Em resumo
The Virgin of the Assumption with St Thomas Receiving the Girdle (1360) é a pintura de Bartolommeo Bulgarini que mais atrai olhares; a obra original pertence ao Pinacoteca Nazionale, Siena. Depois disso, o olhar recai sobre Calvary e Madonna of Humility. Entre as 7 obras de Bartolommeo Bulgarini em nosso catálogo, estas 7 são as mais famosas, cada uma uma original única apresentada com o seu ano, o seu museu e a razão pela qual perdura.
As 10 principais pinturas de Bartolommeo Bulgarini, sob o olhar da galeria
Os temas que cativaram o olhar de Bartolommeo Bulgarini
Os quatro temas que mais se repetem nestas obras originais, cada um com o seu melhor exemplo.
Os museus que guardam os originais de Bartolommeo Bulgarini
Os 2 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Bartolommeo Bulgarini | Pinturas desta lista |
|---|---|---|---|
| Siena | 1 | The Virgin of the Assumption with St Thomas Receiving the Girdle | |
| Amsterdã | 1 | Madonna of Humility |
Bartolommeo Bulgarini ao longo dos anos: os originais únicos de cada um
Todas as obras originais de Bartolommeo Bulgarini datadas aqui pertencem a um único ano, 1360: elas aparecem em ordem de fama.
Obras por ano
Escolha um ano para ver as obras originais.
Pinturas de Bartolommeo Bulgarini: perguntas para a galeria
Qual é a obra mais famosa de Bartolommeo Bulgarini?Revelar a resposta
The Virgin of the Assumption with St Thomas Receiving the Girdle (1360), Pinacoteca Nazionale, Siena. Calvary e Madonna of Humility vêm a seguir.
Com que idade Bartolommeo Bulgarini criou The Virgin of the Assumption with St Thomas Receiving the Girdle?Revelar a resposta
55 anos: The Virgin of the Assumption with St Thomas Receiving the Girdle data de 1360, e Bartolommeo Bulgarini nasceu em 1305.
Quantas obras de Bartolommeo Bulgarini são conhecidas?Revelar a resposta
Nosso catálogo contém 7 obras de Bartolommeo Bulgarini.
Onde se pode ver os originais mais famosos de Bartolommeo Bulgarini?Revelar a resposta
Principalmente em Pinacoteca Nazionale (Siena) e Rijksmuseum (Amsterdã). A tabela de museus acima lista todos eles.
Quais temas Bartolommeo Bulgarini preferia?Revelar a resposta
Virgin mary (3) e Children (2), entre as 7 obras nesta página.
Bartolommeo Bulgarini: um retrato do artista
The Sienese Master of Light and Line
Bartolommeo Bulgarini, known variously as Bulgarino or Bologhini, emerged from the vibrant artistic ferment of fourteenth-century Siena to become one of the most profound voices of the Trecento. Born around 1300, his life was inextricably linked to the golden age of Sienese painting, a period defined by a unique tension between the celestial and the terrestrial. His formative years were shaped by the rigorous training of an apprenticeship under the legendary Pietro Lorenzetti, a connection that would anchor his style in the prestigious lineage of Sienese masters. Unlike many of his contemporaries who sought fame in distant courts, Bulgarini remained deeply rooted in his home city, dedicating his life to the altarpieces and devotional panels that would grace the chapels and cathedrals of Siena, weaving his personal legacy into the very fabric of the city's religious identity.A Synthesis of Tradition and Innovation
The true brilliance of Bulgarini lies in his ability to act as a bridge between two worlds. He possessed a rare, intuitive grasp of how to marry the ancient, ethereal majesty of Byzantine iconography with the burgeoning humanism and spatial curiosity emerging from Florence. His technique was characterized by a meticulous attention to detail and a luminous use of color that seemed to radiate from within the gold-grounded panels. Through the careful application of tempera, he achieved a sense of weight and presence in his figures that moved beyond mere symbolism toward a more tangible reality. In his mature works, one observes a deliberate consideration for spatial depth and a sophisticated interplay of light. This stylistic evolution is perhaps most evident in his ability to balance:- The Byzantine influence, which provided the sacred, unmoving grandeur of the divine.
- The Florentine innovation, which introduced a nascent naturalism and anatomical grace.
- A luminous palette that utilized gold and rich pigments to evoke a sense of heavenly splendor.





