite. His ability to capture not just physical likeness but also the personality and social standing of his subjects made him immensely popular among the wealthy and influential. However, his ascent was not without its challenges. The unveiling of Madame X (Portrait of Madame Pierre Gautreau) at the 1884 Salon ignited a scandal that threatened to derail his burgeoning career. The painting’s daring depiction of socialite Virginie Amélie Avegno Gautreau – with her pale complexion, suggestive pose, and fallen strap – was deemed provocative and scandalous by Parisian society. Though Sargent later repainted the strap, the damage was done. Disheartened by the controversy, he relocated to London in 1886, where he found a more receptive audience for his talents. In London, he continued to paint portraits of the wealthy and prominent, capturing the opulence and social dynamics of Edwardian society with unparalleled skill. Yet, Sargent’s artistic ambitions extended beyond the confines of commissioned portraiture. He yearned for greater creative freedom and increasingly devoted himself to landscape painting and plein-air studies, embracing an Impressionistic style characterized by loose brushwork, vibrant colors, and a focus on capturing fleeting moments of light and atmosphere. These landscapes reveal a different side of Sargent – one less concerned with social status and more attuned to the beauty of the natural world. His travels throughout Europe and beyond—from Venice to the Tyrol—provided endless inspiration for his evocative depictions of light, color, and form.

    Influences and Artistic Kinships

    Carolus-Duran: His teacher, who instilled in him a direct painting technique and encouraged spontaneity.

    Diego Velázquez: Sargent deeply admired Velázquez’s mastery of light, brushwork, and psychological insight, particularly evident in his Spanish works. He studied the master's techniques with intense dedication, seeking to replicate his ability to capture both the outward appearance and inner character of his subjects.

    Impressionism: The Impressionists' emphasis on capturing fleeting moments and atmospheric effects profoundly impacted his landscape paintings, leading to a looser, more expressive style. Sargent absorbed the principles of plein air painting and experimented with broken color and visible brushstrokes, reflecting the influence of artists like Monet and Renoir.

    James Abbott McNeill Whistler: Sargent shared with Whistler an interest in aestheticism and the pursuit of “art for art’s sake,” influencing his approach to composition and color. Both artists sought to elevate painting beyond mere representation, emphasizing beauty, harmony, and emotional expression.

    A Lasting Legacy

    While celebrated as “the leading portrait painter of his generation,” John Singer Sargent’s artistic legacy extends far beyond his masterful depictions of society figures. His major works, such as El Jaleo, a dynamic portrayal of Spanish flamenco dancers, and Carnation, Lily, Lily, Rose, a serene depiction of two young girls in an English garden, demonstrate his versatility and technical brilliance. These paintings showcase not only his skill in capturing likenesses but also his ability to evoke atmosphere, emotion, and narrative. Later in life, he embarked on ambitious mural projects, including the monumental cycle at the Boston Public Library, showcasing his ability to translate his artistic vision onto a grand scale. His influence can be seen in the work of subsequent generations of artists who admired his technical skill, his bold brushwork, and his ability to capture both physical likeness and psychological depth. The rediscovery of his previously overlooked male nudes in the 1980s further broadened our understanding of Sargent’s artistic range and revealed a more complex and nuanced artist than previously recognized. His paintings continue to captivate audiences worldwide, offering a fascinating glimpse into a bygone era while simultaneously transcending time through their enduring beauty and technical mastery. He remains, undeniably, one of the most significant American artists of his generation, whose work continues to inspire and provoke admiration.

    Museu

    Museu de Arte Nelson-Atkins

    Em exibição em Cidade do Kansas, Estados Unidos da América

    A Heartland Sanctuary: The Nelson-Atkins Museum of Art

    Nestled within the vibrant heart of Kansas City, Missouri, the Nelson-Atkins Museum of Art isn’t merely a repository for artistic treasures; it's a living testament to vision, philanthropy, and the enduring power of art to shape communities. Founded in 1933 by the remarkable couple William Rockhill Nelson, a visionary railroad magnate, and Mary McAfee Atkins, a dedicated educator—a bequest that poured the entirety of Nelson’s vast estate into fostering artistic appreciation for generations to come—the museum arose from an extraordinary legacy. This initial endowment, coupled with Mrs. Atkins' foresight, laid the foundation for a collection that has since grown to encompass over 34,500 works spanning five millennia and virtually every corner of the globe. More than just its impressive size, however, it’s the museum’s deeply ingrained commitment to accessibility—its remarkably free admission policy—that truly distinguishes it as a beacon of cultural inclusivity, inviting all to experience the profound beauty and intellectual stimulation art offers.

    The story of the Nelson-Atkins is inextricably linked to the architectural landscape of Kansas City itself. The original building, designed by Wight and Wight in 1933, embodies the principles of Beaux-Arts architecture—a style characterized by its grand scale, symmetrical design, and meticulous attention to detail. Evoking a sense of timeless elegance, the structure’s classical proportions and stately facade immediately transport visitors to a realm of artistic reverence. The building's terraces cascading down towards Brush Creek, originally designed as a tranquil outdoor space for contemplation, now serve as a vibrant extension of the museum’s collection, hosting seasonal exhibitions and offering breathtaking views of the surrounding landscape. But the Nelson-Atkins’ narrative didn’t end there; in 2007, the arrival of the Bloch Building—a strikingly modern structure by Steven Holl Architects—significantly reshaped the museum's identity. This bold addition, a shimmering cascade of translucent “lenses,” stands in deliberate contrast to the Beaux-Arts building, creating a dynamic dialogue between past grandeur and future vision. The Bloch Building’s ethereal spaces, flooded with natural light, have earned it widespread acclaim – including recognition from Time magazine as one of the world's best new architectural marvels.

    Collection Highlights: A Journey Through Time and Culture

    Prepare to be captivated by masterpieces spanning centuries! The Nelson-Atkins’ collection is a breathtaking tapestry woven from diverse artistic traditions. From Caravaggio’s dramatic Saint John the Baptist in the Wilderness, a masterpiece of Baroque intensity, capturing the raw emotion of faith and wilderness with its chiaroscuro lighting, to Piet Mondrian’s geometric Passion Flower, a seminal work of early 20th-century abstraction, exploring pure form and color relationships—explore iconic artworks that define artistic movements and individual genius. The museum boasts an unparalleled collection of Asian art—Chinese landscapes rendered with exquisite detail, evoking serene mountains and flowing rivers; Indian sculptures embodying spiritual power, representing deities in intricate poses and vibrant colors; and Japanese prints capturing fleeting moments of beauty, from delicate cherry blossoms to bustling city scenes. Within the European galleries, you’ll find Renaissance masterpieces alongside Impressionist delights, offering a comprehensive overview of Western art history—from the luminous brushstrokes of Monet to the bold compositions of Van Gogh. Don't miss the museum's impressive holdings of American paintings, including works by Gilbert Stuart, capturing the dignified portraits of prominent figures; John Singer Sargent, known for his elegant and evocative depictions of society life; and Andrew Wyeth, whose hauntingly beautiful landscapes explore themes of rural America and family relationships.

    Architectural Harmony: A Dialogue Between Past and Present

    Marvel at the juxtaposition of Beaux-Arts elegance and Holl Building innovation. The Bloch Building's five translucent lenses bathe galleries in natural light, fostering contemplation and celebrating architectural brilliance—a deliberate choice by Steven Holl to challenge traditional museum spaces and create a sense of openness and connection with the artwork. The original building, a testament to classical design principles, provides a grounding counterpoint to the modern addition, creating an engaging visual conversation for visitors. Walking through the museum is akin to traversing time itself—from the grand formality of the Beaux-Arts structure to the airy, light-filled spaces of the Bloch Building, each area offers a unique sensory experience. The integration of outdoor spaces – particularly the sculpture park – further enhances this sense of harmony, blurring the boundaries between interior and exterior art. The sculpture park, designed by renowned landscape architect Lurie Bogue, features monumental works by artists such as Henry Moore and Alexander Calder, creating an inviting space for reflection and appreciation.

    Beyond Art: Kansas City’s Artistic Heritage

    Delve into an encyclopedic collection showcasing Asian art—Chinese landscapes, Indian sculptures, Japanese prints—and European paintings from the Renaissance to Impressionism. But the Nelson-Atkins' story extends beyond its permanent holdings. The museum is deeply committed to celebrating Kansas City’s artistic heritage through engaging exhibitions and programs. Wilbur Niewald’s representation of the city’s visual arts scene provides a fascinating glimpse into the local creative landscape, while ongoing initiatives support contemporary artists and foster community engagement. The museum actively seeks to connect with its surrounding community, offering educational programs for all ages and creating opportunities for dialogue and appreciation. Regular events, including artist talks, lectures, and family activities, ensure that the Nelson-Atkins remains a vibrant hub of artistic expression and community life.

    Resources:

    Website:

    https://nelson-atkins.org/

    Wikipedia:

    https://en.wikipedia.org/wiki/Nelson-Atkins_Museum_of_Art

    Additional Research:

    Museums Database:

    Explore art from around the world at The Nelson-Atkins Museum of Art! Discover an encyclopedic collection, stunning architecture & free admission in Kansas City.

    Wikipedia Search:

    The Nelson-Atkins Museum of Art is an art museum in Kansas City, Missouri, known for its encyclopedic collection of art from nearly every continent and culture, and especially for its extensive collection of Asian art.

    Internet Search:

    The Nelson-Atkins Museum of Art is internationally recognized for its outstanding collection of more than 33,500 objects. From ancient times to modern day, this encyclopedic museum is one of the best in the country, offering visitors the opportunity to explore civilization through the eyes of painters, sculptures, craftsmen, and many other artists.

    Wikipedia Search:

    Kansas City, Missouri, abbreviated KC or KCMO, is the largest city in the U.S. state of Missouri by population and area. It is located on the Missouri River at its confluence with the Kansas River, within Jackson, Clay, Platte and Cass counties.

    Wikipedia Search:

    The Kansas City metropolitan area is a bi-state metropolitan area anchored by Kansas City, Missouri. Its 14 counties straddle the border between the U.S. states of Missouri (9 counties) and Kansas (5 counties).

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Mrs. Cecil Wade

    originaluniqueart.com/pt/art/download/john-singer-sargent-mrs-cecil-wade-8YDHD6-en/

    Como citar esta obra

    MLA
    Sargent, John Singer. Mrs. Cecil Wade. 1886, Museu de Arte Nelson-Atkins. https://originaluniqueart.com/pt/art/john-singer-sargent-mrs-cecil-wade-8YDHD6-en/
    APA
    Sargent, John Singer (1886). Mrs. Cecil Wade [Painting]. Museu de Arte Nelson-Atkins. https://originaluniqueart.com/pt/art/john-singer-sargent-mrs-cecil-wade-8YDHD6-en/
    Chicago
    John Singer Sargent. Mrs. Cecil Wade. 1886. Museu de Arte Nelson-Atkins. https://originaluniqueart.com/pt/art/john-singer-sargent-mrs-cecil-wade-8YDHD6-en/
    Harvard
    Sargent, John Singer (1886) Mrs. Cecil Wade. Museu de Arte Nelson-Atkins. Available at: https://originaluniqueart.com/pt/art/john-singer-sargent-mrs-cecil-wade-8YDHD6-en/

    Observe de perto

    Mrs. Cecil Wade — John Singer Sargent

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Carnação, Lírio, Lírio, Rosa (1885), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. John Singer Sargent tinha cerca de 30 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    "Mrs. Cecil Wade", de John Singer Sargent é uma composição em formato retrato, paisagem ou quadrada?

    "Mrs. Cecil Wade", de John Singer Sargent é uma composição em Retrato. Vale a pena conferir as proporções antes de escolher o tamanho da impressão.

    Qual disposição melhor se adapta ao formato de "Mrs. Cecil Wade", de John Singer Sargent?

    O formato (Retrato) e o ambiente recomendado (Sala de Estar) são as duas informações de posicionamento registradas para "Mrs. Cecil Wade", de John Singer Sargent.

    Qual é a data e o estilo de "Mrs. Cecil Wade", de John Singer Sargent?

    "Mrs. Cecil Wade" foi criada em 1886 como uma obra do movimento Realist Portraiture. A data e o movimento situam a obra na história da arte.