Portret Anders Askevold

59 najsłynniejszych obrazów artysty Anders Askevold, każdy niepowtarzalny

Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 62 dzieł Anders Askevold w naszym katalogu

W skrócie

Study of Cows (1861) to obraz autorstwa Anders Askevold, który przyciąga najwięcej spojrzeń; oryginał znajduje się w National Museum of Art, Architecture and Design, Oslo. Następnie wzrok kieruje się na Study of carrying Farmers (1860) i Rest at Noon in the Mountains (1859). Spośród 62 dzieł Anders Askevold w naszym katalogu, tych 59 jest najbardziej znanych – każde z nich to unikatowy oryginał, przedstawiony wraz z rokiem powstania, muzeum oraz powodem, dla którego przetrwało próbę czasu.

1834 – 1900, Askvoll Municipality Romanticism Najwięcej dzieł: National Museum of Art, Architecture and Design

10 najlepszych obrazów autorstwa Anders Askevold według oka galerii

Słynne obrazy artysty Anders Askevold, od 11 do 59

11Fjord Landscape with Steamer (1886) autorstwa Anders AskevoldFjord Landscape with Steamer1886 12Study of two Cows (1900) autorstwa Anders AskevoldStudy of two Cows1900 · National Museum of Art, Architecture and Design 13Study of two Farmers (1900) autorstwa Anders AskevoldStudy of two Farmers1900 · National Museum of Art, Architecture and Design 14Study of four Reindeers (1900) autorstwa Anders AskevoldStudy of four Reindeers1900 · National Museum of Art, Architecture and Design 15Untitled (AQQ8L3) (1900) autorstwa Anders AskevoldUntitled (AQQ8L3)1900 16Study of six hooves (1855) autorstwa Anders AskevoldStudy of six hooves1855 · National Museum of Art, Architecture and Design 17Stilleben (1853) autorstwa Anders AskevoldStilleben1853 · National Museum of Art, Architecture and Design 18Landscape with Lake (1853) autorstwa Anders AskevoldLandscape with Lake1853 19Study of Calfheads (1858) autorstwa Anders AskevoldStudy of Calfheads1858 · National Museum of Art, Architecture and Design 20Study of a Treebucket with Potatoes (1860) autorstwa Anders AskevoldStudy of a Treebucket with Potatoes1860 · National Museum of Art, Architecture and Design 21Landscape Study (1862) autorstwa Anders AskevoldLandscape Study1862 · National Museum of Art, Architecture and Design 22From Hammerhaug (1860) autorstwa Anders AskevoldFrom Hammerhaug1860 · National Museum of Art, Architecture and Design 23View from Bergen (1859) autorstwa Anders AskevoldView from Bergen1859 · National Museum of Art, Architecture and Design 24Cowshed (1856) autorstwa Anders AskevoldCowshed1856 · National Museum of Art, Architecture and Design 25The Bondhus Glacier (1858) autorstwa Anders AskevoldThe Bondhus Glacier1858 · National Museum of Art, Architecture and Design 26Landscape with Cattle (1861) autorstwa Anders AskevoldLandscape with Cattle1861 · Nationalmuseum 27Norwegian Sommerlandskap med kuer Summer landscape with cows (1860) autorstwa Anders AskevoldNorwegian Sommerlandskap med kuer Summer landscape with cows1860 28High Mountain Picture. Paris (1865) autorstwa Anders AskevoldHigh Mountain Picture. Paris1865 · Trondheim Kunstmuseum 29High Mountain Image, Paris (1865) autorstwa Anders AskevoldHigh Mountain Image, Paris1865 · Trondheim Kunstmuseum 30Landscape with Church (1866) autorstwa Anders AskevoldLandscape with Church1866 · Trondheim Kunstmuseum 31Waterside with Boats (1869) autorstwa Anders AskevoldWaterside with Boats1869 · National Museum of Art, Architecture and Design 32Landscape Study (1869) autorstwa Anders AskevoldLandscape Study1869 · National Museum of Art, Architecture and Design 33Skogsstudie fra Eide (1868) autorstwa Anders AskevoldSkogsstudie fra Eide1868 34Moving the Cattle (1870) autorstwa Anders AskevoldMoving the Cattle1870 35Part of a Forest from Svanø in Sandefjord (1877) autorstwa Anders AskevoldPart of a Forest from Svanø in Sandefjord1877 · Trondheim Kunstmuseum 36Interior from an Open-Hearth Room (1875) autorstwa Anders AskevoldInterior from an Open-Hearth Room1875 · National Museum of Art, Architecture and Design 37From Prestøen in Sundfjord (1878) autorstwa Anders AskevoldFrom Prestøen in Sundfjord1878 38Boats at the Seaside (1885) autorstwa Anders AskevoldBoats at the Seaside1885 · National Museum of Art, Architecture and Design 39Milkmaid and Cows by Watering Place (1883) autorstwa Anders AskevoldMilkmaid and Cows by Watering Place1883 40Ferry Place on a Lake (1882) autorstwa Anders AskevoldFerry Place on a Lake1882 41Morning at the Edge of a Forest Lake (1882) autorstwa Anders AskevoldMorning at the Edge of a Forest Lake1882 42Evening by the Lakeside (1882) autorstwa Anders AskevoldEvening by the Lakeside1882 43Grazing Cow at the Riverside (1883) autorstwa Anders AskevoldGrazing Cow at the Riverside1883 44English Study of Pack Saddles and other Objects (1883) autorstwa Anders AskevoldEnglish Study of Pack Saddles and other Objects1883 · National Museum of Art, Architecture and Design 45At the ferryman's (1887) autorstwa Anders AskevoldAt the ferryman's1887 46Fishing Boats on a Fjord (1890) autorstwa Anders AskevoldFishing Boats on a Fjord1890 47Bakka i Nerøyfjorden (1892) autorstwa Anders AskevoldBakka i Nerøyfjorden1892 48Norwegian Norsk fjordlandskap Norwegian fjord landscape (1889) autorstwa Anders AskevoldNorwegian Norsk fjordlandskap Norwegian fjord landscape1889 49Fjord Landscape with People (1889) autorstwa Anders AskevoldFjord Landscape with People1889 50Steamboat pier in Nærøyfjorden (1894) autorstwa Anders AskevoldSteamboat pier in Nærøyfjorden1894 51Fjord Landscape with a Boat (1895) autorstwa Anders AskevoldFjord Landscape with a Boat1895 52Ferrying Passengers to the Steamer 'Roeser' (1893) autorstwa Anders AskevoldFerrying Passengers to the Steamer 'Roeser'1893 53Harbor in the Sognefjord (also known as From a Harbor in the Sognefjord) (1895) autorstwa Anders AskevoldHarbor in the Sognefjord (also known as From a Harbor in the Sognefjord)1895 54Study of two Cows, seen from behind (1900) autorstwa Anders AskevoldStudy of two Cows, seen from behind1900 · National Museum of Art, Architecture and Design 55English Figure Studies (1900) autorstwa Anders AskevoldEnglish Figure Studies1900 56English Study of six Pigs (1900) autorstwa Anders AskevoldEnglish Study of six Pigs1900 · National Museum of Art, Architecture and Design 57From Stalheim autorstwa Anders AskevoldFrom Stalheim 58Milkmaid with Cows by Riverbank autorstwa Anders AskevoldMilkmaid with Cows by Riverbank 59Landscape with Cattle Watering autorstwa Anders AskevoldLandscape with Cattle Watering

Tematy, które przyciągnęły wzrok Anders Askevold

Cztery motywy najczęściej powracające w tych oryginałach, z których każdy doczekał się swojego najdoskonalszego przykładu.

Muzea przechowujące oryginały Anders Askevold

4 muzeów, w których znajduje się najwięcej obrazów z tej strony.

Muzea Miasto Dzieła artysty Anders Askevold Obrazy z tej listy
National Museum of Art, Architecture and Design, OsloNational Museum of Art, Architecture and Design Oslo 25 Study of Cows, Study of carrying Farmers, Rest at Noon in the Mountains
Trondheim Kunstmuseum, TrondheimTrondheim Kunstmuseum Trondheim 6 Livestock on the Way Home, High Mountain Image, High Mountain Picture. Paris
Bergen Kunstmuseum, BergenBergen Kunstmuseum Bergen 2 Landscape with Cattle, Fjord Landscape with Cattle
Nationalmuseum, StockholmNationalmuseum Stockholm 1 Landscape with Cattle

Anders Askevold na przestrzeni dekad: jeden unikatowy oryginał dla każdego

Dzieła według dekad

Wybierz dekadę, aby zobaczyć dzieło, które ją definiuje.

Obrazy artysty Anders Askevold: pytania do galerii

Jakie jest najsłynniejsze dzieło artysty Anders Askevold?Odkryj odpowiedź

Study of Cows (1861), National Museum of Art, Architecture and Design, Oslo. Następne są Study of carrying Farmers (1860) oraz Rest at Noon in the Mountains (1859).

W jakim wieku Anders Askevold stworzył/a Study of Cows?Odkryj odpowiedź

27 lat: Study of Cows pochodzi z 1861, a Anders Askevold urodził(a) się w 1834.

Które dziesięć obrazów Anders Askevold jest najbardziej znanych?Odkryj odpowiedź

Study of Cows, Study of carrying Farmers, Rest at Noon in the Mountains, Livestock on the Way Home, High Mountain Image, Evening at the Riverside, Landscape with Cattle, Fjord Landscape with Cattle, Summer Day by the Tarn i Study of Cows. Powyższy ranking zawiera rok powstania oraz muzeum dla każdego z nich.

Ile znanych dzieł stworzył Anders Askevold?Odkryj odpowiedź

Nasz katalog zawiera 62 dzieł artysty Anders Askevold, datowanych od 1853 do 1900.

Gdzie można zobaczyć najsłynniejsze oryginały Anders Askevold?Odkryj odpowiedź

W większości znajdują się w National Museum of Art, Architecture and Design (Oslo), Trondheim Kunstmuseum (Trondheim) i Bergen Kunstmuseum (Bergen). Powyższa tabela muzeów zawiera ich pełną listę.

W jakim okresie Anders Askevold stworzył/a swoje najsłynniejsze obrazy?Odkryj odpowiedź

W 1860s: 16 z 59 dzieł na tej stronie powstało w tym czasie, w tym Study of Cows.

Który z najsłynniejszych obrazów artysty Anders Askevold powstał najwcześniej, a który najpóźniej?Odkryj odpowiedź

Na tej stronie najwcześniejszy to Stilleben (1853), a najpóźniejszy Study of two Cows (1900).

Jakie tematy preferował Anders Askevold?Odkryj odpowiedź

Landscape (6), Animals (5) i Mountain scenery (3), w ramach 59 dzieł na tej stronie.

Do jakiego nurtu należy twórczość Anders Askevold?Odkryj odpowiedź

Romanticism, sądząc po oryginałach na tej stronie.

Jakie oryginały Anders Askevold można zobaczyć w National Museum of Art, Architecture and Design?Odkryj odpowiedź

Study of Cows, Study of carrying Farmers i Rest at Noon in the Mountains: National Museum of Art, Architecture and Design, Oslo posiada 25 dzieł widocznych na tej stronie.

Anders Askevold: portret artysty

A Life Shaped by the Norwegian Landscape

Anders Monsen Askevold entered the world in 1834 in Askvoll, Sunnfjord, Norway. He was born into a family of ten siblings, the second oldest, to a father who served as a teacher and a member of parliament. His early years were rooted in the quiet rhythms of his homeland, a connection that would later define his entire artistic output. At thirteen, he began his formal training in Bergen under the landscape painter Hans Leganger Reuch.

His path eventually led him far beyond the borders of Norway. Askevold sought deeper instruction in the great art centers of Europe, moving through the studios of Düsseldorf, Munich, and Paris. In Düsseldorf, he studied under Hans Frederik Gude between 1855 and 1859, a period that deeply influenced his approach to light and terrain. While he spent winters in Germany, his heart often returned to the summers in Norway, where the fjords and mountains provided his most enduring subjects.

The Language of the Fjord and Field

Askevold’s work is closely tied to the Düsseldorf school of painting, a style that emphasized a realistic yet romanticized view of nature. He focused heavily on the landscapes of Western Norway, capturing the specific atmosphere of the fjords and coastal regions. His paintings often depict the quiet, pastoral life of the Norwegian countryside, where mountains meet the water and livestock graze in summer pastures.

His technical approach varied depending on his surroundings, sometimes utilizing a more impressionistic brushwork to capture light, as seen in his coastal scenes from Sundfjord. Some of his notable subjects included:

Recognition and Legacy

Throughout his career, Askevold’s work traveled to major international stages. He exhibited his paintings in London, Paris, Vienna, and Philadelphia, earning respect from audiences far from his birthplace. His ability to translate the national character of Norway onto canvas brought him significant honors, including medals won in both Vienna and Philadelphia, as well as a gold medal awarded in London in 1884.

Beyond landscapes, he also undertook religious commissions, such as painting altarpieces for churches like the Askvoll Church in 1859. He settled in Düsseldorf in 1878, where he remained until his death in 1900. Today, his legacy is preserved in important collections, including the National Museum of Art, Architecture and Design in Oslo and the Bergen Billedgalleri, ensuring that his vision of the Norwegian landscape remains accessible to those who seek to understand the era's romantic national expression.