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Guia de Obras de Estudantes

Sir (Edward) Guy Dawber

Nome Turma Data

Fred Roe, Sir (Edward) Guy Dawber (1926). Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Fred Roe originaluniqueart.com/pt/artists/fred-roe/
Datas do artista
1864 – 1947
Pintura a óleo
1926
Dimensões originais
38 x 28 cm

No contexto

Sir (Edward) Guy Dawber — Fred Roe

Qual é o tamanho?

As dimensões originais são 38 × 28 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 83 ao falecer.

Pintado quando o artista tinha 62. O artista viveu até aos 83. 12 das 17 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Fred Roe (1864–1947) ▲ esta obra, 1926 cada pintura datada, década por década

Primeiras obras: até 1908 Principais anos de atividade: 1908–1926 Obras tardias: a partir de 1926

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/fred-roe-sir-edward-guy-dawber-AQUC2A-en/

Cores

Medido a partir da imagem

    Cor principal

    Driftwood #c08964

    Paleta catalogada

    • #C08964
    • #966246
    • #AE7753
    • #533531

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Dark A família de cores predominante na imagem.
    Nome da cor principal
    Driftwood
    Intensidade
    Vivid O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Serene O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Bright O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Clear Color Presence Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Fred Roe nos últimos doze meses — 1 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 100,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 7 obras mais visualizadas de Fred Roe

    1. 1 Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front, 1915 25,0%
    2. 2 2nd Battalion 5th Gurkha Rifles at Ahnai Tangi, North West Frontier, India, 14 January 1920, 1920 12,5%
    3. 3 The Boys Come Marching Home, 1916 12,5%
    4. 4 Sir (Edward) Guy Dawber, 1926 esta obra 12,5%
    5. 5 A. Gordon Bird, 1930 12,5%
    6. 6 The Return of the Hero (Lord Nelson), 1909 12,5%
    7. 7 May the Eighth 12,5%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 23 obras deste artista, das quais 7 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 4 posição entre elas, com 12,5% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Sir (Edward) Guy Dawber — Fred Roe

    The painting Sir (Edward) Guy Dawber by Fred Roe is a stunning example of portraiture, showcasing the artist's skill in capturing the essence of his subject. Created in 1926, this oil on canvas piece measures 38 x 28 cm and is currently housed at the National Portrait Gallery in the United States.

    The Artist and His Style

    Fred Roe was a talented artist known for his ability to convey the character and personality of his subjects through his paintings. In Sir (Edward) Guy Dawber, he employs a range of techniques, including the use of bold brushstrokes and vivid colors, to create a sense of depth and dimensionality. The subject's stern expression and formal attire are perfectly captured, exuding an air of sophistication and elegance. Key Features of the Painting:

    The subject's facial expression, which conveys a sense of seriousness and intensity

    The intricate details of the subject's clothing and accessories, which add to the overall sense of luxury and refinement

    The use of a muted color palette, which creates a sense of calmness and serenity

    Similar Works by Other Artists

    For those interested in exploring more portraits like Sir (Edward) Guy Dawber, Joseph Henry Sharp's Spotted Elk, Chief and George Meredith by William Strang are excellent examples of portraiture. These paintings can be found on AllPaintingsStore.com, which offers a wide range of handmade oil painting reproductions.

    The National Portrait Gallery is home to many notable works, including those by Fred Roe. For art enthusiasts and collectors, AllPaintingsStore.com provides a unique opportunity to own handmade reproductions of famous paintings, including Sir (Edward) Guy Dawber.

    Artista e museu

    Artista

    Fred Roe

    The Visionary Brush of Fred Roe

    To step into the world of Fred Roe is to wander through a tapestry of historical grandeur and rugged frontier beauty. A master of both the intimate portrait and the sweeping landscape, Roe possessed a rare ability to breathe life into the past and the wild. While his name may evoke the dusty trails of the American West for some, his roots and much of his technical mastery were deeply entwared with the classical traditions of Europe. Born in 1864, Roe’s artistic identity was shaped by a dual heritage of meticulous academic training and an unquenchable thirst for exploration. Whether he was capturing the solemnity of a religious ceremony or the atmospheric mist rising over a Wyoming valley, his work remains a testament to a life spent observing the profound beauty in both the historical and the natural worlds.

    The foundations of Roe’s technique were laid in the prestigious art schools of England. As the son of the painter and engraver Robert Henry Roe, the language of art was his first tongue. He refined his skills at the Heatherley School of Fine Art under the guidance of Seymour Lucas, a period that instilled in him a rigorous command over light, shadow, and anatomical precision. This academic discipline allowed him to achieve early success, exhibiting at the prestigious Royal Academy as early as 1877. His early career was marked by an impressive ascent through the ranks of the British art establishment, earning elections to the Royal Society of British Artists and the Royal Institute of British Painters. During these years, his focus often drifted toward historical genre subjects, where he utilized large-scale compositions and period costumes to recreate scenes of English history, including poignant depictions of Joan of Arc and naval incidents involving Lord Nelson.

    From London Studios to the American Frontier

    A pivotal shift occurred when Roe’s artistic gaze turned toward the vast, untamed landscapes of the Americas. His journey to Wyoming in 1893 served as a transformative expedition that expanded his repertoire from historical narrative to environmental storytelling. This period of exploration allowed him to document the topography and culture of the American West with the eye of both an artist and a chronicler. The rugged majesty of Yellowstone National Park became a central character in his work, providing him with a canvas of dramatic sunsets, stormy afternoons, and the quiet, misty mornings of the frontier. In these landscapes, Roe moved beyond mere documentation; he utilized expressive brushwork and a sophisticated understanding of tonal harmony to convey the palpable sense of place that defines the American spirit.

    This versatility—the ability to pivot from the structured elegance of London’s high society to the raw, unscripted life of Wyoming ranchers and cowboys—is what makes his oeuvre so uniquely captivating. His talent for illustration further bridged these two worlds, as he secured prestigious commissions for Harper's Weekly and The Century Magazine. Through these publications, Roe brought the essence of Western life to a global audience, using visual storytelling to render scenes from historical narratives and contemporary frontier life with equal emotional weight. His work during this era was not merely about what could be seen, but about the feeling of the wind across the plains and the heavy silence of a historical moment frozen in time.

    A Legacy of Detail and Discovery

    Beyond the canvas, Fred Roe was a man of profound intellectual curiosity. His passion for history extended into the realm of material culture, where he became a leading expert and collector of antique furniture. His scholarly contributions, such as Ancient Coffers and Cupboards and A History of Oak Furniture, reveal an artist who sought to understand the structural soul of the eras he painted. This deep appreciation for craftsmanship and historical authenticity is mirrored in his paintings, where every detail—from the texture of a period garment to the light hitting a piece of weathered wood—is rendered with meticulous care.

    As we reflect on the life of Fred Roe, we see an artist who refused to be confined by geography or genre. His legacy is found in the intersection of several profound artistic achievements:

    Mastery of Genre: The seamless transition between historical narrative painting and contemporary landscape art.

    Atmospheric Realism: An unparalleled ability to capture transient weather conditions and the emotional weight of light.

    Cultural Documentation: His role as a visual historian for both the English past and the American frontier.

    Scholarly Depth: The integration of historical research and antique expertise into his visual aesthetic.

    Today, Roe’s works continue to resonate with collectors who seek more than just a beautiful image; they seek a window into a vanished world. His paintings remain vibrant, breathing with the energy of the landscapes he traversed and the histories he so lovingly reconstructed.

    Onde ler mais

    • O artista Fred Roe originaluniqueart.com/pt/artists/fred-roe/
    • Obras semelhantes Mais obras para comparar originaluniqueart.com/pt/art/similar/fred-roe-sir-edward-guy-dawber-AQUC2A-en/

    Encontre online

    QR code que direciona para a página de download de Sir (Edward) Guy Dawber

    originaluniqueart.com/pt/art/download/fred-roe-sir-edward-guy-dawber-AQUC2A-en/

    Como citar esta obra

    MLA
    Roe, Fred. Sir (Edward) Guy Dawber. 1926, https://originaluniqueart.com/pt/art/fred-roe-sir-edward-guy-dawber-AQUC2A-en/
    APA
    Roe, Fred (1926). Sir (Edward) Guy Dawber [Painting]. https://originaluniqueart.com/pt/art/fred-roe-sir-edward-guy-dawber-AQUC2A-en/
    Chicago
    Fred Roe. Sir (Edward) Guy Dawber. 1926. https://originaluniqueart.com/pt/art/fred-roe-sir-edward-guy-dawber-AQUC2A-en/
    Harvard
    Roe, Fred (1926) Sir (Edward) Guy Dawber. Available at: https://originaluniqueart.com/pt/art/fred-roe-sir-edward-guy-dawber-AQUC2A-en/

    Observe de perto

    Sir (Edward) Guy Dawber — Fred Roe

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre S. O. S (1929), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Fred Roe tinha cerca de 62 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Qual é a situação dos direitos autorais de "Sir (Edward) Guy Dawber", de Fred Roe?

    O status de direitos autorais de "Sir (Edward) Guy Dawber" - em domínio público — seus direitos autorais expiraram - decorre do falecimento do artista em 1947.

    Qual é a luminosidade percebida de "Sir (Edward) Guy Dawber", de Fred Roe?

    A luminosidade percebida de "Sir (Edward) Guy Dawber", de Fred Roe é bright. Ela pode ser harmonizada com a iluminação do espaço pretendido.

    "Sir (Edward) Guy Dawber", de Fred Roe está em domínio público?

    Informação de direitos autorais para "Sir (Edward) Guy Dawber", de Fred Roe: a obra está em em domínio público — seus direitos autorais expiraram. Isso determina se reproduções da imagem podem ser feitas livremente.