W skrócie
Według galerii najsłynniejszym obrazem Copley Fielding jest Richmond hill, (1830). Ambelside, (1829) i Lake Nemi with Pontine Marshes in the Background (1837) dopełniają trio, które zna każde oko. Z 105 dzieł Copley Fielding w naszym katalogu, galeria prezentuje poniżej 89 najsłynniejszych prac – każda z nich jest oryginałem z podaniem roku powstania, muzeum oraz cech wyróżniających ją na tle innych.
10 najlepszych obrazów artysty Copley Fielding w galerii
Obrazy artysty Copley Fielding, uszeregowane od 11 do 89 miejsca
Tematy, które przyciągnęły wzrok Copley Fielding
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
Beach 11 dzieł
Landscape 9 dzieł
Animals 8 dzieł
Muzea przechowujące oryginały Copley Fielding
4 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Copley Fielding | Obrazy z tej listy |
|---|---|---|---|
| Birmingham | 2 | Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains | |
| Sydney | 1 | Dunster Castle, sunset | |
| New Haven | 1 | A Scene On The Coast, Merionethshire | |
| 1 | William Gibbs |
Copley Fielding, jedno kultowe dzieło na dekadę
Obrazy artysty Copley Fielding: odpowiedzi galerii
Który obraz Copley Fielding jest najsłynniejszy ze wszystkich?Odkryj odpowiedź
Richmond hill, (1830). Następne są Ambelside, (1829) oraz Lake Nemi with Pontine Marshes in the Background (1837).
Ile lat miał Copley Fielding, gdy ukończył Richmond hill,?Odkryj odpowiedź
43 lat: Richmond hill, pochodzi z 1830, a Copley Fielding urodził(a) się w 1787.
Które to 10 najlepszych obrazów Copley Fielding?Odkryj odpowiedź
Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide i Unloading the catch, whitby. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Ile dzieł stworzył/a Copley Fielding?Odkryj odpowiedź
Nasz katalog zawiera 105 dzieł artysty Copley Fielding, datowanych od 1829 do 1851.
Gdzie można znaleźć najsłynniejsze oryginały autorstwa Copley Fielding?Odkryj odpowiedź
W większości znajdują się w Birmingham Museum and Art Gallery (Birmingham), Art Gallery of New South Wales (Sydney) i Yale Center for British Art (New Haven). Powyższa tabela muzeów zawiera ich pełną listę.
Kiedy Copley Fielding stworzył swoje najsłynniejsze obrazy?Odkryj odpowiedź
W 1830s: 4 z 89 dzieł na tej stronie powstało w tym czasie, w tym Richmond hill,.
Które z najsłynniejszych dzieł Copley Fielding należą do jego najwcześniejszych i najpóźniejszych prac?Odkryj odpowiedź
Na tej stronie najwcześniejszy to Ambelside, (1829), a najpóźniejszy Byland Abbey, (1851).
Do jakich tematów Copley Fielding powracał najczęściej?Odkryj odpowiedź
Beach (11), Landscape (9) i Animals (8), w ramach 89 dzieł na tej stronie.
Z jakim nurtem związany jest Copley Fielding?Odkryj odpowiedź
Romanticism, sądząc po oryginałach na tej stronie.
Które oryginały artysty Copley Fielding znajdują się w zbiorach Birmingham Museum and Art Gallery?Odkryj odpowiedź
Lake Nemi with Pontine Marshes in the Background i Scottish Loch With Mountains: Birmingham Museum and Art Gallery, Birmingham posiada 2 dzieł widocznych na tej stronie.
Copley Fielding: artysta
The Visionary Brush of Anthony Vandyke Copley Fielding
In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.
Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.
A Mastery of Landscape and Marine Subjects
The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.
His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.
Legacy and Historical Significance
The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.
Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.








