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Guia de Obras de Estudantes

Dancer Tilting

Nome Turma Data

Hilaire-Germain-Edgar Degas, Dancer Tilting (1883). Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Hilaire-Germain-Edgar Degas originaluniqueart.com/pt/artists/hilaire-germain-edgar-degas_pt/
Datas do artista
1834 – 1917
Pintura a óleo
1883
Técnica
Acrylic
Dimensões originais
69 x 51 cm
Movimento
Impressionistic Realism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Artistic style
Realist Impressionism
Influences
Japanese prints
Notable elements or techniques
Dynamic pastel strokes
Subject or theme
Ballet dancer

No contexto

Dancer Tilting — Hilaire-Germain-Edgar Degas

Qual é o tamanho?

As dimensões originais são 69 × 51 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 83 ao falecer.

Pintado quando o artista tinha 49. O artista viveu até aos 83. 389 das 684 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Hilaire-Germain-Edgar Degas (1834–1917) ▲ esta obra, 1883 cada pintura datada, década por década

Primeiras obras: até 1872 Principais anos de atividade: 1872–1890 Obras tardias: a partir de 1890

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/hilaire-germain-edgar-degas-dancer-tilting-8EWF53-en/

Cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #c1b97b

    Paleta catalogada

    • #C1B97B
    • #413B2F
    • #74704B
    • #949262

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Nome da cor principal
    Rosy Brown
    Intensidade
    Vivid O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Bright O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Hilaire-Germain-Edgar Degas nos últimos doze meses — 45 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 61,3%116.400 visits
    2. 2 Estados Unidos da América 9,3%17.700 visits
    3. 3 Singapura 8,9%16.800 visits
    4. 4 Hong Kong 8,5%16.100 visits
    5. 5 Roménia 1,7%3.200 visits
    6. 6 França 1,5%2.900 visits
    7. 7 Itália 1,1%2.000 visits
    8. 8 Brasil 0,8%1.600 visits
    9. 9 Reino Unido 0,6%1.200 visits
    10. 10 Argentina 0,6%1.100 visits
    11. · 35 outros países 5,7%10.800 visits

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Hilaire-Germain-Edgar Degas

    1. 1 Dançarinas em Rosa, 1885 1,3%2.900 visits
    2. 2 A Tub 1, 1886 1,3%2.900 visits
    3. 3 Dançarina com um ramo de flores (A Estrela do balé), 1878 1,2%2.600 visits
    4. 4 A Aula de Dança, 1874 1,1%2.400 visits
    5. 5 Cavalos de Corrida em Longchamp, 1874 1,0%2.200 visits
    6. 6 Mulher lavando no banho, 1892 0,9%2.000 visits
    7. 7 Interior (also known as The Rape), 1868 0,9%1.900 visits
    8. 8 Edgar Degas, 1888 0,7%1.600 visits
    9. 9 O Concerto no Café (A Canção do Cão), 1877 0,7%1.500 visits
    10. 10 Autoportreto, 1863 0,7%1.500 visits
    11. 11 O Absinthe Drinker, 1876 0,6%1.400 visits
    12. 12 Madame Théodore Gobillard, née Yves Morisot, 1869 0,6%1.400 visits
    13. 13 Enfermeira, 1873 0,6%1.300 visits
    14. 14 Após o Banho, Mulher Secando Cabelos, 1895 0,6%1.300 visits
    15. 15 Les repasseuses, Musee d'Orsay, Paris, 1884 0,6%1.300 visits
    16. 16 Dois Bailarinos no Palco, 1877 0,5%1.200 visits
    17. 17 A Reпетиция Балета no Palco, 1874 0,5%1.200 visits
    18. 18 Jinetes Aristocratas Antes da Prova, 1862 0,5%1.000 visits
    19. 19 Mulher Pentando o Cabelo, 1894 0,5%1.000 visits
    20. 20 Dancer Tilting, 1883 esta obra 0,5%1.000 visits

    Juntas, estas obras representam 15,3% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 959 obras deste artista, das quais 705 foram visualizadas pelo menos uma vez. This painting ranks 20 of them, with 0,5% of that attention (1.000 visits). Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Dancer Tilting — Hilaire-Germain-Edgar Degas

    A Moment Frozen in Motion: Edgar Degas’s Dancer Tilting

    The pastel drawing “Dancer Tilting,” created by Edgar Degas in 1883, stands as a quintessential embodiment of Impressionist artistry—yet simultaneously defies easy categorization. More than just a depiction of ballet; it's an exploration of fleeting beauty and the artist’s unwavering dedication to capturing the essence of movement itself. Located in private collections worldwide, this piece continues to fascinate viewers with its subtle nuances and masterful execution.

    Subject Matter and Composition

    At first glance, “Dancer Tilting” presents a deceptively simple scene: a young woman poised mid-leap, her arms outstretched as if reaching for the heavens. Degas’s focus isn't on grand theatrical gestures but rather on capturing the precise instant of exertion—the subtle tilt of her torso, the delicate curve of her leg muscles straining against gravity. Two additional figures inhabit the background – a pianist and another dancer – subtly reinforcing the ballet studio setting and adding depth to the composition. These elements aren’t merely decorative; they contribute to the overall narrative, hinting at the disciplined environment from which this dancer emerges.

    Technique: Pastel's Delicate Embrace

    Degas’s choice of pastel medium is crucial to understanding the artwork’s aesthetic impact. Unlike oil paints, pastels offer unparalleled luminosity and vibrancy, allowing for incredibly nuanced tonal gradations. Degas skillfully blended shades of yellow, ochre, and gray to recreate the dancer’s dress and skin tone with remarkable accuracy. The artist's technique prioritizes layering thin washes of pastel pigment onto paper, building up texture and capturing the ephemeral quality of light—a hallmark of Impressionism. This method lends itself beautifully to portraying movement, as subtle shifts in color and tone convey a sense of dynamism that would be impossible to achieve with oil paint alone.

    Historical Context: Challenging Artistic Conventions

    Degas’s artistic journey was marked by a constant negotiation between realism and Impressionism. While he admired the grandeur of classical sculpture and painting, he rejected the rigid formalism of academic art, preferring instead to observe life directly—often documenting scenes from Parisian ballet studios. This fascination with dance stemmed not only from aesthetic appreciation but also from an interest in portraying the everyday lives of performers. “Dancer Tilting” reflects this broader artistic impulse: a desire to depict reality as it unfolds, capturing fleeting moments of beauty and emotion without resorting to idealized representations. The painting emerged during a period of significant artistic experimentation, where artists were actively questioning established conventions and embracing new approaches to visual expression.

    Symbolism and Emotional Resonance

    Beyond its technical brilliance, “Dancer Tilting” possesses a profound symbolic resonance. The dancer embodies grace, strength, and aspiration—qualities that transcend the specific context of ballet and speak to universal themes of human endeavor. The pianist’s presence underscores the importance of discipline and focus in achieving artistic excellence. More broadly, Degas's work invites contemplation on the passage of time and the beauty found within transient moments. It captures not just a physical posture but also an inner state—a yearning for movement, balance, and harmony.

    Conclusion: An Enduring Legacy

    “Dancer Tilting” remains a testament to Edgar Degas’s artistic vision and his unwavering commitment to capturing the spirit of Impressionism. Its delicate pastel hues, masterful technique, and evocative composition continue to inspire artists and collectors alike. Reproductions offer an opportunity to experience this iconic artwork firsthand, bringing its beauty and emotional depth into any interior space—a celebration of art's ability to transcend time and connect us to moments of profound grace.

    Artista e museu

    Artista

    Hilaire-Germain-Edgar Degas

    Nascido em Paris, França

    A Life Immersed in Movement

    Edgar Degas, born Hilaire-Germain-Edgar De Gas in Paris on July 19, 1834, stands as a captivating enigma within the annals of art history. Often categorized alongside the Impressionists—Monet, Renoir, and others who revolutionized painting in the late 19th century—Degas fiercely resisted this label, preferring to identify himself as a realist. This commitment stemmed from his unwavering dedication to meticulous observation of the world around him, translating it onto canvas with an honesty that was both startling and profoundly insightful. His early life unfolded within the comfortable confines of a bourgeois upbringing; his father, a banker, and his mother, hailing from a Creole family in New Orleans, afforded him access to education and artistic training—though he often felt constrained by the rigid expectations of academic tradition. Initially enrolled at the Lycée Louis-le-Grand, Degas’s true education began when he immersed himself in the Louvre, meticulously copying works by masters like Raphael and Michelangelo, honing his skills and igniting a lifelong passion for classical art. However, this early training wasn't simply about imitation; it was a springboard for constant questioning and reevaluation of artistic norms—a defining characteristic that would shape his entire career. He possessed an independent spirit, refusing to be confined by convention, and this rebellious streak fueled his unique artistic vision.

    Beyond Impressionism: A Distinct Artistic Voice

    While contemporaries like Monet chased the ephemeral beauty of light outdoors, capturing fleeting moments in plein air, Degas largely maintained a studio-based practice. His process involved constructing scenes from careful observation and memory, often working from sketches and studies made at a distance. This deliberate approach allowed him to analyze forms and compositions with an unparalleled level of detail. His subject matter deliberately shifted away from the historical or mythological themes favored by many academic painters, instead focusing on the vibrant, often gritty reality of Parisian life. He found inspiration in the everyday experiences of ordinary people: laundresses hauling their heavy loads, cabaret singers captivating audiences with their performances, milliners crafting elaborate hats, and, most famously, dancers—particularly those performing at the Paris Opera Ballet. Degas didn’t merely paint beautiful ballerinas; he sought to capture the grueling reality of their profession – the endless rehearsals, the physical strain, the fleeting moments of grace amidst a world of relentless labor. His compositions were frequently unconventional, cropping figures in unexpected ways and utilizing asymmetrical arrangements that created a sense of dynamism and immediacy. He was a master of capturing movement, not through blurred lines or hazy effects, but through precise observation and careful rendering of form. Works like Dancer, A Group of Dancers, Women Combing Their Hair, and The Dance Class exemplify this dedication to portraying the human figure in motion and revealing the complexities of modern life. He wasn’t interested in superficial beauty; he sought to expose the truth beneath the surface.

    Influences and Artistic Development

    Degas's artistic journey was a rich tapestry woven from diverse influences. His early training instilled in him a deep respect for classical principles, particularly the work of Jean-Auguste-Dominique Ingres, whose emphasis on draftsmanship and precise form profoundly impacted his style. However, he also drew inspiration from Realist painters like Gustave Courbet, who challenged academic conventions and championed the depiction of contemporary life with unflinching honesty. A pivotal moment in his development occurred through his association with Camille Pissarro, a leading Impressionist who encouraged him to experiment with new techniques and broadened his artistic horizons. Degas was particularly captivated by Japanese prints—Ukiyo-e—which exerted a significant influence on his compositions, inspiring him to embrace asymmetrical arrangements, flattened perspectives, and bold patterns. He also keenly observed photography, recognizing its potential as a tool for studying movement and capturing fleeting moments in time. This willingness to incorporate diverse influences into his work – from classical art to Japanese prints to the burgeoning field of photography – is what truly distinguishes Degas and contributes to the unique character of his art. He wasn’t afraid to borrow from different sources, synthesizing them into something entirely new.

    Major Achievements and Legacy

    Edgar Degas died in Paris on September 27, 1917, leaving behind a remarkably diverse body of work that continues to captivate and inspire audiences worldwide. His innovative approach to composition, his masterful draftsmanship, and his unflinching portrayal of modern life have had a profound impact on the course of art history. He wasn’t simply a painter of dancers or racehorses; he was a keen observer of human nature, a master of form and movement, and a true innovator who redefined the possibilities of art. His influence can be seen in the work of Pablo Picasso and Henri Matisse, among others, demonstrating his lasting legacy as a pivotal figure in the transition from realism to modernism. Museums across the globe—including the Musée d'Orsay and the Musée de l’Orangerie in Paris—house significant collections of his paintings, pastels, sculptures, and prints, ensuring that his artistic vision will continue to be appreciated for generations to come.

    A Master of Line: Degas's exceptional draftsmanship set him apart.

    Modern Life as Subject: He focused on contemporary Parisian scenes, breaking from tradition.

    Influence on Future Artists: His work profoundly impacted Picasso and Matisse.

    Key Works

    Among his most celebrated works are Dancer and Tambourine, a vibrant depiction of a ballerina in mid-performance; The Ballet Class, offering an intimate glimpse into the rigorous training of young dancers; Degas in a Green Jacket, capturing a candid moment of leisure; The Collector, showcasing a portrait of a wealthy art collector; and Women Combing Their Hair, a study of domestic life. These works, along with countless others, reveal Degas’s remarkable ability to capture the essence of his subjects – their beauty, their struggles, and their humanity.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Dancer Tilting

    originaluniqueart.com/pt/art/download/hilaire-germain-edgar-degas-dancer-tilting-8EWF53-en/

    Como citar esta obra

    MLA
    Degas, Hilaire-Germain-Edgar. Dancer Tilting. 1883, https://originaluniqueart.com/pt/art/hilaire-germain-edgar-degas-dancer-tilting-8EWF53-en/
    APA
    Degas, Hilaire-Germain-Edgar (1883). Dancer Tilting [Painting]. https://originaluniqueart.com/pt/art/hilaire-germain-edgar-degas-dancer-tilting-8EWF53-en/
    Chicago
    Hilaire-Germain-Edgar Degas. Dancer Tilting. 1883. https://originaluniqueart.com/pt/art/hilaire-germain-edgar-degas-dancer-tilting-8EWF53-en/
    Harvard
    Degas, Hilaire-Germain-Edgar (1883) Dancer Tilting. Available at: https://originaluniqueart.com/pt/art/hilaire-germain-edgar-degas-dancer-tilting-8EWF53-en/

    Observe de perto

    Dancer Tilting — Hilaire-Germain-Edgar Degas

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: ballet dancer, pastel painting, movement capture. Concorda? O que acrescentaria ou removeria?
    4. Relembre Dançarinas em Rosa (1885), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Impressionistic Realism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Por quais outros nomes Hilaire-Germain-Edgar Degas é conhecido(a)?

    Outros nomes registrados para Hilaire-Germain-Edgar Degas, criador de "Dancer Tilting", incluem Hilaire Germain Edgar de Gas, Edgar Germaine Hilaire de Gas.

    Existe uma apresentação de slides para "Dancer Tilting", de Hilaire-Germain-Edgar Degas?

    O diaporama de "Dancer Tilting" pode ser visualizado na página Apresentação de imagens da obra.

    Qual é a técnica e as dimensões de "Dancer Tilting", de Hilaire-Germain-Edgar Degas?

    A técnica de "Dancer Tilting", de Hilaire-Germain-Edgar Degas é Acrylic, e suas dimensões registradas são 69 x 51 cm.