Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 13 dzieł Shigeru Aoki w naszym katalogu
W skrócie
Spośród wszystkich dzieł oryginalnych, które pozostawił Shigeru Aoki, najsłynniejszym jest Yomotsuhirasaka,Escape from the Land of the Dead (1903), znajdujący się w kolekcji The University Art Museum, Tokyo University of the Arts w Tokyo. Tuż za nimi znajdują się The Tempyo Era (1904) oraz Enjoyment (1904). Nasz katalog zawiera 13 dzieł autorstwa Shigeru Aoki; galeria zachowała 13 najbardziej podziwianych na świecie prac, z których każda została przedstawiona wraz z datą powstania, informacją o muzeum oraz jej historią.
The watercolor captures a moment of suspension. A woman, stripped of clothing, hangs in the air with arms outstretched, her body caught between the heavy sand of the beach and the unseen sky. Two angels support her, their hands resting upon her shoulders to guide her upward. The scene is a quiet struggle against gravity, a transition from the terrestrial to the celestial. The light catches the pale skin of…
The Tempyo Era emerges from the brush of Shigeru Aoki, a painter who breathed life into the intersection of Japanese tradition and Western technique. This work, created about 1904, captures a moment of profound stillness and communal gathering. The figures within the frame exist in a state of repose, their forms woven into a dense, horizontal arrangement that pulls the viewer into their intimate, indoor world. Warm ochres and deep…
In "Enjoyment" by Shigeru Aoki, two female figures occupy the center of a vertical frame. They sit in an intimate, seated pose, their forms intertwined. This arrangement focuses the eye on the closeness of their bodies. The subjects are positioned in the foreground, creating a shallow sense of space. They exist within a quiet moment of leisure.
This oil painting, titled The Legendary Prince Yamato Takeru, was executed by Shigeru Aoki around 1906. It depicts the legendary Japanese figure, Prince Yamato Takeru, a semi-legendary prince of the imperial dynasty. The work emerged during a period when Aoki was a central figure in the yōga movement, a movement dedicated to integrating Western oil painting techniques with Japanese traditions.
Paradise Under the Sea, also known by its Japanese title Wadatsumi no Iroko no Miya, is an oil on canvas painting by the Japanese artist Shigeru Aoki. Created in 1907, the work is held within the collection of the Ishibashi Museum of Art. This specific piece is designated as a National Important Cultural Property by the Japanese government.
Shigeru Aoki’s Hot Spring presents a nude female figure positioned slightly off-center to the right within a vertical composition. The subject is situated in a bath or hot spring, captured from an eye-level perspective that establishes an intimate connection with the viewer. Depth is constructed through the deliberate layering of the figure in the foreground against a detailed, patterned background composed of tiles and various vessels.
In "Pray at Dawn" by Shigeru Aoki, a solitary female figure occupies the vertical frame. She is a nude woman shown in profile, kneeling upon the earth. Her body faces toward the right, caught in a moment of quiet devotion. Her hands are clasped together in front of her chest, held in a steady, prayerful gesture. The stillness of her posture anchors the composition against a soft, hazy landscape. Trees…
In this 1910 oil on canvas, a nude female figure is positioned slightly off-center to the right, her body oriented vertically. She reaches upward, creating a sense of movement within the frame. The subject is situated in a setting that suggests a hot spring or bath, characterized by a background of patterned tiles and decorative vessels. The color palette relies on earthy tones, specifically ochre, terracotta, cream, and muted browns.…
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
6 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Shigeru Aoki | Obrazy z tej listy |
|---|---|---|---|
 Artizon Museum |
Tokio | 4 | The Tempyo Era, Paradise Under the Sea, Seascape, Mera |
 The University Art Museum, Tokyo University of the Arts |
Tokyo | 1 | Yomotsuhirasaka,Escape from the Land of the Dead |
 Ohara Museum of Art |
Kurashiki | 1 | Enjoyment |
 Tokyo National Museum |
Tokio | 1 | The Legendary Prince Yamato Takeru |
 Shimane Art Museum |
Matsue | 1 | Dog |
 Fukuoka Art Museum |
Fukuoka | 1 | Sound of Autumn |
Zaledwie dekada, od 1903 do 1910, dostarczyła światu każdy datowany oryginał Shigeru Aoki w tym zestawieniu: oto one, rok po roku.
Wybierz rok, aby zobaczyć oryginały.
The watercolor captures a moment of suspension. A woman, stripped of clothing, hangs in the air with arms outstretched, her body caught between the heavy sand of the beach and the unseen sky. Two angels support her, their hands resting upon her shoulders to guide her upward. The scene is a quiet struggle against gravity, a transition from the terrestrial to the celestial. The light catches the pale skin of…
The Tempyo Era emerges from the brush of Shigeru Aoki, a painter who breathed life into the intersection of Japanese tradition and Western technique. This work, created about 1904, captures a moment of profound stillness and communal gathering. The figures within the frame exist in a state of repose, their forms woven into a dense, horizontal arrangement that pulls the viewer into their intimate, indoor world. Warm ochres and deep…
Więcej od 1904
This oil painting, titled The Legendary Prince Yamato Takeru, was executed by Shigeru Aoki around 1906. It depicts the legendary Japanese figure, Prince Yamato Takeru, a semi-legendary prince of the imperial dynasty. The work emerged during a period when Aoki was a central figure in the yōga movement, a movement dedicated to integrating Western oil painting techniques with Japanese traditions.
Paradise Under the Sea, also known by its Japanese title Wadatsumi no Iroko no Miya, is an oil on canvas painting by the Japanese artist Shigeru Aoki. Created in 1907, the work is held within the collection of the Ishibashi Museum of Art. This specific piece is designated as a National Important Cultural Property by the Japanese government.
Więcej od 1907
Shigeru Aoki’s Hot Spring presents a nude female figure positioned slightly off-center to the right within a vertical composition. The subject is situated in a bath or hot spring, captured from an eye-level perspective that establishes an intimate connection with the viewer. Depth is constructed through the deliberate layering of the figure in the foreground against a detailed, patterned background composed of tiles and various vessels.
Więcej od 1910
Yomotsuhirasaka,Escape from the Land of the Dead (1903), The University Art Museum, Tokyo University of the Arts, Tokyo. Następne są The Tempyo Era (1904) oraz Enjoyment (1904).
21 lat: Yomotsuhirasaka,Escape from the Land of the Dead pochodzi z 1903, a Shigeru Aoki urodził(a) się w 1882.
Yomotsuhirasaka,Escape from the Land of the Dead, The Tempyo Era, Enjoyment, The Legendary Prince Yamato Takeru, Paradise Under the Sea, Hot Spring, Pray at Dawn, Hot spring, Seascape, Mera i Boats Mooring under the Moon. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Nasz katalog zawiera 13 dzieł artysty Shigeru Aoki, datowanych od 1903 do 1910.
W większości znajdują się w Artizon Museum (Tokio), The University Art Museum, Tokyo University of the Arts (Tokyo) i Ohara Museum of Art (Kurashiki). Powyższa tabela muzeów zawiera ich pełną listę.
W 1904: 3 z 13 dzieł na tej stronie powstało w tym czasie, w tym The Tempyo Era.
Na tej stronie najwcześniejszy to Yomotsuhirasaka,Escape from the Land of the Dead (1903), a najpóźniejszy Hot Spring (1910).
Woman (6), Nude (3) i Man (2), w ramach 13 dzieł na tej stronie.
Oil On Canvas, dla 5 z 13 dzieł na tej stronie.
The Tempyo Era, Paradise Under the Sea i Seascape, Mera: Artizon Museum, Tokio posiada 4 dzieł widocznych na tej stronie.
