Papel

Guia de Obras de Estudantes

Margaret David

Nome Turma Data

George Frederick Harris, Margaret David, Cynon Valley Museum and Gallery. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
George Frederick Harris originaluniqueart.com/pt/artists/george-frederick-harris/
Datas do artista
1856 – 1924
Movimento
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Realizado em
Cynon Valley Museum and Gallery originaluniqueart.com/pt/museums/cynon-valley-museum-and-gallery-aberdare/

No contexto

Margaret David — George Frederick Harris

Quando poderá ter sido pintada esta obra?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 68 ao falecer.

Sombreado: a trajetória de George Frederick Harris (1856–1924) cada pintura datada, década por década

Primeiras obras: até 1890 Principais anos de atividade: 1890–1908 Obras tardias: a partir de 1908

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/george-frederick-harris-margaret-david-AQTELW-en/

Cores

Medido a partir da imagem

    Cor principal

    Walnut #975e19

    Paleta catalogada

    • #975E19
    • #292218
    • #714212
    • #D2A265

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Walnut
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de George Frederick Harris nos últimos doze meses — 1 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 100,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 18 obras mais visualizadas de George Frederick Harris

    1. 1 Still Life of Fruit in a Basket, a Pineapple Alongside and Wine Bottle and Glass Behind, 1901 14,3%
    2. 2 Rosetta Harris, née Lucas, 1918 9,5%
    3. 3 Captain Harold James Brown, MC, 12th Battalion, South Wales Borderers during the First World War, 1917 4,8%
    4. 4 Apples and Grapes, 1894 4,8%
    5. 5 Mrs Dan Davies, 1896 4,8%
    6. 6 Portrait of a Woman in Red, 1890 4,8%
    7. 7 Portrait of a Man with a Beard, 1890 4,8%
    8. 8 Alderman Seymour Berry as Mayor, 1912 4,8%
    9. 9 Godfrey Charles Morgan (1831–1913), 2nd Baron, 1st Viscount Tredegar, 1910 4,8%
    10. 10 Mr Thomas Rees, 1896 4,8%
    11. 11 Portrait of a Gentleman with a Beard, 1904 4,8%
    12. 12 Group of Still Life Artist's Materials, 1908 4,8%
    13. 13 Portrait of an Unknown Man, 1890 4,8%
    14. 14 Day Dreams, 1903 4,8%
    15. 15 Nehemiah Phillips, JP, 1913 4,8%
    16. 16 Grapes, 1911 4,8%
    17. 17 Inspector Rodman (Merthyr Division), 1888 4,8%
    18. 18 Margaret David esta obra 4,8%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 54 obras deste artista, das quais 18 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 18 posição entre elas, com 4,8% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    George Frederick Harris

    A Life of Canvas and Connection: The Journey of George Frederick Harris

    The story of George Frederick Harris is one of profound movement, spanning continents and bridging the gap between the intimate world of portraiture and the grand scale of public muralism. Born in Birmingham, West Midlands, in 1856, Harris’s early years were rooted in the industrial heart of England, yet his spirit was destined for a much broader stage. As a painter of both landscape and portrait, he possessed a rare ability to capture the essence of his subjects, whether through the delicate textures of lace in a formal sitting or the sweeping, atmospheric vistas of the natural world. His early career saw him establishing a significant presence in Wales, where he served as the chairman and secretary of the South Wales Art Society in Cardiff, demonstrating an early commitment to the cultivation of artistic communities.

    Harris’s life was characterized by a remarkable series of transitions that mirrored the shifting tides of the late 19th and early 20th centuries. After building a successful business in portraiture and photography in Merthyr Tydfil, he embarked on a transformative journey to Australia in 1920. This migration did not signal an end to his creativity but rather a new chapter of exploration. In the vibrant landscape of Sydney, Harris continued to refine his craft, leaving behind a legacy that connected his Welsh heritage with the burgeoning art scene of the Southern Hemisphere. His personal life was equally rich and complex, marked by significant familial connections; he was the father of the celebrated Australian illustrator Pixie O'Harris, whose whimsical style would later enchant generations of readers.

    Mastery of Form and Symbolism

    To observe a work by Harris is to witness a meticulous marriage of technical precision and emotional depth. His approach to portraiture was deeply rooted in the classical tradition, utilizing oil on canvas to create layers of texture that breathed life into his sitters. He had an extraordinary eye for detail, often focusing on the subtle interplay of light and shadow to convey character and status. In works such as his 1896 portrait of Rosina Davies, one can see how he employed a realistic style to highlight elegant floral elements and intricate fabrics, creating a sense of timelessness that remains captivating to the modern viewer.

    Beyond the individual, Harris’s work often touched upon the broader social fabric. His ability to translate the anxieties and triumphs of his era into visual language allowed him to move between genres with ease. Whether he was capturing the quiet dignity of a gentleman in a studio setting or the rugged beauty of a landscape, his brushwork remained purposeful and evocative. This versatility ensured that his art was not merely decorative but served as a historical record of the people and places that defined his era. His contributions to public collections, such as those held at the Cyfarthfa Castle Museum & Art Gallery, ensure that his technical mastery continues to be studied by those seeking to understand the evolution of portraiture during this transformative period.

    Legacy and Historical Significance

    The historical significance of George Frederick Harris lies in his role as a cultural conduit. He was an artist who did not exist in isolation but was deeply embedded in the institutional fabric of the art worlds he inhabited. Through his leadership roles in Wales and his eventual integration into the Australian art landscape, he helped foster the growth of professional societies and the appreciation of fine arts across borders. His life serves as a testament to the itinerant nature of the artist, proving that creativity knows no geographic boundaries.

    Today, the works of Harris are cherished not only for their aesthetic beauty but for the window they provide into a bygone era of craftsmanship. His legacy is preserved through:

    Public Collections: Numerous paintings attributed to him are held in public art collections, serving as permanent landmarks of his skill.

    Artistic Lineage: His influence extended through his family, notably inspiring the illustrative career of his daughter, Pixie O'Harris.

    Technical Excellence: He remains a key figure for students of late 19th-century realism and landscape painting.

    In the grand tapestry of art history, George Frederick Harris remains a vital thread, weaving together the traditions of Europe and the emerging perspectives of the New World.

    Museu

    Cynon Valley Museum and Gallery

    Em exibição em Aberdare, United Kingdom

    A Window into Cynon Valley’s Soul: Exploring the Cynon Valley Museum & Gallery

    Nestled in the picturesque Rhondda Cynon Taf borough of Wales, the Cynon Valley Museum & Gallery stands as a testament to local heritage and artistic spirit. More than just a repository of artifacts, it's an immersive experience—a journey back in time interwoven with contemporary creativity—designed to captivate visitors from seasoned art historians to families seeking enriching cultural adventures.

    About Cynon Valley Museum & Gallery:

    Founded on the legacy of Abernant’s thriving coal mining past, this free admission museum champions a profound connection to the region's identity. Its mission is to preserve and celebrate Cynon Valley stories through engaging exhibitions and educational programs.

    Collection Highlights: A Tapestry of Time

    The museum’s impressive collection—spanning over 20,000 objects—offers a panoramic view of Cynon Valley's evolution. Divided into thematic areas, it showcases remarkable treasures reflecting diverse periods and influences. Among the most celebrated pieces are detailed depictions of Welsh mining life, capturing the hardships endured by generations of miners alongside their unwavering determination. Furthermore, a vibrant selection of artwork created by local artists illuminates the region’s artistic landscape—a dynamic blend of traditional crafts and modern expressions. Notably, the museum's database includes “Sir Ernest Gowers (1880–1966), KCB, KBE, Senior Regional Commissioner for London, Lieutenant Colonel A. J. Child, OBE, MC, Director of Operations and Intelligence, and K. A. L Parker, Deputy Chief Administrative Officer, in the London Regional Civil Service…” which provides invaluable insight into the broader context of Welsh art history.

    Architectural Roots & Historical Significance

    The museum’s building itself embodies the spirit of Abernant—a former coal mining village—reflecting its formative years. While precise architectural details remain elusive, it serves as a cornerstone of the community, diligently safeguarding memories and traditions. Its location speaks volumes about Cynon Valley's industrial heritage, reminding visitors of the transformative impact of coal mining on shaping the region’s social fabric and artistic sensibilities.

    What Sets Cynon Valley Museum Apart?

    Unlike grand national institutions, Cynon Valley Museum prioritizes intimacy and personal connection—allowing visitors to delve into the narratives that define Cynon Valley's character. Its commitment to community engagement extends beyond exhibitions; interactive programs foster dialogue and inspire curiosity among residents of all ages. Accessibility is paramount: free entry ensures inclusivity, inviting everyone to explore its treasures and participate in enriching experiences. Recognizing the importance of fostering artistic appreciation in younger generations, the museum’s family-friendly activities spark creativity and ignite a passion for history—a cornerstone of Cynon Valley's cultural heritage.

    A Vibrant Artistic Presence

    The Mezzanine Gallery hosts regular exhibitions featuring local artists, showcasing contemporary talent and creative vision. Visitors can discover stunning crafts on sale at the museum shop – a unique opportunity to support regional artistry. Furthermore, “Cynon Valley Museum - Gallery” actively promotes artistic endeavors, fostering connections between creators and audiences alike. Don’t miss the chance to explore “Stories from the Collection,” which delves into the individual narratives that comprise Cynon Valley's history. And for those seeking inspiration at home, download craft resources available on our website!

    Website:

    https://cynonvalleymuseum.wales/

    Current Description:

    Learn about Cynon Valley’s rich history & art! Discover 20,000+ objects, mining heritage, community exhibits & free entry at this Aberdare museum & gallery.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Margaret David

    originaluniqueart.com/pt/art/download/george-frederick-harris-margaret-david-AQTELW-en/

    Como citar esta obra

    MLA
    Harris, George Frederick. Margaret David. n.d., Cynon Valley Museum and Gallery. https://originaluniqueart.com/pt/art/george-frederick-harris-margaret-david-AQTELW-en/
    APA
    Harris, George Frederick (n.d.). Margaret David [Painting]. Cynon Valley Museum and Gallery. https://originaluniqueart.com/pt/art/george-frederick-harris-margaret-david-AQTELW-en/
    Chicago
    George Frederick Harris. Margaret David. n.d. Cynon Valley Museum and Gallery. https://originaluniqueart.com/pt/art/george-frederick-harris-margaret-david-AQTELW-en/
    Harvard
    Harris, George Frederick (n.d.) Margaret David. Cynon Valley Museum and Gallery. Available at: https://originaluniqueart.com/pt/art/george-frederick-harris-margaret-david-AQTELW-en/

    Observe de perto

    Margaret David — George Frederick Harris

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Quantos rostos você consegue encontrar? ____ (o nosso catálogo conta 1 — você concorda?)
    4. O nosso catálogo classifica esta obra sob: portrait, elderly woman, dignity. Concorda? O que acrescentaria ou removeria?
    5. Relembre Portrait of a Man (possibly Parker Hagerty) (1908), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Onde posso baixar "Margaret David", de George Frederick Harris?

    "Margaret David", de George Frederick Harris pode ser descarregado na página de Download da obra, como download de imagem digital em alta resolução.

    Quais são os direitos de reprodução de "Margaret David" no Cynon Valley Museum and Gallery?

    O status de direitos autorais de "Margaret David", de George Frederick Harris é claro: a obra está em em domínio público — seus direitos autorais expiraram. Sua presença no Cynon Valley Museum and Gallery não altera esse status.

    As cores de "Margaret David", de George Frederick Harris são saturadas ou suaves?

    "Margaret David", de George Frederick Harris apresenta uma saturação de Balanced Soft.