Papel

Guia de Obras de Estudantes

Urbino

Nome Turma Data

ellen lanyon, Urbino (2010), Nasher Museum of Art at Duke University. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
ellen lanyon originaluniqueart.com/pt/artists/ellen-lanyon/
Pintura
2010
Técnica
Painting
Dimensões originais
61 x 61 cm
Movimento
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.
Período
Contemporary
Realizado em
Nasher Museum of Art at Duke University originaluniqueart.com/pt/museums/nasher-museum-of-art-at-duke-university-durham_pt/
Artistic style
Surrealist-inspired detailed painting
Notable elements
Dinosaur, birds, cats, and desk objects
Subject or theme
Contrast of natural and man-made elements

In context

Urbino — ellen lanyon

How big is it?

The original measures 61 × 61 cm (height × width), drawn here beside an adult of average height.

Ano de criação

  1. 2010

▲ esta obra, 2010

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/ellen-lanyon-urbino-D9PHZ5-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Driftwood #c79c4c

    Paleta catalogada

    • #C79C4C
    • #D1C28E
    • #372C1F
    • #896D3F
    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Driftwood
    Intensidade
    Vivid O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Balanced O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Bright O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Clear Color Presence Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Urbino — ellen lanyon

    A Surreal Encounter: The Whimsical World of Ellen Lanyon

    In the captivating painting Urbino, created in 2010, the viewer is transported into a dreamscape where the boundaries between the prehistoric and the domestic dissolve into a singular, enchanting vision. Ellen Lanyon, an artist renowned for her ability to bridge the gap between reality and the subconscious, presents us with a scene that feels both deeply intimate and expansively strange. At the heart of this composition sits a dinosaur, rendered with a meticulousness that recalls the industrial precision of Lanyon’s early life. Yet, this creature is far from menacing; draped in a soft scarf, it occupies a space of quiet contemplation, seated before a desk as if caught in a moment of scholarly repose. This juxtaposition of the ancient, reptilian form with the mundane artifacts of human life creates an immediate sense of wonder, inviting the observer to question the stability of our own perceived reality.

    The composition is a masterclass in narrative layering, where every element serves as a character in a silent, surrealist play. As your eyes wander across the canvas, you encounter a delicate ecosystem of unexpected companions: birds perched precariously at the edges of the frame and cats that navigate the scene with feline grace. The desk itself becomes a stage for a still life of domesticity, cluttered with three cups, two bowls, and a solitary knife. These man-made objects, rendered with careful attention to form, provide a grounding contrast to the fantastical presence of the dinosaur. This interplay between the organic and the manufactured is a hallmark of Lanyon’s technique, where the precision of line meets the fluidity of imagination, creating a tension that keeps the viewer perpetually engaged.

    For the discerning collector or interior designer, Urbino offers more than just visual interest; it provides a profound emotional resonance. The painting evokes a sense of nostalgia for the "uncanny"—that feeling of something being simultaneously familiar and deeply strange. The vibrant colors and intricate details make this piece an extraordinary focal point for any sophisticated space, whether it be a contemporary gallery setting or a curated private study. It is a work that demands slow looking, rewarding the observer with new discoveries upon every encounter. To possess a reproduction of such a piece is to bring a fragment of a dream into the physical world, offering a constant source of inspiration and a window into a realm where the impossible becomes beautifully tangible.

    Artista e museu

    Artista

    ellen lanyon

    A World Between Dreams and Reality: The Art of Ellen Lanyon

    Ellen Lanyon’s paintings are portals, inviting viewers into a realm where the familiar tilts on its axis and the subconscious takes visible form. Born in Chicago in 1948, her artistic journey began not within the hallowed halls of academia, though she would later attend both the School of the Art Institute of Chicago, the University of Iowa, and even undertake postgraduate studies at the Courtauld Institute in London on a Fulbright fellowship, but amidst the industrial landscape of her father’s foundry. This early exposure to the precise rendering of machine parts instilled in her a meticulous attention to line – a characteristic that would become a hallmark of her distinctive style. But it was a childhood visit to the “Midget Village” at the 1933 Chicago World's Fair, an undeniably surreal spectacle, that left a deeper, more lasting impression, seeding within her imagination a fascination with the uncanny and the disquieting juxtaposition of realities.

    From Portraits to Dreamscapes: The Evolution of a Vision

    Lanyon’s early work focused on intimate portraits of relatives and the spaces they inhabited – quiet studies imbued with a sense of psychological depth. These paintings, created in the late 1950s and 60s, reveal her burgeoning talent for capturing not just likeness but also the atmosphere and emotional weight of domestic life. However, this focus gradually shifted towards more fantastical compositions, populated by animal, vegetal, and floral motifs arranged in dreamlike scenarios. She herself often described these works as “dreamscapes,” a fitting term for paintings that seem to exist on the threshold between waking consciousness and the realm of sleep. This transition wasn’t abrupt; rather, it was a natural unfolding of her artistic concerns – a move away from external representation towards an exploration of inner landscapes. Her art began to embrace surrealism, though she resisted easy categorization, preferring instead to create a unique visual language that blended elements of magical realism with a distinctly personal iconography.

    Influences and Affiliations: A Chicago Voice

    While Lanyon’s style is undeniably singular, it wasn't formed in isolation. During her formative years in Chicago, she became associated with the city’s vibrant Imagist movement – a group of artists known for their rebellious spirit and rejection of conventional artistic norms. Though not strictly aligned with all of their tenets, she shared their interest in exploring the subconscious and challenging traditional notions of beauty. Beyond this local influence, Lanyon's work resonates with the metaphysical art of the 1910s and ‘20s – artists like Giorgio de Chirico whose paintings often featured unsettling juxtapositions of everyday objects and a palpable sense of alienation. Her meticulous technique also owes a debt to earlier masters of realism, though she always employed it in service of her own highly imaginative vision. In the 1970s, Lanyon’s move to New York brought her into contact with the feminist art collective Heresies, further broadening her intellectual and artistic horizons.

    Environmental Awakening: A Shift in Focus

    A pivotal moment in Lanyon's career came in 1976 when she received a commission from the Department of the Interior to work in the Everglades National Park. This experience proved transformative, awakening within her a profound awareness of the environmental crisis and inspiring a new direction in her art. Her paintings began to reflect a deeper engagement with flora and fauna – not merely as decorative motifs but as symbols of vulnerability and resilience. Everyday objects also took on increased significance, imbued with both domestic familiarity and a sense of impending menace. This later work is characterized by a haunting beauty, a delicate balance between the alluring and the unsettling. She began depicting objects from her collection, transforming them into potent emblems of our relationship to the natural world and the fragility of existence.

    Legacy and Significance: A Lasting Impression

    Ellen Lanyon’s art occupies a unique space within the landscape of contemporary painting. Her dreamscapes – meticulously rendered yet profoundly evocative – continue to captivate viewers with their enigmatic beauty and psychological depth. Her works are held in the permanent collections of major American museums, testament to her enduring influence and artistic merit. More than just a surrealist painter or a magical realist, Lanyon was a visionary artist who dared to explore the hidden realms of the subconscious, challenging our perceptions of reality and reminding us of the power of imagination. Her legacy lies not only in the exquisite beauty of her paintings but also in her ability to create worlds that are both deeply personal and universally resonant – worlds that invite us to question, to dream, and to see beyond the surface of things. Her art remains a powerful testament to the enduring human need for meaning and connection in an increasingly fragmented world. Lanyon’s ability to blend meticulous technique with fantastical imagery has cemented her place as a significant figure in American art history.

    Museu

    Nasher Museum of Art at Duke University

    On show in Durham, Estados Unidos da América

    Uma Convergência de Mundos: Descobrindo o Nasher Museum of Art na Duke University

    Introdução:

    O Nasher Museum of Art na Duke University não é meramente um banquete visual; é um convite à exploração intelectual. Situada em Durham, Carolina do Norte, esta instituição distingue-se ao apresentar a arte como um diálogo através do tempo e das culturas — um feito notável e raramente alcançado. Com mais de 13.000 obras de arte, que abrangem desde artefatos pré-colombianos até obras-primas contemporâneas, o museu promove conexões entre visitantes, tradições artísticas e a comunidade mais ampla da Duke University.

    Sussurros Ancestrais: O Acervo Pré-Colombiano

    Esta coleção ostenta mais de 3.300 objetos originários de civilizações que floresceram nas Américas antes da influência europeia. Maravilhe-se com cerâmicas maias primorosamente trabalhadas, adornadas com glifos que retratam a vida cotidiana — um vislumbre tocante de uma cosmologia complexa. Ao lado desses tesouros, encontram-se têxteis peruanos intrincadamente tecidos, que personificam um artesanato magistral e uma narrativa simbólica enraizada em crenças ancestrais.

    Correntes Contemporâneas: Iluminando o Cenário Artístico Atual

    A coleção contemporânea do Nasher pulsa com energia, apresentando artistas como Nina Chanel Abney, Ai Weiwei, Kerry James Marshall e muitos outros que confrontam questões sociais e políticas urgentes. Estas não são apenas peças esteticamente agradáveis; são declarações poderosas — reflexos da nossa era — projetadas para provocar uma reflexão profunda.

    Um Edifício Projetado para o Encontro

    O design arquitetônico do museu, assinado por Rafael Viñoly, é por si só um testemunho de visão artística. Concluído em 200entes, o edifício utiliza janelas amplas e luz natural para criar uma atmosfera convidativa que potencializa as experiências de contemplação. Seus espaços de galeria flexíveis garantem exposições dinâmicas, fomentando novas perspectivas a cada visita — um esforço deliberado para conectar a arte e o público de forma indissociável.

    De Inícios Humildes a um Presente Transformador

    A jornada do Nasher Museum começou em 1969 como o Duke University Museum of Art, exibindo inicialmente arte medieval da Coleção Ernest Brummer. No entanto, um momento crucial surgiu em 2005 com uma generosa doação do ex-aluno Raymond Nasher — um presente que impulsionou a construção e projetou o museu em seu papel atual como um farol cultural. Sua renomeação simbolizou a gratidão por este apoio, juntamente com um compromisso renovado com a excelência artística e o engajamento comunitário.

    Exposições recentes têm cativado o público, mergulhando em temas como a influência do vinil na arte ("The Record"), retrospectivas celebrando artistas como Barkley L. Hendricks (“Birth of the Cool”), explorações da abstração em meados do século XX e investigações sobre as dinâmicas de poder dentro da pop art indígena americana. Além disso, o museu apoia ativamente artistas emergentes — oferecendo uma plataforma para vozes que muitas vezes são negligenciadas.

    O que verdadeiramente distingue o Nasher Museum é sua síntese incomparável: a ponte entre a maestria antiga e a inovação moderna. É raro encontrar uma instituição tão apta em apresentar esses mundos em conversação — incentivando os visitantes a contemplar a arte além de fronteiras cronológicas ou limitações geográficas. Em última análise, é um lugar para experiências profundas — conectando-se com a história, o significado e o potencial transformador.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Urbino

    originaluniqueart.com/pt/art/download/ellen-lanyon-urbino-D9PHZ5-en/

    Como citar esta obra

    MLA
    lanyon, ellen. Urbino. 2010, Nasher Museum of Art at Duke University. https://originaluniqueart.com/pt/art/ellen-lanyon-urbino-D9PHZ5-en/
    APA
    lanyon, ellen (2010). Urbino [Painting]. Nasher Museum of Art at Duke University. https://originaluniqueart.com/pt/art/ellen-lanyon-urbino-D9PHZ5-en/
    Chicago
    ellen lanyon. Urbino. 2010. Nasher Museum of Art at Duke University. https://originaluniqueart.com/pt/art/ellen-lanyon-urbino-D9PHZ5-en/
    Harvard
    lanyon, ellen (2010) Urbino. Nasher Museum of Art at Duke University. Available at: https://originaluniqueart.com/pt/art/ellen-lanyon-urbino-D9PHZ5-en/

    Look closely

    Urbino — ellen lanyon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: dinosaur, surrealism, animals. Do you agree? What would you add, or take away?
    4. Look back at Pugilists (1965), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Surrealism: Dream logic painted with waking precision: impossible things shown as if they were ordinary. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Quiz de arte

    Urbino — ellen lanyon

    O quanto você conhece esta obra de arte?

    Selecione uma resposta para cada uma das 5 perguntas abaixo. Cada uma possui exatamente uma resposta correta.

    1. 1. What is the central figure depicted in the painting 'Urbino'?

      • A A cat
      • B A dinosaur
      • C A bird
    2. 2. Which accessory is the main subject wearing around its neck?

      • A A collar
      • B A ribbon
      • C A scarf
    3. 3. How many cats are present in the painting?

      • A One
      • B Two
      • C Three
    4. 4. Which of these man-made objects is specifically mentioned as being on the desk?

      • A A spoon
      • B A knife
      • C A fork
    5. 5. In what year was the artwork 'Urbino' created?

      • A 1933
      • B 1948
      • C 2010

    Minha pontuação: ____ de 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3A · 4A · 5B