Retrato de Jeremiah Theus

Pinturas de Jeremiah Theus: As 28 mais famosas, sob o olhar de uma galeria

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 29 obras de Jeremiah Theus em nosso catálogo

Em resumo

Aos olhos da galeria, a pintura mais famosa de Jeremiah Theus é Captain William Richardson (1743-1786) (1757), cuja obra original está exposta no Yale University Art Gallery, em New Haven. William Wragg (1750) e Portrait of Amarinthia Elliott (1748) completam o trio que todos reconhecem. Dos 29 trabalhos de Jeremiah Theus em nosso catálogo, a galeria apresenta abaixo as 28 obras mais famosas, cada uma original, com seu ano, seu museu e o que a torna única.

1716 – 1774, Coira Rococo Mais obras: Metropolitan Museum of Art

As 10 principais pinturas de Jeremiah Theus na galeria

1
Captain William Richardson (1743-1786) (1757) de Jeremiah Theus

Captain William Richardson (1743-1786)

1757 · Oil On Canvas · Yale University Art Gallery, New Haven

A formal 18th-century portrait of a young man, presented within an oval vignette against a dark, monochromatic background. Captain William Richardson is depicted from the waist up, positioned at a slight angle while looking toward the viewer. The composition relies on a restrained color palette, dominated by the creamy white of his waistcoat and jacket, which contrasts sharply against a deep blue trim. This trim features intricate silver or gold…

2
William Wragg (1750) de Jeremiah Theus

William Wragg

1750 · Watercolor · Detroit Institute of Arts, Detroit

In this intimate portrait of William Wragg, the sitter meets our gaze from a time long passed. Painted around 1750, the work captures a man of status through a refined, oval-shaped bust-length composition. He sits slightly off-center, his body turned toward the right while his eyes remain fixed forward, creating a sense of quiet presence. The subject wears a cool lavender-grey frock coat that contrasts against the warm, shimmering gold…

3
Portrait of Amarinthia Elliott (1748) de Jeremiah Theus

Portrait of Amarinthia Elliott

1748 · Painting · Detroit Institute of Arts, Detroit

Portrait of Amarinthia Elliott, painted by Jeremiah Theus in 1748, captures a young woman in a formal, medium close-up composition. The subject is positioned slightly off-center, holding a small sprig of blue flowers against a muted, atmospheric background. This work originates from the mid-18th century, a period when Theus was establishing his presence within the colonial social hierarchy.

4
Mrs. Thomas Lynch (Elizabeh Allston Lynch) (1755) de Jeremiah Theus

Mrs. Thomas Lynch (Elizabeh Allston Lynch)

1755 · Oil On Canvas

In this oil on canvas portrait, we encounter Mrs. Thomas Lynch (Elizabeth Allston Lynch), a figure captured by the Swiss-American painter Jeremiah Theus. Created in 1755, the work offers a direct look at a woman of the colonial era. Theus, who established himself in Charleston, South Carolina, brought a refined sensibility to his depictions of the local elite. This specific piece reflects the quiet dignity of his portraiture from that…

5
Mrs. Peter Manigault (1757) de Jeremiah Theus

Mrs. Peter Manigault

1757 · Oil On Canvas

In this 1757 portrait, we encounter Elizabeth Wragg Manigault, a woman whose presence defines the social hierarchy of colonial South Carolina. She is captured in a full-length vertical composition, her figure positioned with a poised, slight offset that suggests both grace and a quiet, commanding authority. The light, descending from the upper left, catches the luminous sheen of her white and silver satin gown, creating a play of light and…

6
Portrait of John Faucheraud Grimké (1762) de Jeremiah Theus

Portrait of John Faucheraud Grimké

1762 · Oil · John and Mable Ringling Museum of Art, Sarasota

The mid-18th century in Charleston was a time of burgeoning commercial and social complexity. Theus arrived in the colony from Switzerland, contributing to a growing artistic community that sought to mirror European sophistication. His work provides a visual record of the individuals who shaped the social fabric of South Carolina. This portrait remains a specific window into the life of a man who navigated the legal and political intricacies of…

7
Portrait of Mrs. John Champneys (Anne Livingston, born 1746) (1763) de Jeremiah Theus

Portrait of Mrs. John Champneys (Anne Livingston, born 1746)

1763 · Oil On Canvas · Museum of Fine Arts, Houston

In this 1763 oil portrait, we encounter Mrs. John Champneys, known to history as Anne Livingston, captured in a moment of quiet contemplation. She is presented in a three-quarter view, her form emerging from a deep, atmospheric brown background that lends a sense of weight and presence to her figure. The lighting, descending softly from the upper left, traces the contours of her face and neck, creating a gentle play…

8
Mrs. Lionel Chalmers (Martha Logan) (1756) de Jeremiah Theus

Mrs. Lionel Chalmers (Martha Logan)

1756 · Oil On Canvas · Museu de Belas Artes de Boston, Boston

Jeremiah Theus presents Mrs. Lionel Chalmers (Martha Logan) within a formal oval composition. The arrangement focuses on the subject's head and upper torso, utilizing a straight-on, medium close-up perspective to establish a sense of intimacy. The single female figure is captured with a calm, dignified expression, projecting an air of poise and social standing. This portrait, executed about 1756, centers the viewer's attention on the sitter's steady gaze and composed…

9
Dr. Lionel Chalmers (1756) de Jeremiah Theus

Dr. Lionel Chalmers

1756 · Oil On Canvas · Museu de Belas Artes de Boston, Boston

The gaze of Dr. Lionel Chalmers meets the viewer from across the centuries, preserved within this 1756 oil portrait. Jeremiah Theus, a Swiss-born American painter, captures the man in a moment of quiet, professional dignity. The subject sits with a composed presence, his features rendered with a clarity that suggests a life of intellect and social standing. Every line of his expression seems to hold a silent story of the…

10
Mrs. Samuel Carne (1740-1805) (1765) de Jeremiah Theus

Mrs. Samuel Carne (1740-1805)

1765 · Oil On Canvas · New York Historical Society, Nova York

The sitter gazes out from an oval frame, her presence steady and quiet against a dark, muted background. She is a woman of the mid-eighteenth century, captured in a moment of formal repose. Her attire speaks of a specific social standing, defined by the delicate translucency of a lace collar that rests against her neck. A dark choker encircles her throat, drawing the eye upward toward the soft features of…

Pinturas de Jeremiah Theus, classificadas de 11 a 28

Os temas que cativaram o olhar de Jeremiah Theus

Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.

Os museus que guardam os originais de Jeremiah Theus

Os 8 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Jeremiah Theus Pinturas desta lista
Metropolitan Museum of Art, Nova YorkMetropolitan Museum of Art Nova York 4 Mrs. Jacob Motte (Rebecca Brewton), Mrs. John Dart, Gabriel Manigault
National Gallery of Art, WashingtonNational Gallery of Art Washington 3 James Cuthbert (?), Mr. Motte, Mrs. Cuthbert
Gibbes Museum of Art, CharlestonGibbes Museum of Art Charleston 3 Benjamin Smith, Colonel Barnard Elliott Jr., Mrs. Barnard Elliott, Jr. (Mary Elizabeth Bellinger Elliott)
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 2 William Wragg, Portrait of Amarinthia Elliott
Museu de Belas Artes de Boston, BostonMuseu de Belas Artes de Boston Boston 2 Mrs. Lionel Chalmers (Martha Logan), Dr. Lionel Chalmers
New York Historical Society, Nova YorkNew York Historical Society Nova York 2 Mrs. Samuel Carne (1740-1805), Samuel Carne, MD (1725-1780)
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Captain William Richardson (1743-1786)
John and Mable Ringling Museum of Art, SarasotaJohn and Mable Ringling Museum of Art Sarasota 1 Portrait of John Faucheraud Grimké

Jeremiah Theus, uma pintura emblemática por década

Obras por década

Escolha uma década para ver a obra original que a define.

Pinturas de Jeremiah Theus: a galeria responde

Qual pintura de Jeremiah Theus é a mais famosa de todas?Revelar a resposta

Captain William Richardson (1743-1786) (1757), Yale University Art Gallery, New Haven. William Wragg (1750) e Portrait of Amarinthia Elliott (1748) vêm a seguir.

Qual era a idade de Jeremiah Theus ao concluir Captain William Richardson (1743-1786)?Revelar a resposta

41 anos: Captain William Richardson (1743-1786) data de 1757, e Jeremiah Theus nasceu em 1716.

Quais são as 10 principais pinturas de Jeremiah Theus?Revelar a resposta

Captain William Richardson (1743-1786), William Wragg, Portrait of Amarinthia Elliott, Mrs. Thomas Lynch (Elizabeh Allston Lynch), Mrs. Peter Manigault, Portrait of John Faucheraud Grimké, Portrait of Mrs. John Champneys (Anne Livingston, born 1746), Mrs. Lionel Chalmers (Martha Logan), Dr. Lionel Chalmers e Mrs. Samuel Carne (1740-1805). O ranking acima apresenta o ano e o museu de cada uma.

Quantas obras Jeremiah Theus criou?Revelar a resposta

Nosso catálogo contém 29 obras de Jeremiah Theus, datadas de 1748 a 1772.

Onde estão expostos os originais mais famosos de Jeremiah Theus?Revelar a resposta

Principalmente em Metropolitan Museum of Art (Nova York), National Gallery of Art (Washington) e Gibbes Museum of Art (Charleston). A tabela de museus acima lista todos eles.

Quando é que Jeremiah Theus criou as suas pinturas mais famosas?Revelar a resposta

Em 1760s: 13 das 28 obras nesta página foram feitas então, sendo Portrait of John Faucheraud Grimké delas.

Quais são as obras mais famosas de Jeremiah Theus no início e no fim de sua carreira?Revelar a resposta

Nesta página, a mais antiga é Portrait of Amarinthia Elliott (1748) e a mais recente é Mrs. John Dart (1772).

Quais temas Jeremiah Theus mais explorou?Revelar a resposta

Woman (8), Man (7) e 18th century (4), entre as 28 obras nesta página.

Em qual técnica Jeremiah Theus mais trabalhou?Revelar a resposta

Oil On Canvas, para 16 das 28 obras nesta página.

Com qual movimento Jeremiah Theus está associado(a)?Revelar a resposta

Rococo, a julgar pelos originais nesta página.

Quais obras originais de Jeremiah Theus o Metropolitan Museum of Art possui?Revelar a resposta

Mrs. Jacob Motte (Rebecca Brewton), Mrs. John Dart e Gabriel Manigault: o Metropolitan Museum of Art, Nova York detém 4 das obras desta página.

Jeremiah Theus: o artista

Jeremiah Theus: A Charleston Portraitist

Jeremiah Theus (1716-1774) stands as a pivotal figure in the nascent artistic landscape of colonial South Carolina, recognized primarily for his masterful portraits that captured the spirit and social hierarchy of the era. Born in Chur, Switzerland—a region steeped in Huguenot heritage—Theus’s journey to America exemplifies the broader movement of European Protestants seeking refuge from religious persecution, driven by promises of land grants and governmental support. His arrival in Orangeburgh Township, Carolina, marked the beginning of a prolific career characterized by unwavering dedication to his craft and an astute understanding of prevailing artistic trends.
  • Early Life and Training: Little is known definitively about Theus’s formative years beyond his Swiss birth and familial origins. However, circumstantial evidence suggests he received some artistic instruction prior to emigrating—a necessity given the limited opportunities for formal art education in colonial Charleston. His father, Simeon Walser Theüs, was a successful merchant who instilled in Jeremiah a pragmatic worldview alongside an appreciation for cultural refinement.
  • Charleston and Artistic Practice: By 1740, Theus established himself as Charleston’s foremost portrait painter, capitalizing on the burgeoning prosperity of the colony. Recognizing the importance of visibility within the community, he advertised his services extensively in local publications—a shrewd tactic that ensured a steady stream of commissions.
  • Style and Technique: Theus distinguished himself through a distinctive artistic style rooted in Rococo aesthetics—characterized by delicate brushwork, pastel hues, and an emphasis on idealized beauty. He meticulously studied English mezzotints produced by artists like Francis Cotes, adapting their compositional conventions to suit the Charleston clientele.
  • Notable Commissions: Among Theus’s most celebrated works are portraits of prominent Charleston families—including the Elliott clan and Peter Manigault—demonstrating his ability to capture both physical likenesses and psychological nuances. His meticulous attention to detail—evident in depictions of clothing, jewelry, and poses—reflects a deep understanding of social etiquette and artistic convention.
  • Legacy: Jeremiah Theus’s influence extended beyond Charleston's artistic circles; he became a symbol of colonial ambition and cultural aspiration. His portraits serve as invaluable documents of the period, offering insights into the lives and tastes of South Carolina’s elite. Despite facing challenges from rival artists like John Wollaston and Henry Benbridge, Theus maintained his reputation for excellence—a testament to his unwavering commitment to artistic integrity.
Further Research: Middleton, Margaret Simons. *Jeremiah Theus: Colonial Artist of Charles Town.* Columbia: University of South Carolina Press, 1953.