Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 18 dzieł Anthony V. C. Fielding w naszym katalogu
W skrócie
Seascape (1830) to obraz autorstwa Anthony V. C. Fielding, który przyciąga najwięcej spojrzeń. Następnie wzrok kieruje się na Sailing Boat in Rough Seas off a Jetty (1831) i Newark Castle (1810). Spośród 18 dzieł Anthony V. C. Fielding w naszym katalogu, tych 18 jest najbardziej znanych – każde z nich to unikatowy oryginał, przedstawiony wraz z rokiem powstania, muzeum oraz powodem, dla którego przetrwało próbę czasu.
A soft, diffused light settles over the coast, as if the sun is hidden behind a thick veil of salt and cloud. The sky and the sea share a palette of muted blues and greens, creating a cool, atmospheric weight that presses gently against the horizon. Small sailing boats, their triangular sails catching a phantom breeze, drift upon the water. On the shoreline, tiny figures move through the earthy tones…
There is a profound sense of struggle in this 1831 oil on canvas. The scene captures a moment of intense maritime conflict, where a small sailboat finds itself caught in the violent swells of a storm. The composition is vertical, drawing the eye upward through the height of the waves and into the heavy, low-hanging clouds that dominate the sky. It is a dark, somber arrangement of greens and browns,…
We are looking at Newark Castle, a work by Anthony V. C Fielding. This piece was created about 1810, a period when the artist was establishing his presence within the specialized circles of British watercolour painting. Fielding, born in Sowerby, England, brought a particular sensitivity to the landscape that would define much of his career.
The landscape unfolds through a serene interplay of light and water, where a lake serves as the central mirror for a setting sun. In the distance, the silhouette of Caernarvon Castle anchors the composition, its stone presence softened by the atmospheric haze of dusk. The scene is populated by subtle movements: birds in flight and two dogs near the water's edge, adding a sense of lived experience to the quietude.…
The churning waters off the coast of Dover, Kent, are rendered with a focus on the physical weight of the sea. Large, agitated waves dominate the composition, creating a sense of immediate maritime peril. Several vessels navigate these swells, including one prominent boat that anchors the viewer's attention amidst the spray. A solitary figure is visible near the center, a small presence against the vast, restless movement of the ocean.…
is a mountain landscape rendered by the artist Anthony V. C Fielding. Created about 1830, the work captures a specific corner of the Welsh terrain. The scene focuses on the rugged presence of Snowdon and the surrounding area of Tremadoc. It is a study of stone and sky held within the frame of the natural world.
The sky hangs heavy, a bruised curtain of grey that presses against the earth. Rain falls in relentless, vertical sheets, blurring the line between the dirt road and the weeping heavens. Through this deluge, a group of travelers moves with a singular, grim purpose. Horses strain against the mud, their heads bowed against the wind, while a wagon follows in the wake of the riders. A dog trots alongside, a…
A quietude settles over this 1835 landscape, where the heavy, clouded sky casts a soft, diffused light across the Sussex countryside. In the middle distance, the silhouette of Herstmonceux Castle emerges from the greenery, a brick-built structure that anchors the composition. The scene is populated by the slow, rhythmic movements of nature: cows graze in the verdant fields, and a lone horse wanders through the grass. Two figures are positioned…
The sky hangs heavy over Broadwater, a canopy of shifting clouds that threatens a soft rain. Below, the English countryside unfolds in a series of muted greens and earthy browns. A church spire rises from the cluster of buildings, a silent sentinel watching over the movement of the day. People move through the scene like small, deliberate strokes of light, their paths crossing near the trees that frame the town.…
Snowdon over the Head of Treath Mawr
12
Landscape
13
Skelwith Bridge, Ambleside, Cumbria
14
Mountain Landscape
15
The Vale of Llanberis, SnowdonMuseum of Gloucester
16
A Heath near the CoastFitzwilliam College
17
Yanwath Hall, on the Eamont, Westmorland
18
Dunstaffnage Castle, ArgyllshireMuseum of Gloucester
Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.
7 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Anthony V. C. Fielding | Obrazy z tej listy |
|---|---|---|---|
 Museum of Gloucester |
Gloucester | 2 | The Vale of Llanberis, Snowdon, Dunstaffnage Castle, Argyllshire |
 The National Trust For Scotland |
Brodick | 1 | Sailing Boat in Rough Seas off a Jetty |
 Scottish National Gallery |
Edynburg | 1 | Newark Castle |
 Llyfrgell Genedlaethol Cymru / The National Library of Wales |
Aberystwyth | 1 | Snowdon from Llyn Nantlle |
 Royal Holloway |
Egham | 1 | Travellers in a Storm, Approach to Winchester |
 Birmingham Museum and Art Gallery |
Birmingham | 1 | Packet Boat Entering Harbour |
 Fitzwilliam College |
Cambridge | 1 | A Heath near the Coast |
Wybierz dekadę, aby zobaczyć dzieło, które ją definiuje.
We are looking at Newark Castle, a work by Anthony V. C Fielding. This piece was created about 1810, a period when the artist was establishing his presence within the specialized circles of British watercolour painting. Fielding, born in Sowerby, England, brought a particular sensitivity to the landscape that would define much of his career.
The churning waters off the coast of Dover, Kent, are rendered with a focus on the physical weight of the sea. Large, agitated waves dominate the composition, creating a sense of immediate maritime peril. Several vessels navigate these swells, including one prominent boat that anchors the viewer's attention amidst the spray. A solitary figure is visible near the center, a small presence against the vast, restless movement of the ocean.…
A soft, diffused light settles over the coast, as if the sun is hidden behind a thick veil of salt and cloud. The sky and the sea share a palette of muted blues and greens, creating a cool, atmospheric weight that presses gently against the horizon. Small sailing boats, their triangular sails catching a phantom breeze, drift upon the water. On the shoreline, tiny figures move through the earthy tones…
The sky hangs heavy over Broadwater, a canopy of shifting clouds that threatens a soft rain. Below, the English countryside unfolds in a series of muted greens and earthy browns. A church spire rises from the cluster of buildings, a silent sentinel watching over the movement of the day. People move through the scene like small, deliberate strokes of light, their paths crossing near the trees that frame the town.…
Seascape (1830). Następne są Sailing Boat in Rough Seas off a Jetty (1831) oraz Newark Castle (1810).
43 lat: Seascape pochodzi z 1830, a Anthony V. C. Fielding urodził(a) się w 1787.
Seascape, Sailing Boat in Rough Seas off a Jetty, Newark Castle, Caernarvon Castle, A Rough Sea off Dover, Kent, Snowdon from Llyn Nantlle, Travellers in a Storm, Approach to Winchester, Herstmonceux Castle, Sussex, Broadwater, Sussex i Packet Boat Entering Harbour. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Nasz katalog zawiera 18 dzieł artysty Anthony V. C. Fielding, datowanych od 1810 do 1848.
W większości znajdują się w Museum of Gloucester (Gloucester), The National Trust For Scotland (Brodick) i Scottish National Gallery (Edynburg). Powyższa tabela muzeów zawiera ich pełną listę.
W 1830s: 4 z 18 dzieł na tej stronie powstało w tym czasie, w tym Seascape.
Na tej stronie najwcześniejszy to Newark Castle (1810), a najpóźniejszy Broadwater, Sussex (1848).
People (5), Landscape (5) i Sky (4), w ramach 18 dzieł na tej stronie.
Watercolor, dla 4 z 18 dzieł na tej stronie.
Romanticism, sądząc po oryginałach na tej stronie.
The Vale of Llanberis, Snowdon i Dunstaffnage Castle, Argyllshire: Museum of Gloucester, Gloucester posiada 2 dzieł widocznych na tej stronie.
Wczesne lata kształcenia Anthony V. C. Fielding skupiały się na malarstwie akwarelowym, medium, które opanował z niezwykłą biegłością. Szybko zyskał uznanie dzięki unikalnej zdolności do oddawania efektów atmosferycznych oraz subtelnych niuansów światła odbijającego się od tafli wody. Jednak to właśnie poprzez grawerowanie Fielding naprawdę zbudował swoją sławę i dotarł do szerokiego grona odbiorców. Dostrzegając rosnące zapotrzebowanie na wizualną dokumentację bitew morskich, projektów okrętów oraz scen przybrzeżnych, przekształcił swoje akwarelowe szkice w niezwykle szczegółowe miedzioryty. Ta transformacja okazała się kluczowa; podczas gdy wielu artystów polegało na rzemieślnikach odtwarzających ich dzieła, Fielding kontrolował cały proces, dbając o absolutną wierność swojej pierwotnej wizji. Jego grawerunki nie były jedynie reprodukcjami – stanowiły samodzielne dzieła sztuki, cenione za precyzję, techniczny kunszt i niezwykłą moc wywoływania emocji. Szczególną sławę przyniosła mu seria rycin przedstawiających okręty Royal Navy, będąca świadectwem morskiej potęgi Brytanii w czasach wojen napoleońskich i okresów późniejszych.
