Retrato de Karel Emmanuel Biset

As 3 Pinturas Mais Famosas de Karel Emmanuel Biset, uma Seleção da Galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 3 obras de Karel Emmanuel Biset em nosso catálogo

Em resumo

De todas as obras originais deixadas por Karel Emmanuel Biset, a mais famosa é Portrait of a Musician (1650), da coleção do Museu Hermitage, em São Petersburgo. Logo atrás vêm The fall of the damned in hell (1670) e Trictrac Players (1679). Nosso catálogo contém 3 obras de Karel Emmanuel Biset; a galeria preservou as 3 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.

1633 – 1707, Mechelen Mais obras: Museu Hermitage

As 10 principais pinturas de Karel Emmanuel Biset: a escolha da galeria

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Portrait of a Musician (1650) de Karel Emmanuel Biset

Portrait of a Musician

1650 · Oil On Canvas · Museu Hermitage, São Petersburgo

The artwork titled Portrait of a Musician is an oil on canvas painting by the Flemish artist Karel Emmanuel Biset. This work originated in Flanders and is dated to between 1648 and 1693. The piece is currently held within the collection of the Hermitage Museum in St. Petersburg.

Os museus que guardam os originais de Karel Emmanuel Biset

Os 3 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Karel Emmanuel Biset Pinturas desta lista
Museu Hermitage, São PetersburgoMuseu Hermitage São Petersburgo 1 Portrait of a Musician
Musée des Beaux-Arts de Quimper, QuimperMusée des Beaux-Arts de Quimper Quimper 1 The fall of the damned in hell
Statens Museum For Kunst, CopenhagueStatens Museum For Kunst Copenhague 1 Trictrac Players

Karel Emmanuel Biset ano a ano: as obras originais que definem cada um

De 1650 a 1679, Karel Emmanuel Biset trabalhou durante 30 anos: a seleção acompanha essa longa carreira ano a ano, através das suas mais belas obras originais.

Obras por ano

Escolha um ano para ver as obras originais.

Perguntas de colecionadores sobre as pinturas de Karel Emmanuel Biset

Por qual obra Karel Emmanuel Biset é mais conhecido(a)?Revelar a resposta

Portrait of a Musician (1650), Museu Hermitage, São Petersburgo. The fall of the damned in hell (1670) e Trictrac Players (1679) vêm a seguir.

Qual era a idade de Karel Emmanuel Biset quando Portrait of a Musician foi feita?Revelar a resposta

17 anos: Portrait of a Musician data de 1650, e Karel Emmanuel Biset nasceu em 1633.

Quantas pinturas Karel Emmanuel Biset deixou?Revelar a resposta

Nosso catálogo contém 3 obras de Karel Emmanuel Biset, datadas de 1650 a 1679.

Em quais museus estão expostas as obras-primas de Karel Emmanuel Biset?Revelar a resposta

Principalmente em Museu Hermitage (São Petersburgo), Musée des Beaux-Arts de Quimper (Quimper) e Statens Museum For Kunst (Copenhague). A tabela de museus acima lista todos eles.

Quais são as primeiras e as últimas obras originais famosas de Karel Emmanuel Biset?Revelar a resposta

Nesta página, a mais antiga é Portrait of a Musician (1650) e a mais recente é Trictrac Players (1679).

Karel Emmanuel Biset: vida e obra

The Life and Career of Karel Emmanuel Biset

Born in Mechelen, Belgium, Karel Emmanuel Biset was a versatile Flemish painter whose career spanned several major cities. Following his training, likely under his father, Joris Biset, he worked in Mechelen before moving to Paris, where he is presumed to have worked for the court. His professional journey continued through Brussels and Antwerp, where he became a master in the Guild of Saint Luke in 1662. During his time in Antwerp, he served as a lieutenant in the local civil militia and held the position of dean of the guild and director of the academy. His later years saw him settling in Breda, where he remained until his death.

Artistic Range and Collaborations

Biset was a highly diverse artist, producing works across many genres including:

In the tradition of Antwerp, Biset frequently collaborated with other specialists. He worked alongside landscape painters such as Philips Augustijn Immenraet and Cornelis Huysmans, and the architecture painter Wilhelm Schubert van Ehrenberg. His works were highly regarded in his time, earning him recognition in the biographies of Cornelis de Bie and Jacob Campo Weyerman.