Papel
Nome Turma Data

John Frederick Herring Ii, Farmyard with Saddlebacks, Haworth Art Gallery. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
John Frederick Herring Ii originaluniqueart.com/pt/artists/john-frederick-herring-ii/
Datas do artista
1820 – 1907
Dimensões originais
56 x 71 cm
Movimento
Pastoral Painting
Realizado em
Haworth Art Gallery originaluniqueart.com/pt/museums/haworth-art-gallery-accrington/

No contexto

Farmyard with Saddlebacks — John Frederick Herring Ii

Qual é o tamanho?

As dimensões originais são 56 × 71 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando poderá ter sido pintada esta obra?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890
  9. 1900

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 87 ao falecer.

Sombreado: a trajetória de John Frederick Herring Ii (1820–1907) cada pintura datada, década por década

Primeiras obras: até 1841 Principais anos de atividade: 1841–1850 Obras tardias: a partir de 1850

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/john-frederick-herring-ii-farmyard-with-saddlebacks-AQU8UJ-en/

Cores

Medido a partir da imagem

    Cor principal

    Phthalo Green #332715

    Paleta catalogada

    • #332715
    • #A18B61
    • #C9C0A5
    • #6A542F

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Phthalo Green
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de John Frederick Herring Ii nos últimos doze meses — 3 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 50,0%200 visits
    2. 2 Hong Kong 25,0%100 visits
    3. 3 Estados Unidos da América 25,0%100 visits

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 4 obras mais visualizadas de John Frederick Herring Ii

    1. 1 Interior of a Stable, 1849 25,0%100 visits
    2. 2 Landscape with Horses, 1857 25,0%100 visits
    3. 3 A Farmyard Scene with Horses, Ducks and Poultry 25,0%100 visits
    4. 4 Farmyard with Saddlebacks esta obra 25,0%100 visits

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 22 obras deste artista, das quais 4 foram visualizadas pelo menos uma vez. This painting ranks 4 of them, with 25,0% of that attention (100 visits). Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    John Frederick Herring Ii

    The Legacy of John Frederick Herring II: A Master of the Equestrian Spirit

    In the grand tapestry of British art history, few names evoke the rhythmic pulse of the Victorian countryside as vividly as John Frederick Herring II. Born in 1820 in Chelmsford, Essex, Herring emerged not merely as a painter, but as a chronicler of an era defined by the elegance of the horse and the pastoral serenity of the English landscape. His artistic lineage is one of profound importance; he was the scion of a celebrated tradition, having been raised under the watchful eye and expert tutelage of his father, John Frederick Herring Sr. This early immersion in the nuances of equine anatomy and the dynamics of motion instilled in him a lifelong devotion to capturing the very essence of animal vitality—a passion that would eventually elevate him to the heights of nineteenth-century fame.

    Herring’s development was marked by a seamless blend of inherited tradition and formal academic rigor. While his father provided the foundational language of the equestrian genre, Herring sought to expand this vocabulary through his studies at the Royal Academy in London. Here, he moved beyond simple documentation to embrace a more sophisticated approach to light, texture, and atmosphere. His work began to bridge the gap between the specialized niche of sporting art and the broader, more emotive realms of Romantic landscape painting. This evolution allowed him to present horses not just as subjects of athletic prowess, and racing, but as integral components of a living, breathing ecosystem.

    The Art of Motion and the English Landscape

    What truly distinguishes Herring’s oeuvre is his unparalleled ability to render the tension and grace of movement. Whether depicting the thundering hooves of a racehorse or the quiet, muscular repose of carriage horses in a courtyard, his canvases possess an unmistakable energy. In masterpieces such as “The Royal Mail Coach” (1841), one observes a masterful command over composition, where the drama of travel and social status is anchored by the meticulous realism of the animals and their surroundings. He did not merely paint horses; he painted the weight of their breath, the subtle sheen of their coats, and the way they interacted with the rugged textures of the English earth.

    Beyond the spectacle of the hunt and the race, Herring found profound beauty in the quietude of rural life. His landscapes often served as a stage for the pastoral rhythms of the Victorian age, featuring:

    Serene Pastoral Scenes: Works like “Farmyard with Saddlebacks” utilize earthy tones and textured brushwork to evoke the rustic charm of agricultural existence.

    Naturalistic Studies: His ability to capture tranquil moments, such as in “Ducks and Ducklings,” demonstrates a sensitivity to the delicate balance of nature within lush, verdant meadows.

    Architectural Integration: His landscapes frequently incorporated churches and village structures, reflecting the era's deep-seated connection between the land, community, and spiritual morality.

    Historical Significance and Enduring Influence

    The significance of John Frederick Herring II extends far beyond the confines of sporting circles. During his lifetime, his work resonated with a wide spectrum of society, earning him prestigious commissions from figures as notable as Queen Victoria. This level of patronage underscores his role in defining the visual identity of the Victorian era—a period that sought to find beauty in both the industriousness of progress and the nostalgic stability of the countryside. His paintings acted as windows into a world where the boundaries between human endeavor and animal instinct were harmoniously intertwined.

    As we look back upon his prolific career, which spanned until his death in 1907, we see an artist who successfully navigated the transition from the strictures of classical realism to the more emotive sensibilities of the late nineteenth century. His dedication to anatomical precision and atmospheric depth ensured that his work remained timeless. Today, Herring’s legacy lives on through his ability to freeze moments of profound vitality, offering modern viewers a poignant connection to the lost rhythms of a bygone British landscape.

    Museu

    Haworth Art Gallery

    Em exibição em Accrington, United Kingdom

    A Sanctuary of Light and Craft: Discovering Haworth Art Gallery

    Nestled in the heart of Lancashire, Haworth Art Gallery isn’t merely a repository of beautiful objects; it's an immersive experience—a journey into the aesthetic ideals of the Arts & Crafts movement and a celebration of artistic brilliance. From its very foundations to the breathtaking collection housed within, the gallery whispers stories of visionaries, dedication, and a profound appreciation for beauty in all its forms. Originally conceived as a private residence for textile manufacturer William Haworth in 1909, the building itself stands as a testament to architectural harmony. Designed by Walter Brierley, often hailed as “the Yorkshire Lutyens,” it embodies the principles of the Arts & Crafts movement—a reaction against industrialization that championed handcrafted quality and natural materials. Walking through its rooms is akin to stepping back in time, surrounded by intricate detailing, warm wood tones, and a sense of tranquil elegance. The structure isn’t simply a container for art; it is art, seamlessly blending with the landscape and enhancing the experience of viewing the treasures within.

    Architectural Significance:

    Walter Brierley's design reflects the Arts & Crafts ethos—a deliberate rejection of mass production favoring organic forms and locally sourced materials like Yorkshire sandstone.

    Historical Context:

    Constructed during a period of significant social reform, Haworth Art Gallery embodies the movement’s commitment to elevating craftsmanship and fostering connection with nature.

    The Tiffany Legacy: A European Treasure

    While the architecture captivates, it is undoubtedly the gallery's extraordinary collection of Louis Comfort Tiffany glass that draws international acclaim. Holding the largest such assemblage in Europe, Haworth Art Gallery offers a dazzling panorama of Tiffany’s innovative techniques and artistic vision. This isn’t merely a display of stained glass; it’s an exploration of light itself—how it can be manipulated, refracted, and transformed into something ethereal and captivating. From vibrant Favrile vases shimmering with iridescent hues to intricate mosaics depicting scenes from nature, each piece demonstrates Tiffany's mastery of color, texture, and form. The collection was generously gifted by Joseph Briggs, a local Accrington man who spent forty years working alongside Tiffany in the United States before returning home to share this extraordinary legacy with his community. Briggs’ foresight ensured that generations could marvel at these masterpieces, experiencing the unique artistry that defined an era. Exploring the four themed rooms dedicated to Tiffany – 'Tiffany and Interior Design', 'Tiffany and The Past', 'Tiffany and Nature', and 'The Tiffany Phenomenon' – offers a comprehensive understanding of his diverse output and enduring influence.

    Notable Pieces:

    Admire iconic lamps like ‘Wisteria’ and ‘Dragonfly’, showcasing Tiffany’s unparalleled skill in fusing glass, enamel, and metalwork.

    Tiffany's Artistic Vision:

    The collection illuminates Tiffany’s fascination with botanical motifs—particularly wildflowers—reflecting the Arts & Crafts movement’s reverence for the natural world.

    Beyond Glass: A Tapestry of Artistic Expression

    However, to define Haworth Art Gallery solely by its Tiffany collection would be to overlook the richness and diversity of its broader holdings. The gallery boasts a remarkable array of oil paintings and watercolours, primarily from the 19th century, showcasing works by renowned artists such as Frederic Leighton, Claude Joseph Vernet, and John Frederick Herring. These pieces offer a fascinating glimpse into artistic trends of the period, reflecting both Romantic sensibilities and emerging Realist approaches. Beyond painting, the gallery’s dedication to decorative arts is evident in its displays of ceramics, textiles, and metalwork—each object carefully chosen for its craftsmanship and aesthetic merit. This commitment to showcasing a wide range of artistic disciplines underscores the gallery's mission to celebrate creativity in all its forms.

    Romanticism & Realism:

    Observe how Leighton’s opulent landscapes contrast with Vernet’s dramatic depictions of Alpine scenery—representing two dominant styles shaping 19th-century art.

    Decorative Arts Showcase:

    Examine exquisite ceramics crafted in Lancashire, alongside intricately woven textiles reflecting regional traditions and artistic skill.

    A Living Space: Gardens, Community & Future Visions

    The beauty of Haworth Art Gallery extends beyond its walls, spilling into the lush gardens that surround the building. These serene spaces provide a peaceful retreat for visitors, offering a chance to reflect on the art they’ve experienced and connect with nature's own artistry. The gallery actively fosters a sense of community through educational programs, workshops, and events designed to engage audiences of all ages. From family-friendly activities to specialized tours, Haworth Art Gallery strives to make art accessible and inspiring for everyone. Moreover, the venue is increasingly popular as a unique setting for weddings, blending historical elegance with contemporary celebrations. The ongoing commitment to preservation, coupled with innovative programming, ensures that Haworth Art Gallery will continue to thrive as a cultural beacon for generations to come—a place where artistry, history, and community converge in harmonious splendor.

    Community Engagement:

    Participate in workshops exploring Tiffany’s techniques or delve into lectures examining the influence of Arts & Crafts ideals on British society.

    Future Initiatives:

    Haworth Art Gallery is actively pursuing collaborations with contemporary artists and designers, ensuring that its legacy inspires creativity for years to come.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Farmyard with Saddlebacks

    originaluniqueart.com/pt/art/download/john-frederick-herring-ii-farmyard-with-saddlebacks-AQU8UJ-en/

    Como citar esta obra

    MLA
    Ii, John Frederick Herring. Farmyard with Saddlebacks. n.d., Haworth Art Gallery. https://originaluniqueart.com/pt/art/john-frederick-herring-ii-farmyard-with-saddlebacks-AQU8UJ-en/
    APA
    Ii, John Frederick Herring (n.d.). Farmyard with Saddlebacks [Painting]. Haworth Art Gallery. https://originaluniqueart.com/pt/art/john-frederick-herring-ii-farmyard-with-saddlebacks-AQU8UJ-en/
    Chicago
    John Frederick Herring Ii. Farmyard with Saddlebacks. n.d. Haworth Art Gallery. https://originaluniqueart.com/pt/art/john-frederick-herring-ii-farmyard-with-saddlebacks-AQU8UJ-en/
    Harvard
    Ii, John Frederick Herring (n.d.) Farmyard with Saddlebacks. Haworth Art Gallery. Available at: https://originaluniqueart.com/pt/art/john-frederick-herring-ii-farmyard-with-saddlebacks-AQU8UJ-en/

    Observe de perto

    Farmyard with Saddlebacks — John Frederick Herring Ii

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: rural life, farm animals, cottage. Concorda? O que acrescentaria ou removeria?
    4. Relembre Grey carriage horses in the coachyard at Putteridge Bury, Hertfordshire (1838), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Temas recorrentes na obra de John Frederick Herring Ii: constable, gainsborough, 18th/19th century pastoral. Quais deles você consegue identificar aqui?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Como "Farmyard with Saddlebacks" se integra aos temas e ao estilo de John Frederick Herring Ii?

    "Farmyard with Saddlebacks" compartilha com as outras obras de John Frederick Herring Ii o seu estilo Pastoral Painting e os temas recorrentes: constable, gainsborough, 18th/19th century pastoral, rural life, domesticity, prosperity.

    Qual cor predomina na composição de "Farmyard with Saddlebacks", de John Frederick Herring Ii?

    A cor dominante de "Farmyard with Saddlebacks", de John Frederick Herring Ii é Phthalo Green (#332715).

    A qual movimento artístico pertence "Farmyard with Saddlebacks", de John Frederick Herring Ii?

    "Farmyard with Saddlebacks", de John Frederick Herring Ii pertence ao movimento Pastoral Painting. Este movimento fornece o contexto estilístico da obra.