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Self Portrait with Hands

Imię i nazwisko Klasa Data

Susan Wilson, Self Portrait with Hands (1996), Usher Gallery. Odtworzono w celach informacyjnych; wszelkie prawa zastrzeżone przez właściciela praw. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Informacje podstawowe

Artysta
Susan Wilson originaluniqueart.com/pl/artists/susan-wilson_pl/
Obraz olejny
1996
Wymiary oryginału
127 x 76 cm
Miejsce odbycia
Usher Gallery originaluniqueart.com/pl/museums/usher-gallery-lincoln/

W kontekście

Self Portrait with Hands — Susan Wilson

Wymiary

Oryginalne wymiary to 127 × 76 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Data powstania

  1. 1990
  2. 2000

▲ to dzieło, 1996 każdy datowany obraz, dekada po dekadzie

Dzieła podobne

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnej tematyce: originaluniqueart.com/pl/art/similar/susan-wilson-self-portrait-with-hands-ARALRE-en/

Kolory

Na podstawie analizy obrazu

    Kolor dominujący

    Quinacridone Magenta #855c55

    Paleta w katalogu

    • #855C55
    • #AC8777
    • #D0BFAA
    • #543836

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Paleta kolorów
    Earthy Dominująca gama kolorystyczna obrazu.
    Kolor główny
    Quinacridone Magenta
    Intensywność
    Balanced Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Balanced W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Balanced Harmony Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Bright Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Subtle Color Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie ogląda się ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa Susan Wilson z ostatnich dwunastu miesięcy — łącznie 1 krajów. Skąd pochodzą te dane

    Dziesięć wiodących krajów

    1. 1 Chiny 100,0%

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    4 najczęściej oglądanych dzieł artysty Susan Wilson

    1. 1 On the Gothic Line, 1990 33,3%
    2. 2 Self Portrait with a Clematis Wreath, 1996 33,3%
    3. 3 Baroness Helena Kennedy (b.1950), 2001 33,3%
    4. — Self Portrait with Hands, 1996 ten obraz 0,0%

    Razem dzieła te stanowią 99,9% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 5 dzieł tego artysty, z których 3 zostało obejrzanych co najmniej raz. Ten obraz nie został jeszcze obejrzany w tym czasie — zamyka on listę bez przypisanego miejsca w rankingu. To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    Artysta i muzeum

    Artysta

    Susan Wilson

    Miejsce urodzenia Nowa Zelandia

    Susan Wilson: A Painter Rooted in Observation and Emotion

    Susan Wilson (b. Dunedin, New Zealand 1951) embarked on an artistic journey marked by radical convictions and a profound connection to the natural world—a trajectory that would ultimately shape her distinctive style and enduring legacy within British art history. Expelled from teacher training college for outspoken political views, Wilson’s formative years instilled in her a commitment to challenging conventions and advocating for social justice, values that would permeate her artistic practice throughout her life.

    Following initial explorations into nursing and travel—particularly encompassing South America—Wilson arrived in England in 1982, enrolling at Camberwell School of Arts and Crafts and subsequently the Royal Academy Schools. These institutions provided crucial grounding in traditional techniques while fostering an openness to experimentation and innovation, shaping her artistic vision and establishing her as a respected tutor and mentor.

    Her artistic development gained momentum through fellowships awarded by Cheltenham & Gloucester College of Art and Technology and prestigious organizations like Venice Biennale and The Richard Ford Scholarship to Spain. Recognition from influential bodies such as the Spectator Competition cemented her reputation as a gifted artist capable of capturing both formal beauty and emotional depth—a hallmark of her oeuvre.

    Wilson’s artistic output spanned diverse mediums, including oil paintings, etchings, and prints, reflecting her unwavering dedication to direct observation and meticulous detail. Her subjects ranged from intimate portraits—such as “Baroness Helena Kennedy,” a poignant exploration of loneliness and introspection—to expansive landscapes imbued with the spirit of British wilderness. Notably, her work at Crossrail excavation site in North Kensington showcased her engagement with contemporary social issues alongside her mastery of artistic craft.

    Her paintings are characterized by textured surfaces—particularly impasto technique—that convey palpable energy and immediacy. Surrealist elements subtly interwoven into her compositions underscore her embrace of psychological exploration and challenge conventional perceptions of reality. Wilson’s artistic style aligns closely with Expressionism and Surrealism, demonstrating a willingness to push boundaries and express profound emotional resonance.

    Throughout her career, Wilson maintained active involvement in the art world as an artist interpreter at The National Portrait Gallery and a member of ARTES committee—roles that underscored her commitment to fostering dialogue and disseminating knowledge about art and culture. Her enduring influence extends beyond her own artistic achievements; she served as a tutor at Chelsea School of Art and contributed significantly to the training of future generations of artists, ensuring that her distinctive vision continued to inspire creativity and critical engagement.

    Her work is held by institutions such as The Usher Gallery in Lincoln and The National Trust—a testament to its enduring appeal and recognition within British art heritage. Susan Wilson’s artistic legacy stands as a beacon of conviction, observation, and emotional expression—a celebration of the transformative power of art to illuminate both inner landscapes and the beauty of the external world.

    Influences and Artistic Style

    Wilson's artistic sensibilities were profoundly shaped by several key influences. John Wilson Carmichael, a Scottish landscape painter who championed tonal harmony and atmospheric perspective, served as an early mentor and instilled in her a reverence for capturing the sublime grandeur of nature. Similarly, artists associated with Expressionism—such as Edvard Munch and Ernst Ludwig Kirchner—provided inspiration for exploring psychological states through bold color palettes and distorted forms. The Surrealist movement’s preoccupation with dreamlike imagery and subconscious symbolism resonated deeply with Wilson's artistic vision, encouraging her to delve into realms beyond rational thought.

    Major Achievements and Recognition

    Susan Wilson achieved considerable acclaim throughout her illustrious career. Her etchings garnered recognition from prestigious competitions like the Spectator Competition, establishing her as a masterful printmaker capable of conveying nuanced emotion through precise linework and tonal gradation. Furthermore, her fellowship at Venice Biennale showcased her artistic prowess on an international stage—a validation of her commitment to innovation and stylistic experimentation. The National Portrait Gallery honored Wilson’s contribution to visual culture by featuring her portrait alongside other celebrated artists—a testament to her enduring legacy in British art history.

    Notable Artwork

    Wilson's oeuvre encompasses a diverse range of artworks that exemplify her distinctive artistic style. “Wild London,” a series of evocative etchings depicting the urban landscape, captures the spirit of Victorian England with meticulous detail and subtle tonal variations. “Baroness Helena Kennedy,” an intimate portrait conveying vulnerability and introspection, exemplifies Wilson’s ability to portray human emotion with sensitivity and psychological insight. Her work at Crossrail excavation site in North Kensington powerfully communicates contemporary social concerns alongside her technical virtuosity—a testament to her artistic versatility and engagement with pressing issues of our time.

    Legacy and Influence

    Susan Wilson's enduring influence extends beyond her own artistic accomplishments; she served as a tutor at Chelsea School of Art and fostered the development of countless aspiring artists—ensuring that her distinctive vision continued to inspire creativity and critical reflection. Her contributions to ARTES committee—a collaborative initiative promoting visual culture—further solidified her role as a champion of artistic dialogue and intellectual exchange. Wilson’s legacy stands as an inspiration for artists striving to express profound emotion through innovative techniques—a celebration of the transformative power of art to enrich human experience and illuminate the complexities of the world around us.

    Muzeum

    Usher Gallery

    Wystawa w Lincoln, United States of America

    A Sanctuary of Splendor in Temple Gardens

    Nestled within the verdant, tranquil embrace of Temple Gardens, the Usher Gallery serves as much more than a mere repository for antiquity; it is a living testament to the enduring spirit of Lincolnshire. Established in 1927 through the profound generosity of James Ward Usher—a master jeweler whose eye for exquisite silverwork defined his life—the gallery stands as a luminous architectural gem. Designed by the celebrated architect Sir Reginald Blomfield, its stone-faced façade, characterized by classical Tuscan pilasters and a dignified balustrade, offers a serene sanctuary that invites deep contemplation. To wander through its halls is to step into a curated history where the elegance of Victorian grandeur meets the quiet innovation of the modern era, creating an atmosphere that captivates the soul of every visitor, collector, and interior designer alike.

    The Art of Detail: From Porcelain to Silver

    For the discerning lover of fine craftsmanship, the gallery’s holdings offer a breathtaking chronicle of English decorative arts. The collection breathes with the delicate whispers of Tudor porcelain and the storied legacy of Spode, leading the eye through an evolution of taste that spans from the Renaissance to the Baroque periods. One finds oneself mesmerized by the intricate patterns of Delftware and the opulent flourishes of Sevres, where oriental motifs meet British sensibilities in a dance of light and color. This tactile journey continues through an impressive array of silverware, where the meticulous artistry of silversmiths like John Wakelin shines with a glittering reflection of aristocratic taste. Each piece, from delicate floral engravings on tea sets to ceremonial objects bearing noble heraldic emblems, reflects a period of profound ornamentation, offering timeless inspiration for those who seek to infuse their own spaces with historical grace and artisanal excellence.

    Masterpieces of Light and Human Emotion

    Beyond the tactile beauty of ceramics and silver, the Usher Gallery houses a profound collection of paintings that capture the very essence of human emotion and the natural world. The halls are graced by the sweeping, romantic landscapes of John Constable, which evoke the rugged beauty of the countryside, alongside evocative portraits that freeze the spirit of society in time. There is a palpable drama found in works such as

    William Hilton II’s

    The Crucifixion

    , where the masterful use of

    chiaroscuro

    and a striking contrast between light and shadow create an intense, emotional depth that draws the viewer into a shared moment of communal concern. Whether exploring the poignant domesticity of Alford Usher Soord’s paintings or encountering the modern legacies of J.M.W. Turner and L.S. Lowry, the gallery provides a continuous dialogue between the past and the present, making it an essential destination for anyone moved by the transformative power of art.

    Dowiedz się więcej

    • Artysta Susan Wilson originaluniqueart.com/pl/artists/susan-wilson_pl/
    • Muzeum Usher Gallery originaluniqueart.com/pl/museums/usher-gallery-lincoln/
    • Podobne dzieła Więcej dzieł do porównania originaluniqueart.com/pl/art/similar/susan-wilson-self-portrait-with-hands-ARALRE-en/

    Odkryj w sieci

    Kod QR prowadzący do strony pobierania Self Portrait with Hands

    originaluniqueart.com/pl/art/download/susan-wilson-self-portrait-with-hands-ARALRE-en/

    Cytowanie dzieła

    MLA
    Wilson, Susan. Self Portrait with Hands. 1996, Usher Gallery. https://originaluniqueart.com/pl/art/susan-wilson-self-portrait-with-hands-ARALRE-en/
    APA
    Wilson, Susan (1996). Self Portrait with Hands [Painting]. Usher Gallery. https://originaluniqueart.com/pl/art/susan-wilson-self-portrait-with-hands-ARALRE-en/
    Chicago
    Susan Wilson. Self Portrait with Hands. 1996. Usher Gallery. https://originaluniqueart.com/pl/art/susan-wilson-self-portrait-with-hands-ARALRE-en/
    Harvard
    Wilson, Susan (1996) Self Portrait with Hands. Usher Gallery. Available at: https://originaluniqueart.com/pl/art/susan-wilson-self-portrait-with-hands-ARALRE-en/

    Przyjrzyj się bliżej

    Self Portrait with Hands — Susan Wilson

    Przyjrzyj się bliżej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. Wróć do dzieła Baroness Helena Kennedy (b.1950) (2001), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    4. Co artysta mógł chcieć, abyś poczuł?
    5. Gdybyś mógł zadać artyście jedno pytanie dotyczące tego dzieła, o co byś zapytał?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Pytania i odpowiedzi

    Czy dzieło "Self Portrait with Hands" jest wolne od praw autorskich?

    Jeśli chodzi o prawa autorskie, "Self Portrait with Hands" znajduje się w nadal chronione prawem autorskim.

    Jaki kolor dominuje w kompozycji „Self Portrait with Hands” autorstwa Susan Wilson?

    Kolorem, który najbardziej wyróżnia się w "Self Portrait with Hands", jest Quinacridone Magenta (#855c55). Dominujący kolor jest pomocny przy dopasowywaniu dzieła sztuki do wnętrza.

    Kto jest autorem i z jakiego roku pochodzi "Self Portrait with Hands"?

    Susan Wilson stworzył/a "Self Portrait with Hands" w 1996 roku.