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Barred Owl about

Nome Turma Data

John James Audubon, Barred Owl about (1821). Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
John James Audubon originaluniqueart.com/pt/artists/john-james-audubon_pt/
Datas do artista
1785 – 1851
Pintura
1821

No contexto

Barred Owl about — John James Audubon

Ano de criação

  1. 1780
  2. 1790
  3. 1800
  4. 1810
  5. 1820
  6. 1830
  7. 1840
  8. 1850

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 66 ao falecer.

Pintado quando o artista tinha 36. O artista viveu até aos 66. 2 das 37 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de John James Audubon (1785–1851) ▲ esta obra, 1821 cada pintura datada, década por década

Primeiras obras: até 1822 Principais anos de atividade: 1822–1841 Obras tardias: a partir de 1841

Essas três faixas dividem as obras que este catálogo data em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a vida do artista traçada neles

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/john-james-audubon-barred-owl-about-9GEQGD-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    White #fcf9e1

    Paleta catalogada

    • #FCF9E1
    • #34190C
    • #845327
    • #C7A26E

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    White
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Balanced Harmony A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de John James Audubon nos últimos doze meses — 10 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 China 80,9%
    2. 2 Estados Unidos da América 6,8%
    3. 3 Singapura 5,4%
    4. 4 Hong Kong 4,3%
    5. 5 Reino Unido 0,7%
    6. 6 Austrália 0,4%
    7. 7 Brasil 0,4%
    8. 8 Alemanha 0,4%
    9. 9 Jamaica 0,4%
    10. 10 Arábia Saudita 0,4%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de John James Audubon

    1. 1 Tropic Bird. 1. Male. 2. Female 2,0%
    2. 2 American Stork, 1827 1,3%
    3. 3 American Flamingo 1,3%
    4. 4 Lincoln's Pinewood Finch. 1. Male. 2. Female. (1. Dwarf Cornel. 2. Cloudberry. 3. Glaucous Kalmia.) 1,0%
    5. 5 Lepus Sylvaticus, Grey Rabbit. Natural size. Old ^ young 1,0%
    6. 6 Arvicola hispidus, Cotton Rat. Natural size 1,0%
    7. 7 "Say's Flycatcher, 1. Male, 2. Female" -> "Passarinho Say's, 1. Masculino, 2. Feminino" 1,0%
    8. 8 White-throated Finch. 1.Male. 2. Female. 1,0%
    9. 9 Didelphis virginiana, Pennant. Virginian Opossum. Female & Young Male, 7 Months Old. Natural Size., 1845 0,7%
    10. 10 Cervus richardsonii, Aud & Bach. Columbian Black-Tailed Deer. Males., 1847 0,7%
    11. 11 Osprey and Weakfish, 1829 0,7%
    12. 12 Ivory-billed Woodpecker (Campephilus principalis), Study for Havell plate 66, 1826 0,7%
    13. 13 american white pelican 0,7%
    14. 14 White-breasted Nuthatch. 1. Male. 2. ^ 3. Female 0,7%
    15. 15 Canis latrans, Prairie Wolf. Males 0,7%
    16. 16 Cervus macrotis, Black-tailed Deer. Female. Summer pelage 0,7%
    17. 17 Columbia Magpie or Jay. Male 0,7%
    18. 18 Barred Owl about, 1821 esta pintura 0,7%
    19. 19 American Beaver 0,7%
    20. 20 Golden-winged Swamp-Warbler. 1. Male. 2. Female 0,7%

    Juntas, estas obras representam 18,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 807 obras deste artista, das quais 220 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 18 posição entre elas, com 0,7% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    John James Audubon

    Nascido em Les Cayes, Haiti

    A Life Etched in Feather and Field

    John James Audubon, a name synonymous with American ornithology and art, was a figure of remarkable ambition, meticulous observation, and undeniable complexity. Born Jean-Jacques Rabin in 1785 in Les Cayes, Saint-Domingue – modern-day Haiti – his origins were steeped in the contradictions of colonial life. The son of a French naval officer and plantation owner, and a mother whose identity remains shrouded in some historical debate—possibly a free woman of color—Audubon’s early years were marked by a unique perspective, shaped by both privilege and the realities of a society built on exploitation. This Caribbean landscape, vibrant with exotic birds and lush vegetation, ignited within him a lifelong fascination with the natural world, a passion that would ultimately define his legacy. Following unrest in Saint-Domingue, he was sent to France for safety and education, though formal schooling never fully captured his restless spirit. It was during this period that his artistic inclinations began to blossom, nurtured by lessons in drawing and watercolor, yet always driven by an independent streak.

    The Pursuit of Avian Perfection

    Audubon’s path wasn't immediately directed towards art or science; he dabbled in various ventures – a shopkeeper, a taxidermist, even attempting mining and mercantile pursuits—all while relentlessly pursuing his passion for birds. These early struggles, however, were crucial in honing his observational skills and developing the resilience needed to undertake his monumental life’s work: The Birds of America. This wasn't merely an artistic endeavor; it was a scientific undertaking of unprecedented scope. Between 1827 and 1838, Audubon embarked on a journey across North America, meticulously documenting nearly 500 bird species in life-size detail. He didn’t simply paint birds as static specimens; he captured them in dynamic poses, engaged in flight, feeding, or interacting with their environment. This revolutionary approach—portraying birds within their habitats—set his work apart from previous ornithological illustrations. The sheer scale of the paintings was breathtaking, demanding immense skill and unwavering dedication. Each bird was rendered with astonishing accuracy, showcasing not only its physical characteristics but also a sense of its individual character and vitality.

    Technique and Collaboration: A Masterful Synthesis

    Audubon’s artistic technique was as innovative as his subject matter. He primarily employed watercolor on large sheets of paper, utilizing vibrant colors and meticulous detail to bring each bird to life. His compositions were often dramatic, emphasizing the birds' energy and grace. However, The Birds of America wasn’t a solitary creation. While Audubon created the original watercolors, their transformation into prints relied heavily on the expertise of engravers Robert Havell Sr. and later his son, Robert Havell Jr. These skilled artisans painstakingly translated Audubon’s delicate brushstrokes into stunning aquatint engravings, ensuring that the beauty and accuracy of the originals were faithfully reproduced for a wider audience. This collaboration was essential to the project's success, demonstrating the power of combining artistic vision with technical mastery. Beyond birds, Audubon also extended his artistic focus to mammals, creating detailed depictions of animals like the American bison and various species of foxes, further showcasing his commitment to documenting North America’s diverse wildlife.

    A Legacy Marked by Complexity

    John James Audubon's impact extends far beyond the realm of art and ornithology. His work became an invaluable resource for scientists and naturalists, providing a detailed visual record of North American birdlife at a critical time when many species faced habitat loss and decline. He pioneered a field observation-based approach to studying birds, emphasizing meticulous documentation of behavior and habitat alongside his illustrations—a departure from earlier methods reliant on preserved specimens. This dedication helped raise awareness about the importance of conservation, contributing to the growing environmental movement in the 19th century. The National Audubon Society, founded in his honor, continues this vital work today. However, it’s crucial to acknowledge a darker side to Audubon's legacy. Recent scholarship has revealed troubling aspects of his life, including his ownership of enslaved people and his problematic views on race. He also engaged in questionable scientific practices, including the theft of human remains for research purposes. These revelations force us to confront the complexities of historical figures and grapple with their contributions within the context of their time—acknowledging both their achievements and their failings.

    Enduring Influence and Continued Exploration

    Despite these controversies, Audubon’s artistic and scientific contributions remain significant. His work continues to inspire artists, scientists, and conservationists alike. The legacy extends through his son, John Woodhouse Audubon, who continued his ornithological studies, and the skilled engravers like Robert Havell Sr. and Jr., whose craftsmanship brought his vision to life. Exploring related figures such as Alfred Tennyson Agate, a contemporary naturalist, or Theodore Roosevelt Jr., an artist captivated by the American West, provides further context for the artistic and scientific landscape of Audubon’s era. His paintings are not merely beautiful representations of birds; they are windows into a vanished world, testaments to the power of observation, and reminders of our responsibility to protect the natural heritage he so passionately documented.

    Related Artists: John Woodhouse Audubon, Robert Havell Sr., Robert Havell Jr., Alfred Tennyson Agate, Theodore Roosevelt Jr.

    Saiba mais

    • O artista John James Audubon originaluniqueart.com/pt/artists/john-james-audubon_pt/
    • Obras semelhantes Mais obras para comparar originaluniqueart.com/pt/art/similar/john-james-audubon-barred-owl-about-9GEQGD-en/

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    Como citar esta obra

    MLA
    Audubon, John James. Barred Owl about. 1821, https://originaluniqueart.com/pt/art/john-james-audubon-barred-owl-about-9GEQGD-en/
    APA
    Audubon, John James (1821). Barred Owl about [Painting]. https://originaluniqueart.com/pt/art/john-james-audubon-barred-owl-about-9GEQGD-en/
    Chicago
    John James Audubon. Barred Owl about. 1821. https://originaluniqueart.com/pt/art/john-james-audubon-barred-owl-about-9GEQGD-en/
    Harvard
    Audubon, John James (1821) Barred Owl about. Available at: https://originaluniqueart.com/pt/art/john-james-audubon-barred-owl-about-9GEQGD-en/

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    Barred Owl about — John James Audubon

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