Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 19 dzieł Emma Ciardi w naszym katalogu
W skrócie
Lucciolina to obraz autorstwa Emma Ciardi, który przyciąga najwięcej spojrzeń. Następnie wzrok kieruje się na Campo san barnaba i A Promenade (1911). Spośród 19 dzieł Emma Ciardi w naszym katalogu, tych 19 jest najbardziej znanych – każde z nich to unikatowy oryginał, przedstawiony wraz z rokiem powstania, muzeum oraz powodem, dla którego przetrwało próbę czasu.
This work reflects a specific fascination with scenes of leisure and refined social life. It moves away from the heavy traditions of the past to embrace a more spontaneous, observational style. The painting captures a sense of tranquility and the simple elegance of a summer day. There is a quietude here, a feeling of a world momentarily paused in a state of relaxation. It is a study of light, movement,…
The painting Campo san barnaba emerges from the brush of Emma Ciardi, an artist whose life and vision remain deeply intertwined with the canals and light of Venice, Italy. Born into a family where art was a constant presence, she was the daughter of Guglielmo Ciardi. This lineage of Venetian painters shaped her early years, embedding the spirit of the lagoon into her very identity. She spent her life within…
Campaign With Trees
12
The RendezvousThe Phillips Collection
13
Symphony In BlueThe Phillips Collection
14
Ladies Resting In The Shade
15
Villa Albani, Rome
16
The Great Fete On The Grand Canal Venice
17
Sweet Agreements
18
Pierrot Et Colombine Dans Un Parc
19
Rio Di San Giovanni E Paolo A VeneziaGallerie d'Italia – Milano
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
4 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Emma Ciardi | Obrazy z tej listy |
|---|---|---|---|
 Ca' Rezzonico – Muzeum XVIII wieku w Wenecji |
Wenecja | 3 | Canal of St. John and Paulus and Scuola di San Marc, Canal of St. John and Paulus, The Grand Canal with the Chiesa della Salute |
 The Phillips Collection |
Waszyngton | 2 | The Rendezvous, Symphony In Blue |
 Brooklyn Museum |
Brooklyn | 1 | Brooklyn Museum |
 Gallerie d'Italia – Milano |
Milan | 1 | Rio Di San Giovanni E Paolo A Venezia |
Długa, 23-letnia kariera, od 1911 do 1933: najsłynniejsze oryginały Emma Ciardi przedstawione rok po roku.
Wybierz rok, aby zobaczyć oryginały.
Lucciolina. Następne są Campo san barnaba oraz A Promenade (1911).
Lucciolina, Campo san barnaba, A Promenade, Brooklyn Museum, Canal of St. John and Paulus and Scuola di San Marc, Canal of St. John and Paulus, The Grand Canal with the Chiesa della Salute, Venetian Canal, Venice From The Lagoon i Diaphanous Day. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Nasz katalog zawiera 19 dzieł artysty Emma Ciardi, datowanych od 1911 do 1933.
W większości znajdują się w Ca' Rezzonico – Muzeum XVIII wieku w Wenecji (Wenecja), The Phillips Collection (Waszyngton) i Brooklyn Museum (Brooklyn). Powyższa tabela muzeów zawiera ich pełną listę.
Na tej stronie najwcześniejszy to A Promenade (1911), a najpóźniejszy Canal of St. John and Paulus and Scuola di San Marc (1933).
Italy (4), Canal (2) i Buildings (2), w ramach 19 dzieł na tej stronie.
Canal of St. John and Paulus and Scuola di San Marc, Canal of St. John and Paulus i The Grand Canal with the Chiesa della Salute: Ca' Rezzonico – Muzeum XVIII wieku w Wenecji, Wenecja posiada 3 dzieł widocznych na tej stronie.
Born in Venice, Italy, in 1879, Emma Ciardi emerged from a family deeply rooted in the artistic tradition. Following in the footsteps of her father, Guglielmo Ciardi, and brother, Beppe Ciardi, she began painting as an adolescent. This familial influence provided a strong foundation for her artistic development.
Ciardi’s talent quickly became apparent, leading to her first exhibition in 1900 at the prestigious Exposition Universelle in Paris. She also showcased her work at the Promotrice in Turin that same year. This early exposure marked the beginning of a successful exhibiting career. In 1903, she participated in the Esposizione Internazionale d’Arte di Venezia and continued to exhibit there almost annually until 1932.
Emma Ciardi's artistic style is characterized by a blend of Impressionistic techniques and a fascination with the elegance of the 18th century. She became particularly known for her landscapes and evocative views of Venice, capturing the city’s unique atmosphere and charm. However, she also gained significant recognition for her neo-18th-century subjects, depicting scenes of leisure, romance, and refined social life.
Ciardi’s work resonated strongly with audiences beyond Italy. In 1910, she organized her first solo exhibition at the Leicester Galleries in London, followed by another in 1913. Further exhibitions were held at the Fine Art Society in London in 1928 and 1933. Her breakthrough in the American market came in 1923 when she exhibited at the Howard Young Gallery in New York, which secured exclusive rights to sell her paintings.
Emma Ciardi’s career was tragically cut short by her death in Venice in 1933. However, her artistic contributions were celebrated just two years later with a retrospective exhibition commemorating the fortieth anniversary of the Venice Biennale.
Ciardi's work offers a glimpse into a specific moment in time – a period of artistic transition and revivalism. Her ability to blend Impressionistic techniques with historical themes created a unique aesthetic that continues to captivate viewers today. She stands as a notable figure in Italian art history, representing the vibrant artistic scene of early 20th-century Venice.
