Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 89 dzieł Aleksander Rodczenko w naszym katalogu
W skrócie
Z wszystkich oryginałów pozostawionych przez Aleksander Rodczenko, najsłynniejszym jest Non-objective composition (1917). Tuż za nimi znajdują się Girl with a Leica oraz About That (1923). Nasz katalog zawiera 89 dzieł autorstwa Aleksander Rodczenko; galeria zachowała 87 najbardziej podziwianych na świecie prac, z których każda została przedstawiona wraz z datą powstania, informacją o muzeum oraz jej historią.
The gaze meets Non-objective composition, a work that exists entirely within the realm of the abstract. Created by Aleksandr Rodchenko in 1917, this piece emerges from a moment of profound artistic transition. It does not seek to replicate the physical world or the familiar shapes of nature. Instead, the canvas presents a purely non-objective reality, where the focus shifts entirely toward the intrinsic qualities of form and color.
The scene unfolds through a silver gelatin print on photographic paper, capturing a fleeting moment of urban life. In this work, titled Girl with a Leica, the artist Aleksandr Rodchenko turns his lens toward a young woman. She leans out from a building, her body caught in a moment of purposeful motion. She holds a Leica camera, her focus directed toward the world beyond the frame, appearing as a participant…
The eye wanders through a chaotic, layered landscape where the logic of traditional space has completely dissolved. In this 1923 photomontage, the world is no longer a single, cohesive view but a collision of disparate photographic elements. A woman’s face emerges from the gray haze, juxtaposed against the hard edges of a tank and the rigid lines of architectural structures. There is a sense of sudden, jarring movement, as if…
The work titled Books was created by the artist Aleksandr Rodchenko. Produced in 1924, this piece functions as a graphic advertisement for the Lengiz Publishing House. It captures a specific moment of visual communication from the early Soviet era.
This photograph captures a slice of life from 1924, a time of profound transition. The formal attire and the structured seating reflect a world of social order, yet the candid nature of the shot hints at the shifting perspectives of the era. The interplay of light and shadow does more than just illuminate the subjects; it carves out their identities within a crowded room. There is a quiet gravity here,…
The scene unfolds in Untitled (Female Athletes), a work captured about 1927. Here, the lens finds a group of women caught in the midst of a synchronized exercise routine. The image freezes a moment of collective energy and physical discipline, presenting a vision of movement that feels both purposeful and rhythmic. It is a glimpse into a specific era of social activity, where the body becomes a tool for expression…
In this 1925 work, titled Untitled (Self portrait with poster for Battleship Potemkin), we encounter a direct and intimate encounter with the artist himself. Aleksandr Rodchenko presents his own likeness, capturing a moment that feels both immediate and carefully composed. It is a rare instance where the creator becomes the subject, looking back at the viewer through the lens of his own creative identity.
The work is titled Parade of the Dynamo Sports Club, 1928. It was produced by the artist Aleksandr Rodchenko. This individual was born in 1891 in Saint Petersburg, Russia.
And this is standing for centuries is a photomontage created by Aleksandr Rodchenko in 1923. This work emerged during a period of intense experimentation with the medium, as the artist began assembling disparate photographic elements into complex, layered compositions. The piece utilizes the assembly of various images to construct a new visual reality, moving away from traditional representational methods.
The poster for the film Battleship Potemkin emerges from the hands of Aleksandr Rodchenko, a figure who helps define the visual language of a changing era. Created in 1925, this work captures a specific moment of cinematic promotion through the lens of Constructivist design. The piece functions as a direct visual signal, intended to draw the eye toward the dramatic events depicted on screen. It carries the weight of the…
Monument to Pushkin1930
12
Radio listener1929
13
Park of Culture and Rest1932
14
Guard at the Shukhov Radio Tower, Moscow1929
15
Pioneer with a horn1930
16
Stairway1930
17
Assembling for a Demonstration1930
18
Girl with a FlowerMuseum of Fine Arts of Tatarstan
19
Abstraction (Rupture)1920
20
White circle1918
21
Girl with a Leica
22
A Pageant of Youth
23
Lilya Brik
24
Journalist
25
Construction1917
26
Non-Objective Painting no. 80 (Black on Black)1918
27
Line Construction1920
28
Nonsense1921
29
Untitled1919
30
Composition (Winning Red)1918
31
Objectless composition1918
32
Variant cover design for Zaum'. Nestroch'e1921
33
Mandolin player1922
34
Watches1923
35
Cover of book ''About That''1923
36
Vladimir Mayakovsky1924
37
Dobroliot (Fly well)1923
38
Sifilis1926
39
For Sergey Esenin1926
40
Rubbers of Rezinotrest1925
41
Itogo. Stikhi1924
42
Syphilis1926
43
Mayakovsky smiles, laughs, mocks1923
44
Rubbers of Rezinotrest1924
45
Fly. Avia-poems.1923
46
Boats1926
47
Down with Bureaucracy1927 · Narodowa Galeria Kanady
48
Sovetskoe foto, no. 101927
49
Razgovor s fininspektorom o poezii1926
50
Death Ray1925
51
Pine Trees, Pushkino1927
52
Rubbers of Rezinotrest1924
53
Parizh1925
54
Promotional poster for Mosselprom1923
55
Sergeiu Eseninu1926
56
Mess Mend ili Ianki v Petrograde, vol. 1 101924
57
Mess Mend ili Ianki v Petrograde, vol. 71924
58
Promotional poster for Rezinotrest1923
59
Novyi LEF. Zhurnal levogo fronta iskusstv (New LEF Journal of the Left Front of the Arts), no. 21928
60
Novyi LEF. Zhurnal levogo fronta iskusstv (New LEF Journal of the Left Front of the Arts), no. 11928
61
Battleship Potemkin1925
62
Katalog posmertnoi vystavki khudozhnika konstruktora L.S. Popovoi1924
63
Untitled1929
64
Quadriga of Apollo on the front of the Bolshoi Theatre1929
65
Lumber1930
66
Bug1929
67
There and back1930
68
Rechevik1929
69
Rechevik. Stikhi1929
70
Demonstration1932
71
The Fire's Man1929
72
The Stairs1930 · Manege Central Exhibition Hall
73
Realistic abstraction1940
74
Red and Yellow1918
75
Construction
76
Construction
77
Clerk
78
Dobroliot stamps
79
Construction
80
Construction
81
Construction
82
Dancer of the East
83
Dobroliot (Fly well)
84
Books propaganda poster
85
Construction
86
Dobroliot (Fly well)
87
Composition1917
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
3 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Aleksander Rodczenko | Obrazy z tej listy |
|---|---|---|---|
 Museum of Fine Arts of Tatarstan |
Καζαń | 1 | Girl with a Flower |
 Narodowa Galeria Kanady |
Ottawa | 1 | Down with Bureaucracy |
 Manege Central Exhibition Hall |
Saint Petersburg | 1 | The Stairs |
Wybierz dekadę, aby zobaczyć dzieło, które ją definiuje.
The gaze meets Non-objective composition, a work that exists entirely within the realm of the abstract. Created by Aleksandr Rodchenko in 1917, this piece emerges from a moment of profound artistic transition. It does not seek to replicate the physical world or the familiar shapes of nature. Instead, the canvas presents a purely non-objective reality, where the focus shifts entirely toward the intrinsic qualities of form and color.
The eye wanders through a chaotic, layered landscape where the logic of traditional space has completely dissolved. In this 1923 photomontage, the world is no longer a single, cohesive view but a collision of disparate photographic elements. A woman’s face emerges from the gray haze, juxtaposed against the hard edges of a tank and the rigid lines of architectural structures. There is a sense of sudden, jarring movement, as if…
Monument to Pushkin is a photographic work by the artist Aleksandr Rodchenko. Created about 1930, this image captures a specific sculptural installation. The subject of the photograph is the Monument to Pushkin, with a particular focus on the unique design of the lamppost structure. This element rises from the bottom of the frame, positioning the statue of Pushkin beneath the light fixture.
Non-objective composition (1917). Następne są Girl with a Leica oraz About That (1923).
26 lat: Non-objective composition pochodzi z 1917, a Aleksander Rodczenko urodził(a) się w 1891.
Non-objective composition, Girl with a Leica, About That, Books, Painter Alexander Shevchenko, Untitled (Female Athletes), Untitled (Self portrait with poster for Battleship Potemkin), Parade of the Dynamo Sports Club, 1928, And this is standing for centuries i Battleship Potemkin. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Nasz katalog zawiera 89 dzieł artysty Aleksander Rodczenko, datowanych od 1917 do 1940.
W większości znajdują się w Museum of Fine Arts of Tatarstan (Καζαń), Narodowa Galeria Kanady (Ottawa) i Manege Central Exhibition Hall (Saint Petersburg). Powyższa tabela muzeów zawiera ich pełną listę.
W 1920s: 50 z 87 dzieł na tej stronie powstało w tym czasie, w tym About That.
Na tej stronie najwcześniejszy to Non-objective composition (1917), a najpóźniejszy Realistic abstraction (1940).
Designs and sketches (11), Advertisments (11) i Covers (8), w ramach 87 dzieł na tej stronie.
Black and White Photography, dla 8 z 87 dzieł na tej stronie.
Constructivism, sądząc po oryginałach na tej stronie.
