Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
W skrócie
Dead Wildfowl (1674) to obraz autorstwa Jacob Biltius, który przyciąga najwięcej spojrzeń; oryginał znajduje się w Statens Museum for Kunst, Kopenhaga. Następnie wzrok kieruje się na Dead Birds (1670) i Snip, hanging (1663). Spośród 10 dzieł Jacob Biltius w naszym katalogu, tych 10 jest najbardziej znanych – każde z nich to unikatowy oryginał, przedstawiony wraz z rokiem powstania, muzeum oraz powodem, dla którego przetrwało próbę czasu.
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
3 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Jacob Biltius | Obrazy z tej listy |
|---|---|---|---|
| Kopenhaga | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table | |
| Leeuwarden | 2 | Snip, hanging, Dead Partridge, Hanging | |
| 1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
Długa, 17-letnia kariera, od 1663 do 1679: najsłynniejsze oryginały Jacob Biltius przedstawione rok po roku.
Wybierz rok, aby zobaczyć oryginały.
Więcej od 1666
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Więcej od 1670
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Dead Wildfowl (1674), Statens Museum for Kunst, Kopenhaga. Następne są Dead Birds (1670) oraz Snip, hanging (1663).
41 lat: Dead Wildfowl pochodzi z 1674, a Jacob Biltius urodził(a) się w 1633.
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall i Dead Wildfowl and a Huntsman's Net. Trompe l'oeil. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Nasz katalog zawiera 10 dzieł artysty Jacob Biltius, datowanych od 1663 do 1679.
W większości znajdują się w Statens Museum for Kunst (Kopenhaga), Fries Museum (Leeuwarden) i Kunsthandel P. de Boer. Powyższa tabela muzeów zawiera ich pełną listę.
W 1663: 2 z 10 dzieł na tej stronie powstało w tym czasie, w tym Snip, hanging.
Na tej stronie najwcześniejszy to Snip, hanging (1663), a najpóźniejszy Dead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679).
Feathers (2) i Dark background (2), w ramach 10 dzieł na tej stronie.
Oil On Canvas, dla 2 z 10 dzieł na tej stronie.
Dead Wildfowl, Dead Birds i Wildfowl on a Wooden Table: Statens Museum for Kunst, Kopenhaga posiada 5 dzieł widocznych na tej stronie.
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.