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Guia de Obras de Estudantes

Moonlight on a Lake with Statues

Nome Turma Data

gunning king, Moonlight on a Lake with Statues (1930). Domínio público.

Informações principais

Artista
gunning king originaluniqueart.com/pt/artists/gunning-king/
Datas do artista
1859 – 1940
Pintura
1930
Dimensões originais
29 x 38 cm

No contexto

Moonlight on a Lake with Statues — gunning king

Qual é o tamanho?

As dimensões originais são 29 × 38 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930
  10. 1940

Sombreado: a trajetória de gunning king (1859–1940) ▲ esta obra, 1930

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/gunning-king-moonlight-on-a-lake-with-statues-AQUGK3-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Phthalo Green #2c2318

    Paleta catalogada

    • #2C2318
    • #4C4332
    • #AFA37F
    • #837A5E
    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Phthalo Green
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    gunning king

    The Ethereal Essence of Gunning King

    Gunning King (1859–1940) remains a profound voice in the history of British landscape painting, a master who found extraordinary depth within the quietude of the rural English scene. His work does not merely depict land; it breathes with the atmosphere of a bygone era, capturing the subtle, fleeting transitions of light and shadow that define the Dorset and Sussex countryside. Through a palette of muted greens, soft blues, and earthy browns, King invited his viewers into a realm of serene contemplation, where the rustle of leaves and the stillness of a meadow could be felt through the very texture of the oil on canvas.

    From Academic Roots to Impressionistic Freedom

    The artist’s journey was one of beautiful contradiction. Born in the coastal beauty of Kimmeriente Bay, King received his formal training at the prestigious Slade School of Fine Art in London. There, he studied under the watchful eye of Frederic Leighton, a titan of the Pre-Raphaelite tradition known for meticulous detail and idealized forms. While this academic foundation provided him with a rigorous understanding of composition, King’s spirit ultimately drifted toward the burgeoning influence of the Impressionist movement. Rather than pursuing the sharp, photographic precision favored by his mentors, he embraced the revolutionary principles of artists like Claude Monet and Pierre-Auguste Renoir. He sought to capture the ephemeral—the way a sudden sunbeam pierces through a cloud or how mist clings to a distant forest—prioritizing the emotional resonance of light over the rigid boundaries of form.

    A Legacy of Light and Texture

    King’s technical mastery lies in his ability to use loose, rapid brushstrokes to convey movement and vitality. His technique rejected the polished, glass-like surfaces of traditional academic painting in favor of a more tactile, energetic application of paint. This approach allowed him to translate the changing conditions of the English landscape with remarkable sensitivity, making works such as 'Kimmeridge, Dorset' or 'Autumnal Trees and Farm Buildings' feel alive with the pulse of nature. His significance extends beyond mere representation; he was a pioneer who helped bridge the gap between the structured traditions of British art and the atmospheric freedom of Continental Impressionism. Even today, his paintings serve as a poignant reminder of the beauty found in the ordinary, leaving behind a legacy of quiet majesty that continues to enchant the modern eye.

    Saiba mais

    • O artista gunning king originaluniqueart.com/pt/artists/gunning-king/
    • Obras semelhantes Mais obras para comparar originaluniqueart.com/pt/art/similar/gunning-king-moonlight-on-a-lake-with-statues-AQUGK3-en/

    Disponível online

    QR code que direciona para a página de download de Moonlight on a Lake with Statues

    originaluniqueart.com/pt/art/download/gunning-king-moonlight-on-a-lake-with-statues-AQUGK3-en/

    Como citar esta obra

    MLA
    king, gunning. Moonlight on a Lake with Statues. 1930, https://originaluniqueart.com/pt/art/gunning-king-moonlight-on-a-lake-with-statues-AQUGK3-en/
    APA
    king, gunning (1930). Moonlight on a Lake with Statues [Painting]. https://originaluniqueart.com/pt/art/gunning-king-moonlight-on-a-lake-with-statues-AQUGK3-en/
    Chicago
    gunning king. Moonlight on a Lake with Statues. 1930. https://originaluniqueart.com/pt/art/gunning-king-moonlight-on-a-lake-with-statues-AQUGK3-en/
    Harvard
    king, gunning (1930) Moonlight on a Lake with Statues. Available at: https://originaluniqueart.com/pt/art/gunning-king-moonlight-on-a-lake-with-statues-AQUGK3-en/

    Observe de perto

    Moonlight on a Lake with Statues — gunning king

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Wooded Scene (1931), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. gunning king tinha cerca de 71 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize os factos das partes anteriores deste guia e as suas respostas acima.