Portret Henry Raeburn

100 najsłynniejszych obrazów artysty Henry Raeburn – wybór z galerii

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W skrócie

Spośród wszystkich dzieł oryginalnych, które pozostawił Henry Raeburn, najsłynniejszym jest Reverend Dr Robert Walker (1755–1808) na lodzie na Duddingston Loch (1795), znajdujący się w kolekcji Scottish National Gallery w Edynburg. Tuż za nimi znajdują się Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814) (1810) oraz Young Girl Holding Flowers (1798). Nasz katalog zawiera 360 dzieł autorstwa Henry Raeburn; galeria zachowała 100 najbardziej podziwianych na świecie prac, z których każda została przedstawiona wraz z datą powstania, informacją o muzeum oraz jej historią.

1756 – 1823, Stockbridge Scottish neoclassicism Najwięcej dzieł: Scottish National Portrait Gallery

10 najlepszych obrazów artysty Henry Raeburn: wybór galerii

1
Reverend Dr Robert Walker (1755–1808) na lodzie na Duddingston Loch (1795) autorstwa Henry Raeburn

Reverend Dr Robert Walker (1755–1808) na lodzie na Duddingston Loch

1795 · Obraz olejny na płótnie · Scottish National Gallery, Edynburg

Powietrze wydaje się ostre i mroźne, gdy samotna postać sunie przez zamarzniętą przestrzeń Duddingston Loch. Jest to człowiek o wysokiej randze, ubrany w ciężki, czarny płaszcz i cylindr, a jednak porusza się z lekkością, która przeczy jego formalnemu strojowi. Jedna noga jest uniesiona, zastygła w delikatnej równowadze, podczas gdy dłonie sięgają w dół, by chwycić stopę, co pozwala uchwycić ulotną chwilę radosnej zabawy pośród zimowego chłodu. Za nim krajobraz rozciąga…

2
Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814) (1810) autorstwa Henry Raeburn

Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814)

1810 · Oil On Canvas · Scottish National Gallery, Edynburg

To gaze upon this portrait of Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse, is to step directly into the refined atmosphere of the early nineteenth century. Rendered with an exquisite mastery that speaks to the height of Neoclassicism, the painting captures more than just a likeness; it encapsulates an entire era's idealization of feminine dignity and quiet grandeur. The subject is presented in a pose of effortless elegance, seated…

3
Young Girl Holding Flowers (1798) autorstwa Henry Raeburn

Young Girl Holding Flowers

1798 · Oil On Canvas · Luwr, Paryż

Henry Raeburn's "Young Girl Holding Flowers," painted in 1798 and currently residing within the hallowed halls of the Musée du Louvre, is more than just a charming pastoral scene; it’s a profound meditation on youth, beauty, and the fleeting joys of nature. This exquisite oil-on-canvas work captures a young girl, seemingly lost in contemplation as she cradles a vibrant bouquet of wildflowers. Raeburn's masterful technique—characterized by soft, luminous colors and…

4
Henry Mackenzie (1810) autorstwa Henry Raeburn

Henry Mackenzie

1810 · Oil On Canvas

To stand before this portrait is to encounter not merely a likeness, but a carefully curated moment of intellectual gravity. Painted by the master of Scottish realism, Henry Raeburn in 1810, this work captures Henry Mackenzie with an arresting dignity that seems to transcend the passage of time. The composition itself speaks volumes; while the subject occupies a central space, his slight off-centering lends a subtle dynamism, preventing the formality…

5
Professor Dugald Stewart (1753–1828), Philosopher (1810) autorstwa Henry Raeburn

Professor Dugald Stewart (1753–1828), Philosopher

1810 · Oil On Canvas · Scottish National Portrait Gallery, Edynburg

To stand before Henry Raeburn’s portrait of Professor Dugald Stewart is to encounter not merely a likeness, but an embodiment of Enlightenment intellect. Painted in 1810, this work transcends simple portraiture; it is a carefully constructed meditation on genius itself. The subject, Professor Dugald Stewart, is presented in a three-quarter view that immediately draws the viewer into a direct, compelling dialogue. Raeburn masterfully isolates him against a background so deep…

6
Pringle Fraser (1804) autorstwa Henry Raeburn

Pringle Fraser

1804 · Oil On Canvas · Tate Gallery, Londyn

To stand before this portrait of Pringle Fraser is to encounter not merely a likeness, but a carefully constructed moment of contemplation. Painted around 1804, this work captures the essence of early nineteenth-century masculine dignity. The subject commands attention through his direct, almost challenging gaze. He is presented in attire that speaks of respectable standing—the crisp white shirt contrasting sharply with the somber black vest and tie. This deliberate contrast…

7
Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge (1814) autorstwa Henry Raeburn

Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge

1814 · Oil On Canvas · Scottish National Portrait Gallery, Edynburg

To stand before Henry Raeburn’s portrait of Allan Maconochie is to encounter not merely a likeness, but a carefully curated study in character and societal standing. Painted in 1814, this work transcends simple portraiture; it is a document of early nineteenth-century British gentry, imbued with the quiet weight of authority. Raeburn, the master chronicler of Scottish life elevated to national prominence, captures Maconochie—the 1st Lord Meadowbank and Judge—with an unflinching…

8
John Balmanno, MD, President, FPSG (1800–1802, 1806–1808, 1818–1820 1826–1828) (1820) autorstwa Henry Raeburn

John Balmanno, MD, President, FPSG (1800–1802, 1806–1808, 1818–1820 1826–1828)

1820 · Oil On Canvas · Nhs Greater Glasgow And Clyde, Glasgow

This captivating portrait captures John Balmanno, MD, in a moment of considered repose. The sitter is presented with an air of profound accomplishment and quiet authority, hallmarks of the distinguished professional of the early nineteenth century. Dressed in the sober elegance expected of a man of his standing—a tailored suit and tie speak to a life navigated within academic and civic circles—he occupies a space that feels both intimate and…

9
George Malcolm (1790) autorstwa Henry Raeburn

George Malcolm

1790 · Oil On Canvas · Courtauld Gallery, Londyn

To stand before this portrait of George Malcolm is to step directly into the refined drawing rooms of the late eighteenth century. Painted around 1790, this oil on canvas captures more than just a likeness; it arrests a moment of profound contemplation. The subject, depicted as a gentleman in his prime with distinguished white hair, meets the viewer's gaze with an intensity that is both direct and deeply thoughtful. His…

10
John James Audubon (1785–1851) autorstwa Henry Raeburn

John James Audubon (1785–1851)

Oil On Canvas · Temple Newsam House, Leeds

This meticulously rendered portrait of John James Audubon, executed in shades of gray, black, and white, offers a profound glimpse into the mind and character of one of history’s most celebrated ornithologists. Attributed to the masterful hand of Sir Henry Raeburn, a Scottish painter renowned for his realism and ability to capture the essence of his subjects, this artwork transcends a simple likeness; it's an embodiment of dedication, intellect, and…

Kontynuacja zestawienia Henry Raeburn, od 11 do 100

11Portrait of Catherine Vorontsova (1810) autorstwa Henry RaeburnPortrait of Catherine Vorontsova1810 · Państwowe Muzeum Sztuki Dawnej im. A.S. Puškina 12Daniel Stewart (1741–1814) (1812) autorstwa Henry RaeburnDaniel Stewart (1741–1814)1812 · The Merchant's Hall 13Mrs. Anne Hart (1810) autorstwa Henry RaeburnMrs. Anne Hart1810 · Berlińskie Muzea Państwowe 14Charles Gordon of Buthlaw, Lonmay and Cairness (1747–1797) (1790) autorstwa Henry RaeburnCharles Gordon of Buthlaw, Lonmay and Cairness (1747–1797)1790 · The National Trust For Scotland 15William Law of Elvinston (1714-1806) (1795) autorstwa Henry RaeburnWilliam Law of Elvinston (1714-1806)1795 · Kunsthistorisches Museum 16A Young Lady (1795) autorstwa Henry RaeburnA Young Lady1795 · Tate Gallery 17Mrs Downey (1787) autorstwa Henry RaeburnMrs Downey1787 · Tate Gallery 18Rear-Admiral Charles Inglis (1783) autorstwa Henry RaeburnRear-Admiral Charles Inglis1783 · National Gallery of Scotland 19Mrs H.W. Lauzun (1796) autorstwa Henry RaeburnMrs H.W. Lauzun1796 · Tate Gallery 20Adam Rolland of Gask II (1800) autorstwa Henry RaeburnAdam Rolland of Gask II1800 · Art Institute of Chicago 21Robert Cunninghame Graham of Gartmore, d. 1797. Poet and politician (1794) autorstwa Henry RaeburnRobert Cunninghame Graham of Gartmore, d. 1797. Poet and politician1794 · Scottish National Portrait Gallery 22Lady Montgomery, née Helen Graham, d. 1828. (1818) autorstwa Henry RaeburnLady Montgomery, née Helen Graham, d. 1828.1818 · Scottish National Portrait Gallery 23Ann Fraser, Mrs. Alexander Fraser Tytler (1802) autorstwa Henry RaeburnAnn Fraser, Mrs. Alexander Fraser Tytler1802 · Brooklyn Museum 24Sir Walter Scott (1822) autorstwa Henry RaeburnSir Walter Scott1822 · National Gallery of Scotland 25Mrs John Campbell of Kilberry (1802) autorstwa Henry RaeburnMrs John Campbell of Kilberry1802 · Bawarskie Państwowe Zbiory Malarstwa 26Lady Dalrymple autorstwa Henry RaeburnLady DalrympleTate Gallery 27Professor James Gregory (1753–1821) (1798) autorstwa Henry RaeburnProfessor James Gregory (1753–1821)1798 · The National Trust For Scotland 28William Glendonwyn (1800) autorstwa Henry RaeburnWilliam Glendonwyn1800 · Fitzwilliam College 29Robert Brown of Newhall (1792) autorstwa Henry RaeburnRobert Brown of Newhall1792 · Art Institute of Chicago 30Sir James Montgomery, Second Baronet of Stanhope (1804) autorstwa Henry RaeburnSir James Montgomery, Second Baronet of Stanhope1804 · Detroit Institute of Arts 31Portrait of David Cowan (1823) autorstwa Henry RaeburnPortrait of David Cowan1823 · Auckland Art Gallery Toi o Tāmaki 32Eleanor Margaret Gibson-Carmichael (1802) autorstwa Henry RaeburnEleanor Margaret Gibson-Carmichael1802 · Art Institute of Chicago 33Portrait of a Man. (1810) autorstwa Henry RaeburnPortrait of a Man.1810 · Muzeum Narodowe w Warszawie 34Sir William Napier (1810) autorstwa Henry RaeburnSir William Napier1810 · Fine Arts Museums of San Francisco 35Mrs. Alexander Campbell of Possil (1756) autorstwa Henry RaeburnMrs. Alexander Campbell of Possil1756 · Detroit Institute of Arts 36Master James Hay (1793) autorstwa Henry RaeburnMaster James Hay1793 · Auckland Art Gallery Toi o Tāmaki 37Portrait of John Baillie (1772-1833) (1817) autorstwa Henry RaeburnPortrait of John Baillie (1772-1833)1817 · Minneapolis Institute of Art 38Andrew Spottiswoode (1815) autorstwa Henry RaeburnAndrew Spottiswoode1815 · Art Gallery of New South Wales 39Portrait of a Man with Gray Hair (1815) autorstwa Henry RaeburnPortrait of a Man with Gray Hair1815 · Art Institute of Chicago 40E. Finley, Esquire (1800) autorstwa Henry RaeburnE. Finley, Esquire1800 · Birmingham Museum of Art 41Mrs. James Wedderburn, née Isabelle Clerk (1819) autorstwa Henry RaeburnMrs. James Wedderburn, née Isabelle Clerk1819 · Yale University Art Gallery 42Sir Duncan Campbell of Barcaldine (1812) autorstwa Henry RaeburnSir Duncan Campbell of Barcaldine1812 · Fine Arts Museums of San Francisco 43Resemblance of a Girl and a Boy (1800) autorstwa Henry RaeburnResemblance of a Girl and a Boy1800 · Słowacka Galeria Narodowa w Bratysławie 44Alexander Murray, 8th Baron Elibank (1800) autorstwa Henry RaeburnAlexander Murray, 8th Baron Elibank1800 · Detroit Institute of Arts 45Portrait of a Man (1812) autorstwa Henry RaeburnPortrait of a Man1812 · Statens Museum for Kunst 46Dr. Mackenzie of Edinburgh (1790) autorstwa Henry RaeburnDr. Mackenzie of Edinburgh1790 · Augustiner Museum 47Portrait of Mrs. George Bell (1801) autorstwa Henry RaeburnPortrait of Mrs. George Bell1801 · Minneapolis Institute of Art 48Alexander Leith of Freeland autorstwa Henry RaeburnAlexander Leith of FreelandThe National Trust For Scotland 49William Stuart Forbes, elder son of Sir William Forbes of Pitsligo, 1802–1826 (1811) autorstwa Henry RaeburnWilliam Stuart Forbes, elder son of Sir William Forbes of Pitsligo, 1802–18261811 · Scottish National Gallery 50Thomas Williamson Ramsay (1756–1838) (1810) autorstwa Henry RaeburnThomas Williamson Ramsay (1756–1838)1810 · National Trust 51Portrait of Sir Patrick Inglis, Baronet of Sunnyside (1790) autorstwa Henry RaeburnPortrait of Sir Patrick Inglis, Baronet of Sunnyside1790 · Minneapolis Institute of Art 52Bailie William Galloway (1716–1801) (1798) autorstwa Henry RaeburnBailie William Galloway (1716–1801)1798 · The Merchant's Hall 53Admiral Adam Duncan (1731-1804), 1st Viscount Duncan (1731) autorstwa Henry RaeburnAdmiral Adam Duncan (1731-1804), 1st Viscount Duncan1731 · National Maritime Museum 54Rev. Dr John Erskine, 1721 - 1803. Theologian (1804) autorstwa Henry RaeburnRev. Dr John Erskine, 1721 - 1803. Theologian1804 · Scottish National Portrait Gallery 55Quintin McAdam (1815) autorstwa Henry RaeburnQuintin McAdam1815 · Yale Center for British Art 56Lady Anne Torphicen autorstwa Henry RaeburnLady Anne TorphicenFinnish National Gallery 57Mrs Robert Adam (1780) autorstwa Henry RaeburnMrs Robert Adam1780 58Portrait of James Veitch, Lord Eliock (1776) autorstwa Henry RaeburnPortrait of James Veitch, Lord Eliock1776 59Portrait of Lady Cathcart (1776) autorstwa Henry RaeburnPortrait of Lady Cathcart1776 60Portrait of Mrs Allan Maconochie of Meadowbank and one of her sons (1787) autorstwa Henry RaeburnPortrait of Mrs Allan Maconochie of Meadowbank and one of her sons1787 61Portrait of Thomas Wood (1790) autorstwa Henry RaeburnPortrait of Thomas Wood1790 · Indianapolis Museum of Art 62Portrait of a Man Seated in an Armchair (said to be William Fairlie) (1795) autorstwa Henry RaeburnPortrait of a Man Seated in an Armchair (said to be William Fairlie)1795 · Museum of Fine Arts 63Mr George Paterson of Castle Huntly (1734–1813) (1790) autorstwa Henry RaeburnMr George Paterson of Castle Huntly (1734–1813)1790 · Mcmanus: Dundee's Art Galleries And Museums 64Lady Anne Miller of Glenlee (1788) autorstwa Henry RaeburnLady Anne Miller of Glenlee1788 65Dr Nathaniel Spens in the uniform of the Royal Company of Archers (1793) autorstwa Henry RaeburnDr Nathaniel Spens in the uniform of the Royal Company of Archers1793 66Miss Macartney (1794) autorstwa Henry RaeburnMiss Macartney1794 67William Beveridge (1795) autorstwa Henry RaeburnWilliam Beveridge1795 · Scottish National Gallery 68Miss Eleanor Urquhart (1795) autorstwa Henry RaeburnMiss Eleanor Urquhart1795 · National Gallery of Art 69Portrait of Andrew Wauchope of Niddrie (1800) autorstwa Henry RaeburnPortrait of Andrew Wauchope of Niddrie1800 · Dayton Art Institute 70Lieutenant-General Sir Hildebrand Oakes, 1st Bt GCB (1754-1822) (1802) autorstwa Henry RaeburnLieutenant-General Sir Hildebrand Oakes, 1st Bt GCB (1754-1822)1802 · Killerton 71Mrs. Macdowall (1800) autorstwa Henry RaeburnMrs. Macdowall1800 · Indianapolis Museum of Art 72Miss Elizabeth Haig (1799) autorstwa Henry RaeburnMiss Elizabeth Haig1799 73Edward Satchwell Fraser (1803) autorstwa Henry RaeburnEdward Satchwell Fraser1803 74John Tait of Harviestoun (1800) autorstwa Henry RaeburnJohn Tait of Harviestoun1800 · Fine Arts Museums of San Francisco 75Frances Harriet Wynne (1786 1860), Mrs Hamilton of Kames (1811) autorstwa Henry RaeburnFrances Harriet Wynne (1786 1860), Mrs Hamilton of Kames1811 · Scottish National Gallery 76Professor Andrew Dalzel (1742–1806), Classical Scholar (1798) autorstwa Henry RaeburnProfessor Andrew Dalzel (1742–1806), Classical Scholar1798 · Scottish National Portrait Gallery 77Portrait of Mrs George Joseph Bell, née Barbara Shaw (1790-1883) (1806) autorstwa Henry RaeburnPortrait of Mrs George Joseph Bell, née Barbara Shaw (1790-1883)1806 78Sir Charles Forbes (1774-1849) (1810) autorstwa Henry RaeburnSir Charles Forbes (1774-1849)1810 · National Library of Wales 79Henry David Erskine, Twelfth Earl of Buchan (1805) autorstwa Henry RaeburnHenry David Erskine, Twelfth Earl of Buchan1805 · Detroit Institute of Arts 80Portrait of Robert Sym (1810) autorstwa Henry RaeburnPortrait of Robert Sym1810 · Rhode Island School of Design Museum of Art 81Lieutenant General Duncan Campbell (1810) autorstwa Henry RaeburnLieutenant General Duncan Campbell1810 · Cleveland Museum of Art 82Portrait of Hugh Hope (1810) autorstwa Henry RaeburnPortrait of Hugh Hope1810 · Cleveland Museum of Art 83Robert Hay (1805) autorstwa Henry RaeburnRobert Hay1805 · Museum of Fine Arts 84The Hon. Lady Jane Ogilvie (1811) autorstwa Henry RaeburnThe Hon. Lady Jane Ogilvie1811 85William Law (1756–1823), Depute Sherriff of East Lothian autorstwa Henry RaeburnWilliam Law (1756–1823), Depute Sherriff of East LothianJohn Muir House 86Mrs Charles Steuart (1794) autorstwa Henry RaeburnMrs Charles Steuart1794 · Tate Gallery 87John Playfair (1748–1819) (1814) autorstwa Henry RaeburnJohn Playfair (1748–1819)1814 88Samuel Anderson (1811) autorstwa Henry RaeburnSamuel Anderson1811 89The 1st Viscount Melville (1805) autorstwa Henry RaeburnThe 1st Viscount Melville1805 90John Rennie (1761–1821), Engineer (1810) autorstwa Henry RaeburnJohn Rennie (1761–1821), Engineer1810 · Scottish National Portrait Gallery 91Portrait of Sir Walter Scott and his dogs (1820) autorstwa Henry RaeburnPortrait of Sir Walter Scott and his dogs1820 92Peter Van Brugh Livingston (1792-1868) (1819) autorstwa Henry RaeburnPeter Van Brugh Livingston (1792-1868)1819 · New York Historical Society 93Robert Shuttleworth (1784–1818) (1818) autorstwa Henry RaeburnRobert Shuttleworth (1784–1818)1818 · Gawthorpe Hall 94William Scott Elliot of Arkleton (1811 1901) (1815) autorstwa Henry RaeburnWilliam Scott Elliot of Arkleton (1811 1901)1815 · Metropolitan Museum of Art 95Charles Grant (1746–1823), MP (1819) autorstwa Henry RaeburnCharles Grant (1746–1823), MP1819 · Inverness Library 96James Duff, 4th Earl of Fife (1815) autorstwa Henry RaeburnJames Duff, 4th Earl of Fife1815 · University of Dundee 97William Urquhart (c.1794–1840) (1815) autorstwa Henry RaeburnWilliam Urquhart (c.1794–1840)1815 98Dr Gardiner (1726–1807) (1806) autorstwa Henry RaeburnDr Gardiner (1726–1807)1806 · Scottish National Gallery 99Portrait of The Reverend Robert Walker Skating autorstwa Henry RaeburnPortrait of The Reverend Robert Walker Skating 100Mrs. Irvine J. Boswell (1820) autorstwa Henry RaeburnMrs. Irvine J. Boswell1820 · Detroit Institute of Arts

Słynne obrazy Henry Raeburn epoka po epoce

Tematy, które przyciągnęły wzrok Henry Raeburn

Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.

Muzea przechowujące oryginały Henry Raeburn

8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

Muzea Miasto Dzieła artysty Henry Raeburn Obrazy z tej listy
Scottish National Portrait Gallery, EdynburgScottish National Portrait Gallery Edynburg 29 Professor Dugald Stewart (1753–1828), Philosopher, Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge, Robert Cunninghame Graham of Gartmore, d. 1797. Poet and politician
Scottish National Gallery, EdynburgScottish National Gallery Edynburg 37 Reverend Dr Robert Walker (1755–1808) na lodzie na Duddingston Loch, Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814), William Stuart Forbes, elder son of Sir William Forbes of Pitsligo, 1802–1826
Tate Gallery, LondynTate Gallery Londyn 8 Pringle Fraser, A Young Lady, Mrs Downey
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 5 Sir James Montgomery, Second Baronet of Stanhope, Mrs. Alexander Campbell of Possil, Alexander Murray, 8th Baron Elibank
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 4 Adam Rolland of Gask II, Robert Brown of Newhall, Eleanor Margaret Gibson-Carmichael
Fine Arts Museums of San Francisco, San FranciscoFine Arts Museums of San Francisco San Francisco 3 Sir William Napier, Sir Duncan Campbell of Barcaldine, John Tait of Harviestoun
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 3 Portrait of John Baillie (1772-1833), Portrait of Mrs. George Bell, Portrait of Sir Patrick Inglis, Baronet of Sunnyside
The National Trust For Scotland, TurriefThe National Trust For Scotland Turrief 6 Charles Gordon of Buthlaw, Lonmay and Cairness (1747–1797), Professor James Gregory (1753–1821)

Henry Raeburn dekada po dekadzie: oryginały definiujące każdy okres

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Pytania kolekcjonerów o obrazy Henry Raeburn

Z jakiego dzieła najbardziej znany jest Henry Raeburn?Odkryj odpowiedź

Reverend Dr Robert Walker (1755–1808) na lodzie na Duddingston Loch (1795), Scottish National Gallery, Edynburg. Następne są Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814) (1810) oraz Young Girl Holding Flowers (1798).

W jakim wieku był Henry Raeburn, gdy powstało Reverend Dr Robert Walker (1755–1808) na lodzie na Duddingston Loch?Odkryj odpowiedź

39 lat: Reverend Dr Robert Walker (1755–1808) na lodzie na Duddingston Loch pochodzi z 1795, a Henry Raeburn urodził(a) się w 1756.

Jakie są dziesięć najsłynniejszych obrazów, których autorem jest Henry Raeburn?Odkryj odpowiedź

Reverend Dr Robert Walker (1755–1808) na lodzie na Duddingston Loch, Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814), Young Girl Holding Flowers, Henry Mackenzie, Professor Dugald Stewart (1753–1828), Philosopher, Pringle Fraser, Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge, John Balmanno, MD, President, FPSG (1800–1802, 1806–1808, 1818–1820 1826–1828), George Malcolm i John James Audubon (1785–1851). Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.

Ile obrazów pozostawił po sobie Henry Raeburn?Odkryj odpowiedź

Nasz katalog zawiera 360 dzieł artysty Henry Raeburn, datowanych od 1776 do 1823.

W których muzeach znajdują się arcydzieła Henry Raeburn?Odkryj odpowiedź

W większości znajdują się w Scottish National Portrait Gallery (Edynburg), Scottish National Gallery (Edynburg) i Tate Gallery (Londyn). Powyższa tabela muzeów zawiera ich pełną listę.

W których latach Henry Raeburn namalował swoje najsłynniejsze dzieła?Odkryj odpowiedź

W 1810s: 34 z 100 dzieł na tej stronie powstało w tym czasie, w tym Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814).

Jakie są pierwsze i ostatnie słynne oryginały Henry Raeburn?Odkryj odpowiedź

Na tej stronie najwcześniejszy to Portrait of James Veitch, Lord Eliock (1776), a najpóźniejszy Portrait of David Cowan (1823).

Jakie tematy Henry Raeburn wybierał najczęściej?Odkryj odpowiedź

Portrait (32), Man (19) i Portraiture (15), w ramach 100 dzieł na tej stronie.

Której techniki Henry Raeburn używał najczęściej?Odkryj odpowiedź

Oil On Canvas, dla 55 z 100 dzieł na tej stronie.

Do jakiego nurtu artystycznego należy Henry Raeburn?Odkryj odpowiedź

Scottish neoclassicism i Romanticism, sądząc po oryginałach na tej stronie.

Które dzieła Henry Raeburn znajdują się w Scottish National Portrait Gallery?Odkryj odpowiedź

Professor Dugald Stewart (1753–1828), Philosopher, Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge i Robert Cunninghame Graham of Gartmore, d. 1797. Poet and politician: Scottish National Portrait Gallery, Edynburg posiada 7 dzieł widocznych na tej stronie.

Henry Raeburn: życie i twórczość

A Scottish Master of Realism: The Life and Art of Sir Henry Raeburn

Sir Henry Raeburn, a name synonymous with the vibrant spirit of 18th-century Scotland, was more than just a portrait painter; he was a cultural observer, a psychological explorer, and a revolutionary in his approach to capturing the essence of his subjects. Born into a modest background amidst the burgeoning Enlightenment, Raeburn’s journey from an orphaned boy to one of Britain's most celebrated artists is a testament to his innate talent, relentless dedication, and a profound understanding of human character. His story unfolds not just as a chronicle of artistic development but also as a reflection of a nation forging its own identity.

Early Life and Artistic Beginnings

Henry Raeburn’s early life was marked by both hardship and opportunity. Born in Stockbridge, a district of Edinburgh in 1756, he experienced the profound loss of his parents at just six years old, an event that profoundly shaped his outlook on life. Raised by his elder brother, William, who secured him an education at Heriot’s Hospital – a prestigious institution renowned for its classical training – Raeburn initially pursued a path in goldsmithing, a skill he honed with meticulous precision. However, it was during this apprenticeship that his artistic inclinations began to blossom, particularly through miniature painting. He found himself drawn to the intricate detail and delicate craftsmanship of creating tiny portraits on ivory, revealing an innate talent for capturing likenesses with remarkable accuracy and sensitivity. This early work demonstrated not only technical skill but also a keen eye for observation – a quality that would become central to his later artistic practice.

From Edinburgh’s Shadows to Roman Inspiration

Raeburn's artistic trajectory took a decisive turn when he married Ann Edgar in 1778, a union that provided him with the financial stability necessary to dedicate himself fully to painting. He began studying the works of David Martin, a respected portraitist in Edinburgh, but it was his brief sojourn to Italy in 1784-86 that truly ignited his artistic vision. During this time, he immersed himself in the art and culture of Rome, encountering masters like Gavin Hamilton and Pompeo Batoni – artists whose bold use of light, dramatic compositions, and psychological insight profoundly influenced his own style. He meticulously copied works by these Italian masters, absorbing their techniques and developing a deeper understanding of how to convey emotion and character through paint. This Roman experience served as a crucial catalyst, transforming Raeburn from a promising craftsman into a confident and innovative artist.

The Development of a Distinctive Style

Returning to Edinburgh in 1786, Raeburn quickly established himself as the leading portrait painter of his time. Unlike many of his contemporaries who adhered to the formal conventions of aristocratic portraiture, Raeburn embraced a more direct and uninhibited approach. He eschewed elaborate backgrounds and idealized poses, instead focusing on capturing the individual’s personality, status, and even their mood with remarkable immediacy. His technique was characterized by bold brushstrokes, dramatic lighting effects – often utilizing *chiaroscuro* to create depth and intensity – and a willingness to experiment with unconventional compositions. He famously painted directly onto the canvas without preliminary sketches, relying on his intuition and observational skills to guide his hand. This spontaneous style, coupled with his deep understanding of human psychology, resulted in portraits that were both strikingly realistic and profoundly engaging. Works like *The Young Polo Player* exemplify this approach, capturing not just a likeness but also the energy and exuberance of youth.

Recognition and Legacy

Raeburn’s artistic success was quickly recognized by Edinburgh society, and he became a sought-after portraitist for prominent figures from all walks of life – including Adam Smith, David Hume, and numerous members of the Scottish aristocracy. In 1815, he was elected to the Royal Academy in London, a momentous achievement that cemented his reputation as one of Britain’s leading artists. Shortly before his death in 1823, he was knighted by King George IV and appointed His Majesty's Limner for Scotland – a testament to his enduring influence on British art. Today, Raeburn’s paintings are celebrated for their realism, psychological insight, and masterful technique. They offer a unique glimpse into the lives and personalities of 18th-century Scotland, preserving a vibrant record of a nation in transition. His legacy continues to inspire artists and scholars alike, ensuring that Sir Henry Raeburn remains a pivotal figure in the history of British art.
  • His dedication to realism and psychological insight set him apart from many of his contemporaries.
  • He helped establish a distinctly Scottish identity within British art.
  • His masterful technique continues to be studied and admired by artists and scholars alike.