Em resumo
De todas as obras originais deixadas por Jean Vignaud, a mais famosa é Death of Eustache Lesueur among the Carthusians (1812), da coleção do Musée des Beaux-Arts et d'Archéologie, em Besançon. Logo atrás vêm Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus (1819) e Abelard and Heloise Surprised by the Abbot Fulbert (1819). Nosso catálogo contém 4 obras de Jean Vignaud; a galeria preservou as 4 que o mundo mais admira, cada uma exibida com sua data, seu museu e sua história.
As 10 principais pinturas de Jean Vignaud: a escolha da galeria
Os museus que guardam os originais de Jean Vignaud
Os 4 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Jean Vignaud | Pinturas desta lista |
|---|---|---|---|
| Besançon | 1 | Death of Eustache Lesueur among the Carthusians | |
| Paris | 1 | Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus | |
| Omaha | 1 | Abelard and Heloise Surprised by the Abbot Fulbert | |
| Nîmes | 1 | The Abbot Bonhomme (1759-1844) |
Jean Vignaud ano a ano: as obras originais que definem cada um
Em pouco mais de uma década, de 1812 a 1821, o mundo recebeu cada obra original de Jean Vignaud nesta seleção: aqui está, ano a ano.
Obras por ano
Escolha um ano para ver as obras originais.
Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus
Mais de 1819
Perguntas de colecionadores sobre as pinturas de Jean Vignaud
Por qual obra Jean Vignaud é mais conhecido(a)?Revelar a resposta
Death of Eustache Lesueur among the Carthusians (1812), Musée des Beaux-Arts et d'Archéologie, Besançon. Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus (1819) e Abelard and Heloise Surprised by the Abbot Fulbert (1819) vêm a seguir.
Qual era a idade de Jean Vignaud quando Death of Eustache Lesueur among the Carthusians foi feita?Revelar a resposta
38 anos: Death of Eustache Lesueur among the Carthusians data de 1812, e Jean Vignaud nasceu em 1774.
Quantas pinturas Jean Vignaud deixou?Revelar a resposta
Nosso catálogo contém 4 obras de Jean Vignaud, datadas de 1812 a 1821.
Em quais museus estão expostas as obras-primas de Jean Vignaud?Revelar a resposta
Principalmente em Musée des Beaux-Arts et d'Archéologie (Besançon), Petit Palais (Paris) e Joslyn Art Museum (Omaha). A tabela de museus acima lista todos eles.
Em que anos Jean Vignaud pintou as suas obras mais famosas?Revelar a resposta
Em 1819: 2 das 4 obras nesta página foram feitas então, sendo Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus delas.
Quais são as primeiras e as últimas obras originais famosas de Jean Vignaud?Revelar a resposta
Nesta página, a mais antiga é Death of Eustache Lesueur among the Carthusians (1812) e a mais recente é The Abbot Bonhomme (1759-1844) (1821).
Jean Vignaud: vida e obra
The Life and Career of Jean Vignaud
Born in Beaucaire, France, Jean Vignaud was the son of a tailor. Rather than following his father's trade, he dedicated himself to the passion of painting. After beginning his journey as a self-taught artist, he served as a drawing teacher at the École Centrale de Nîmes. In 1796, he moved to Paris, where he worked for a engraver, using his leisure time to copy old masters in the Louvre and modern masters in the Luxembourg. His growing talent led to financial support from the Dutchman Wander Wold and eventually brought him into the studio of Jacques-Louis David. Supported by the Prefect of Police Dubois, who provided him with a studio and portrait commissions, Vignaud became a recognized figure at the Salon between 1806 and 1824.
Artistic Legacy and Notable Works
Vignaud was a history painter and portraitist whose works were frequently acquired by the State for museums and churches. His notable achievements include receiving a gold medal for La Mort de Lesueur chez les Chartreux, which is held at the Palace of Versailles. Other significant works include:
In 1820, he returned to Nîmes to serve as the first director of the newly opened school of drawing. He was also a collector of paintings, a collection that was acquired by the city of Nîmes in 1827 to enrich the newly founded Musée des Beaux-Arts.
