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8 najsłynniejszych obrazów artysty William Henry Davis – wybór z galerii
Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 8 dzieł William Henry Davis w naszym katalogu
W skrócie
Spośród wszystkich oryginałów pozostawionych przez William Henry Davis, najsłynniejszym jest Prize Bull (1855), znajdujący się w kolekcji Attingham Park. Tuż za nimi znajdują się Hereford Cow (1852) oraz Hereford Cow (1852). Nasz katalog zawiera 8 dzieł autorstwa William Henry Davis; galeria zachowała 8 najbardziej podziwianych na świecie prac, z których każda została przedstawiona wraz z datą powstania, informacją o muzeum oraz jej historią.
1786 – 1849
Najwięcej dzieł: Attingham Park
10 najlepszych obrazów artysty William Henry Davis: wybór galerii
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Muzea przechowujące oryginały William Henry Davis
Muzeum, w którym znajduje się najwięcej obrazów prezentowanych na tej stronie.
| Muzea | Miasto | Dzieła artysty William Henry Davis | Obrazy z tej listy |
|---|---|---|---|
 Attingham Park |
8 | Prize Bull, Hereford Cow, Hereford Cow |
Pytania kolekcjonerów o obrazy William Henry Davis
Z jakiego dzieła najbardziej znany jest William Henry Davis?Odkryj odpowiedź
Prize Bull (1855), Attingham Park. Następne są Hereford Cow (1852) oraz Hereford Cow (1852).
Ile obrazów pozostawił po sobie William Henry Davis?Odkryj odpowiedź
Nasz katalog zawiera 8 dzieł autorstwa William Henry Davis.
W których muzeach znajdują się arcydzieła William Henry Davis?Odkryj odpowiedź
W większości znajdują się w Attingham Park. Powyższa tabela muzeów zawiera ich pełną listę.
Które dzieła William Henry Davis znajdują się w Attingham Park?Odkryj odpowiedź
Prize Bull, Hereford Cow i Hereford Cow: Attingham Park posiada 8 dzieł widocznych na tej stronie.
William Henry Davis: życie i twórczość
Early Life, Family and Training
William Henry Davis was born in Watford, Hertfordshire. His family lived in a world closely tied to the traditions of the hunt and the land. In 1789, his father took up the role of huntsman to King George III. This connection to the sporting life ran through the household, as his brother Charles Davis became an artist and the Master of the Royal Buckhounds. Another brother, Richard Barrett Davis, also followed a path in painting, focusing on landscapes and animals.
The training of William Henry Davis took him far from the English countryside to Rome, where he studied the art of landscape painting. This time spent abroad shaped how he would later observe the natural world. He eventually settled in Chelsea, where he spent much of his working life. His early years and the influence of his brothers suggest a life spent observing the specific details of animals and the terrain they inhabit.
Patrons, Workshop and Commissions
Davis found a steady place within the circles of the British elite, securing positions that required a precise hand for animal subjects. In 1837, he was appointed animal painter to William IV, and by 1839, he held the same title for Queen Victoria. These roles reflected a career built on the specific demands of those who owned and bred livestock and horses. He moved between the study of landscape and the more structured requirements of portraiture, often focusing on the physical presence of animals in a setting.
Much of his work came from commissions to record specific animals. He spent significant time capturing the likenesses of horses and livestock, often working from life to satisfy the needs of his patrons. His connection to the Berwick family is seen in the many portraits he produced for them. These works, which include several studies of Hereford cattle, remain tied to the history of the estate at Attingham Park in Shropshire.
- Hereford Cow (1852)
Where to See the Works Today
His paintings are held in various collections across the United Kingdom, often tucked away in the quiet corners of country estates and museums. At Calke Abbey, one can find his 1831 oil on canvas, A Grey Shorthorn Cow. The work sits there in the United Kingdom, a quiet study of livestock. In Shropshire, the Berwick Collection at Attingham Park holds his Hereford Cow, which was painted in 1852. This piece is part of a larger set of sixteen portraits of cattle reared at Cronkhill by Richard Noel-Hill.
Other works have found their way into specialized collections. The Museum of Lincolnshire Life keeps Prize Sheep, while the Royal Agricultural University Collection holds Five Leicester Sheep. There are also depictions of Three South Down sheep held within a collection, showing the breadth of his focus on the animals that defined the era's agricultural life.