Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 59 dzieł Gerhard Munthe w naszym katalogu
W skrócie
The poor Man's Field (1877) to obraz autorstwa Gerhard Munthe, który przyciąga najwięcej spojrzeń; oryginał znajduje się w National Museum of Art, Architecture and Design, Oslo. Następnie wzrok kieruje się na The Apple Cart (1876) i Pigs in Moonlight (1880). Spośród 59 dzieł Gerhard Munthe w naszym katalogu, tych 58 jest najbardziej znanych – każde z nich to unikatowy oryginał, przedstawiony wraz z rokiem powstania, muzeum oraz powodem, dla którego przetrwało próbę czasu.
In The poor Man's Field by Gerhard Munthe, the composition is balanced horizontally, organizing a rural agricultural scene into distinct layers. A dense line of dark green trees forms a backdrop that occupies the upper third of the frame, providing a solid boundary to the landscape. Below this treeline, the foreground and middle ground consist of a field of golden-green grass or grain being harvested. The color palette is dominated…
The Apple Cart by Gerhard Munthe, created about 1876, features a horizontally oriented composition that captures a mundane, everyday moment of rural life. The scene is viewed from a slight side angle, establishing a straightforward perspective of the subjects. At the center of the arrangement, a group of figures is gathered around a wooden cart. A brown horse is positioned to pull the cart, forming a primary focal point within…
Pigs in Moonlight is an oil painting by the Norwegian painter and illustrator Gerhard Munthe. Created about 1880, the work captures a quiet moment on a rural farm. The scene rests in the dim light of a moonlit evening, where the shadows of a red wooden building stretch across the earth. A few pigs gather near a fence, their forms softened by the dusk.
Throwing Snowballs by Gerhard Munthe is a landscape oil painting created about 1885. The work depicts a lively winter scene set within a village. In the foreground and midground, a group of children is engaged in playing in the snow. These figures are scattered across the white landscape, creating a sense of movement throughout the village square. The scene captures a moment of communal activity during the winter season.
The sun hangs high over the valley of Vik at Stange, bathing the landscape in a bright, natural light that feels heavy with the warmth of midday. In this wide, panoramic view, the air seems to hum with the quiet industry of rural life. A vast, cerulean blue sky stretches overhead, dotted with soft white clouds that drift lazily above the rolling hills. Below, the meadow unfolds in a lush…
In this oil on canvas, Gerhard Munthe presents us with Farm, Vik at Stange. Painted about 1884, the work captures a quiet moment within a rural farm scene located in Vik at Stange, Norway. It is a piece that reflects the artist's early engagement with naturalism, focusing on the specificities of the Norwegian landscape during a period of significant development in his career.
This landscape painting, titled High Mountains, was created by the Norwegian artist Gerhard Munthe. Dating to about 1885, the work offers a glimpse into the artist's evolving approach to the natural world. This specific piece is a reproduction of the original painting, capturing the particularities of Munthe's vision from that period.
In this oil on canvas, titled The Artist's Wife in the Arbour, the Norwegian painter Gerhard Munthe captures a quiet, private moment of domesticity. Created about 1889, the work presents a scene of stillness and focus. The subject is a solitary woman, seated at a white wooden table, deeply engaged in her needlework. She is framed by the lush, green architecture of a shaded garden arbour, which creates a natural…
Åsmund in the King's Hall1900 · National Museum of Art, Architecture and Design
12
Åsmund at the Gate in the Mountain1900 · National Museum of Art, Architecture and Design
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Åsmund and the Princess riding Home1904 · National Museum of Art, Architecture and Design
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Portrait of Johannes Flintoe1920 · Oslo Museum
15
Saga1926 · National Museum of Art, Architecture and Design
16
Pigs at the Barn Bridge1876 · National Museum of Art, Architecture and Design
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Fields at Hedmark in Summer1875 · National Museum of Art, Architecture and Design
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View of the Rhine near Düsseldorf1875 · National Museum of Art, Architecture and Design
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Sheaves of Grain1876 · National Museum of Art, Architecture and Design
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Autumn1876 · National Museum of Art, Architecture and Design
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Old Barn, Hedmark1876 · National Museum of Art, Architecture and Design
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Country Courtyard1875 · National Museum of Art, Architecture and Design
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Farm at Hedmark1876 · National Museum of Art, Architecture and Design
24
View of Nevlunghavn1880 · National Museum of Art, Architecture and Design
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Autumn Landscape, Øylo1879 · National Museum of Art, Architecture and Design
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Autumn Landscape, Øylo1879 · National Museum of Art, Architecture and Design
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Autumn Evening at the Farm, Øylo1879 · National Museum of Art, Architecture and Design
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Boys taring a Boat, Nevlunghavn1880 · National Museum of Art, Architecture and Design
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From the Suburb1879 · National Museum of Art, Architecture and Design
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Landscape at Øylo in Mist1879 · National Museum of Art, Architecture and Design
31
The Sledge1879 · National Museum of Art, Architecture and Design
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Farm in Valdres1879 · National Museum of Art, Architecture and Design
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Birch Trees in Autumn1880 · National Museum of Art, Architecture and Design
34
Brook at Øylo1879 · National Museum of Art, Architecture and Design
35
Evening in the Forest1880 · National Museum of Art, Architecture and Design
36
After the Rain, motif from Eidsvold1883 · Statens Museum for Kunst
37
In The Garden1885
38
At the Well1886 · National Museum of Art, Architecture and Design
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Wooded Landscape1891 · National Museum of Art, Architecture and Design
40
In March1890 · National Museum of Art, Architecture and Design
41
Cotters' farms1889 · National Museum of Art, Architecture and Design
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View from Bærum1886 · National Museum of Art, Architecture and Design
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Waterfall at Stange in Hedmark1886 · National Museum of Art, Architecture and Design
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The Apple Tree1887 · National Museum of Art, Architecture and Design
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At the Farm, Ulvin1889 · National Museum of Art, Architecture and Design
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Evening in Eggedal1888 · National Museum of Art, Architecture and Design
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The Courtyard at Kongsvoll1895 · National Museum of Art, Architecture and Design
48
Early in the Morning1897 · National Museum of Art, Architecture and Design
49
The River Driva1895 · National Museum of Art, Architecture and Design
50
Åsmund bringing Home Silver and Gold1900 · National Museum of Art, Architecture and Design
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View from Vågå1905 · National Museum of Art, Architecture and Design
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Winter in Nittedal1905 · National Museum of Art, Architecture and Design
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The first Hall1900 · National Museum of Art, Architecture and Design
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The fourth Hall1900 · National Museum of Art, Architecture and Design
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The fifth Hall1904 · National Museum of Art, Architecture and Design
56
The second Hall1904 · National Museum of Art, Architecture and Design
57
Early Spring1922 · National Museum of Art, Architecture and Design
58
Ecstacy1895 · Nordnorsk Kunstmuseum
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
4 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Gerhard Munthe | Obrazy z tej listy |
|---|---|---|---|
 National Museum of Art, Architecture and Design |
Oslo | 53 | The poor Man's Field, The Apple Cart, Pigs in Moonlight |
 Statens Museum for Kunst |
Kopenhaga | 2 | High Mountains, After the Rain, motif from Eidsvold |
 Oslo Museum |
Oslo | 1 | Portrait of Johannes Flintoe |
 Nordnorsk Kunstmuseum |
Tromsø | 1 | Ecstacy |
Wybierz dekadę, aby zobaczyć dzieło, które ją definiuje.
In The poor Man's Field by Gerhard Munthe, the composition is balanced horizontally, organizing a rural agricultural scene into distinct layers. A dense line of dark green trees forms a backdrop that occupies the upper third of the frame, providing a solid boundary to the landscape. Below this treeline, the foreground and middle ground consist of a field of golden-green grass or grain being harvested. The color palette is dominated…
Pigs in Moonlight is an oil painting by the Norwegian painter and illustrator Gerhard Munthe. Created about 1880, the work captures a quiet moment on a rural farm. The scene rests in the dim light of a moonlit evening, where the shadows of a red wooden building stretch across the earth. A few pigs gather near a fence, their forms softened by the dusk.
The poor Man's Field (1877), National Museum of Art, Architecture and Design, Oslo. Następne są The Apple Cart (1876) oraz Pigs in Moonlight (1880).
28 lat: The poor Man's Field pochodzi z 1877, a Gerhard Munthe urodził(a) się w 1849.
The poor Man's Field, The Apple Cart, Pigs in Moonlight, Throwing Snowballs, Haymaking, Vik at Stange, Farm, Vik at Stange, High Mountains, The Artist's Wife in the Arbour, Åsmund and his Brothers on the Sea i The third Hall. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Nasz katalog zawiera 59 dzieł artysty Gerhard Munthe, datowanych od 1875 do 1926.
W większości znajdują się w National Museum of Art, Architecture and Design (Oslo), Statens Museum for Kunst (Kopenhaga) i Oslo Museum (Oslo). Powyższa tabela muzeów zawiera ich pełną listę.
W 1880s: 19 z 58 dzieł na tej stronie powstało w tym czasie, w tym Pigs in Moonlight.
Na tej stronie najwcześniejszy to Fields at Hedmark in Summer (1875), a najpóźniejszy Saga (1926).
Grass (3), Landscape (3) i Woman (2), w ramach 58 dzieł na tej stronie.
Oil On Canvas, dla 6 z 58 dzieł na tej stronie.
The poor Man's Field, The Apple Cart i Pigs in Moonlight: National Museum of Art, Architecture and Design, Oslo posiada 53 dzieł widocznych na tej stronie.
Artystyczny styl Gerharda Munthego ewoluował znacząco w ciągu jego kariery, odzwierciedlając zarówno jego osobiste doświadczenia, jak i dominujące trendy epoki. Początkowo inspirowany naturalizmem, stopniowo zaczął przyjmować elementy secesji, charakteryzującej się płynnymi liniami, organicznymi formami i dekoracyjną intensywnością. Jednak w samym sercu jego twórczości pozostało głębokie zaangażowanie w norweski folklor i mitologię. Munthe nie ograniczał się jedynie do przedstawiania scen; on tłumaczył legendy na narracje wizualne, nadając im emocjonalną głębię i symboliczny rezonans. Dzieła takie jak „Åsmund i księżniczka wracająca do domu” (1904) stanowią doskonały przykład tej metody – to dramatyczne dzieło inspirowane iluminowanymi manuskryptami, które łączy heroiczną bitwę z poruszającą opowieścią, bogatą w detale i ziemiste tony. Gobelin „Piąta Sala” jeszcze bardziej ukazuje jego niezwykłą zdolność do wplatania złożonych narracji w wizualnie oszałamiające kompozycje.
Przełomowym momentem w karierze Munthe była jego współpraca z Erikiem Werenskioldem przy tworzeniu ilustracji do Prose Edda autorstwa Snorriego Sturlusona. Ten ambitny projekt, realizowany w latach 1896–1899, ugruntował jego reputację jako mistrza wizualnej narracji i udowodnił niezwykłą zdolność do oddania epickiego rozmachu oraz głębokiego symbolizmu mitologii nordyckiej. Te ilustracje nie były jedynie prostymi reprodukcjami; stanowiły one autorskie reinterpretacje, przesiąknięte własną wizją artystyczną Munthe i głęboko zakorzenione w jego rozumieniu norweskiej kultury. Jego skrupulatna dbałość o detal, połączona z mistrzowskim operowaniem kolorem i kompozycją, przekształciła te starożytne podania w tętniące życiem i przystępne dzieła sztuki.
