Portret Robert Herdman

Obrazy: 52 najsłynniejszych dzieł artysty Robert Herdman – spojrzenie galerii

Aktualizacja: Październik 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 52 dzieł Robert Herdman w naszym katalogu

W skrócie

Według galerii najsłynniejszym obrazem Robert Herdman jest John Campbell Shairp (1819–1885), LLD (1886). The young seamstress (1860) i The Arrochar Gleaner (1862) dopełniają trio, które zna każde oko. Z 52 dzieł Robert Herdman w naszym katalogu, galeria prezentuje poniżej 52 najsłynniejszych prac – każda z nich jest oryginałem z podaniem roku powstania, muzeum oraz cech wyróżniających ją na tle innych.

1829 – 1888 Romanticism Najwięcej dzieł: Scottish National Portrait Gallery

10 najlepszych obrazów artysty Robert Herdman w galerii

1
John Campbell Shairp (1819–1885), LLD (1886) autorstwa Robert Herdman

John Campbell Shairp (1819–1885), LLD

1886 · Oil On Canvas

In this 1886 oil on canvas, we find ourselves in the presence of John Campbell Shairp. He is seated with a composed, thoughtful stillness, his hands clasped in a gesture of quiet contemplation. Clad in a dark robe, his figure carries the weight of a life dedicated to scholarship and letters. The composition is intimate, placing the viewer in a private space alongside him. A book rests near the bottom…

7
Morning (1861) autorstwa Robert Herdman

Morning

1861

The painting "Morning" by Robert Inerarity Herdman is a beautiful and captivating piece of art that showcases the artist's skill and attention to detail. Created in 1861, this oil on panel painting measures 31 x 23 cm and is currently displayed at the Glasgow Museums Resource Centre in the United Kingdom. Painting Description The painting features a young child wearing a blue hat with a bow on it, holding a…

Obrazy artysty Robert Herdman, uszeregowane od 11 do 52 miejsca

11Evening (1862) autorstwa Robert HerdmanEvening1862 12'Who still in dreams can hear the heavenly harps' (1862) autorstwa Robert Herdman'Who still in dreams can hear the heavenly harps'1862 13Fern Gatherer (1866) autorstwa Robert HerdmanFern Gatherer1866 14After the Battle (1870) autorstwa Robert HerdmanAfter the Battle1870 · Scottish National Gallery 15Sir Joseph Noel Paton (1821–1901) (1870) autorstwa Robert HerdmanSir Joseph Noel Paton (1821–1901)1870 16Aeneas Ranald McDonell (1820–1897) (1868) autorstwa Robert HerdmanAeneas Ranald McDonell (1820–1897)1868 17David Octavius Hill (1802–1870), RSA (1870) autorstwa Robert HerdmanDavid Octavius Hill (1802–1870), RSA1870 · Royal Scottish Academy of Art - Architecture 18A Fountain Group, South Italy (1868) autorstwa Robert HerdmanA Fountain Group, South Italy1868 19Mary, Queen of Scots The Farewell to France (1867) autorstwa Robert HerdmanMary, Queen of Scots The Farewell to France1867 20Emily Merelina Meymott (1830–1911), Baroness Shand (1867) autorstwa Robert HerdmanEmily Merelina Meymott (1830–1911), Baroness Shand1867 · Scottish National Gallery 21Execution of Mary, Queen of Scots (1867) autorstwa Robert HerdmanExecution of Mary, Queen of Scots1867 22Evening Thoughts (1864) autorstwa Robert HerdmanEvening Thoughts1864 · Scottish National Gallery 23La culla – Study in Italy (1864) autorstwa Robert HerdmanLa culla – Study in Italy1864 · Royal Scottish Academy of Art - Architecture 24Charles Shaw Lefevre (1794–1888), 1st Viscount Eversley, in the Uniform of the Hampshire Carabiniers (1875) autorstwa Robert HerdmanCharles Shaw Lefevre (1794–1888), 1st Viscount Eversley, in the Uniform of the Hampshire Carabiniers1875 25Sir James Falshaw (1810–1889), Bt, Lord Provost of Edinburgh (1874–1877) (1877) autorstwa Robert HerdmanSir James Falshaw (1810–1889), Bt, Lord Provost of Edinburgh (1874–1877)1877 26C. G. Shaw (1878) autorstwa Robert HerdmanC. G. Shaw1878 · County Buildings 27Sir George Harvey (1806–1876), Artist (1874) autorstwa Robert HerdmanSir George Harvey (1806–1876), Artist1874 · Scottish National Portrait Gallery 28Sir James David Marwick (1826–1908), Town Clerk of Glasgow (1873–1903) (1873) autorstwa Robert HerdmanSir James David Marwick (1826–1908), Town Clerk of Glasgow (1873–1903)1873 29Sir George Harvey (1806–1876), PRSA (1874) autorstwa Robert HerdmanSir George Harvey (1806–1876), PRSA1874 · Royal Scottish Academy of Art - Architecture 30Thomas Carlyle (1876) autorstwa Robert HerdmanThomas Carlyle1876 · The National Trust For Scotland 31Pleasures of Hope (1877) autorstwa Robert HerdmanPleasures of Hope1877 32Lochiel's Warning (1878) autorstwa Robert HerdmanLochiel's Warning1878 33David Laing (1793–1878), Antiquary (1874) autorstwa Robert HerdmanDavid Laing (1793–1878), Antiquary1874 · Scottish National Portrait Gallery 34A Conventicle Preacher before the Justices (1876) autorstwa Robert HerdmanA Conventicle Preacher before the Justices1876 · Royal Scottish Academy of Art - Architecture 35Sir Theodore Martin (1876) autorstwa Robert HerdmanSir Theodore Martin1876 · National Portrait Gallery 36Thomas Carlyle (1795–1881) (1875) autorstwa Robert HerdmanThomas Carlyle (1795–1881)1875 · Dumfries Museum And Camera Obscura 37The Conference between Mary, Queen of Scots and John Knox at Holyrood Palace, 1561 (1875) autorstwa Robert HerdmanThe Conference between Mary, Queen of Scots and John Knox at Holyrood Palace, 15611875 38George Rough (1801–1888), Provost of Dundee (1853–1856) (1882) autorstwa Robert HerdmanGeorge Rough (1801–1888), Provost of Dundee (1853–1856)1882 39Wae's Me (1879) autorstwa Robert HerdmanWae's Me1879 40Alexander Laing, LLD, Newburgh (1885) autorstwa Robert HerdmanAlexander Laing, LLD, Newburgh1885 41Self Portrait (1883) autorstwa Robert HerdmanSelf Portrait1883 42Peter Clouston, Lord Provost of Glasgow (1860–1863) (1883) autorstwa Robert HerdmanPeter Clouston, Lord Provost of Glasgow (1860–1863)1883 43Reverend George S. Burns, Minister of Glasgow Cathedral (1881) autorstwa Robert HerdmanReverend George S. Burns, Minister of Glasgow Cathedral1881 44Sir William Collins (1817–1895), Lord Provost of Glasgow (1877–1880) (1881) autorstwa Robert HerdmanSir William Collins (1817–1895), Lord Provost of Glasgow (1877–1880)1881 45Sir James Watson (1801–1889), Lord Provost of Glasgow (1871–1874) (1882) autorstwa Robert HerdmanSir James Watson (1801–1889), Lord Provost of Glasgow (1871–1874)1882 46Bouverie Francis Primrose (1813–1898), Secretary to the Board of Trustees for Manufactures and Fisheries (1883) autorstwa Robert HerdmanBouverie Francis Primrose (1813–1898), Secretary to the Board of Trustees for Manufactures and Fisheries1883 · Scottish National Portrait Gallery 47A Sprig of Arran Heather autorstwa Robert HerdmanA Sprig of Arran Heather 48A Pilot autorstwa Robert HerdmanA Pilot 49Saint Columba Rescuing a Captive (1883) autorstwa Robert HerdmanSaint Columba Rescuing a Captive1883 50Corrie, a Crofter's Harvest autorstwa Robert HerdmanCorrie, a Crofter's Harvest 51Sleep autorstwa Robert HerdmanSleepLeeds Art Gallery 52Sir Joseph Noel Paton (1821–1901), RSA autorstwa Robert HerdmanSir Joseph Noel Paton (1821–1901), RSARoyal Scottish Academy of Art - Architecture

Tematy, które przyciągnęły wzrok Robert Herdman

Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.

Muzea przechowujące oryginały Robert Herdman

8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

Muzea Miasto Dzieła artysty Robert Herdman Obrazy z tej listy
Scottish National Portrait Gallery, EdynburgScottish National Portrait Gallery Edynburg 5 Thomas Carlyle (1795–1881), Historian and Essayist, Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University, Sir George Harvey (1806–1876), Artist
Royal Scottish Academy of Art - Architecture, EdynburgRoyal Scottish Academy of Art - Architecture Edynburg 5 David Octavius Hill (1802–1870), RSA, La culla – Study in Italy, Sir George Harvey (1806–1876), PRSA
Scottish National Gallery, EdynburgScottish National Gallery Edynburg 3 After the Battle, Emily Merelina Meymott (1830–1911), Baroness Shand, Evening Thoughts
County Buildings, AyrCounty Buildings Ayr 1 C. G. Shaw
The National Trust For Scotland, EcclesburnThe National Trust For Scotland Ecclesburn 1 Thomas Carlyle
National Portrait Gallery, LondynNational Portrait Gallery Londyn 1 Sir Theodore Martin
Dumfries Museum And Camera Obscura, DumfriesDumfries Museum And Camera Obscura Dumfries 1 Thomas Carlyle (1795–1881)
Leeds Art Gallery, LeedsLeeds Art Gallery Leeds 1 Sleep

Robert Herdman, jedno kultowe dzieło na dekadę

Dzieła według dekad

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Obrazy artysty Robert Herdman: odpowiedzi galerii

Który obraz Robert Herdman jest najsłynniejszy ze wszystkich?Odkryj odpowiedź

John Campbell Shairp (1819–1885), LLD (1886). Następne są The young seamstress (1860) oraz The Arrochar Gleaner (1862).

Ile lat miał Robert Herdman, gdy ukończył John Campbell Shairp (1819–1885), LLD?Odkryj odpowiedź

57 lat: John Campbell Shairp (1819–1885), LLD pochodzi z 1886, a Robert Herdman urodził(a) się w 1829.

Które to 10 najlepszych obrazów Robert Herdman?Odkryj odpowiedź

John Campbell Shairp (1819–1885), LLD, The young seamstress, The Arrochar Gleaner, Thomas Carlyle (1795–1881), Historian and Essayist, John Tulloch (1823–1886), Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University, Morning, The Time of Primroses, Bonny Bell i The Gleaner. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.

Ile dzieł stworzył/a Robert Herdman?Odkryj odpowiedź

Nasz katalog zawiera 52 dzieł artysty Robert Herdman, datowanych od 1854 do 1886.

Gdzie można znaleźć najsłynniejsze oryginały autorstwa Robert Herdman?Odkryj odpowiedź

W większości znajdują się w Scottish National Portrait Gallery (Edynburg), Royal Scottish Academy of Art - Architecture (Edynburg) i Scottish National Gallery (Edynburg). Powyższa tabela muzeów zawiera ich pełną listę.

Kiedy Robert Herdman stworzył swoje najsłynniejsze obrazy?Odkryj odpowiedź

W 1870s: 19 z 52 dzieł na tej stronie powstało w tym czasie, w tym Thomas Carlyle (1795–1881), Historian and Essayist.

Które z najsłynniejszych dzieł Robert Herdman należą do jego najwcześniejszych i najpóźniejszych prac?Odkryj odpowiedź

Na tej stronie najwcześniejszy to The Time of Primroses (1854), a najpóźniejszy John Campbell Shairp (1819–1885), LLD (1886).

Do jakich tematów Robert Herdman powracał najczęściej?Odkryj odpowiedź

Victorian era (3), Portraiture (2) i Elderly man (2), w ramach 52 dzieł na tej stronie.

Z jakim nurtem związany jest Robert Herdman?Odkryj odpowiedź

Romanticism, sądząc po oryginałach na tej stronie.

Które oryginały artysty Robert Herdman znajdują się w zbiorach Scottish National Portrait Gallery?Odkryj odpowiedź

Thomas Carlyle (1795–1881), Historian and Essayist, Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University i Sir George Harvey (1806–1876), Artist: Scottish National Portrait Gallery, Edynburg posiada 5 dzieł widocznych na tej stronie.

Robert Herdman: artysta

A Victorian Visionary: The Life and Legacy of Robert Inerarity Herdman

Robert Inerarity Herdman (1829–1888) stands as a luminous figure within the landscape of nineteenth-century Scottish art, a painter whose brush captured not merely the physical likeness of his subjects but the very soul of the Celtic Revival. Born in the quiet beauty of Rattray, near Blairgowrie, Perthshire, Herdman’s early life was marked by a profound intellectual depth. Though he initially turned his studies toward theology at St Andrews University, the calling of the canvas proved irresistible. This transition from the spiritual study of divinity to the visual exploration of light and form would define his career, allowing him to infuse his later works with a sense of sacredness and mythic resonance that few of his contemporaries could replicate. By 1847, Herdman had migrated to Edinburgh, seeking the mentorship of the era's most distinguished masters, Robert Scott Lauder and John Ballantyne. Under their rigorous tutelage, he developed a meticulous technique characterized by an extraordinary command over oil painting. His training was not merely technical but deeply philosophical; through his friendship with Professor John Stuart Blackie, Herdman became intimately acquainted with the richness of Celtic mythology and folklore. This influence acted as a guiding star for his artistic development, steering him away from mere academic realism toward a more evocative, narrative style that celebrated the pastoral beauty and spiritual heritage of Scotland.

Mastery of Portraiture and the Pastoral Ideal

Herdman’s professional ascent was marked by significant institutional recognition, including his election as an Associate of the Royal Scottish Academy in 1861 and his subsequent elevation to Fellow in 1863. His reputation as a premier portraitist was solidified through prestigious commissions from various Scottish city councils, where he captured the dignity, character, and gravitas of the nation's most prominent figures. In these works, one observes a masterful use of chiaroscuro, where light and shadow dance across the features of his subjects to reveal layers of psychological depth. His portrait of Thomas Carlyle in 1875 remains a hauntingly beautiful study, utilizing heavy impasto and somber tones to embody the intellectual intensity of the great historian. Yet, while his portraits commanded respect in the halls of power, it is perhaps his more intimate, idyllic scenes that have secured his place in the hearts of art lovers. Herdman possessed a unique ability to weave storytelling into the landscape, most notably through his celebrated series of paintings featuring young girls amidst picturesque, folkloric settings. In works such as "Morning", created in 1861, he presents a serene world where a child in a blue hat holds a musical instrument against a backdrop of tranquil mountains and water. These compositions are more than mere depictions of childhood; they are windows into a romanticized, pastoral Eden, reflecting a deep-seated nostalgia for a vanishing way of life.

Historical Significance and Artistic Endurance

The breadth of Herdman’s impact is evidenced by the enduring presence of his work in some of the world's most esteemed collections. From the National Portrait Gallery in London to the Royal Scottish Academy, his canvases continue to serve as vital touchstones for understanding the Victorian era's aesthetic and cultural shifts. His ability to bridge the gap between formal, high-society portraiture and the emotive, myth-driven landscapes of the Celtic movement allowed him to speak to a wide audience, from the political elite to the romantic dreamer. As we reflect on his life, several key elements define his enduring historical importance:
  • The Synthesis of Traditions: His unique ability to blend the rigorous academic training of Edinburgh with the burgeoning spirit of the Celtic Revival.
  • Narrative Depth: The use of landscape not just as a setting, but as a vessel for folklore, emotion, and spiritual contemplation.
  • Technical Versatility: A mastery that spanned from the somber, realistic studies of historical figures to the bright, delicate textures of his pastoral scenes.
Though he passed away in 1888, the vision of Robert Inerarity Herdman remains undimmed. His work continues to resonate as a testament to a period when art sought to reconcile the burgeoning modern world with the ancient, enchanting echoes of the Scottish past.