Przewodnik po pracach studenckich

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Imię i nazwisko Klasa Data

Youssef Abdelke, Shoe (2005), Atassi Foundation for Art and Culture. Odtworzono w celach informacyjnych; wszelkie prawa zastrzeżone przez właściciela praw.

Informacje podstawowe

Artysta: Youssef Abdelke originaluniqueart.com/pl/artists/youssef-abdelke/
Daty życia artysty: 1951 – ?
Obraz olejny: 2005
Miejsce odbycia: Atassi Foundation for Art and Culture originaluniqueart.com/pl/museums/atassi-foundation-for-art-and-culture-dubai/

© Wszystkie prawa zastrzeżone Dzieło to jest traktowane jako wciąż objęte prawem autorskim. Youssef Abdelke urodził(a) się w 1951, lecz nie odnotowano daty śmierci; prawo autorskie wygasa 70 lat po śmierci artysty. Obraz ten został udostępniony wyłącznie w celach edukacyjnych; wszelkie prawa pozostają przy dysponentach praw autorskich.

Shoe — Youssef Abdelke

Data powstania

1950
1960
1970
1980
1990
2000

Shaded: lata życia Youssef Abdelke (1951–?) ▲ to dzieło, 2005

Dzieła podobne

People Number 20, 1994 originaluniqueart.com/pl/art/youssef-abdelke-people-number-20-DD2E6Q-en/
Fish, 2015 originaluniqueart.com/pl/art/youssef-abdelke-fish-DD2DT2-en/
People Number 10, 1993 originaluniqueart.com/pl/art/youssef-abdelke-people-number-10-DD2E6U-en/

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnej tematyce: originaluniqueart.com/pl/art/similar/youssef-abdelke-shoe-DD2DT5-en/

Kolory

Na podstawie analizy obrazu

Kolor dominujący

Espresso #5e5a5a

Paleta w katalogu

#5E5A5A
#423A39
#777476
#ABAAA7

Kolor główny: Espresso
Intensywność: Monochromatic Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
Kontrast: Serene W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
Harmonia: Discordant Palette Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
Jasność: Balanced Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
Nasycenie: Muted Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

Shoe — Youssef Abdelke

Artysta

Youssef Abdelke

Born in Qamishli, Syrian Arab Republic

A Vision of Violence and Symbolism

Youssef Abdelke, born in the Syrian city of Qamishli in 1951, is an artist whose very existence and creative output are inextricably linked to the turbulent currents of history. A Syrian-French master of drawing and printmaking, his oeuvre serves as a profound meditation on war, trauma, and the fragile resilience of the human condition. His artistic journey has been shaped by the shadows of political upheaval and the weight of exile, experiences that have forged a visual language both hauntingly beautiful and unflinchingly raw. To encounter an Abdelke work is to step into a space where personal memory meets global tragedy, where the artist’s gaze pierces through the surface of objects to reveal the underlying anxieties of a society in conflict.

The foundations of his meticulous technique were laid at the Damascus Faculty of Fine Arts, from which he graduated in 1976. This period of formal training instilled in him a rigorous approach to observation, yet it was the political storms of the late 1970s that would truly define his artistic purpose. Following two years of imprisonment for his political activism, Abdelke was forced into exile in France.

Muzeum

Atassi Foundation for Art and Culture

On show in Dubai, United Arab Emirates

A Beacon of Syrian Realism: Exploring the Atassi Foundation for Art and Culture in Dubai

Nestled within the vibrant cultural landscape of Dubai, the Atassi Foundation for Art and Culture stands as a singular institution—a testament to both artistic resilience and the enduring power of realism. Established with a profound commitment to showcasing contemporary Syrian art, particularly through its roots in representational techniques, the foundation offers visitors an immersive experience that transcends mere observation, inviting contemplation on identity, history, and the human condition. More than just a museum, it’s a bridge connecting the echoes of Syria's artistic past with the dynamic present of the United Arab Emirates.

The Foundation’s core mission is deeply rooted in preserving and promoting modern and contemporary art and archives from Syria. This focus isn’t simply aesthetic; it’s driven by a vital need to safeguard cultural heritage against displacement and conflict. Founded in 2016, the institution carries forward the legacy of the Atassi Gallery, which began as a private art space in Homs in 1986, serving as a crucial hub for Syrian artists and intellectuals before the tumultuous events of recent years.

Dowiedz się więcej

Artysta Youssef Abdelke originaluniqueart.com/pl/artists/youssef-abdelke/
Muzeum Atassi Foundation for Art and Culture originaluniqueart.com/pl/museums/atassi-foundation-for-art-and-culture-dubai/
Podobne dzieła Więcej dzieł do porównania originaluniqueart.com/pl/art/similar/youssef-abdelke-shoe-DD2DT5-en/

Odkryj w sieci

Kod QR prowadzący do strony pobierania Shoe

originaluniqueart.com/pl/art/download/youssef-abdelke-shoe-DD2DT5-en/

Cytowanie dzieła

MLA: Abdelke, Youssef. Shoe. 2005, Atassi Foundation for Art and Culture. https://originaluniqueart.com/pl/art/youssef-abdelke-shoe-DD2DT5-en/
APA: Abdelke, Youssef (2005). Shoe [Painting]. Atassi Foundation for Art and Culture. https://originaluniqueart.com/pl/art/youssef-abdelke-shoe-DD2DT5-en/
Chicago: Youssef Abdelke. Shoe. 2005. Atassi Foundation for Art and Culture. https://originaluniqueart.com/pl/art/youssef-abdelke-shoe-DD2DT5-en/
Harvard: Abdelke, Youssef (2005) Shoe. Atassi Foundation for Art and Culture. Available at: https://originaluniqueart.com/pl/art/youssef-abdelke-shoe-DD2DT5-en/

Shoe — Youssef Abdelke

Look closely

Answer in your own words. There are no wrong answers here — only answers you can explain.

What catches your eye first, and why?
Which colours or shapes create the mood — and what is that mood?
Look back at People Number 20 (1994), earlier in this guide. Name two things it shares with this work, and one that is different.
Youssef Abdelke was about 54 when this was made. What in it looks like the work of an artist at that stage?
What might the artist have wanted you to feel?

Your response

Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.