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Guia de Obras de Estudantes

Tuxedo

Nome Turma Data

Jean Michel Basquiat, Tuxedo (1982), Tony Shafrazi Gallery. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Jean Michel Basquiat originaluniqueart.com/pt/artists/jean-michel-basquiat_pt/
Datas do artista
1960 – 1988
Pintura a óleo
1982
Técnica
Screenprint Ink pushed through a stencilled mesh, one flat colour at a time — the technique behind much Pop Art.
Dimensões originais
261 x 152 cm
Movimento
Neo-expressionism A rough, urgent return to figure painting in the 1980s, after years of cool abstraction.
Período
Modern
Realizado em
Tony Shafrazi Gallery originaluniqueart.com/pt/museums/tony-shafrazi-gallery-nova-york_pt/
Artistic style
Raw Energy, Chaotic
Influences
Gray's Anatomy
Notable elements
Crown, Text, Screenprint
Subject or theme
Identity, Power

No contexto

Tuxedo — Jean Michel Basquiat

Qual é o tamanho?

As dimensões originais são 261 × 152 cm (altura × largura), representadas aqui ao lado de um adulto de altura média. É demasiado grande para ser representada à escala nesta página.

Quando foi pintado?

  1. 1960
  2. 1970
  3. 1980

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 28 ao falecer.

Pintado quando o artista tinha 22. O artista viveu até aos 28. 16 das 128 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Jean Michel Basquiat (1960–1988) ▲ esta obra, 1982 cada pintura datada, década por década

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/jean-michel-basquiat-tuxedo-D2YSCW-en/

Cores

Medido a partir da imagem

    Cor principal

    Black #09090a

    Paleta catalogada

    • #09090A
    • #CCC7C1
    • #4E4B49
    • #272626

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Nome da cor principal
    Black
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Serene O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Softly Mixed Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Jean Michel Basquiat nos últimos doze meses — 51 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 Reino Unido 10,6%
    2. 2 China 8,1%
    3. 3 Espanha 7,5%
    4. 4 Estados Unidos da América 6,2%
    5. 5 Brasil 5,9%
    6. 6 Chile 4,7%
    7. 7 México 4,7%
    8. 8 França 4,4%
    9. 9 Itália 4,1%
    10. 10 Coréia do Sul 4,1%
    11. · 41 outros países 39,7%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Jean Michel Basquiat

    1. 1 Sem Título - Crânio (Broad Collection, LA), 1981 55,5%
    2. 2 Bird on Money, 1981 4,8%
    3. 3 Philistines, 1982 3,8%
    4. 4 Riding with Death, 1988 3,2%
    5. 5 Fishing Fish, 1981 3,1%
    6. 6 Man from Naples, 1982 1,9%
    7. 7 Now's The Time, 1985 1,9%
    8. 8 Pegasus, 1987 1,5%
    9. 9 Untitled (ernok) 1,3%
    10. 10 Melting Point of Ice, 1984 1,1%
    11. 11 Earth, galerie bruno bischo, 1984 1,0%
    12. 12 Notary, 1983 1,0%
    13. 13 Red man, Annina Nosei Galle, 1981 0,8%
    14. 14 Pelptic Ulcer, 1983 0,8%
    15. 15 Self-portrait coll.franzen, 1982 0,8%
    16. 16 Obnoxious Liberals, 1982 0,8%
    17. 17 Hollywood africans, Whitney, 1983 0,6%
    18. 18 Crown, 1983 0,6%
    19. 19 Profit I, 1982 0,6%
    20. 27 Tuxedo, 1982 esta obra 0,6%

    Juntas, estas obras representam 85,7% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 134 obras deste artista, das quais 72 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 27 posição entre elas, com 0,6% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Tuxedo — Jean Michel Basquiat

    Jean-Michel Basquiat’s “Tuxedo”: A Chronicle of Urban Noise

    “Tuxedo,” painted in 1982, is more than just an image; it's a visceral eruption of raw energy and fragmented thought – a quintessential work by the tragically short-lived genius that was Jean-Michel Basquiat. This screenprint on canvas immediately confronts the viewer with a chaotic symphony of black and white markings, text fragments, and iconic symbols, reflecting the frenetic pulse of 1980s New York City and the artist’s own intensely personal struggle for recognition within the art world.

    A Visual Vocabulary: The artwork's composition is deliberately overwhelming. A prominent crown, a recurring motif in Basquiat’s oeuvre, dominates the upper left corner, instantly evoking notions of royalty and power – themes he relentlessly explored through his work.

    Layered Meaning: Beneath the crown lies a dense layering of text, seemingly random but meticulously arranged, alongside geometric shapes and organic forms. This isn't simply visual noise; it’s a deliberate attempt to capture the overwhelming influx of information that characterized urban life and, perhaps, Basquiat’s own experience navigating the complexities of identity and representation.

    Neo-Expressionist Intensity: “Tuxedo” embodies the core tenets of neo-expressionism – a movement defined by its rejection of formal restraint and embrace of emotional intensity. The aggressive application of ink through the screenprinting technique mirrors this raw energy, creating a textured surface that feels both immediate and unsettling.

    Technique and Materials: A Conversation Between Artist and Process

    Basquiat’s process in creating “Tuxedo” was deeply rooted in the technical demands of screenprinting. This method, utilizing stencils to transfer ink onto canvas, allowed him to build up layers of imagery with remarkable speed and control – a crucial element given his relentless output. The almost uniform distribution of marks suggests meticulous planning, yet the overall effect is one of spontaneous creation. The choice of acrylic or another suitable screenprinting medium likely contributed to the artwork’s durability and vibrant color saturation, despite its monochromatic presentation.

    Screenprinting Precision: The technique itself speaks volumes about Basquiat's approach – a calculated chaos where precision and spontaneity intertwine.

    Canvas as Ground: The canvas serves not merely as a support but as an active participant in the artwork’s narrative, absorbing and amplifying the intensity of the printed image.

    Symbolism and Context: Decoding Basquiat's Universe

    “Tuxedo” is steeped in symbolism, reflecting Basquiat’s fascination with history, mythology, and social commentary. The tuxedo itself – a symbol of formality and wealth – is juxtaposed against the raw, unrefined aesthetic of the artwork, creating a potent tension. The inclusion of anatomical references, subtly hinted at by the book Gray's Anatomy that profoundly influenced his work, adds another layer of complexity, suggesting an exploration of the human body as both a physical form and a site of cultural and social meaning.

    Crown’s Significance: The crown, beyond its literal representation, symbolizes power, aspiration, and the artist's desire to transcend societal limitations.

    Textual Layers: The fragmented text likely represents the overwhelming nature of information in a rapidly changing world, echoing themes of alienation and social critique prevalent in Basquiat’s work.

    Emotional Impact and Legacy

    “Tuxedo” is not merely a visually arresting image; it's an emotionally charged statement about identity, power, and the struggle for recognition. Basquiat’s ability to distill complex ideas into such a powerfully evocative work cemented his place as one of the most important artists of his generation. A reproduction of “Tuxedo” offers a direct connection to this extraordinary talent, allowing viewers to experience firsthand the raw energy and intellectual depth that defined his groundbreaking art.

    Artista e museu

    Artista

    Jean Michel Basquiat

    Nascido em Brooklyn, Estados Unidos da América

    A Brooklyn Beginning and the Rise of SAMO

    Jean-Michel Basquiat erupted onto the 1980s art scene as a force of raw energy and intellectual depth, an impact that continues to resonate profoundly today. Born on December 22, 1960, in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his upbringing was a vibrant tapestry woven with diverse cultures and languages—Spanish, English, and French filled his childhood home. This multilingual environment, coupled with his mother’s dedication to artistic pursuits—she enrolled him as a Junior Member of the Brooklyn Museum at age six—laid an early foundation for his creative journey. However, Basquiat's life wasn’t without hardship; a car accident at eight years old resulted in a splenectomy and a period of convalescence during which he became captivated by a copy of Gray’s Anatomy gifted by his mother. The book’s detailed illustrations would later profoundly influence the anatomical imagery that frequently appears in his work, becoming a haunting motif throughout his career. Before achieving recognition as a painter, Basquiat made his mark under the pseudonym SAMO, alongside friend Al Diaz. Together they covered Lower Manhattan with cryptic, poetic graffiti—epigrams challenging societal norms and questioning established power structures. These weren’t mere tags; they were thought-provoking statements that captured the spirit of the burgeoning hip-hop culture and the gritty energy of 1970s New York City. SAMO was more than just street art; it was a philosophical intervention, a visual disruption designed to provoke dialogue and challenge perceptions.

    Neo-Expressionism and Artistic Innovation

    By the early 1980s, Basquiat transitioned from graffiti to canvas, rapidly gaining recognition within the New York art world. His paintings weren’t easily categorized; they were a unique synthesis of influences ranging from Abstract Expressionism to tribal art, comic books, and historical painting. He became a central figure in the Neo-Expressionist movement, though he resisted easy labeling. His canvases are characterized by a frenetic energy—a chaotic layering of text, symbols, figures, and colors. Basquiat’s technique was deliberately raw and improvisational, often incorporating collage, scratching, and dripping paint. He wasn't interested in technical perfection; instead, he sought to convey emotion, ideas, and social commentary with visceral immediacy. Recurring motifs—crowns, skulls, anatomical diagrams, words crossed out or repeated—became his signature visual language. The crown, perhaps his most iconic symbol, has been interpreted as a representation of aspiration, self-mythologization, and the complexities of Black identity in America. His work frequently grappled with themes of wealth versus poverty, integration versus segregation, and the internal struggles of the individual within society. Paintings like Piscine versus the Best Hotels (or various loin) exemplify his ability to juxtapose seemingly disparate elements—luxury and deprivation, beauty and decay—creating a powerful commentary on social inequalities. Basquiat’s art was not merely about what he depicted but how he depicted it, creating a visual language that was both deeply personal and universally resonant.

    Collaboration, Recognition, and a Tragic End

    Basquiat’s ascent was meteoric. In 1982, at just twenty-one years old, he participated in Documenta in Kassel, Germany, becoming the youngest artist ever to exhibit there. The following year, he showcased his work at the Whitney Biennial, further solidifying his position within the art establishment. A pivotal moment came with his friendship and artistic collaboration with Andy Warhol. The two artists pushed each other creatively, exploring themes of consumerism, celebrity, and mass media in a series of collaborative paintings. While their partnership was complex and sometimes fraught with tension, it undoubtedly elevated both artists’ profiles. Despite achieving international acclaim and financial success, Basquiat struggled with the pressures of fame and his ongoing battle with drug addiction. He began incorporating elements of his personal struggles into his work, reflecting on themes of identity, mortality, and social injustice. His paintings became increasingly introspective and darker as he grappled with these internal conflicts. Tragically, Jean-Michel Basquiat died from a drug overdose on August 12, 1988, at the age of twenty-seven. His untimely death cemented his status as a tragic figure—a brilliant artist whose life was cut short by addiction and the complexities of navigating the art world.

    Legacy and Lasting Influence

    In the years since his death, Basquiat’s reputation has only grown. His work continues to captivate audiences with its raw energy, intellectual depth, and unflinching social commentary. In 2017, *Untitled* (1982), a powerful depiction of a skull, sold for $110.5 million at Sotheby's, setting a new record for any U.S. artist at auction—a testament to the enduring value and cultural significance of his work. Basquiat’s influence can be seen in the work of countless contemporary artists, particularly those who explore themes of identity, race, and social justice. He paved the way for a more diverse and inclusive art world, challenging traditional notions of artistic expression and representation. His ability to seamlessly blend high and low culture—graffiti, fine art, music, poetry—continues to inspire artists today. He remains a potent symbol of creative rebellion, intellectual curiosity, and the power of art to challenge the status quo. His paintings are not merely aesthetic objects; they are windows into a complex mind grappling with profound questions about humanity, society, and the search for meaning in a chaotic world.

    Key Works & Themes

    Here are some defining works that encapsulate Basquiat’s artistic vision:

    Untitled (Skull): A powerful representation of mortality and the African diaspora, achieving record-breaking auction prices.

    Piscine versus the Best Hotels (or various loin): Exemplifies Basquiat’s juxtaposition of wealth and poverty, showcasing his unique artistic style.

    Portrait of the Artist as a Young Derelict: A self-portrait that embodies themes of identity, alienation, and societal critique.

    Hollywood Africans: Explores African American history and culture through symbolic imagery and textual elements.

    Museu

    Tony Shafrazi Gallery

    Em exibição em Nova York, Estados Unidos da América

    Tony Shafrazi Gallery: Um Legado de Visão Audaciosa

    Situada no vibrante distrito de galerias de Chelsea, a Tony Shafrazi Gallery ergue-se como um testemunho de coragem artística e curiosidade intelectual — um farol tanto para colecionadores quanto para conhecedores. Estabelecida em 1979 pelo visionário marchand Tony Shafrazi — um artista profundamente influenciado pelo espírito rebelde de sua época — a galeria cultivou uma reputação singular ao defender artistas inovadores e promover diálogos que desafiam as fronteiras convencionais do cenário da arte contemporânea.

    Um Espírito Pioneiro:

    Desde a sua fundação, a Galeria Shafrazi abraçou o risco e deu voz a talentos não convencionais. Sua trajetória, tanto como criador quanto como curador, instilou uma perspectiva enraizada na rebeldia artística — uma conviculação que continua a moldar o ethos da galeria até os dias de hoje.

    Influências Iniciais e Parcerias Estratégicas:

    Antes de estabelecer seu espaço em Chelsea, Shafrazi atuou como consultor de arte para o Xá do Irã, reunindo uma coleção significativa de arte ocidental para o Museu de Arte Contemporânea de Teerã. Esta experiência formativa refinou seu olhar criterioso e forjou conexões vitais no mercado de arte internacional — laços que se provariam inestimáveis na construção da trajetória da Shafrazi Gallery.

    Celebrando a Pop Art, a Arte Conceitual e o Engajamento Sócio-Político

    A Shafrazi Gallery distingue-se pelo seu compromisso inabalável em apresentar uma gama diversificada de expressões artísticas. Sua especialização reside proeminentemente na Pop Art — caracterizada pela adoção de imagens e técnicas da cultura popular — na arte conceitual — que prioriza a ideia sobre a estética visual — e em obras que lidam com temas sócio-políticos urgentes. Esta curadoria deliberada reflete a crença de Shafrazi de que a arte deve provocar a contemplação e inspirar o engajamento crítico.

    Artistas Icônicos em Destaque:

    O elenco da galeria ostenta figuras célebres que redefiniram os limites artísticos, incluindo Keith Haring — cujos murais vibrantes capturaram a energia da cultura graffiti dos anos 1980 — Francis Bacon — cujas telas inquietantes exploraram temas de trauma e vulnerabilidade — David LaChapelle — conhecido por sua fotografia provocativa que confronta as ansiedades sociais — além de uma constelação de artistas emergentes que expandem as fronteiras da experimentação.

    Arquitetura Minimalista e uma Atmosfera Projetada para o Diálogo

    O design arquitetônico da galeria incorpora sua filosofia central: priorizar o impacto artístico acima de tudo. Localizada no movimentado distrito de Chelsea, a Shafrazi Gallery mantém uma estética surpreendentemente minimalista — permitindo que a própria obra de arte assuma o protagonismo e promovendo um ambiente propício à reflexão profunda. O interior espaçoso é banhado por luz natural, criando um cenário sereno para exposições que visam estimular a curiosidade intelectual.

    Uma História Imersa em Rebeldia Artística e Inovação

    A história da Shafrazi Gallery entrelaça-se com momentos cruciais da história da arte — uma narrativa marcada por gestos audaciosos e dedicação inabalável à integridade artística. Desde a controversa intervenção com spray sobre o Guernica até colaborações com artistas influentes como Warhol e Basquiat, Shafrazi tem consistentemente apoiado aqueles que ousaram desafiar convenções e explorar territórios inexplorados.

    Olhando para o Futuro: Continuando um Legado de Excelência

    Hoje, a Tony Shafrazi Gallery permanece como uma força vital na cena artística de Nova York — um repositório de patrimônio artístico e um catalisador para a inovação futura. Seu compromisso contínuo em apresentar exposições de vanguarda garante que seu legado de audácia e rigor intelectual perdure por gerações.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Tuxedo

    originaluniqueart.com/pt/art/download/jean-michel-basquiat-tuxedo-D2YSCW-en/

    Como citar esta obra

    MLA
    Basquiat, Jean Michel. Tuxedo. 1982, Tony Shafrazi Gallery. https://originaluniqueart.com/pt/art/jean-michel-basquiat-tuxedo-D2YSCW-en/
    APA
    Basquiat, Jean Michel (1982). Tuxedo [Painting]. Tony Shafrazi Gallery. https://originaluniqueart.com/pt/art/jean-michel-basquiat-tuxedo-D2YSCW-en/
    Chicago
    Jean Michel Basquiat. Tuxedo. 1982. Tony Shafrazi Gallery. https://originaluniqueart.com/pt/art/jean-michel-basquiat-tuxedo-D2YSCW-en/
    Harvard
    Basquiat, Jean Michel (1982) Tuxedo. Tony Shafrazi Gallery. Available at: https://originaluniqueart.com/pt/art/jean-michel-basquiat-tuxedo-D2YSCW-en/

    Observe de perto

    Tuxedo — Jean Michel Basquiat

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: basquiat, tuxedo, crown symbol. Concorda? O que acrescentaria ou removeria?
    4. Relembre Sem Título - Crânio (Broad Collection, LA) (1981), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Neo-expressionism: A rough, urgent return to figure painting in the 1980s, after years of cool abstraction. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    A que período histórico pertence "Tuxedo", de Jean Michel Basquiat?

    "Tuxedo" pertence ao período Modern.

    Que emoção a obra "Tuxedo" do Neo-expressionism transmite?

    Dentro do movimento Neo-expressionism, "Tuxedo" é registrada com um tom Powerful.

    Que sentimento transmite "Tuxedo", de Jean Michel Basquiat?

    A atmosfera de "Tuxedo", de Jean Michel Basquiat é Bold, e seu tom emocional é Powerful.