Papel

Guia de Obras de Estudantes

Portrait de Dmitry Mendeleev

Nome Turma Data

Ilia Repin, Portrait de Dmitry Mendeleev (1885), Galeria Tretyakov. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Ilia Repin originaluniqueart.com/pt/artists/ilia-repin_pt/
Datas do artista
1844 – 1930
Pintura a óleo
1885
Técnica
Aquarela
Dimensões originais
58 x 46 cm
Movimento
Russian Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.
Período
Século XIX
Realizado em
Galeria Tretyakov originaluniqueart.com/pt/museums/galeria-tretyakov-moscovo_pt/
Artistic style
Estilo realista
Influences
Realismo
Notable elements or techniques
Detalhes minuciosos; Uso da tinta acrílica
Subject or theme
Ciência; Química

No contexto

Portrait de Dmitry Mendeleev — Ilia Repin

Qual é o tamanho?

As dimensões originais são 58 × 46 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920
  10. 1930

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 86 ao falecer.

Pintado quando o artista tinha 41. O artista viveu até aos 86. 217 das 451 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Ilia Repin (1844–1930) ▲ esta obra, 1885 cada pintura datada, década por década

Primeiras obras: até 1879 Principais anos de atividade: 1879–1900 Obras tardias: a partir de 1900

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/ilia-repin-portrait-de-dmitry-mendeleev-8YDNL7-pt/

Cores

Medido a partir da imagem

    Cor principal

    Preto #161113

    Paleta catalogada

    • #161113
    • #B05350
    • #A4A6B0
    • #43393D

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Nome da cor principal
    Preto
    Intensidade
    Monocromático O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Marcante O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Paleta de tons suaves A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Sombras profundas O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Sóbria Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Ilia Repin nos últimos doze meses — 35 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 58,3%25.700 visits
    2. 2 Estados Unidos da América 8,6%3.800 visits
    3. 3 Alemanha 5,9%2.600 visits
    4. 4 Singapura 5,4%2.400 visits
    5. 5 Hong Kong 3,9%1.700 visits
    6. 6 Roménia 2,0%900 visits
    7. 7 Espanha 1,8%800 visits
    8. 8 França 1,4%600 visits
    9. 9 Itália 1,4%600 visits
    10. 10 Coréia do Sul 1,1%500 visits
    11. · 25 outros países 10,2%4.500 visits

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Ilia Repin

    1. 1 A Resposta dos Cossacos Zaporozhianos ao Sultão Mahmoud IV, 1878 3,0%1.600 visits
    2. 2 Unexpected Return., 1884 3,0%1.600 visits
    3. 3 Ivan the Terrible and His Son Ivan on November 16, 1581., 1885 3,0%1.600 visits
    4. 4 Unexpected Visitors, 1888 2,6%1.400 visits
    5. 5 Portrait of Tevashova 1,9%1.000 visits
    6. 6 Portrait of the Artist Ilya Repin by Valentin Serov., 1901 1,7%900 visits
    7. 7 Portrait of Nadya Repina, 1881 1,7%900 visits
    8. 8 Portrait of writer Vsevolod Mikhailovich Garshin. Study., 1883 1,5%800 visits
    9. 9 Portrait of Vera Repina, the Artist's daughter., 1892 1,5%800 visits
    10. 10 A Shy Peasant, 1877 1,3%700 visits
    11. 11 Portrait of Professor Ivanov, 1882 1,3%700 visits
    12. 12 The Concert in the Assembly of Nobility, 1888 1,3%700 visits
    13. 13 Preparation for the Examination., 1864 1,1%600 visits
    14. 14 Portrait of Pavel Tretyakov, Founder of the Tretyakov Gallery., 1883 1,1%600 visits
    15. 15 Portrait of writer Vsevolod Mikhailovich Garshin, 1884 1,1%600 visits
    16. 16 Portrait of writer Vladimir Grigorievich Chertkov, 1890 1,1%600 visits
    17. 17 Портрет Сергея Витта, 1903 1,1%600 visits
    18. 18 Send off of recruit, 1879 1,1%600 visits
    19. 19 Portrait of the Composer Modest Musorgsky., 1881 1,1%600 visits
    20. 131 Portrait de Dmitry Mendeleev, 1885 esta obra 0,2%100 visits

    Juntas, estas obras representam 31,7% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 612 obras deste artista, das quais 226 foram visualizadas pelo menos uma vez. This painting ranks 131 of them, with 0,2% of that attention (100 visits). Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Portrait de Dmitry Mendeleev — Ilia Repin

    Portrait of Dmitry Mendeleev: A Window Into Scientific Genius

    The watercolor painting “Portrait of Dmitry Mendeleev” by Ilya Yefimovich Repin stands as an enduring symbol of Russian intellectual heritage and artistic realism—a testament to Repin’s masterful ability to capture not just likeness, but also the very essence of his subject. Executed in 1885, this artwork resides within the esteemed Tretyakov Gallery in Moscow, attracting admirers who appreciate its profound connection to scientific discovery and artistic brilliance. Measuring 58 x 46 cm, it’s more than simply a depiction; it's an invitation into Mendeleev’s world—a realm of meticulous observation and unwavering dedication to unraveling the mysteries of matter.

    The Artist and His Subject: Repin’s Vision of Scientific Pursuit

    Ilya Yefimovich Repin, arguably Russia’s most celebrated realist painter, possessed a singular talent for portraying individuals with unflinching honesty and sensitivity. Unlike many artists of his era who prioritized idealized beauty, Repin relentlessly pursued accuracy, striving to convey the psychological depth of his subjects—a characteristic vividly embodied in this portrait. Mendeleev himself was already an internationally recognized figure by 1885, celebrated primarily for formulating the periodic table of elements—a groundbreaking achievement that revolutionized chemistry and fundamentally altered our understanding of the universe. Repin skillfully captured this intellectual fervor, presenting Mendeleev seated at a desk laden with books and papers; these aren’t merely props but symbols of his tireless quest for knowledge and his unwavering belief in empirical observation.

    A Watercolor Symphony: Technique and Atmosphere

    Repin's distinctive artistic style—characterized by the deliberate use of watercolor—elevates “Portrait of Dmitry Mendeleev” beyond mere visual representation. Watercolor lends an ethereal quality to the painting, diffusing light and creating subtle tonal variations that imbue the scene with a palpable atmosphere of contemplation. Repin’s meticulous attention to detail is evident in every brushstroke, from the folds of Mendeleev's robe to the texture of his beard—elements rendered with remarkable precision. The artist skillfully employs color to convey mood; the dominant hues—primarily reds and blues—suggest both dignity and seriousness, mirroring Mendeleev’s intellectual stature and conveying a sense of profound introspection.

    Symbolism Within Detail: Books as Embodiments of Thought

    The desk itself is laden with books—a deliberate compositional choice that speaks volumes about Mendeleev's intellectual milieu. These aren’t just objects; they represent the accumulated wisdom of generations, fueling his scientific inquiries and grounding him in established knowledge. The positioning of the books—some clustered closely to Mendeleev’s face, others receding into the background—creates a visual hierarchy that reinforces the idea of focused concentration. Furthermore, Repin's depiction of Mendeleev’s stern gaze contributes to the painting’s emotional impact—suggesting resilience, determination, and an unwavering commitment to pursuing truth through scientific investigation.

    Legacy and Inspiration: An Icon of Russian Realism

    “Portrait of Dmitry Mendeleev” remains a cornerstone of Repin's oeuvre and a poignant emblem of Russian artistic realism. Its enduring appeal lies not only in its technical excellence but also in its ability to convey the spirit of intellectual curiosity—a quality that continues to inspire artists and collectors alike. Viewing this masterpiece offers a glimpse into the mind of one of Russia’s greatest scientific thinkers, rendered with breathtaking artistry by Repin—a portrait that transcends time and speaks directly to our fascination with intellect, perseverance, and the transformative power of observation.

    Artista e museu

    Artista

    Ilia Repin

    Nascido em Chuguev, Rússia

    Early Life and the Seeds of Realism

    Ilya Yefimovich Repin, a name that resonates deeply within the heart of Russian art, was born in 1844 in the unassuming Ukrainian town of Chuguev. His origins were far removed from the opulent circles often associated with artistic patronage; his father, a former soldier who traded horses, and his mother, rooted firmly in local traditions, instilled in young Ilya a profound connection to the land and its people – an understanding that would become the very foundation of his artistic vision. Formal education began at a modest school overseen by his mother, but this was followed by a period at a military cantonist school, an experience he later recalled with a touch of melancholy. Yet, even within the strict confines of military discipline, his innate talent for drawing blossomed, revealing a nascent gift that would soon take shape under the guidance of skilled mentors. At sixteen, he embarked on an apprenticeship with Ivan Bunakov, an icon painter, immersing himself in the meticulous techniques and rich symbolism of religious art. This formative period wasn’t merely about mastering brushstrokes; it was a crucial immersion into the visual language of Russian culture – a deep dive into its history, beliefs, and traditions that would inform his later explorations of national identity and social commentary. Through restoring ancient icons and fulfilling portrait commissions for various patrons, Repin began to observe humanity with an observant eye, honing his ability to capture not just appearances but also the essence of human character—a skill he would refine throughout his illustrious career.

    St. Petersburg and the Embrace of Social Consciousness

    Driven by an unyielding ambition, Ilya Yefimovich Repin journeyed to St. Petersburg in 1863, seeking admission to the prestigious Imperial Academy of Fine Arts. Initial rejection didn’t deter him; instead, he diligently audited classes, absorbing the vibrant artistic atmosphere of the city and engaging with its leading figures. It was here that he encountered Ivan Kramskoi, a pivotal figure within the Peredvizhniki movement – a collective of realist artists who boldly rejected the rigid conventions of academic art and sought to depict Russian life with unflinching honesty and social awareness. Kramskoi became Repin’s mentor, guiding him towards a more politically engaged approach to his work. The influence of critic Vladimir Stasov was also instrumental, encouraging Repin to focus on contemporary themes, the lives of ordinary people, and the injustices prevalent in Tsarist Russia. This period marked a significant shift in Repin's artistic trajectory – he began to see art as a tool for social commentary and reform. His talent quickly gained recognition, earning him awards and accolades, including gold medals for his paintings “Job and His Friends” (1869) and "The Raising of Jairus’ Daughter" (1871). These early successes signaled the arrival of a powerful new voice in Russian art – one that would challenge established norms and capture the struggles and triumphs of the common people. A particularly formative experience was his journey along the Volga River in 1870, sketching the arduous lives of barge haulers—a scene that would later inspire his most celebrated masterpiece.

    Masterpieces of Realism and Historical Drama

    Repin’s name became inextricably linked with realism through a series of paintings that unflinchingly portrayed the realities of Russian society. “Barge Haulers on the Volga” (1873), a monumental canvas depicting exhausted laborers dragging boats along the river, shocked and captivated audiences. It wasn't merely a depiction of physical hardship; it was a searing indictment of social injustice, exploitation, and the plight of the working class—a powerful statement rendered with remarkable detail and emotional intensity. This painting launched Repin into national prominence and firmly established him as a leading voice for the marginalized. He continued to explore themes of Russian life in works such as “Religious Procession in Kursk Province” (1883), which offered a nuanced portrayal of faith, superstition, and social hierarchy, revealing the complexities of rural Russian society. However, Repin’s artistic vision extended beyond contemporary issues; he also tackled historical subjects with dramatic flair. “Ivan the Terrible and His Son Ivan” (1885), depicting the horrifying moment when Tsar Ivan IV orders the execution of his son, is a psychologically intense portrayal of grief, remorse, and the devastating consequences of unchecked power—a chilling reminder of human fallibility. Perhaps his most celebrated painting is “Reply of the Zaporozhian Cossacks” (1880-91), a vibrant and dynamic scene capturing the defiant spirit of Ukrainian Cossacks composing a satirical letter to the Ottoman Sultan – a symbol of resistance, national pride, and the enduring strength of the human will. These paintings were not simply historical recreations; they were imbued with psychological depth, emotional intensity, and a profound understanding of the human condition, bringing the past vividly to life for viewers.

    Legacy and Enduring Influence

    Throughout his long and prolific career, Repin continued to paint portraits of prominent figures – Leo Tolstoy, Modest Mussorgsky, Pavel Tretyakov – capturing their personalities with remarkable insight and empathy. He also served as a teacher at the Academy of Arts in St. Petersburg, shaping the artistic sensibilities of generations of young painters. His commitment to realism and social commentary resonated deeply within Russia and beyond, establishing him as a major figure in European art. Initially embracing the February Revolution of 1917, Repin was profoundly disillusioned by the subsequent violence and terror unleashed by the Bolsheviks following the October Revolution. He retreated to his estate, Penates, in Kuokkala (now Repino), Finland, where he continued to paint until his death in 1930. Repin’s legacy extends far beyond his individual paintings. He helped define Russian realism, paving the way for Socialist Realism and inspiring countless artists to use their work as a means of social critique. His ability to capture the human condition with both empathy and unflinching honesty continues to resonate with audiences today, ensuring his place among the masters of 19th-century art. Penates, his beloved country home, now stands as a museum, preserving not only his artistic legacy but also offering a glimpse into the life of one of Russia’s most important cultural figures—a testament to a man who used his art to illuminate the complexities and contradictions of his time.

    Museu

    Galeria Tretyakov

    Em exibição em Moscovo, Rússia

    A Pilgrimage into the Soul of Russia: The State Tretyakov Gallery

    The State Tretyakov Gallery in Moscow isn’t merely a museum; it's an immersive journey into the very heart and soul of Russia itself. Founded in 1856 by Pavel Mikhailovich Tretyakov, a visionary merchant driven by a profound patriotic desire to cultivate a national identity through artistic expression, the gallery began as a deeply personal collection—a testament to his unwavering belief in art’s power to reflect the Russian spirit. This intimate foundation imbues the entire institution with an atmosphere of cherished intimacy, inviting visitors into a space where centuries whisper stories across its hallowed halls. More than just a repository of art; it feels like stepping into a beloved family home brimming with artistic treasures and historical narratives.

    The architectural narrative of the Tretyakov is as compelling as the artworks within. The main building on Lavrushinsky Lane began life as a private residence for the Mamontov family, retaining an intimate scale that belies its transformation into a public institution. Viktor Vasnetsov’s striking façade—a masterpiece of Russian Revival style—evokes a sense of ancient grandeur and national pride, drawing inspiration from folklore and religious traditions woven deeply into Russia's cultural fabric. The building itself seems to rise organically from the earth of Moscow, adorned with intricate details that hint at the nation’s rich heritage. Later expansions, notably the New Tretyakov Gallery on Krymsky Val, offer a striking counterpoint—a modern space designed to house the revolutionary movements and bold experimentation of the 20th and 21st centuries, reflecting a deliberate juxtaposition between tradition and modernity. The contrast is not one of conflict, but rather a powerful statement about Russia’s ongoing evolution.

    Echoes of Faith and Empire: A Journey Through Time

    Wandering through the Tretyakov’s halls is akin to embarking on a chronological odyssey through Russian artistic evolution. The gallery's collection of ancient icons—particularly Theotokos of Vladimir, with its vibrant colors, gilded surfaces, and serene expressions—offers an unparalleled glimpse into the spiritual life of medieval Russia—windows into a world steeped in Byzantine tradition, where symbolism and meticulous craftsmanship converged to create objects of breathtaking beauty and devotional power. These aren’t simply religious images; they are profound cultural artifacts, revealing the beliefs, customs, and artistic sensibilities of a bygone era. The sheer luminosity of these icons, achieved through painstaking layering of gold leaf and pigment, speaks volumes about the devotion invested in their creation – each brushstroke imbued with prayer and reverence.

    Moving forward through the 19th century, one encounters a panorama of Russian life rendered with remarkable realism and emotional depth. Masters such as Ilya Repin capture the social and political currents of Imperial Russia—the struggles of the peasantry, the opulence of courtly life, and the intellectual ferment that characterized the period. Landscapes by Ivan Shishkin evoke the vastness and majesty of the Russian countryside, capturing the soul of the birch forests and the resilience of the people who inhabit them. The atmospheric paintings of Isaac Levitan convey a poignant sense of melancholy beauty, often imbued with a deep connection to nature and human suffering – scenes of solitary figures contemplating the endless expanse of the Russian winter or the quiet dignity of a rural village.

    The Avant-Garde Revolution: Breaking Boundaries

    The early 20th century witnessed a seismic shift in Russian art as artists boldly embraced radical new forms of expression. The Tretyakov Gallery houses a remarkable collection of avant-garde masterpieces that challenged conventional notions of representation and paved the way for modern art worldwide. Kazimir Malevich’s iconic Black Square—a seemingly simple geometric form—became a potent symbol of pure abstraction, rejecting representational imagery in favor of a spiritual exploration of color and shape. Wassily Kandinsky's vibrant compositions, brimming with abstract forms and dynamic energy, explored the profound relationship between art and music, while Marc Chagall’s dreamlike canvases blended elements of folklore, memory, and personal experience into evocative and deeply emotional works. This period wasn’t simply about artistic innovation; it was a direct reflection of the tumultuous social and political upheaval that gripped Russia – a desire to forge a new visual language for a new era.

    The gallery's collection during this time is particularly significant, showcasing not just the finished works but also preparatory sketches and studies, offering insight into the artists’ creative processes. It’s a testament to the daring experimentation that defined this period – an embrace of color, form, and emotion that fundamentally altered the course of art history.

    A Living Legacy: Current Exhibitions and Enduring Appeal

    Today, the State Tretyakov Gallery continues to evolve, hosting dynamic exhibitions that showcase both historical treasures and contemporary creations. Recent displays like “To See the Unknown,” which recontextualizes familiar masterpieces alongside lesser-known works, demonstrate a commitment to fresh perspectives and scholarly inquiry—a dedication to revealing new layers of meaning within established artworks. The gallery’s ongoing efforts to preserve its collection while simultaneously engaging with current artistic trends ensure its continued relevance for generations to come. For art lovers, collectors, and interior designers alike, the State Tretyakov Gallery is more than just a museum; it's an immersive experience, a profound connection to the soul of Russia.

    Useful Links:

    Tretyakov Gallery:

    https://en.wikipedia.org/wiki/Tretyakov_Gallery

    Notable Exhibitions (Recent & Ongoing):

    The gallery regularly hosts temporary exhibitions exploring diverse themes within Russian art history and contemporary practice. Check their website for current events.

    Onde ler mais

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    Como citar esta obra

    MLA
    Repin, Ilia. Portrait de Dmitry Mendeleev. 1885, Galeria Tretyakov. https://originaluniqueart.com/pt/art/ilia-repin-portrait-de-dmitry-mendeleev-8YDNL7-pt/
    APA
    Repin, Ilia (1885). Portrait de Dmitry Mendeleev [Painting]. Galeria Tretyakov. https://originaluniqueart.com/pt/art/ilia-repin-portrait-de-dmitry-mendeleev-8YDNL7-pt/
    Chicago
    Ilia Repin. Portrait de Dmitry Mendeleev. 1885. Galeria Tretyakov. https://originaluniqueart.com/pt/art/ilia-repin-portrait-de-dmitry-mendeleev-8YDNL7-pt/
    Harvard
    Repin, Ilia (1885) Portrait de Dmitry Mendeleev. Galeria Tretyakov. Available at: https://originaluniqueart.com/pt/art/ilia-repin-portrait-de-dmitry-mendeleev-8YDNL7-pt/

    Observe de perto

    Portrait de Dmitry Mendeleev — Ilia Repin

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: chemistry, periodic table, portraiture. Concorda? O que acrescentaria ou removeria?
    4. Relembre A Resposta dos Cossacos Zaporozhianos ao Sultão Mahmoud IV (1878), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Russian Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Quiz de arte

    Portrait de Dmitry Mendeleev — Ilia Repin

    O quanto você conhece esta obra de arte?

    Selecione uma resposta para cada uma das 5 perguntas abaixo. Cada uma possui exatamente uma resposta correta.

    1. 1. Qual artista é conhecido por criar o retrato de Dmitri Mendeleev?

      • A Valentin Serov
      • B Alexei Kondratiev
      • C Ilya Repin
    2. 2. Em que ano foi criado o retrato de Dmitri Mendeleev?

      • A 1865
      • B 1870
      • C 1885
    3. 3. Onde está atualmente localizado o retrato de Dmitri Mendeleev?

      • A Museu Estatal Hermitage
      • B Tretyakov Gallery
      • C Russo-Americano Museu
    4. 4. Qual é uma característica importante do estilo artístico utilizado por Ilya Repin na pintura?

      • A Estilo barroco
      • B Estilo impressionista
      • C Realismo
    5. 5. O retrato apresenta um fundo que destaca...

      • A Uma paisagem urbana vibrante
      • B Um jardim florido
      • C Uma mesa repleta de livros e documentos

    Minha pontuação: ____ de 5

    Gabarito — para o professor

    Isto inicia uma nova página impressa, de modo que ela pode simplesmente ser omitida das cópias.

    1C · 2C · 3B · 4C · 5C

    Confira qualquer resposta comparando com o registro do catálogo desta pintura

    Perguntas e Respostas

    Como é descrita a atmosfera de "Portrait de Dmitry Mendeleev", de Ilia Repin?

    A atmosfera geral de "Portrait de Dmitry Mendeleev", de Ilia Repin é Elegante. O clima descreve a sensação predominante da obra.

    Qual é o formato de "Portrait de Dmitry Mendeleev"?

    "Portrait de Dmitry Mendeleev", de Ilia Repin é uma composição em Orientação vertical. Vale a pena conferir as proporções antes de escolher o tamanho da impressão.

    A obra "Portrait de Dmitry Mendeleev", de Ilia Repin, pertencente ao acervo do Galeria Tretyakov, pode ser reproduzida legalmente?

    A obra original "Portrait de Dmitry Mendeleev" encontra-se no Galeria Tretyakov, e a obra está em em domínio público — seus direitos autorais expiraram.