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Guia de Obras de Estudantes

Self-portrait

Nome Turma Data

Jan Matejko, Self-portrait (1892). Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
Jan Matejko originaluniqueart.com/pt/artists/jan-matejko_pt/
Datas do artista
1838 – 1893
Pintura
1892
Técnica
Oil On Canvas
Dimensões originais
160 x 110 cm
Movimento
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Período
19th Century

No contexto

Self-portrait — Jan Matejko

Dimensões

As dimensões originais são 160 × 110 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 55 ao falecer.

Pintado quando o artista tinha 54. O artista viveu até aos 55. 30 das 31 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Jan Matejko (1838–1893) ▲ esta obra, 1892 cada pintura datada, década por década

Primeiras obras: até 1867 Principais anos de atividade: 1867–1888 Obras tardias: a partir de 1888

Essas três faixas dividem as obras que este catálogo data em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a vida do artista traçada neles

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/jan-matejko-self-portrait-8XYB3E-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Clay #9d5941

    Paleta catalogada

    • #9D5941
    • #211C13
    • #4B362D
    • #DFA465

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Clay
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Jan Matejko nos últimos doze meses — 24 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 China 43,5%
    2. 2 República Tcheca 23,4%
    3. 3 França 3,2%
    4. 4 Eslováquia 3,2%
    5. 5 Estados Unidos da América 3,2%
    6. 6 Hong Kong 2,4%
    7. 7 Singapura 2,4%
    8. 8 Bielorrússia 1,6%
    9. 9 Alemanha 1,6%
    10. 10 Luxemburgo 1,6%
    11. · 14 outros países 13,9%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Jan Matejko

    1. 1 Stańczyk, 1862 35,9%
    2. 2 Battle of Grunwald (detail), 1878 10,9%
    3. 3 Banhos de Batorí em Pskov, 1872 2,6%
    4. 4 The Battle of Grunwald [Tannenberg] 2,6%
    5. 5 Self-portrait, 1892 esta pintura 2,6%
    6. 6 Empress Rejtan 2,6%
    7. 7 output scholars 2,6%
    8. 8 Battle of Grunwald, Jan Zizka(detail) 1,9%
    9. 9 Copernicus in the tower at Frombork, or Conversations with God, 1872 1,3%
    10. 10 Sobieski sending Message of Victory to the Pope, after the Battle of Vienna 1,3%
    11. 11 The Fall of Poland, 1866 1,3%
    12. 12 The Prussian Homage, 1882 1,3%
    13. 13 Gamrat and Stanczyk, 1878 1,3%
    14. 14 Battle of Grunwald, 1878 1,3%
    15. 15 To Stanczyk 1,3%
    16. 16 Julian Bukowski 1,3%
    17. 17 Battle of Grunwald (detail) 1,3%
    18. 18 Entry Valois 1,3%
    19. 19 Jan Zamoyski 1,3%
    20. 20 Mieszko I of Poland 1,3%

    Juntas, estas obras representam 77,3% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 202 obras deste artista, das quais 55 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 5 posição entre elas, com 2,6% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Self-portrait — Jan Matejko

    An Intimate Encounter with a Master

    In the vast canon of nineteenth-century European art, few figures loom as large in the national consciousness of Poland as Jan Matejko. While he is most celebrated for his monumental, sweeping historical canvases that capture the epic triumphs and tragedies of the Polish spirit, his Self-portrait of 1892 offers a profound departure from the grandiosity of the battlefield. This intimate oil on canvas invites us into the private sanctuary of the artist’s mind, presenting a moment of quietude that stands in stark contrast to the turbulent political histories he so famously documented. Here, the brushwork does not strive for the chaotic energy of war, but rather settles into a contemplative stillness, capturing an older, wiser gentleman lost in the depths of his own thoughts.

    The composition is masterfully structured to evoke a sense of psychological depth. Seated in a rich, red chair that anchors the lower portion of the frame, Matejko presents himself with arms crossed—a posture that suggests both a defensive enclosure and a profound state of introspection. The artist’s face, framed by a dignified beard, becomes the emotional epicenter of the work. Through a sophisticated interplay of light and shadow, the painter utilizes the hallmarks of Romanticism to breathe life into the scene; the warm, enveloping tones of his attire and the velvet textures of the chair are set against a more muted, cooler background, creating a chiaroscical effect that pulls the viewer toward his gaze. This technique does more than just define form; it creates an atmosphere of heavy, thoughtful silence.

    Symbolism and the Weight of Legacy

    Beyond the mere depiction of a man in a room, every element within this self-portrait serves as a subtle nod to the intellectual life of the creator. The presence of books, strategically placed within the composition, speaks to the scholarly rigor and the historical weight that Matejko carried throughout his career. These objects are not merely props but symbols of the knowledge and the heavy burden of history that informed his every stroke. For the collector or the interior designer, this painting offers a sophisticated narrative of wisdom and permanence. It is a piece that does not demand attention through loud colors, but commands respect through its quiet authority and the palpable sense of dignity it radiates.

    For those looking to integrate such a masterpiece into a curated space, the Self-portrait acts as a soulful anchor. Whether placed in a private library, a formal study, or an elegant living area, the painting brings with it a legacy of European Romanticism. The deep reds and earthy tones provide a luxurious warmth that complements classical decor, while the subject matter provides a conversation piece regarding the nature of identity and the artist's role in society. Owning a high-quality reproduction of this work is an opportunity to possess a fragment of history—a window into the soul of a man who spent his life painting the destiny of a nation.

    Artista e museu

    Artista

    Jan Matejko

    Nascido em Cracov, Polónia

    early life and education

    Jan Alojzy Matejko, a name synonymous with Polish historical painting, was born on June 24th, 1838, in the heart of Kraków, Poland – a city steeped in history and brimming with artistic fervor. His father, Franciszek Ksawery Matejko, a Czech by birth, served as a tutor and music teacher, initially working for the Wodzicki family in Kościelniki before establishing himself in Kraków. This lineage exposed young Jan to both Polish and Czech cultural influences, shaping his early worldview. Jan’s childhood was profoundly marked by two pivotal events: the Kraków Revolution of 1846 and the subsequent Austrian siege of Kraków in 1848. These experiences, witnessing firsthand the struggles for national identity and independence, would become recurring themes throughout his artistic career, imbuing his works with a deep sense of patriotism and historical resonance. Matejko’s formal education began at St. Ann's High School, but he found it challenging to keep pace with the rigorous curriculum, ultimately dropping out in 1851. Despite this setback, his innate artistic talent shone brightly from an early age, a gift that would eventually lead him to the prestigious School of Fine Arts in Kraków. There, under the tutelage of esteemed masters like Wojciech Korneli Stattler and Władysław Łuszczkiewicz, he honed his skills specializing in historical painting – a genre that would become his lifelong passion.

    artistic career

    Matejko’s artistic journey truly began to blossom with the completion of Tsars Shuyski before Zygmunt III in 1853, a monumental work that immediately established him as a rising star within the Kraków art scene. He quickly gained recognition for his ability to capture dramatic historical moments with remarkable detail and emotional intensity. His early exhibitions at the Kraków Society of Friends of Fine Arts showcased a growing mastery of composition, color, and narrative – elements he would continue to refine throughout his prolific career. Notable among his achievements are Rejtan (1866), a powerful depiction of a pivotal moment in Polish history; Union of Lublin (1869), a complex and meticulously rendered portrayal of the political unification of Poland; and, perhaps most famously, *Battle of Grunwald* (1878). This last masterpiece stands as a testament to Matejko’s extraordinary skill in conveying the chaos, heroism, and strategic brilliance of battle – an event that remains deeply ingrained in Polish national identity. Each painting wasn't merely a historical record; it was a carefully constructed narrative designed to evoke patriotism and inspire a sense of national pride.

    museological contributions and legacy

    Beyond his artistic output, Jan Matejko played a significant role in shaping the cultural landscape of Kraków. He eventually assumed the position of director at the Jan Matejko Academy of Fine Arts (formerly known as the Kraków Academy of Fine Arts), an institution he profoundly influenced during his tenure. His leadership fostered a vibrant environment for artistic development, attracting and nurturing a cohort of talented students who would go on to become prominent figures in Polish art – including Maurycy Gottlieb, Jacek Malczewski, Józef Mehoffer, and Stanisław Wyspiański. These artists, deeply influenced by Matejko’s approach to historical painting, carried forward his legacy, ensuring that his artistic vision continued to resonate throughout the 20th century. Matejko's dedication extended beyond the classroom; he actively participated in civic life, contributing to the preservation and promotion of Polish cultural heritage.

    notable works available on AllPaintingsStore

    Jan Matejko: Varna (romanticism) – A vibrant depiction of a scene from the Russo-Turkish War, showcasing Matejko’s masterful use of color and light to capture the drama of battle.

    Jan Matejko: Still Life (romanticism) – An intimate portrayal of everyday objects, demonstrating Matejko's versatility and his ability to convey emotion through seemingly simple subjects.

    Jan Matejko: The Union of Lublin (298 x 512 cm, romanticism, oil on canvas) – A monumental work that meticulously recreates the historic event of the union between Poland and Lithuania, a pivotal moment in Polish history. This painting is particularly notable for its scale and intricate detail.

    Matejko’s legacy extends far beyond his individual works; he is widely regarded as Poland's national painter – an artist who profoundly shaped the nation’s artistic identity and served as a powerful symbol of Polish patriotism. His paintings continue to be celebrated for their historical accuracy, dramatic intensity, and enduring emotional impact. He passed away on November 1st, 1893, leaving behind a rich artistic heritage that continues to inspire and captivate audiences worldwide.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Self-portrait

    originaluniqueart.com/pt/art/download/jan-matejko-self-portrait-8XYB3E-en/

    Como citar esta obra

    MLA
    Matejko, Jan. Self-portrait. 1892, https://originaluniqueart.com/pt/art/jan-matejko-self-portrait-8XYB3E-en/
    APA
    Matejko, Jan (1892). Self-portrait [Painting]. https://originaluniqueart.com/pt/art/jan-matejko-self-portrait-8XYB3E-en/
    Chicago
    Jan Matejko. Self-portrait. 1892. https://originaluniqueart.com/pt/art/jan-matejko-self-portrait-8XYB3E-en/
    Harvard
    Matejko, Jan (1892) Self-portrait. Available at: https://originaluniqueart.com/pt/art/jan-matejko-self-portrait-8XYB3E-en/

    Observe de perto

    Self-portrait — Jan Matejko

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: self-portrait, jan matejko, man in chair. Concorda? O que acrescentaria ou removeria?
    4. Relembre Banhos de Batorí em Pskov (1872), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

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    Que tom emocional acompanha o estilo Romanticism de "Self-portrait"?

    A emoção Reflective de "Self-portrait" acompanha seu estilo Romanticism.