Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 10 dzieł Antonio Badile Iii w naszym katalogu
W skrócie
Spośród wszystkich dzieł oryginalnych, które pozostawił Antonio Badile Iii, najsłynniejszym jest Polyptych of the Four Crowned Saints, Simplicius (1552), znajdujący się w kolekcji Castelvecchio Museum w Werona. Tuż za nimi znajdują się Portrait of an unknown woman (1550) oraz The Virgin and Child with Saint John the Baptist (1550). Nasz katalog zawiera 10 dzieł autorstwa Antonio Badile Iii; galeria zachowała 10 najbardziej podziwianych na świecie prac, z których każda została przedstawiona wraz z datą powstania, informacją o muzeum oraz jej historią.
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
In this 1550 oil on canvas, a pyramidal arrangement of figures emerges from a luminous, ethereal background. The Virgin Mary, the Christ Child, and Saint John the Baptist are positioned in an intimate, frontal perspective, creating a sense of immediate spiritual connection. A radiant glow emanates from behind the Virgin's head, casting a divine light that defines the contours of the figures while leaving the periphery in shadow. This use…
A middle-aged man emerges from a deep, indeterminate darkness, his form defined by a soft, directional light. He is positioned in a three-quarter view, gaze directed toward the left of the frame. The composition relies heavily on chiaroscuro, a technique where light and shadow define the volume of the face and the texture of the hands. A white collar provides a sharp point of contrast against the somber, dark drapery…
In the realm of Renaissance craftsmanship, few objects command attention quite like the Coffer of the Giusti Family with Stories of Virginia. This exquisite wedding chest, dating back to approximately 1400, serves as a breathtaking intersection of fine woodworking and classical storytelling. Crafted from sturdy fir wood using the meticulous dovetail joint technique, the piece is far more than a mere functional item; it is a portable stage for historical…
The polyptych was placed in the Veronese church of San Pietro Incarnario, on the altar pertaining to the art of stone cutting, of which the four crowned saints were patrons. There are represented the crowned figures of the saints, five Pannonian sculptors and four Roman officers, united in the original passio despite the two groups having been martyred two years apart. Responding to a demand for greater adherence to ancient…
The polyptych was placed in the Veronese church of San Pietro Incarnario, on the altar pertaining to the art of stone cutting, of which the four crowned saints were patrons. There are represented the crowned figures of the saints, five Pannonian sculptors and four Roman officers, united in the original passio despite the two groups having been martyred two years apart. Responding to a demand for greater adherence to ancient…
In the heart of Verona, within the hallowed halls of the Castelvecchio Museum, resides a profound testament to the spiritual and artistic fervor of the mid-16th century. Antonio Badile III’s Polyptych of the Four Crowned Saints, Simphorianus is not merely a painting but a window into the soul of the Counter-Reformation. Created in 1552, this masterful oil on board captures the solemnity of Saint Simphorianus with a gravity that commands…
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
The triptych represent saints Cecilia, Tiburtius and Valerius in an original attempt on the part of the artist to absorb Renaissance artistic innovations, such as the perspective of the pavement and the marble parapet decorated with classical medallions, within the confines of a linear style that is still Gothic. The studio of the “Master of the Cespo di Garofano”, so-called for his habit of inserting carnation plants as decorative motifs…
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
3 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Antonio Badile Iii | Obrazy z tej listy |
|---|---|---|---|
 Castelvecchio Museum |
Werona | 7 | Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius |
 Museo del Prado |
Madryt | 1 | Portrait of an unknown woman |
 National Museum of Art, Architecture and Design |
Oslo | 1 | Portrait of a Musician |
Zaledwie dekada, od 1550 do 1560, dostarczyła światu każdy datowany oryginał Antonio Badile Iii w tym zestawieniu: oto one, rok po roku.
Wybierz rok, aby zobaczyć oryginały.
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
Więcej od 1550
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
Więcej od 1552
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
Polyptych of the Four Crowned Saints, Simplicius (1552), Castelvecchio Museum, Werona. Następne są Portrait of an unknown woman (1550) oraz The Virgin and Child with Saint John the Baptist (1550).
34 lat: Polyptych of the Four Crowned Saints, Simplicius pochodzi z 1552, a Antonio Badile Iii urodził(a) się w 1518.
Polyptych of the Four Crowned Saints, Simplicius, Portrait of an unknown woman, The Virgin and Child with Saint John the Baptist, Portrait of a Musician, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius, Polyptych of the Four Crowned Saints, Nicostratus, Polyptych of the Four Crowned Saints, Simphorianus, Tobias and the Angel i Saints Cecilia, Tiburtius, Valerian. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Nasz katalog zawiera 10 dzieł artysty Antonio Badile Iii, datowanych od 1550 do 1560.
W większości znajdują się w Castelvecchio Museum (Werona), Museo del Prado (Madryt) i National Museum of Art, Architecture and Design (Oslo). Powyższa tabela muzeów zawiera ich pełną listę.
W 1552: 4 z 10 dzieł na tej stronie powstało w tym czasie, w tym Polyptych of the Four Crowned Saints, Simplicius.
Na tej stronie najwcześniejszy to Portrait of an unknown woman (1550), a najpóźniejszy Tobias and the Angel (1560).
Man (2), Drapery (2) i Woman (2), w ramach 10 dzieł na tej stronie.
Oil On Canvas, dla 3 z 10 dzieł na tej stronie.
Renaissance, sądząc po oryginałach na tej stronie.
Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia i Polyptych of the Four Crowned Saints, Claudius: Castelvecchio Museum, Werona posiada 7 dzieł widocznych na tej stronie.
