Portret Jakub Lawrence

100 najsłynniejszych obrazów artysty Jakub Lawrence – wybór z galerii

Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 157 dzieł Jakub Lawrence w naszym katalogu

W skrócie

Spośród wszystkich dzieł oryginalnych, które pozostawił Jakub Lawrence, najsłynniejszym jest The Library (1960), znajdujący się w kolekcji Smithsonian American Art Museum w Waszyngton. Tuż za nimi znajdują się Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989) oraz Bar and Grill (1941). Nasz katalog zawiera 157 dzieł autorstwa Jakub Lawrence; galeria zachowała 100 najbardziej podziwianych na świecie prac, z których każda została przedstawiona wraz z datą powstania, informacją o muzeum oraz jej historią.

1917 – 2000, Atlantic City Najwięcej dzieł: The Phillips Collection

10 najlepszych obrazów artysty Jakub Lawrence: wybór galerii

1
The Library (1960) autorstwa Jakub Lawrence

The Library

1960 · Tempera · Smithsonian American Art Museum, Waszyngton

In the vibrant tapestry of twentieth-century American art, few works capture the pulse of communal aspiration as poignantly as Jacob Lawrence’s “The Library.” Completed in 1960, this masterpiece serves as much more than a mere depiction of a reading room; it is a profound window into the enduring spirit of the Harlem Renaissance. As one gazes upon the canvas, they are immediately swept into a bustling sanctuary of knowledge, where…

2
Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989) autorstwa Jakub Lawrence

Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas

1989 · Painting · SCAD Museum of Art, Savannah

To stand before a piece from Jacob Lawrence’s Genesis Creation Sermon series is to be enveloped in a vibrant confluence of scripture, social history, and raw artistic energy. This particular panel, depicting "And God Created All the Fowls of the Air and Fishes of the Seas," transcends mere religious illustration; it is a monumental cultural document rendered in paint. Lawrence, whose life story was so deeply intertwined with the evolving…

3
Bar and Grill (1941) autorstwa Jakub Lawrence

Bar and Grill

1941 · Painting · Smithsonian American Art Museum, Waszyngton

Jacob Lawrence’s powerful 1941 work, "Bar and Grill," is far more than a mere depiction of an American social scene; it is a searing document etched in paint, capturing the suffocating reality of Jim Crow segregation. The painting plunges the viewer into the interior of a café, yet the atmosphere is anything but convivial. Lawrence masterfully uses composition to confront us with the visible, yet deeply ingrained, artificiality of racial…

4
Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies (1989) autorstwa Jakub Lawrence

Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies

1989 · Painting · SCAD Museum of Art, Savannah

In the profound depths of Jacob Lawrence’s 1989 masterpiece, Genesis Creation Sermon IV: And God Created the Day and the Night and God Created and Put Stars in the Skies, we find a breathtaking intersection between the divine and the earthly. This work is not merely a depiction of a biblical event; it is a visceral, rhythmic experience that captures the very moment light pierces the darkness. Lawrence, a master…

6
Taboo (1963) autorstwa Jakub Lawrence

Taboo

1963 · Painting · Philadelphia Museum of Art, Filadelfia

In 1963, Jacob Lawrence presented Taboo, a work that speaks with a clarity that belies its heavy subject matter. The painting captures two pairs of newlyweds, posed with the formal dignity of a traditional wedding portrait. On one side, a Black bride stands beside a white groom; on the other, the roles are reversed. They are dressed in full wedding regalia, their presence a calm assertion of existence in a…

7
Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters (1989) autorstwa Jakub Lawrence

Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters

1989 · Oil On Canvas · SCAD Museum of Art, Savannah

Jacob Lawrence’s Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters is far more than a depiction of biblical scripture; it is a vibrant, deeply personal sermon rendered in paint. Inspired by the powerful oratory of Rev. Adam Clayton Powell Sr., this work channels the electrifying energy of Harlem’s cultural heart into an epic moment of cosmic genesis. The scene pulses with divine activity, capturing that…

8
Tombstones (1942) autorstwa Jakub Lawrence

Tombstones

1942 · Tempera · Whitney Museum of American Art, Nowy Jork

In the somber, evocative landscape of Jacob Lawrence’s 1942 masterpiece, Tombstones, we are invited into a profound visual dialogue between life and death. Painted during the turbulent era following Pearl Harbor, this work serves as much more than a mere depiction of a graveyard; it is a soulful testament to the collective experience of African Americans in Harlem. Lawrence, a master of narrative storytelling, utilizes his signature dynamic cubism to…

9
War Series: The Letter (1946) autorstwa Jakub Lawrence

War Series: The Letter

1946 · Acrylic On Canvas · Whitney Museum of American Art, Nowy Jork

Jacob Lawrence’s “The Letter,” part of his monumental “War Series” created in 1946, is not merely a depiction of sorrow; it’s an embodiment of profound human experience distilled into its most potent form. This work, rendered with the artist's signature flattened planes and stark geometry, immediately commands attention with its emotionally charged atmosphere. The central figure, hunched and isolated within a confined space, speaks volumes about the devastating impact of…

10
Migration Series No.57: The female workers were the last to arrive north (1941) autorstwa Jakub Lawrence

Migration Series No.57: The female workers were the last to arrive north

1941 · Tempera On Panel · The Phillips Collection, Waszyngton

A single, vertical line of reddish-brown cuts through the center of the frame, acting as a steady axis for the scene. Around this pole, the world feels flattened and heavy, composed of large, overlapping geometric planes that strip away unnecessary detail to reveal the essence of a moment. A figure, draped in a white cloth that obscures the face, leans into the work. Only dark hands are visible, gripping the…

Kontynuacja zestawienia Jakub Lawrence, od 11 do 100

11Genesis Creation Sermon VIII: And Creation Was Done and All Was Well (1989) autorstwa Jakub LawrenceGenesis Creation Sermon VIII: And Creation Was Done and All Was Well1989 · SCAD Museum of Art 12Migration Series No.39: Railroad platforms were piled high with luggage (1941) autorstwa Jakub LawrenceMigration Series No.39: Railroad platforms were piled high with luggage1941 · The Phillips Collection 13Genesis Creation Sermon I: In the Beginning All Was Void (1989) autorstwa Jakub LawrenceGenesis Creation Sermon I: In the Beginning All Was Void1989 · SCAD Museum of Art 14Genesis Creation Sermon VI: And God Created All the Beasts of the Earth (1989) autorstwa Jakub LawrenceGenesis Creation Sermon VI: And God Created All the Beasts of the Earth1989 · SCAD Museum of Art 15Genesis Creation Sermon VII: And God Created Man and Woman (1989) autorstwa Jakub LawrenceGenesis Creation Sermon VII: And God Created Man and Woman1989 · SCAD Museum of Art 16Migration Series No.23: The migration spread (1941) autorstwa Jakub LawrenceMigration Series No.23: The migration spread1941 · The Phillips Collection 17Migration Series No.31: The migrants found improved housing when they arrived north (1941) autorstwa Jakub LawrenceMigration Series No.31: The migrants found improved housing when they arrived north1941 · The Phillips Collection 18Migration Series No.37: Many migrants found work in the steel industry (1941) autorstwa Jakub LawrenceMigration Series No.37: Many migrants found work in the steel industry1941 · The Phillips Collection 19Migration Series No.59: In the North they had the freedom to vote (1941) autorstwa Jakub LawrenceMigration Series No.59: In the North they had the freedom to vote1941 · The Phillips Collection 20The Migration Series, Panel no. 13: The crops were left to dry and rot.  There was no one to tend them. autorstwa Jakub LawrenceThe Migration Series, Panel no. 13: The crops were left to dry and rot. There was no one to tend them.The Phillips Collection 21Genesis Creation Sermon III: And God Said (1989) autorstwa Jakub LawrenceGenesis Creation Sermon III: And God Said1989 · SCAD Museum of Art 22The Migration Series, Panel no. 57: The female workers were the last to arrive north. autorstwa Jakub LawrenceThe Migration Series, Panel no. 57: The female workers were the last to arrive north.The Phillips Collection 23The Migration Series, Panel no. 43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live. autorstwa Jakub LawrenceThe Migration Series, Panel no. 43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live.The Phillips Collection 24The Card Game (1953) autorstwa Jakub LawrenceThe Card Game1953 · SCAD Museum of Art 25The Wedding (1948) autorstwa Jakub LawrenceThe Wedding1948 · Art Institute of Chicago 26Migration Series No.49: They found discrimination in the North. It was a different kind (1941) autorstwa Jakub LawrenceMigration Series No.49: They found discrimination in the North. It was a different kind1941 27Migration Series No.45: The migrants arrived in Pittsburgh, one of the great industrial centers of the North (1941) autorstwa Jakub LawrenceMigration Series No.45: The migrants arrived in Pittsburgh, one of the great industrial centers of the North1941 28Migration Series No.43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live (1941) autorstwa Jakub LawrenceMigration Series No.43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live1941 29Migration Series No.35: They left the South in great numbers. They arrived in the North in great numbers (1941) autorstwa Jakub LawrenceMigration Series No.35: They left the South in great numbers. They arrived in the North in great numbers1941 30Migration Series No.33: Letters from relatives in the North told of the better life there (1941) autorstwa Jakub LawrenceMigration Series No.33: Letters from relatives in the North told of the better life there1941 31Migration Series No.29: The labor agent recruited unsuspecting laborers as strike breakers for northern industries (1941) autorstwa Jakub LawrenceMigration Series No.29: The labor agent recruited unsuspecting laborers as strike breakers for northern industries1941 32Migration Series No.28: The labor agent sent south by northern industry was a familiar presence in the Black communities (1941) autorstwa Jakub LawrenceMigration Series No.28: The labor agent sent south by northern industry was a familiar presence in the Black communities1941 33Migration Series No.17: Tenant farmers received harsh treatment at the hands of the planter (1941) autorstwa Jakub LawrenceMigration Series No.17: Tenant farmers received harsh treatment at the hands of the planter1941 34Migration Series No.14: For African Americans there was no justice in the southern courts (1941) autorstwa Jakub LawrenceMigration Series No.14: For African Americans there was no justice in the southern courts1941 35Painting the Bilges (1944) autorstwa Jakub LawrencePainting the Bilges1944 36Watchmaker (1946) autorstwa Jakub LawrenceWatchmaker1946 37Cabinet Makers (1946) autorstwa Jakub LawrenceCabinet Makers1946 38Sedation (1950) autorstwa Jakub LawrenceSedation1950 39Vaudeville (1951) autorstwa Jakub LawrenceVaudeville1951 40...if we fail, let us fail like men, and expire together in one common strugge... -Henry Clay, 1813 (1956) autorstwa Jakub Lawrence...if we fail, let us fail like men, and expire together in one common strugge... -Henry Clay, 18131956 41The Cue and the Ball (1956) autorstwa Jakub LawrenceThe Cue and the Ball1956 42Pool (1954) autorstwa Jakub LawrencePool1954 43Street Shadows (1959) autorstwa Jakub LawrenceStreet Shadows1959 44Through Forest, Through Rivers, Up Mountains (1967) autorstwa Jakub LawrenceThrough Forest, Through Rivers, Up Mountains1967 45Struggle Series - No. 10: Washington Crossing the Delaware (1954) autorstwa Jakub LawrenceStruggle Series - No. 10: Washington Crossing the Delaware1954 · Metropolitan Museum of Art 46...is life so dear or peace so sweet as to be purchased at the prices of chains and slavery? Patrick Henry-1775 (1955) autorstwa Jakub Lawrence...is life so dear or peace so sweet as to be purchased at the prices of chains and slavery? Patrick Henry-17751955 47The Migration Series, Panel no. 53: African American, long-time residents of northern cities met the migrants with aloofness and disdain. autorstwa Jakub LawrenceThe Migration Series, Panel no. 53: African American, long-time residents of northern cities met the migrants with aloofness and disdain.The Phillips Collection 48The Migration Series, Panel no. 27: Many men stayed behind until they could take their families north with them. autorstwa Jakub LawrenceThe Migration Series, Panel no. 27: Many men stayed behind until they could take their families north with them.The Phillips Collection 49The Migration Series, Panel no. 21: Families arrived at the station very early.  They did not wish to miss their trains north. autorstwa Jakub LawrenceThe Migration Series, Panel no. 21: Families arrived at the station very early. They did not wish to miss their trains north.The Phillips Collection 50Frederick Douglass listened to William Lloyd Garrison denounce slavery autorstwa Jakub LawrenceFrederick Douglass listened to William Lloyd Garrison denounce slavery 51Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers autorstwa Jakub LawrenceRace riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers 52Migration Series No.58: In the North the African American had more educational opportunities (1941) autorstwa Jakub LawrenceMigration Series No.58: In the North the African American had more educational opportunities1941 53Migration Series No.55: The migrants, having moved suddenly into a crowded and unhealthy environment, soon contracted tuberculosis. The death rate rose (1941) autorstwa Jakub LawrenceMigration Series No.55: The migrants, having moved suddenly into a crowded and unhealthy environment, soon contracted tuberculosis. The death rate rose1941 54Migration Series No.54: For the migrants, the church was the center of life (1941) autorstwa Jakub LawrenceMigration Series No.54: For the migrants, the church was the center of life1941 55Migration Series No.53: African Americans, long-time residents of northern cities, met the migrants with aloofness and disdain (1941) autorstwa Jakub LawrenceMigration Series No.53: African Americans, long-time residents of northern cities, met the migrants with aloofness and disdain1941 56Migration Series No.51: African Americans seeking to find better housing attempted to move into new areas. This resulted in the bombing of their new homes (1941) autorstwa Jakub LawrenceMigration Series No.51: African Americans seeking to find better housing attempted to move into new areas. This resulted in the bombing of their new homes1941 57Migration Series No.47: As the migrant population grew, good housing became scarce. Workers were forced to live in overcrowded and dilapidated tenement houses (1941) autorstwa Jakub LawrenceMigration Series No.47: As the migrant population grew, good housing became scarce. Workers were forced to live in overcrowded and dilapidated tenement houses1941 58Migration Series No.46: Industries boarded their workers in unhealthy quarters. Labor camps were numerous (1941) autorstwa Jakub LawrenceMigration Series No.46: Industries boarded their workers in unhealthy quarters. Labor camps were numerous1941 59Migration Series No.44: But living conditions were better in the North (1941) autorstwa Jakub LawrenceMigration Series No.44: But living conditions were better in the North1941 60Migration Series No.42: To make it difficult for the migrants to leave, they were arrested en masse. They often missed their trains (1941) autorstwa Jakub LawrenceMigration Series No.42: To make it difficult for the migrants to leave, they were arrested en masse. They often missed their trains1941 61Migration Series No.41: The South was desperate to keep its cheap labor. Northern labor agents were jailed or forced to operate in secrecy (1941) autorstwa Jakub LawrenceMigration Series No.41: The South was desperate to keep its cheap labor. Northern labor agents were jailed or forced to operate in secrecy1941 62Migration Series No.30: In every southern home people met to decide whether or not to go north (1941) autorstwa Jakub LawrenceMigration Series No.30: In every southern home people met to decide whether or not to go north1941 63Migration Series No.27: Many men stayed behind until they could take their families north with them (1941) autorstwa Jakub LawrenceMigration Series No.27: Many men stayed behind until they could take their families north with them1941 64Migration Series No.25: They left their homes. Soon some communities were left almost empty (1941) autorstwa Jakub LawrenceMigration Series No.25: They left their homes. Soon some communities were left almost empty1941 65Migration Series No.22: Migrants left. They did not feel safe. It was not wise to be found on the streets late at night. They were arrested on the slightest provocation (1941) autorstwa Jakub LawrenceMigration Series No.22: Migrants left. They did not feel safe. It was not wise to be found on the streets late at night. They were arrested on the slightest provocation1941 66Migration Series No.21: Families arrived at the station very early. They did not wish to miss their trains north (1941) autorstwa Jakub LawrenceMigration Series No.21: Families arrived at the station very early. They did not wish to miss their trains north1941 67Migration Series No.19: There had always been discrimination (1941) autorstwa Jakub LawrenceMigration Series No.19: There had always been discrimination1941 · The Phillips Collection 68Migration Series No.15: There were lynchings (1941) autorstwa Jakub LawrenceMigration Series No.15: There were lynchings1941 · The Phillips Collection 69Migration Series No.13: The crops were left to dry and rot. There was no one to tend them (1941) autorstwa Jakub LawrenceMigration Series No.13: The crops were left to dry and rot. There was no one to tend them1941 70Migration Series No.9: They left because the boll weevil had ravaged the cotton crop (1941) autorstwa Jakub LawrenceMigration Series No.9: They left because the boll weevil had ravaged the cotton crop1941 · The Phillips Collection 71Migration Series No.7: The migrant, whose life had been rural and nurtured by the earth, was now moving to urban life dependent on industrial machinery (1941) autorstwa Jakub LawrenceMigration Series No.7: The migrant, whose life had been rural and nurtured by the earth, was now moving to urban life dependent on industrial machinery1941 72Migration Series No.5: Migrants were advanced passage on the railroads, paid for by northern industry. Northern industry was to be repaid by the migrants out of their future wages (1941) autorstwa Jakub LawrenceMigration Series No.5: Migrants were advanced passage on the railroads, paid for by northern industry. Northern industry was to be repaid by the migrants out of their future wages1941 73Migration Series No.3: From every southern town migrants left by the hundreds to travel north (1941) autorstwa Jakub LawrenceMigration Series No.3: From every southern town migrants left by the hundreds to travel north1941 74Migration Series No.1: During World War I there was a great migration north by southern African Americans (1941) autorstwa Jakub LawrenceMigration Series No.1: During World War I there was a great migration north by southern African Americans1941 75Bar and Grill (1941) autorstwa Jakub LawrenceBar and Grill1941 · Smithsonian American Art Museum 76Harriet Tubman Series (Panel -4) (1940) autorstwa Jakub LawrenceHarriet Tubman Series (Panel -4)1940 · Hampton University Museum 77When It Is Warm the Parks Are Filled with People (1943) autorstwa Jakub LawrenceWhen It Is Warm the Parks Are Filled with People1943 78This is Harlem (1943) autorstwa Jakub LawrenceThis is Harlem1943 79Captain Skinner (1944) autorstwa Jakub LawrenceCaptain Skinner1944 80War Series: Shipping Out (1947) autorstwa Jakub LawrenceWar Series: Shipping Out1947 · Whitney Museum of American Art 81War Series: Prayer (1947) autorstwa Jakub LawrenceWar Series: Prayer1947 · Whitney Museum of American Art 82African Gold Miners (1946) autorstwa Jakub LawrenceAfrican Gold Miners1946 83Defeat (1954) autorstwa Jakub LawrenceDefeat1954 84I alarmed almost every house till I got to Lexington-Paul Revere (1954) autorstwa Jakub LawrenceI alarmed almost every house till I got to Lexington-Paul Revere1954 85Trappers (1956) autorstwa Jakub LawrenceTrappers1956 86Victory and Defeat (1955) autorstwa Jakub LawrenceVictory and Defeat1955 87We, the people of the United States, in order to form a more perfect Union, establish justice, insure domestic tranquility (1955) autorstwa Jakub LawrenceWe, the people of the United States, in order to form a more perfect Union, establish justice, insure domestic tranquility1955 88...for freedom we want and will have, for we have served this cruel land long enuff... -a Georgia slave, 1810 (1956) autorstwa Jakub Lawrence...for freedom we want and will have, for we have served this cruel land long enuff... -a Georgia slave, 18101956 89I cannot speak sufficiently in praise of the firmness and deliberation with which my whole line received their approach... -Andrew Jackson, New Orleans, 1815 (1956) autorstwa Jakub LawrenceI cannot speak sufficiently in praise of the firmness and deliberation with which my whole line received their approach... -Andrew Jackson, New Orleans, 18151956 90Untitled (D2X9VM) (1955) autorstwa Jakub LawrenceUntitled (D2X9VM)1955 91Thousands of American citizens have been torn from their country and from everying dear to them: they have been dragged on board ships of ward of a foreign nation. -Madison, 1 June 1812 (1956) autorstwa Jakub LawrenceThousands of American citizens have been torn from their country and from everying dear to them: they have been dragged on board ships of ward of a foreign nation. -Madison, 1 June 18121956 92120.9.14.286.9.33-ton 290.9.27 be at 153.9.28.110.8.17.255.9.29 evening 178.9.8... -an informer's coded message (1955) autorstwa Jakub Lawrence120.9.14.286.9.33-ton 290.9.27 be at 153.9.28.110.8.17.255.9.29 evening 178.9.8... -an informer's coded message1955 93Listen, Father! The Americans have not yet defeated us by land; neither are we sure they have done so by water--we therefore wish to remain here and fight our enemy... Tecumseh to the British, Tippecanoe, 1811 (1956) autorstwa Jakub LawrenceListen, Father! The Americans have not yet defeated us by land; neither are we sure they have done so by water--we therefore wish to remain here and fight our enemy... Tecumseh to the British, Tippecanoe, 18111956 94Fulton and Nostrand (1958) autorstwa Jakub LawrenceFulton and Nostrand1958 · Cleveland Museum of Art 95Fruits and Vegetables (1959) autorstwa Jakub LawrenceFruits and Vegetables1959 · Cincinnati Art Museum 96The Visitors (1959) autorstwa Jakub LawrenceThe Visitors1959 · Dallas Museum of Art 97Magic Man (1958) autorstwa Jakub LawrenceMagic Man1958 98Parade (1960) autorstwa Jakub LawrenceParade1960 99Pool Parlor (1942) autorstwa Jakub LawrencePool Parlor1942 100Firewood 55 (1942) autorstwa Jakub LawrenceFirewood 551942

Słynne obrazy Jakub Lawrence epoka po epoce

Tematy, które przyciągnęły wzrok Jakub Lawrence

Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.

Muzea przechowujące oryginały Jakub Lawrence

8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

Muzea Miasto Dzieła artysty Jakub Lawrence Obrazy z tej listy
The Phillips Collection, WaszyngtonThe Phillips Collection Waszyngton 35 Migration Series No.11: Food had doubled in price because of the war, Migration Series No.57: The female workers were the last to arrive north, Migration Series No.39: Railroad platforms were piled high with luggage
SCAD Museum of Art, SavannahSCAD Museum of Art Savannah 10 Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas, Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies, Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters
Whitney Museum of American Art, Nowy JorkWhitney Museum of American Art Nowy Jork 4 Tombstones, War Series: The Letter, War Series: Shipping Out
Smithsonian American Art Museum, WaszyngtonSmithsonian American Art Museum Waszyngton 3 The Library, Bar and Grill, Bar and Grill
Philadelphia Museum of Art, FiladelfiaPhiladelphia Museum of Art Filadelfia 1 Taboo
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 The Wedding
Metropolitan Museum of Art, Nowy JorkMetropolitan Museum of Art Nowy Jork 1 Struggle Series - No. 10: Washington Crossing the Delaware
Hampton University Museum, HamptonHampton University Museum Hampton 1 Harriet Tubman Series (Panel -4)

Jakub Lawrence dekada po dekadzie: oryginały definiujące każdy okres

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Pytania kolekcjonerów o obrazy Jakub Lawrence

Z jakiego dzieła najbardziej znany jest Jakub Lawrence?Odkryj odpowiedź

The Library (1960), Smithsonian American Art Museum, Waszyngton. Następne są Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989) oraz Bar and Grill (1941).

W jakim wieku był Jakub Lawrence, gdy powstało The Library?Odkryj odpowiedź

43 lat: The Library pochodzi z 1960, a Jakub Lawrence urodził(a) się w 1917.

Jakie są dziesięć najsłynniejszych obrazów, których autorem jest Jakub Lawrence?Odkryj odpowiedź

The Library, Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas, Bar and Grill, Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies, Migration Series No.11: Food had doubled in price because of the war, Taboo, Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters, Tombstones, War Series: The Letter i Migration Series No.57: The female workers were the last to arrive north. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.

Ile obrazów pozostawił po sobie Jakub Lawrence?Odkryj odpowiedź

Nasz katalog zawiera 157 dzieł artysty Jakub Lawrence, datowanych od 1940 do 1989.

W których muzeach znajdują się arcydzieła Jakub Lawrence?Odkryj odpowiedź

W większości znajdują się w The Phillips Collection (Waszyngton), SCAD Museum of Art (Savannah) i Whitney Museum of American Art (Nowy Jork). Powyższa tabela muzeów zawiera ich pełną listę.

W których latach Jakub Lawrence namalował swoje najsłynniejsze dzieła?Odkryj odpowiedź

W 1940s: 56 z 100 dzieł na tej stronie powstało w tym czasie, w tym Bar and Grill.

Jakie są pierwsze i ostatnie słynne oryginały Jakub Lawrence?Odkryj odpowiedź

Na tej stronie najwcześniejszy to Harriet Tubman Series (Panel -4) (1940), a najpóźniejszy Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989).

Jakie tematy Jakub Lawrence wybierał najczęściej?Odkryj odpowiedź

People (8), Harlem renaissance (6) i Figures (6), w ramach 100 dzieł na tej stronie.

Której techniki Jakub Lawrence używał najczęściej?Odkryj odpowiedź

Painting, dla 10 z 100 dzieł na tej stronie.

Które dzieła Jakub Lawrence znajdują się w The Phillips Collection?Odkryj odpowiedź

Migration Series No.11: Food had doubled in price because of the war, Migration Series No.57: The female workers were the last to arrive north i Migration Series No.39: Railroad platforms were piled high with luggage: The Phillips Collection, Waszyngton posiada 16 dzieł widocznych na tej stronie.

Jakub Lawrence: życie i twórczość

A Life Painted in Story: The World of Jacob Lawrence

Jacob Armstead Lawrence, born September 7, 1917, in Atlantic City, New Jersey, was more than just an artist; he was a chronicler of his people’s journey—a visual storyteller whose work profoundly shaped the landscape of American art. His life unfolded against the backdrop of profound social change, marked by displacement, resilience, and an unwavering commitment to documenting the African-American experience. Following his parents' divorce in 1924, Lawrence navigated a childhood characterized by movement and adaptation, finding temporary homes in foster care before ultimately settling with his mother in Harlem during the vibrant era of the Harlem Renaissance. This immersion into the heart of Black culture became the bedrock of his artistic vision—a source of inspiration that would inform every brushstroke he ever made. It was within the bustling streets and communal spirit of Harlem that Lawrence first encountered art, enrolling in classes at Utopia Children’s House and later studying under Charles Alston at the Harlem Art Workshop – a formative experience that laid the foundation for his distinctive style.

Dynamic Cubism: A Style Forged from Experience

Lawrence didn't simply adopt artistic styles; he meticulously crafted his own—a movement he famously termed “dynamic cubism.” This wasn’t a mere imitation of European avant-garde trends, but rather a deeply personal synthesis of modernist principles and the lived realities of his community. Drawing inspiration from the bold colors and flattened forms of African sculpture – art that prioritized narrative and social commentary – as well as the vibrant murals of Mexican artists like Diego Rivera and José Clemente Orozco, Lawrence developed a visual language characterized by strong, simplified shapes, a dazzling palette of colors, and a deliberate rejection of traditional perspective. This approach wasn’t purely aesthetic; it served to amplify the emotional weight of his subjects and create an immediate connection with the viewer. He sought not to replicate reality in its entirety but to distill its essence—to capture the spirit of a people and their history with unflinching honesty. The influence of African art is particularly evident in Lawrence's use of geometric shapes and symbolic imagery, while the Mexican muralists’ emphasis on social justice and collective narratives resonated deeply within his artistic practice.

The Migration Series: A Monumental Chronicle

Lawrence’s most celebrated achievement—and arguably his single greatest contribution to American art—is undoubtedly *The Migration Series*. Beginning in 1940-41, at the young age of twenty-four, he embarked on a monumental undertaking that would span sixty panels and occupy him for decades. This epic narrative depicted the Great Migration – the mass movement of millions of African Americans from the rural South to the industrial North during and after World War I—a period defined by both immense hardship and unprecedented opportunity. Each panel, meticulously crafted in tempera paint on small hardboard panels, told a fragment of this complex story, capturing the hopes, fears, and struggles of those who sought a better life beyond the confines of Jim Crow segregation. The series wasn’t simply a historical record; it was a deeply empathetic portrayal of human experience—a testament to resilience, determination, and the enduring spirit of a people on the move. The decision to publish the series in color – an unusual choice for the time – further amplified its impact, bringing Lawrence's powerful vision to a wider audience.

Beyond the Migration: Portraits of Community and History

While *The Migration Series* remains his most iconic work, Lawrence’s artistic output extended far beyond this monumental undertaking. He continued to explore themes of community, identity, and social justice throughout his career, creating a diverse body of paintings that encompassed a wide range of subjects. He painted intimate portraits of Harlem life – barbershops, diners, family gatherings – capturing the everyday rhythms and complexities of Black urban culture. Simultaneously, he tackled significant historical events and figures, producing powerful series dedicated to Toussaint L’Ouverture (the Haitian revolutionary), Frederick Douglass (the abolitionist orator), and Harriet Tubman (the Underground Railroad conductor). These works weren't merely biographical; they were carefully constructed narratives that sought to illuminate the struggles and triumphs of African Americans in shaping their own destiny. His painting Bar and Grill, a stark depiction of segregation within a New Orleans café, exemplifies his ability to distill complex social realities into potent visual statements. Similarly, Victory and Defeat, with its imposing wall of cannonballs, commemorates the pivotal siege of Yorktown, Virginia, offering a nuanced reflection on American history.

Legacy and Enduring Influence

Jacob Lawrence’s impact extends far beyond his impressive body of work. He was not only an artist but also a dedicated educator, teaching at institutions like Black Mountain College and the University of Washington for sixteen years. Through his teaching, he nurtured generations of artists, encouraging them to find their own voices and explore themes relevant to their experiences. Lawrence paved the way for countless African-American artists who followed, challenging prevailing norms and expanding the boundaries of American art. His work continues to resonate today, prompting critical conversations about race, history, and social justice. Featured in prominent museums such as the Smithsonian American Art Museum and the University of Washington’s collection, his paintings serve as enduring testaments to the power of art to illuminate the human condition and inspire change. He left behind a legacy not just of beautiful images but of courageous storytelling—a visual chronicle of a people's journey toward freedom and self-determination.