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Nome Turma Data

John Lewis Reilly, Charles Darwin (1809–1882) (after John Collier) (1905). Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
John Lewis Reilly originaluniqueart.com/pt/artists/john-lewis-reilly/
Datas do artista
1835 – 1922
Pintura a óleo
1905
Dimensões originais
74 x 61 cm

No contexto

Charles Darwin (1809–1882) (after John Collier) — John Lewis Reilly

Qual é o tamanho?

As dimensões originais são 74 × 61 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 87 ao falecer.

Pintado quando o artista tinha 70. O artista viveu até aos 87. 4 das 6 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de John Lewis Reilly (1835–1922) ▲ esta obra, 1905 cada pintura datada, década por década

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/

Cores

Medido a partir da imagem

    Cor principal

    Phthalo Green #2c3028

    Paleta catalogada

    • #2C3028
    • #071613
    • #CBA880
    • #815A3D

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Nome da cor principal
    Phthalo Green
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Discordant Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de John Lewis Reilly nos últimos doze meses — 2 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 75,0%300 visitas
    2. 2 Hong Kong 25,0%100 visitas

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 3 obras mais visualizadas de John Lewis Reilly

    1. 1 William James Erasmus Wilson (1809–1884) (copy after Stephen Pearce), 1872 42,9%300 visitas
    2. 2 Charles Darwin (1809–1882) (after John Collier), 1905 esta obra 42,9%300 visitas
    3. 3 Francis Leopold McClintock (1819–1907) 14,3%100 visitas

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 8 obras deste artista, das quais 3 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 2 posição entre elas, com 42,9% dessa atenção (300 visitas). Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    John Lewis Reilly

    John Lewis Reilly: A Victorian Portraitist of Refined Elegance

    John Lewis Reilly (1835-1922) stands as a significant, yet often understated, figure in 19th-century British art. More than simply a painter, he was a meticulous craftsman and a skilled interpreter of established masters, producing remarkably convincing copies alongside his own original portraits and historical scenes. His work reflects the prevailing aesthetic sensibilities of the Victorian era – a deep appreciation for classical forms, an interest in aristocratic subjects, and a commitment to capturing both outward appearance and inner character.

    Born in London, Reilly’s artistic journey began with studies at the Royal Academy School. However, he quickly gravitated towards portraiture and historical painting, establishing himself as a respected artist within a relatively small circle of patrons and galleries. Unlike some of his contemporaries who sought fame through grand historical narratives, Reilly focused primarily on capturing the likenesses of prominent figures – from military officers and politicians to members of the aristocracy and even literary personalities like Charles Darwin. His approach was characterized by an almost obsessive attention to detail, evident in the meticulously rendered fabrics, jewelry, and expressions of his subjects.

    The Influence of Masters and Copying Techniques

    Reilly’s artistic development was profoundly shaped by the works of earlier masters, particularly those of the Dutch Golden Age and the Elizabethan era. He deeply admired Sir Anthony van Dyck, whose portraits he studied with intense scrutiny, seeking to emulate his elegant compositions and ability to convey a sense of dignified composure. This admiration is most strikingly evident in his numerous copies after Van Dyck, including a celebrated portrait of Charles I – a work that demonstrates not only technical proficiency but also a genuine understanding of the master’s artistic principles.

    However, Reilly's practice extended beyond mere imitation. He was equally adept at working from other sources, notably Thomas Gainsborough and Dobson. His ability to faithfully reproduce these artists’ styles showcased his deep knowledge of technique and his commitment to preserving their legacies. This dedication to copying wasn’t viewed as a lesser pursuit; rather, it served as a rigorous training ground, allowing him to hone his skills and develop an unparalleled understanding of composition, color theory, and the nuances of portraiture.

    Notable Works and Subject Matter

    Reilly's oeuvre is characterized by a remarkable diversity of subjects. He produced numerous portraits of prominent figures from British society, including Major General Norman MacLeod, Admiral Sir Francis Leopold McClintock, and even Charles Darwin – a particularly intriguing commission that speaks to Reilly’s willingness to engage with the intellectual currents of his time. Beyond portraiture, he also created historical scenes, often depicting moments of military triumph or civic celebration. His painting “Homage to Jellett” is an example of this genre.

    A significant portion of Reilly's work was dedicated to reproducing works by other masters. These copies were not simply mechanical reproductions; rather, they were carefully considered interpretations that sought to capture the essence of the original while adapting it to his own artistic sensibilities and the tastes of his clientele. The meticulous detail evident in these copies underscores Reilly’s commitment to preserving artistic traditions and ensuring their continued appreciation.

    Legacy and Historical Significance

    While John Lewis Reilly may not be as widely celebrated as some of his contemporaries, his contribution to 19th-century British art is undeniable. His meticulous technique, profound understanding of master artists, and ability to capture the essence of his subjects have earned him a place among the most skilled portraitists of his era. His work offers a valuable window into Victorian society – revealing the values, aspirations, and aesthetic preferences of a rapidly changing nation. Furthermore, Reilly’s dedication to copying highlights the importance of artistic lineage and the ongoing dialogue between generations of artists.

    Reilly's legacy is further cemented by his continued presence in museum collections and private hands, ensuring that his art will be appreciated for years to come. His paintings serve as a testament to the enduring power of observation, skill, and a deep respect for artistic tradition.

    Onde ler mais

    • O artista John Lewis Reilly originaluniqueart.com/pt/artists/john-lewis-reilly/
    • Obras semelhantes Mais obras para comparar originaluniqueart.com/pt/art/similar/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/

    Encontre online

    QR code que direciona para a página de download de Charles Darwin (1809–1882) (after John Collier)

    originaluniqueart.com/pt/art/download/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/

    Como citar esta obra

    MLA
    Reilly, John Lewis. Charles Darwin (1809–1882) (after John Collier). 1905, https://originaluniqueart.com/pt/art/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/
    APA
    Reilly, John Lewis (1905). Charles Darwin (1809–1882) (after John Collier) [Painting]. https://originaluniqueart.com/pt/art/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/
    Chicago
    John Lewis Reilly. Charles Darwin (1809–1882) (after John Collier). 1905. https://originaluniqueart.com/pt/art/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/
    Harvard
    Reilly, John Lewis (1905) Charles Darwin (1809–1882) (after John Collier). Available at: https://originaluniqueart.com/pt/art/john-lewis-reilly-charles-darwin-1809-1882-after-john-collier-AS83CD-en/

    Observe de perto

    Charles Darwin (1809–1882) (after John Collier) — John Lewis Reilly

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Charles I (1600–1649) (after Sir Anthony van Dyck) (1919), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. John Lewis Reilly tinha cerca de 70 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    "Charles Darwin (1809–1882) (after John Collier)" é mais claro ou mais escuro no geral?

    "Charles Darwin (1809–1882) (after John Collier)", de John Lewis Reilly apresenta um brilho de deep_shadow, com uma luminância de Dark.

    "Charles Darwin (1809–1882) (after John Collier)" está em domínio público?

    "Charles Darwin (1809–1882) (after John Collier)", de John Lewis Reilly está em em domínio público — seus direitos autorais expiraram. Este status determina como a imagem da obra pode ser reproduzida.

    Qual é a intensidade das cores de "Charles Darwin (1809–1882) (after John Collier)", de John Lewis Reilly?

    "Charles Darwin (1809–1882) (after John Collier)", de John Lewis Reilly apresenta uma intensidade de cor Monochromatic.