Aktualizacja: Październik 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 10 dzieł Anthon van Rappard w naszym katalogu
W skrócie
Według opinii kuratorów galerii, najsłynniejszym obrazem Anthon van Rappard jest Weaver (1884), którego oryginał znajduje się w Van Gogh Museum w Amsterdam. Portrait of a Girl (1884) i Woman at the Spinning Wheel (1891) dopełniają trio, które zna każde oko. Z 10 dzieł Anthon van Rappard w naszym katalogu, galeria prezentuje poniżej 10 najsłynniejszych prac – każda z nich jest oryginałem z podaniem roku powstania, muzeum oraz cech wyróżniających ją na tle innych.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Anthon van Rappard, born in Zeist, Netherlands, captured the quietude of a life lived in observation. In his work Old Drenthe Woman, the artist turns his gaze toward the weathered reality of the human form. This oil portrait focuses on an elderly subject, presenting a face marked by the passage of time. The subject sits in a moment of stillness, her presence anchored by the weight of her years and…
3 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Anthon van Rappard | Obrazy z tej listy |
|---|---|---|---|
 Museum Boijmans Van Beuningen |
Rotterdam | 5 | Portrait of a Girl, Woman at the Spinning Wheel, Landing-stage with boats |
 Centraal Museum |
Utrecht | 3 | Two Female Workers, Tile Painters, Washing strands of Cotton |
 Van Gogh Museum |
Amsterdam | 2 | Weaver, Old Drenthe Woman |
Około dziesięć lat, od 1882 do 1891, wystarczyło dla Anthon van Rappard: galeria prowadzi przez nie rok po roku, prezentując jeden słynny oryginał po drugim.
Wybierz rok, aby zobaczyć oryginały.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Więcej od 1884
Weaver (1884), Van Gogh Museum, Amsterdam. Następne są Portrait of a Girl (1884) oraz Woman at the Spinning Wheel (1891).
26 lat: Weaver pochodzi z 1884, a Anthon van Rappard urodził(a) się w 1858.
Weaver, Portrait of a Girl, Woman at the Spinning Wheel, Old Drenthe Woman, Two Female Workers, Tile Painters, Landing-stage with boats, Laborer in a brickworks, Cotton Weaver near his Machine i Washing strands of Cotton. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.
Nasz katalog zawiera 10 dzieł artysty Anthon van Rappard, datowanych od 1882 do 1891.
W większości znajdują się w Museum Boijmans Van Beuningen (Rotterdam), Centraal Museum (Utrecht) i Van Gogh Museum (Amsterdam). Powyższa tabela muzeów zawiera ich pełną listę.
W 1884: 3 z 10 dzieł na tej stronie powstało w tym czasie, w tym Weaver.
Na tej stronie najwcześniejszy to Tile Painters (1882), a najpóźniejszy Woman at the Spinning Wheel (1891).
Portrait of a Girl, Woman at the Spinning Wheel i Landing-stage with boats: Museum Boijmans Van Beuningen, Rotterdam posiada 5 dzieł widocznych na tej stronie.
Anthon van Rappard lived through a period of quiet observation in the Netherlands. His life was closely tied to the city of Utrecht, where he found moments of deep connection with his surroundings. During the first half of the 1880s, he maintained a friendship and an exchange of letters with Vincent van Gogh. This connection placed him within a circle of individuals who were deeply engaged with the realities of their time.
His work often turned toward the lived experiences of those in his community. He spent time sketching at the Institute for the Blind in Utrecht, a place dedicated to teaching people how to earn a living through manual labor. In the autumn of 1882 and again around 1890, he returned to this setting to capture the steady rhythm of daily tasks.
Van Rappard had a way of looking at the small, focused movements of people at work. In his 1891 pastel, he documented three men engaged in the delicate process of making brushes. He watched as they fitted plant fibers into wooden handles with precise care. The scene included the simple tools of their trade, such as hammers and rolls of metal wire, laid out on a table.
There was a specific stillness in how he approached his subjects. In the same work, he depicted a bookkeeper at a tall desk, turned away from the craftsmen. This figure, wearing a faded black frock coat and spectacles, provided a quiet contrast to the physical labor occurring nearby. Through these sketches, Van Rappard recorded the atmosphere of an institution where people worked to find their place in society.
