Papel

Guia de Obras de Estudantes

Before the Performance

Nome Turma Data

Hilaire-Germain-Edgar Degas, Before the Performance (1898), Galeria Nacional da Escócia. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Hilaire-Germain-Edgar Degas originaluniqueart.com/pt/artists/hilaire-germain-edgar-degas_pt/
Datas do artista
1834 – 1917
Pintura a óleo
1898
Realizado em
Galeria Nacional da Escócia originaluniqueart.com/pt/museums/galeria-nacional-da-escocia-edimburgo_pt/

No contexto

Before the Performance — Hilaire-Germain-Edgar Degas

Quando foi pintado?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 83 ao falecer.

Pintado quando o artista tinha 64. O artista viveu até aos 83. 607 das 684 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Hilaire-Germain-Edgar Degas (1834–1917) ▲ esta obra, 1898 cada pintura datada, década por década

Primeiras obras: até 1872 Principais anos de atividade: 1872–1890 Obras tardias: a partir de 1890

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/hilaire-germain-edgar-degas-before-the-performance-D3Y8NS-en/

Cores

Medido a partir da imagem

    Cor principal

    Noz #854b20

    Paleta catalogada

    • #854B20
    • #61543D
    • #3C3025
    • #A98744

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Tons terrosos A família de cores predominante na imagem.
    Nome da cor principal
    Noz
    Intensidade
    Equilibrado O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Suave O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Forte unidade cromática A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Sombra O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Suave e equilibrada Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Hilaire-Germain-Edgar Degas nos últimos doze meses — 49 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 60,0%116.900 visits
    2. 2 Estados Unidos da América 9,3%18.200 visits
    3. 3 Singapura 8,6%16.800 visits
    4. 4 Hong Kong 8,3%16.100 visits
    5. 5 Roménia 1,6%3.200 visits
    6. 6 França 1,6%3.100 visits
    7. 7 Itália 1,3%2.600 visits
    8. 8 Reino Unido 0,9%1.700 visits
    9. 9 Brasil 0,8%1.600 visits
    10. 10 Espanha 0,7%1.400 visits
    11. · 39 outros países 6,9%13.200 visits

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Hilaire-Germain-Edgar Degas

    1. 1 Dançarinas em Rosa, 1885 1,3%2.900 visits
    2. 2 A Tub 1, 1886 1,3%2.900 visits
    3. 3 A Aula de Dança, 1874 1,2%2.800 visits
    4. 4 Dançarina com um ramo de flores (A Estrela do balé), 1878 1,2%2.800 visits
    5. 5 Cavalos de Corrida em Longchamp, 1874 1,0%2.200 visits
    6. 6 Mulher lavando no banho, 1892 0,9%2.100 visits
    7. 7 Interior (also known as The Rape), 1868 0,8%1.900 visits
    8. 8 Edgar Degas, 1888 0,8%1.800 visits
    9. 9 O Absinthe Drinker, 1876 0,7%1.600 visits
    10. 10 O Concerto no Café (A Canção do Cão), 1877 0,7%1.500 visits
    11. 11 Autoportreto, 1863 0,7%1.500 visits
    12. 12 Les repasseuses, Musee d'Orsay, Paris, 1884 0,6%1.400 visits
    13. 13 Madame Théodore Gobillard, née Yves Morisot, 1869 0,6%1.400 visits
    14. 14 Enfermeira, 1873 0,6%1.300 visits
    15. 15 Após o Banho, Mulher Secando Cabelos, 1895 0,6%1.300 visits
    16. 16 Dois Bailarinos no Palco, 1877 0,6%1.300 visits
    17. 17 A Reпетиция Балета no Palco, 1874 0,5%1.200 visits
    18. 18 Três Bailarinas, Saias Azuis, Blusas Vermelhas, 1903 0,5%1.200 visits
    19. 19 Procession on a road near Florence (Cortège sur une route aux environs de Florence), 1860 0,4%1.000 visits
    20. — Before the Performance, 1898 esta obra 0,0%0 visits

    Juntas, estas obras representam 15,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 959 obras deste artista, das quais 710 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Before the Performance — Hilaire-Germain-Edgar Degas

    Before the Performance: A Moment Frozen in Balletic Grace

    Hilaire-Germain-Edgar Degas, a figure perpetually shadowed by the brilliance of Impressionism yet stubbornly resisting categorization, presents us with “Before the Performance,” an arresting pastel depicting a ballet troupe poised on the cusp of their performance. Painted in 1898, this artwork transcends mere representation; it’s a distillation of observation and emotion—a testament to Degas's unique artistic vision. Unlike his peers who sought to capture fleeting impressions of light and color, Degas focused intently on capturing movement itself, specifically the preparatory moments before a ballet dancer takes center stage. This dedication to realism distinguishes him as an artist deeply rooted in classical tradition while simultaneously embracing innovative techniques.

    Subject Matter: The scene portrays twelve dancers—primarily women—engaged in various positions of readiness. Their costumes, rendered with meticulous detail, speak volumes about the elegance and formality of ballet culture during the Belle Époque.

    Style & Technique: Degas’s masterful use of pastel distinguishes “Before the Performance” from many Impressionist canvases. Pastel crayons allow for subtle gradations of tone and color—crucial to conveying the diffused light characteristic of a theater setting—and capture textures with remarkable accuracy. The artist employs a technique known as alla prima, applying paint directly onto the surface without extensive underpainting, resulting in an immediacy that captures the dynamism of the moment.

    The historical context surrounding this artwork is significant. Paris at the turn of the century was experiencing a surge of artistic experimentation and cultural fervor—the Belle Époque—fueled by industrial progress and burgeoning optimism. Ballet had become increasingly popular as a form of entertainment, attracting audiences from all social strata. Degas’s fascination with ballet stemmed not merely from aesthetic appreciation but also from an intellectual curiosity about the human condition. He sought to depict dancers not as idealized figures but as individuals grappling with physical exertion and psychological tension—a portrayal that anticipates later developments in portraiture and psychological realism.

    Symbolism & Emotional Impact:

    Beyond its visual beauty, “Before the Performance” resonates with deeper symbolic meanings. The dancers’ postures convey anticipation and concentration—the artist captures the palpable energy of preparation before action. The muted palette—dominated by blues and browns—creates a mood of quiet contemplation, juxtaposed against the vibrant spectacle that is about to unfold. Degas's intention wasn't simply to record what he saw; he aimed to evoke a feeling—a sense of poised grace and impending drama—that speaks to the universal human desire for performance and expression.

    Further Exploration: Interested in delving deeper into Degas’s artistic legacy? Explore similar artworks at WikiArt: The Entrance of the Masked Dancers and Three Dancers, Blue Skirts, Red Blouses.

    A high-quality reproduction of “Before the Performance” offers a captivating glimpse into Degas’s artistic genius and the spirit of its time—a timeless masterpiece destined to inspire collectors and interior designers alike.

    Artista e museu

    Artista

    Hilaire-Germain-Edgar Degas

    Nascido em Paris, França

    A Life Immersed in Movement

    Edgar Degas, born Hilaire-Germain-Edgar De Gas in Paris on July 19, 1834, stands as a captivating enigma within the annals of art history. Often categorized alongside the Impressionists—Monet, Renoir, and others who revolutionized painting in the late 19th century—Degas fiercely resisted this label, preferring to identify himself as a realist. This commitment stemmed from his unwavering dedication to meticulous observation of the world around him, translating it onto canvas with an honesty that was both startling and profoundly insightful. His early life unfolded within the comfortable confines of a bourgeois upbringing; his father, a banker, and his mother, hailing from a Creole family in New Orleans, afforded him access to education and artistic training—though he often felt constrained by the rigid expectations of academic tradition. Initially enrolled at the Lycée Louis-le-Grand, Degas’s true education began when he immersed himself in the Louvre, meticulously copying works by masters like Raphael and Michelangelo, honing his skills and igniting a lifelong passion for classical art. However, this early training wasn't simply about imitation; it was a springboard for constant questioning and reevaluation of artistic norms—a defining characteristic that would shape his entire career. He possessed an independent spirit, refusing to be confined by convention, and this rebellious streak fueled his unique artistic vision.

    Beyond Impressionism: A Distinct Artistic Voice

    While contemporaries like Monet chased the ephemeral beauty of light outdoors, capturing fleeting moments in plein air, Degas largely maintained a studio-based practice. His process involved constructing scenes from careful observation and memory, often working from sketches and studies made at a distance. This deliberate approach allowed him to analyze forms and compositions with an unparalleled level of detail. His subject matter deliberately shifted away from the historical or mythological themes favored by many academic painters, instead focusing on the vibrant, often gritty reality of Parisian life. He found inspiration in the everyday experiences of ordinary people: laundresses hauling their heavy loads, cabaret singers captivating audiences with their performances, milliners crafting elaborate hats, and, most famously, dancers—particularly those performing at the Paris Opera Ballet. Degas didn’t merely paint beautiful ballerinas; he sought to capture the grueling reality of their profession – the endless rehearsals, the physical strain, the fleeting moments of grace amidst a world of relentless labor. His compositions were frequently unconventional, cropping figures in unexpected ways and utilizing asymmetrical arrangements that created a sense of dynamism and immediacy. He was a master of capturing movement, not through blurred lines or hazy effects, but through precise observation and careful rendering of form. Works like Dancer, A Group of Dancers, Women Combing Their Hair, and The Dance Class exemplify this dedication to portraying the human figure in motion and revealing the complexities of modern life. He wasn’t interested in superficial beauty; he sought to expose the truth beneath the surface.

    Influences and Artistic Development

    Degas's artistic journey was a rich tapestry woven from diverse influences. His early training instilled in him a deep respect for classical principles, particularly the work of Jean-Auguste-Dominique Ingres, whose emphasis on draftsmanship and precise form profoundly impacted his style. However, he also drew inspiration from Realist painters like Gustave Courbet, who challenged academic conventions and championed the depiction of contemporary life with unflinching honesty. A pivotal moment in his development occurred through his association with Camille Pissarro, a leading Impressionist who encouraged him to experiment with new techniques and broadened his artistic horizons. Degas was particularly captivated by Japanese prints—Ukiyo-e—which exerted a significant influence on his compositions, inspiring him to embrace asymmetrical arrangements, flattened perspectives, and bold patterns. He also keenly observed photography, recognizing its potential as a tool for studying movement and capturing fleeting moments in time. This willingness to incorporate diverse influences into his work – from classical art to Japanese prints to the burgeoning field of photography – is what truly distinguishes Degas and contributes to the unique character of his art. He wasn’t afraid to borrow from different sources, synthesizing them into something entirely new.

    Major Achievements and Legacy

    Edgar Degas died in Paris on September 27, 1917, leaving behind a remarkably diverse body of work that continues to captivate and inspire audiences worldwide. His innovative approach to composition, his masterful draftsmanship, and his unflinching portrayal of modern life have had a profound impact on the course of art history. He wasn’t simply a painter of dancers or racehorses; he was a keen observer of human nature, a master of form and movement, and a true innovator who redefined the possibilities of art. His influence can be seen in the work of Pablo Picasso and Henri Matisse, among others, demonstrating his lasting legacy as a pivotal figure in the transition from realism to modernism. Museums across the globe—including the Musée d'Orsay and the Musée de l’Orangerie in Paris—house significant collections of his paintings, pastels, sculptures, and prints, ensuring that his artistic vision will continue to be appreciated for generations to come.

    A Master of Line: Degas's exceptional draftsmanship set him apart.

    Modern Life as Subject: He focused on contemporary Parisian scenes, breaking from tradition.

    Influence on Future Artists: His work profoundly impacted Picasso and Matisse.

    Key Works

    Among his most celebrated works are Dancer and Tambourine, a vibrant depiction of a ballerina in mid-performance; The Ballet Class, offering an intimate glimpse into the rigorous training of young dancers; Degas in a Green Jacket, capturing a candid moment of leisure; The Collector, showcasing a portrait of a wealthy art collector; and Women Combing Their Hair, a study of domestic life. These works, along with countless others, reveal Degas’s remarkable ability to capture the essence of his subjects – their beauty, their struggles, and their humanity.

    Museu

    Galeria Nacional da Escócia

    Em exibição em Edimburgo, Reino Unido

    A Window Into Scotland’s Soul: The Scottish National Gallery

    Nestled within the heart of Edinburgh, on the historic Mound overlooking the city, lies the Scottish National Gallery – more than just a repository of art, it's a profound reflection of Scotland’s identity, its artistic journey, and its enduring connection to Europe. Designed by the neoclassical master William Henry Playfair and inaugurated in 1859, this magnificent building itself is a testament to classical ideals, boasting imposing Corinthian columns, graceful symmetry, and an atmosphere of quiet reverence perfectly suited for the treasures within. The gallery’s core mission – to showcase Scotland's national collection of fine art spanning from the Renaissance through to the early 20th century – is ambitious yet remarkably realized, offering a panoramic view of artistic styles and techniques shaped by centuries of influence. The very stones of the building whisper tales of royal patronage, artistic rebellion, and a nation’s evolving self-awareness, making a visit here an immersive experience far beyond simply viewing paintings.

    The story of the Scottish National Gallery is inextricably linked with the rise of Scottish art patronage. Initially conceived as part of the Royal Institution for the Encouragement of the Fine Arts in Scotland, the collection began to take shape through carefully acquired works. However, a growing dissatisfaction amongst artists with the institution’s policies led to a pivotal moment in 1838: the formation of the Royal Scottish Academy (RSA). This breakaway group, driven by a fervent desire to establish a truly national art collection, secured its own building on The Mound in 1846 – a structure that would eventually become the foundation for the National Gallery. The RSA’s commitment to collecting and exhibiting art laid the groundwork for the gallery we know today, demonstrating a sustained dedication to fostering artistic excellence within Scotland. This dual heritage—the institutional beginnings alongside the passionate advocacy of artists—is palpable in the gallery's character.

    Architectural Grandeur: A Neoclassical Masterpiece

    Beyond its collection, the building itself is a work of art. William Henry Playfair’s design is a quintessential example of neoclassical architecture, reflecting the grandeur and order associated with ancient Greece and Rome. The façade is dominated by imposing Corinthian columns, meticulously sculpted reliefs depicting allegorical figures, and a sense of balanced proportion that speaks to the ideals of classical design. The interior spaces are equally impressive, featuring soaring ceilings, elegant galleries, and carefully considered lighting – all contributing to an atmosphere of reverence and contemplation for the artworks on display. The building’s very structure serves as a powerful reminder of Scotland's engagement with European artistic traditions, subtly echoing the architectural principles of Rome and Athens while firmly rooted in its Scottish context. Visitors can trace the influence of Roman temples and theatres through the gallery’s spatial arrangement, creating an experience that transcends mere visual appreciation. The deliberate use of light and shadow, a hallmark of neoclassical design, further enhances the sense of drama and solemnity within the galleries.

    Highlights of the Collection: A Journey Through Styles

    Within the gallery’s walls, visitors are treated to a remarkable array of artistic styles and movements. Early Renaissance masterpieces by Italian masters like Raphael and Titian stand alongside works by Scottish artists such as William Clerk Maxwell, whose vibrant landscapes capture the rugged beauty of the Highlands. The collection boasts significant holdings of 18th-century portraiture, offering intimate glimpses into the lives of Scotland’s elite. Notably, the gallery's Impressionist section features a stunning selection of works by Claude Monet and Edgar Degas, reflecting the growing influence of modern European art on Scottish artists. Don't miss the evocative landscapes of William Beattie Brown, capturing the dramatic beauty of the Scottish countryside – his depictions of Highland light are particularly renowned. The gallery also houses an impressive collection of Scottish Colourists, a movement that sought to capture the vibrant hues and emotional intensity of the Scottish landscape with bold, expressive brushstrokes. Particularly captivating is “Diana and Callisto” by Titian, showcasing masterful composition and luminous color palettes—a cornerstone of Renaissance art. Also noteworthy is "Job Confessing His Presumption To God Who Answers From The Whirlwind" by William Blake, a monumental engraving embodying Romantic idealism and symbolic storytelling.

    Beyond the Paintings: Exhibitions and Legacy

    The Scottish National Gallery’s legacy extends far beyond its permanent collection. Throughout its history, the gallery has hosted numerous groundbreaking exhibitions, showcasing both established masters and emerging talents. These events have consistently stimulated dialogue and deepened public engagement with art. Furthermore, the gallery is closely linked to the National Galleries of Scotland, which also encompasses the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery – a powerful network dedicated to preserving and promoting Scotland’s artistic heritage. Recent initiatives include immersive digital experiences that bring the collection to life for a new generation of visitors. The gallery continues to evolve, adapting to contemporary tastes while remaining true to its core mission: to celebrate the enduring power of art to inspire, educate, and connect us to our past. Consider “Cliffs at Pourville, Rain” by Claude Monet – an iconic Impressionist landscape that exemplifies the movement’s focus on capturing fleeting moments of light and atmosphere. Finally, explore the artistry of Jacopo Robusti (Tintoretto) with his dramatic compositions and masterful technique—a testament to Venetian artistic innovation.

    A Unique Artistic Destination

    Located in Edinburgh's historic city centre, the Scottish National Gallery offers more than just visual delight; it’s a journey through Scotland’s cultural history. Its serene setting on The Mound provides a tranquil space for contemplation alongside its impressive collection of art—a destination that resonates with visitors seeking inspiration and understanding. Explore the gallery’s ongoing exhibitions and educational programs to deepen your appreciation for Scottish artistic heritage and its global connections.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Before the Performance

    originaluniqueart.com/pt/art/download/hilaire-germain-edgar-degas-before-the-performance-D3Y8NS-en/

    Como citar esta obra

    MLA
    Degas, Hilaire-Germain-Edgar. Before the Performance. 1898, Galeria Nacional da Escócia. https://originaluniqueart.com/pt/art/hilaire-germain-edgar-degas-before-the-performance-D3Y8NS-en/
    APA
    Degas, Hilaire-Germain-Edgar (1898). Before the Performance [Painting]. Galeria Nacional da Escócia. https://originaluniqueart.com/pt/art/hilaire-germain-edgar-degas-before-the-performance-D3Y8NS-en/
    Chicago
    Hilaire-Germain-Edgar Degas. Before the Performance. 1898. Galeria Nacional da Escócia. https://originaluniqueart.com/pt/art/hilaire-germain-edgar-degas-before-the-performance-D3Y8NS-en/
    Harvard
    Degas, Hilaire-Germain-Edgar (1898) Before the Performance. Galeria Nacional da Escócia. Available at: https://originaluniqueart.com/pt/art/hilaire-germain-edgar-degas-before-the-performance-D3Y8NS-en/

    Observe de perto

    Before the Performance — Hilaire-Germain-Edgar Degas

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Dançarinas em Rosa (1885), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Hilaire-Germain-Edgar Degas tinha cerca de 64 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    "Before the Performance" apresenta contrastes fortes entre luz e sombra?

    "Before the Performance", de Hilaire-Germain-Edgar Degas apresenta um contraste Suave entre suas áreas claras e escuras.

    Quanta luz as cores de "Before the Performance" parecem refletir?

    A luminância registrada para "Before the Performance", de Hilaire-Germain-Edgar Degas é Escura.

    Qual paleta de cores é utilizada em "Before the Performance", de Hilaire-Germain-Edgar Degas?

    "Before the Performance", de Hilaire-Germain-Edgar Degas utiliza uma paleta de cores Tons terrosos. A paleta sintetiza o caráter cromático geral da obra.