Papel

Guia de Obras de Estudantes

Samuel Gregson

Nome Turma Data

James Lonsdale, Samuel Gregson, Lancaster Town Hall. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
James Lonsdale originaluniqueart.com/pt/artists/james-lonsdale/
Datas do artista
1777 – 1839
Dimensões originais
76 x 62 cm
Realizado em
Lancaster Town Hall originaluniqueart.com/pt/museums/lancaster-town-hall-lancaster/

No contexto

Samuel Gregson — James Lonsdale

Qual é o tamanho?

As dimensões originais são 76 × 62 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando poderá ter sido pintada esta obra?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820
  7. 1830

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 62 ao falecer.

Sombreado: a trajetória de James Lonsdale (1777–1839) cada pintura datada, década por década

Primeiras obras: até 1810 Principais anos de atividade: 1810–1825 Obras tardias: a partir de 1825

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/james-lonsdale-samuel-gregson-AQUCQX-en/

Cores

Medido a partir da imagem

    Cor principal

    Walnut #80572a

    Paleta catalogada

    • #80572A
    • #231F14
    • #B68F4D
    • #352C1E

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Walnut
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Serene O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de James Lonsdale nos últimos doze meses — 5 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 60,9%
    2. 2 Estados Unidos da América 17,4%
    3. 3 Reino Unido 8,7%
    4. 4 Singapura 8,7%
    5. 5 Hong Kong 4,3%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de James Lonsdale

    1. 1 John Ellman 16,0%
    2. 2 James Elmes (1782–1862), 1810 8,0%
    3. 3 Angelica Catalani (1780–1849), 1808 4,0%
    4. 4 Caroline Amelia Elizabeth of Brunswick, 1820 4,0%
    5. 5 Mary Dalton, Daughter of John Dalton and Mary Dalton, née Gage, 1819 4,0%
    6. 6 Abraham Rees, 1802 4,0%
    7. 7 Caroline of Brunswick (1768–1821), Consort of George IV, 1820 4,0%
    8. 8 Susan, Daughter of Thomas Townley Parker, 1809 4,0%
    9. 9 Thomas Stewart Traill (1781–1862), 1832 4,0%
    10. 10 Sir Thomas Stamford Raffles (1781–1826), 1817 4,0%
    11. 11 Self Portrait, 1810 4,0%
    12. 12 John Lewis Petit (1736–1780), Physician, Pensioner (1752), Censor of the Royal College of Physicians 4,0%
    13. 13 John Reay, Sheriff of London (1814–1815) 4,0%
    14. 14 General Isaac Gascoyne (1770–1841), 1829 4,0%
    15. 15 Charles Howard (1746–1815), 11th Duke of Norfolk, 1816 4,0%
    16. 16 John Pepys (c.1776–1866) 4,0%
    17. 17 Charles Wellbeloved (1769–1858), 1826 4,0%
    18. 18 Louisa Wildman (1800–1879) 4,0%
    19. 19 Augustus Frederick (1773–1843), Duke of Sussex 4,0%
    20. — Samuel Gregson esta obra 0,0%

    Juntas, estas obras representam 92,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 65 obras deste artista, das quais 21 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    James Lonsdale

    The Genesis of a Portraitist

    Born in the historic city of Lancaster on May 16, 1777, James Lonsdale emerged from a background of intellectual stability as the son of William Lonsdale, a respected solicitor. While his lineage suggested a path toward law, the seeds of artistic passion were sown early through the nurturing encouragement of his father and the keen eye of Richard Threlfall. As an architect of Lancaster, Threlfall recognized a burgeoning brilliance in the young Lonsdale, providing him with access to the refined atmosphere of Ashton Hall. It was within these aristocratic circles that Lonsdale first encountered the elegance of high society, an experience that would later serve as the very foundation of his professional life and subject matter.

    Before ascending to the prestigious halls of formal art education, Lonsdale’s hands were practiced in the meticulous world of pattern design at Margerison and Glover’s print-works. This early immersion in draughtsmanship instilled in him a disciplined precision, a quality that would become indispensable when he transitioned from decorative arts to the profound complexities of portraiture. His journey reached a definitive turning point in October 1801, when he entered the Royal Academy Schools. Under the tutelage of the legendary George Romney, Lonsdale underwent a transformative period of refinement. Romney’s influence was more than academic; it was an infusion of soul into technique, teaching Lonsdale how to balance meticulous anatomical accuracy with a certain poetic vitality that breathed life into his sitters.

    A Legacy of Character and Command

    Lonsdale’s career was defined by a prolific output and an unwavering commitment to the depiction of the British elite. Between 1802 and 1838, he exhibited approximately 130 works at the Royal Academy, establishing himself as a mainstay of the era's artistic landscape. His talent was not merely in capturing a likeness, but in navigating the psychological terrain of his subjects. Whether painting prominent statesmen, literary giants, or members of the landed gentry, Lonsdale possessed a rare ability to convey both the social stature and the inner temperament of those who sat before him.

    His contributions to the institutional fabric of British art were equally significant. Alongside the great Sir Thomas Lawrence, Lonsdale stood as a founding member of the Society of British Artists, an endeavor that sought to provide a platform for artists outside the traditional hegemony of the Royal Academy. This spirit of innovation and professional organization marked him as a pivotal figure in the evolution of the British art market.

    The breadth of his technical ambition is perhaps best exemplified by his most monumental commissions. One of his most celebrated achievements remains the grand depiction of King John signing the Magna Carta for the Duke of Norfolk at Arundel Castle. This work, far more than a mere historical record, stands as a testament to his ability to manage complex compositions, dramatic lighting, and the weight of historical gravity. Through such works, Lonsdale bridged the gap between intimate portraiture and epic historical narrative, ensuring his place in the annals of nineteenth-century art history.

    Reflecting on his life and contributions, several key pillars of his legacy emerge:

    Technical Mastery: A seamless blend of Romney’s expressive style with a disciplined, draughtsman-like precision.

    Historical Significance: His role as a founder of the Society of British Artists helped reshape the professional landscape for UK artists.

    Psychological Depth: An ability to move beyond superficial resemblance to capture the true essence and character of his subjects.

    Versatility: The capacity to transition from delicate portraits of nobility to large-scale, dramatic historical scenes.

    Museu

    Lancaster Town Hall

    Em exibição em Lancaster, United States of America

    A Legacy Etched in Stone: Discovering Lancaster Town Hall

    Lancaster Town Hall stands as a proud sentinel of Lancashire’s rich past, a building that doesn't merely house history but is history. More than just a municipal structure, it is a captivating museum offering an immersive journey through the region’s evolution, from its prehistoric roots to the vibrant present day. The very fabric of the Town Hall speaks volumes – a stunning embodiment of Georgian architecture characterized by elegant symmetry and classic proportions that whisper tales of a bygone era. Commissioned in 1909 to replace an aging predecessor, it was designed by Edward Mountford and Thomas Lucas, with meticulous stonework, furniture, and carvings executed by Waring & Gillow. The building’s creation wasn't simply about replacing old infrastructure; it was a statement of civic pride, funded entirely by Lord Ashton, who envisioned a space that would serve as the heart of Lancaster for generations to come. This dedication is visible in every detail, from the sculpted pediment crafted by F.W. Pomeroy to the radiant stained glass windows created by Shrigley and Hunt – each element meticulously chosen to convey a sense of grandeur and permanence.

    Architectural Marvel:

    The building’s Georgian design—a testament to refined taste and structural integrity—immediately transports visitors back to the early 20th century, showcasing masterful craftsmanship and attention to detail.

    Stained Glass Windows:

    Shrigley and Hunt's stained glass windows depict scenes of Lancaster’s history and heraldry, bathing the interior spaces in ethereal light and adding a layer of artistic beauty to the architectural grandeur.

    Echoes of Valor: The King’s Own Regimental Museum

    Within the Town Hall’s walls resides a particularly poignant collection – the King’s Own Regimental Museum. This dedicated space offers a powerful tribute to the military heritage of Lancaster, showcasing an extensive array of regimental memorabilia and uniforms that bring centuries of service to life. Visitors can trace the lineage and traditions of the King’s Own Regiment, gaining insight into their pivotal role in regional and national conflicts. The exhibits aren't simply displays of artifacts; they are windows into the lives of soldiers, offering a tangible connection to their courage, sacrifice, and unwavering dedication. It is a space that resonates with stories of bravery and resilience, reminding us of the human cost of conflict and the enduring spirit of those who served. The museum’s collection provides a unique opportunity to understand not only military strategy but also the social and cultural impact of war on the local community.

    Regimental History:

    Explore the history of Lancaster's most prominent regiment, delving into their battles, achievements, and contributions to British military tradition.

    Personal Stories:

    Examine portraits and biographical accounts that illuminate the lives of individual soldiers—their experiences, motivations, and impact on the wider community.

    Artistic Reflections: A Cultural Tapestry

    Beyond its historical and military significance, Lancaster Town Hall boasts an impressive art collection that reflects the evolving cultural landscape of the region. Historical paintings and decorative arts offer a glimpse into the artistic sensibilities of past generations, showcasing the talent and creativity that flourished within Lancashire. These artworks aren’t isolated pieces; they are interwoven with the broader narrative of Lancaster's history, providing visual commentary on social trends, political events, and everyday life. The collection is constantly evolving, offering fresh perspectives and inviting visitors to engage with art in a meaningful way. Furthermore, contemporary exhibitions regularly enliven the Town Hall’s spaces, fostering dialogue between artistic traditions and stimulating intellectual curiosity.

    Lancashire Artists:

    Admire works by local artists who captured the spirit of Lancaster throughout different eras—from Romantic landscapes to Victorian portraits.

    Contemporary Exhibitions:

    Discover innovative artistic expressions that challenge conventions and explore pressing social issues, enriching visitors’ understanding of contemporary culture.

    A Living Monument: Preserving Lancaster’s Identity

    Lancaster Town Hall isn't merely a repository of artifacts; it is a living monument to the city’s enduring spirit. Throughout its history, the building has witnessed countless significant events, serving as a backdrop for civic ceremonies, political debates, and moments of both celebration and sorrow. From hosting trials – including early stages of the infamous Dr Buck Ruxton case – to welcoming Queen Elizabeth II in 1955, the Town Hall’s walls have absorbed the echoes of Lancaster's past. Even during times of crisis, such as the COVID-19 pandemic, the building adapted and served a vital function, temporarily housing emergency court proceedings. This adaptability underscores its enduring relevance and its commitment to serving the community. What truly sets Lancaster Town Hall apart is this unique combination of architectural grandeur, diverse collections, and unwavering dedication to preserving Lancaster’s multifaceted heritage – making it an essential destination for anyone seeking to understand the heart and soul of this historic city.

    Historic Trials:

    Reflect on pivotal legal proceedings that unfolded within the Town Hall's walls—events that shaped Lancaster’s legal history and captured the anxieties of a turbulent period.

    Royal Visits:

    Recall moments of national pride as Queen Elizabeth II graced Lancaster Town Hall, symbolizing the city’s connection to British monarchy and its role in shaping the nation’s narrative.

    Onde ler mais

    • O artista James Lonsdale originaluniqueart.com/pt/artists/james-lonsdale/
    • O museu Lancaster Town Hall originaluniqueart.com/pt/museums/lancaster-town-hall-lancaster/
    • Obras semelhantes Mais obras para comparar originaluniqueart.com/pt/art/similar/james-lonsdale-samuel-gregson-AQUCQX-en/

    Encontre online

    QR code que direciona para a página de download de Samuel Gregson

    originaluniqueart.com/pt/art/download/james-lonsdale-samuel-gregson-AQUCQX-en/

    Como citar esta obra

    MLA
    Lonsdale, James. Samuel Gregson. n.d., Lancaster Town Hall. https://originaluniqueart.com/pt/art/james-lonsdale-samuel-gregson-AQUCQX-en/
    APA
    Lonsdale, James (n.d.). Samuel Gregson [Painting]. Lancaster Town Hall. https://originaluniqueart.com/pt/art/james-lonsdale-samuel-gregson-AQUCQX-en/
    Chicago
    James Lonsdale. Samuel Gregson. n.d. Lancaster Town Hall. https://originaluniqueart.com/pt/art/james-lonsdale-samuel-gregson-AQUCQX-en/
    Harvard
    Lonsdale, James (n.d.) Samuel Gregson. Lancaster Town Hall. Available at: https://originaluniqueart.com/pt/art/james-lonsdale-samuel-gregson-AQUCQX-en/

    Observe de perto

    Samuel Gregson — James Lonsdale

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Dr Samuel Parr (1823), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. O que o artista pode ter querido que você sentisse?
    5. Se você pudesse fazer uma pergunta ao artista sobre esta obra, qual seria?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    "Samuel Gregson", de James Lonsdale, está em domínio público? E por quê?

    "Samuel Gregson", de James Lonsdale está em em domínio público — seus direitos autorais expiraram. O período de direitos autorais conta a partir do falecimento do artista, ocorrido em 1839.

    Quão clara é a obra "Samuel Gregson" no geral?

    A luminosidade percebida de "Samuel Gregson", de James Lonsdale é deep_shadow. Ela pode ser harmonizada com a iluminação do espaço pretendido.

    Qual é o formato de "Samuel Gregson"?

    "Samuel Gregson", de James Lonsdale possui um formato Portrait. O formato descreve as proporções da composição.