Papel

Guia de Obras de Estudantes

Infanta

Nome Turma Data

Alice Pike Barney, Infanta (1887). Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Alice Pike Barney originaluniqueart.com/pt/artists/alice-pike-barney_pt/
Datas do artista
1857 – 1931
Pintura a óleo
1887
Dimensões originais
68 x 45 cm
Movimento
Symbolism Pictures where objects stand for ideas — a flower or a door meaning something beyond itself.

No contexto

Infanta — Alice Pike Barney

Qual é o tamanho?

As dimensões originais são 68 × 45 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 74 ao falecer.

Pintado quando o artista tinha 30. O artista viveu até aos 74. 2 das 115 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Alice Pike Barney (1857–1931) ▲ esta obra, 1887 cada pintura datada, década por década

Primeiras obras: até 1896 Principais anos de atividade: 1896–1910 Obras tardias: a partir de 1910

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: originaluniqueart.com/pt/art/similar/alice-pike-barney-infanta-AQUU6F-en/

Cores

Medido a partir da imagem

    Cor principal

    Phthalo Green #1f1b17

    Paleta catalogada

    • #1F1B17
    • #483927
    • #2E261D
    • #835D3C

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Monochrome A família de cores predominante na imagem.
    Nome da cor principal
    Phthalo Green
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Serene O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Alice Pike Barney nos últimos doze meses — 5 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 82,4%2.800 visits
    2. 2 Estados Unidos da América 8,8%300 visits
    3. 3 Países Baixos 2,9%100 visits
    4. 4 Singapura 2,9%100 visits
    5. 5 Turquia 2,9%100 visits

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Alice Pike Barney

    1. 1 Medusa (also known as Laura Dreyfus Barney), 1892 5,0%200 visits
    2. 2 Peasant Girl, 1900 5,0%200 visits
    3. 3 Self Portrait with Jabot, 1896 5,0%200 visits
    4. 4 The Fur Coat, 1898 5,0%200 visits
    5. 5 Head of the Artist 5,0%200 visits
    6. 6 The Fur Coat, 1898 5,0%200 visits
    7. 7 Self-Portrait in Painting Robe 5,0%200 visits
    8. 8 Allee dans le Parc, 1906 2,5%100 visits
    9. 9 Self Portrait Reflected in Mirror, 1896 2,5%100 visits
    10. 10 Laura at Sixteen, 1896 2,5%100 visits
    11. 11 The Field, 1922 2,5%100 visits
    12. 12 Endymion, 1910 2,5%100 visits
    13. 13 Vers 1903, 1903 2,5%100 visits
    14. 14 Hollywood, 1927 2,5%100 visits
    15. 15 Woman and Peacock, 1900 2,5%100 visits
    16. 16 Waterlily, 1900 2,5%100 visits
    17. 17 Japanese Lullaby, 1903 2,5%100 visits
    18. 18 Jaqueline with Fichu, 1902 2,5%100 visits
    19. 19 Ballerine, 1896 2,5%100 visits
    20. — Infanta, 1887 esta obra 0,0%0 visits

    Juntas, estas obras representam 65,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 149 obras deste artista, das quais 33 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Alice Pike Barney

    Nascido em Cincinnati, Estados Unidos

    A Defiant Bloom: The Life and Art of Alice Pike Barney

    Alice Pike Barney emerged as a beacon of artistic independence in the late 19th and early 20th centuries, a period defined by societal constraints for women. Born in Cincinnati in 1857 to Samuel Napthali Pike, a cultural patron who owned Pike’s Opera House, and Ellen Pike, she was immersed from her earliest years in an environment that fostered a deep appreciation for the arts – a privilege rarely afforded to women of her social standing at the time. This early exposure wasn't merely passive; it instilled within her a fervent desire to create, to express herself authentically, and to challenge the limitations imposed upon her by prevailing societal norms. Initially destined for a life of quiet domesticity, a heartbreaking engagement breakdown with explorer Henry Morton Stanley unexpectedly opened the door to marriage – but not to the conventional path expected of a woman of her station. Instead, she found herself wedded to Albert Clifford Barney, a union that would prove both supportive and ultimately restrictive in its own way. It was during a summer sojourn at Long Beach Hotel in 1882, however, that a transformative encounter occurred – a conversation with the legendary Oscar Wilde ignited within her a burning passion for artistic creation, fueling a determination to pursue her creative dreams despite the reservations of her husband and the prevailing prejudices of the era. This pivotal dialogue served as a catalyst, propelling her toward a life dedicated entirely to art, a bold declaration of independence against the expectations of Victorian society.

    Parisian Refinement and the Embrace of Symbolism

    Driven by this newfound artistic fervor, Alice Pike Barney embarked on a rigorous journey of formal training in Paris, immersing herself completely within the vibrant and intellectually stimulating currents of the late 19th-century art world. She sought out instruction from masters renowned for their distinctive styles – Charles Émile Auguste Carolus-Duran, a celebrated portraitist known for his rich color palettes and dynamic compositions; and James Abbott McNeill Whistler, whose profound emphasis on aestheticism and tonal harmony profoundly shaped her artistic vision. These influential mentors guided her in honing her skills, but it was the Symbolist movement that truly resonated with her soul. Symbolism, with its focus on expressing ideas and emotions through evocative imagery rather than literal representation, provided a framework for her unique artistic voice to emerge. Her early works began to reflect this synthesis of realism and symbolism – portraits imbued with an air of mystery and introspection, landscapes painted with a haunting beauty that hinted at deeper meanings. She wasn’t simply depicting what she saw; she was striving to capture the essence of experience, translating intangible emotions into tangible form. Returning to America, Barney navigated the complexities of marriage while simultaneously pursuing her artistic ambitions with unwavering determination, a testament to her resilience and commitment to her creative calling.

    A Salonnière and Patron of the Arts in Washington D.C.

    Alice Pike Barney quickly established herself as a central figure in Washington, D.C.’s burgeoning cultural scene, transforming her grand home into a vibrant salon that attracted artists, writers, political figures, and intellectuals from across the nation. This carefully cultivated gathering place fostered lively intellectual debates, collaborative artistic projects, and a spirit of open exchange – a stark contrast to the often-insular world of the wealthy elite. She actively championed the arts, becoming a powerful advocate for emerging talent and providing crucial support to artists struggling to gain recognition. Beyond her own painting, Barney demonstrated remarkable versatility, extending her creative energies into theatrical productions. She wrote, directed, and produced plays – most notably The Enchantress of Streams, a “wordless Greek idyll” that showcased her innovative approach to performance and captivated audiences with its evocative imagery and emotional depth. This commitment extended beyond artistic creation; she designed and built Studio House, an architectural masterpiece intended as a dedicated space for artists to live, work, and exhibit their creations – a bold statement of her belief in the transformative power of art. The studio became a nexus point for Washington’s cultural elite, attracting figures like former presidents Taft and Roosevelt, alongside countless other prominent individuals who recognized Barney's unique vision and influence.

    Legacy and Lasting Influence

    Alice Pike Barney’s contributions extended far beyond the realm of art; she was a vocal advocate for women’s suffrage and actively engaged in philanthropic endeavors, demonstrating her deep commitment to social progress. Her life itself became a powerful symbol of defiance – embodying independence, intellectual curiosity, and artistic expression while simultaneously navigating the complexities of marriage and motherhood. She challenged societal norms by pursuing a professional career with unwavering conviction, paving the way for future generations of female artists to break down barriers and claim their rightful place in the art world. Notable works such as In Shadow (1910) and Natalie at Seven, a tender portrait capturing childhood innocence, remain poignant examples of her artistic skill and sensitivity. Her paintings are now part of prestigious collections, including the Smithsonian American Art Museum, ensuring that her legacy endures for generations to come. Barney’s influence resonates not only through her artwork but also through her unwavering dedication to fostering creativity and challenging societal expectations. She died in Los Angeles in 1931, leaving behind a rich tapestry of artistic achievement, cultural influence, and an enduring testament to the power of pursuing one's passions with courage and conviction.

    Family and Connections

    Daughters: Alice Pike Barney was the mother of two remarkable daughters who also left their mark on history: Natalie Clifford Barney, a renowned writer and salon hostess celebrated for her literary gatherings in Paris, and Laura Clifford Barney, a Baháʼí writer and philanthropist known for compiling Some Answered Questions from interviews with ʻAbdu'l-Bahá.

    Husbands: Her first marriage to Albert Clifford Barney provided the financial stability that allowed her to pursue her artistic ambitions. After his death, she married Christian Hemmick, a relationship that ultimately ended in divorce.

    Artistic Circle: Barney’s connections extended to prominent figures like James Abbott McNeill Whistler and Oscar Wilde, both of whom profoundly influenced her artistic development and worldview.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Infanta

    originaluniqueart.com/pt/art/download/alice-pike-barney-infanta-AQUU6F-en/

    Como citar esta obra

    MLA
    Barney, Alice Pike. Infanta. 1887, https://originaluniqueart.com/pt/art/alice-pike-barney-infanta-AQUU6F-en/
    APA
    Barney, Alice Pike (1887). Infanta [Painting]. https://originaluniqueart.com/pt/art/alice-pike-barney-infanta-AQUU6F-en/
    Chicago
    Alice Pike Barney. Infanta. 1887. https://originaluniqueart.com/pt/art/alice-pike-barney-infanta-AQUU6F-en/
    Harvard
    Barney, Alice Pike (1887) Infanta. Available at: https://originaluniqueart.com/pt/art/alice-pike-barney-infanta-AQUU6F-en/

    Observe de perto

    Infanta — Alice Pike Barney

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: portrait, young girl, melancholy. Concorda? O que acrescentaria ou removeria?
    4. Relembre The Field (1922), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Symbolism: Pictures where objects stand for ideas — a flower or a door meaning something beyond itself. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    As cores de "Infanta" são vibrantes ou suaves?

    As cores de "Infanta", de Alice Pike Barney apresentam uma saturação Muted com uma intensidade Monochromatic.

    Existe uma apresentação de slides para "Infanta", de Alice Pike Barney?

    Um slideshow está disponível: a página Apresentação de imagens de "Infanta", de Alice Pike Barney.

    Quais temas aparecem em "Infanta", de Alice Pike Barney?

    Os temas presentes em "Infanta", de Alice Pike Barney incluem portrait, young girl, melancholy, victorian, symbolism, impressionism, introspection, soft light. Juntos, eles sintetizam o assunto da obra.