Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 4 dzieł Matthijs Harings w naszym katalogu
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Portrait of a 42-year-old man (1630) to obraz autorstwa Matthijs Harings, który przyciąga najwięcej spojrzeń; oryginał znajduje się w Fries Museum, Leeuwarden. Następnie wzrok kieruje się na Portrait of Rippertus Sixti ( -1651) (1631) i Portrait of Gerlske van Amama (1645). Spośród 4 dzieł Matthijs Harings w naszym katalogu, tych 4 jest najbardziej znanych – każde z nich to unikatowy oryginał, przedstawiony wraz z rokiem powstania, muzeum oraz powodem, dla którego przetrwało próbę czasu.
This oil portrait, titled Portrait of a 42-year-old man, was executed by the Dutch artist Matthijs Harings. Dating to about 1630, the work captures a specific moment in the life of a sitter who possesses short dark hair, a light beard, and a mustache. The portrait offers a direct encounter with a man of the seventeenth century, rendered with the quiet dignity characteristic of the period.
In this intimate portrait, we encounter Rippertus Sixti, a man whose presence is captured with a quiet, scholarly dignity. The work, titled Portrait of Rippertus Sixti ( -1651), was executed by the Dutch Golden Age painter Matthijs Harings. It offers a direct encounter with a figure from the seventeenth century, presented within the formal constraints of an oval trompe l'oeil frame. The subject's steady gaze and instructional gesture suggest a…
This oil on panel or canvas work, titled Portrait of Gerlske van Amama, offers a quiet encounter with a woman from the mid-seventeenth century. Painted by Matthijs Harings about 1645, the portrait captures Gerlske van Amama in a moment of composed stillness. It is a formal half-length depiction that places the subject within an oval vignette, a common choice for intimate portraiture of this era.
The portrait depicts Gysbert Japicx, a man of thirty-four years. He is positioned in a frontal view, looking directly at the viewer. He wears a black suit characterized by a stark white collar that creates a sharp contrast against the dark fabric of his attire. A wig sits upon his head, and a mustache is visible on his face. The composition is framed by a gold border, which provides a…
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
Muzeum, w którym znajduje się najwięcej obrazów prezentowanych na tej stronie.
| Muzea | Miasto | Dzieła artysty Matthijs Harings | Obrazy z tej listy |
|---|---|---|---|
 Fries Museum |
Leeuwarden | 4 | Portrait of a 42-year-old man, Portrait of Rippertus Sixti ( -1651), Portrait of Gerlske van Amama |
Długa, 16-letnia kariera, od 1630 do 1645: najsłynniejsze oryginały Matthijs Harings przedstawione rok po roku.
Wybierz rok, aby zobaczyć oryginały.
This oil portrait, titled Portrait of a 42-year-old man, was executed by the Dutch artist Matthijs Harings. Dating to about 1630, the work captures a specific moment in the life of a sitter who possesses short dark hair, a light beard, and a mustache. The portrait offers a direct encounter with a man of the seventeenth century, rendered with the quiet dignity characteristic of the period.
In this intimate portrait, we encounter Rippertus Sixti, a man whose presence is captured with a quiet, scholarly dignity. The work, titled Portrait of Rippertus Sixti ( -1651), was executed by the Dutch Golden Age painter Matthijs Harings. It offers a direct encounter with a figure from the seventeenth century, presented within the formal constraints of an oval trompe l'oeil frame. The subject's steady gaze and instructional gesture suggest a…
The portrait depicts Gysbert Japicx, a man of thirty-four years. He is positioned in a frontal view, looking directly at the viewer. He wears a black suit characterized by a stark white collar that creates a sharp contrast against the dark fabric of his attire. A wig sits upon his head, and a mustache is visible on his face. The composition is framed by a gold border, which provides a…
This oil on panel or canvas work, titled Portrait of Gerlske van Amama, offers a quiet encounter with a woman from the mid-seventeenth century. Painted by Matthijs Harings about 1645, the portrait captures Gerlske van Amama in a moment of composed stillness. It is a formal half-length depiction that places the subject within an oval vignette, a common choice for intimate portraiture of this era.
Portrait of a 42-year-old man (1630), Fries Museum, Leeuwarden. Następne są Portrait of Rippertus Sixti ( -1651) (1631) oraz Portrait of Gerlske van Amama (1645).
37 lat: Portrait of a 42-year-old man pochodzi z 1630, a Matthijs Harings urodził(a) się w 1593.
Nasz katalog zawiera 4 dzieł artysty Matthijs Harings, datowanych od 1630 do 1645.
W większości znajdują się w Fries Museum (Leeuwarden). Powyższa tabela muzeów zawiera ich pełną listę.
Na tej stronie najwcześniejszy to Portrait of a 42-year-old man (1630), a najpóźniejszy Portrait of Gerlske van Amama (1645).
Man (3), White collar (3) i Beard (2), w ramach 4 dzieł na tej stronie.
Oil, dla 4 z 4 dzieł na tej stronie.
Portrait of a 42-year-old man, Portrait of Rippertus Sixti ( -1651) i Portrait of Gerlske van Amama: Fries Museum, Leeuwarden posiada 4 dzieł widocznych na tej stronie.
In the vibrant landscape of the seventeenth-century Netherlands, Matthijs Harings emerged as a distinguished figure of the Dutch Golden Age, carving out a legacy defined by his precision and psychological depth. Born in Leeuwarden, Netherlands, Harings was more than just a painter; he was a man deeply embedded in the civic fabric of his community. His life was marked by significant responsibilities, serving as a captain of the Civic Guard, a deacon of the Reformed Church, and an alderman of Leeuwarden. This multifaceted existence provided him with a unique vantage point from which to observe the faces and characters of his era, allowing him to capture the essence of the people who shaped his world.
The artistry of Harings is most profoundly felt in his portraiture, where he demonstrated an exceptional ability to seize the subtle expressions of his subjects. While some historical accounts suggest that his works are occasionally confused with those of the renowned Wybrand de Geest, Harings maintained a distinct presence through his focus on the affluent burghers of his region. Unlike contemporaries who often sought the patronage of the high aristocracy, Harings found his inspiration in the prosperous middle class, imbuing his portraits with an intimacy and a sense of grounded reality that bridged the gap between the sitter and the viewer.
The development of Harings' technique was shaped by the rich artistic traditions of the North Netherlandish school. He is believed to have been a pupil of Wybrand de Geest, a connection that likely anchored his mastery of light and form. This lineage of training allowed him to navigate the complexities of oil on canvas and panel with remarkable skill, producing works that remain evocative centuries later. His influence extended beyond his own brush, as he also served as a teacher to artists such as Cornelis Birdama, ensuring that his approach to capturing human character would persist through subsequent generations.
The historical significance of Matthijs Harings lies in his role as a chronicler of the Frisian and Dutch identity. Through his portraits, such as the notable depiction of Gysbert Japicx, he preserved the likenesses of influential figures who contributed to the cultural richness of his time. His ability to render the textures of clothing, the weight of a gaze, and the dignity of a pose has allowed his oeuvre to remain a vital window into the social hierarchy and personal histories of the seventeenth century. Even as time passes, the works attributed to him continue to resonate with an enduring charm, reminding us of the profound human connections captured within the frames of his masterful compositions.
