Papier

Przewodnik po pracach studentów

The Misses Hunter

Imię i nazwisko Klasa Data

John Singer Sargent, The Misses Hunter (1902), Tate Britain. Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
John Singer Sargent originaluniqueart.com/pl/artists/john-singer-sargent_pl/
Daty życia artysty
1856 – 1925
Technika malarska
1902
Technika wykonania
Oil On Canvas
Wymiary oryginału
229 x 230 cm
Ruch
Impressionistic Realism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Epoka
19th Century
Miejsce wystawy
Tate Britain originaluniqueart.com/pl/museums/tate-britain-londyn_pl-1/
Artistic style
Realism with Impressionist touches
Influences
European Art
Notable elements or techniques
Loose brushstrokes; Vibrant colors
Subject or theme
Portraiture; High Society

W kontekście

The Misses Hunter — John Singer Sargent

Jakie są wymiary?

Oryginalne wymiary to 229 × 230 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście. Dzieło jest zbyt duże, aby przedstawić je w skali na tej stronie.

Kiedy powstało to dzieło?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 69 w chwili śmierci.

Namalowane, gdy artysta miał 46 lat. Artysta dożył 69 lat. 643 z 1127 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia John Singer Sargent (1856–1925) ▲ to dzieło, 1902 każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1884 Główne lata aktywności zawodowej: 1884–1906 Późne dzieła: od 1906

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty

Porównaj z

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: originaluniqueart.com/pl/art/similar/john-singer-sargent-the-misses-hunter-8YDG9B-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Putty #dbdde6

    Paleta w katalogu

    • #DBDDE6
    • #161319
    • #9C918D
    • #6B4E44

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Nazwa koloru głównego
    Putty
    Nasycenie
    Monochromatic Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Statement W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Discordant Palette Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Deep_shadow Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Muted Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa John Singer Sargent z ostatnich dwunastu miesięcy — łącznie 54 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Chiny 56,6%153 200 wizyt
    2. 2 Stany Zjednoczone Ameryki 10,9%29 400 wizyt
    3. 3 Hongkong 9,0%24 300 wizyt
    4. 4 Singapur 7,7%20 900 wizyt
    5. 5 Francja 2,3%6 100 wizyt
    6. 6 Hiszpania 2,1%5 700 wizyt
    7. 7 Włochy 1,4%3 700 wizyt
    8. 8 Rumunia 1,3%3 600 wizyt
    9. 9 Niemcy 1,2%3 300 wizyt
    10. 10 Wielka Brytania 1,1%3 100 wizyt
    11. · 44 innych krajów 6,4%17 400 wizyt

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    20 najczęściej oglądanych dzieł artysty John Singer Sargent

    1. 1 Korneliasy, Lilie, Lilie, Róże, 1885 2,3%7 400 odwiedzin
    2. 2 Las Meninas (po Velázquez), 1879 1,5%4 900 odwiedzin
    3. 3 Łódź na wodach off Capri, 1878 1,5%4 800 odwiedzin
    4. 4 Córki Edwarda Darleya Boita, 1882 1,0%3 100 odwiedzin
    5. 5 El Jaleo - Żałewo, 1882 0,9%2 900 odwiedzin
    6. 6 Stół na Kolację (zwany również Panem i Panią Albertem Vickers), 1884 0,9%2 700 odwiedzin
    7. 7 The Wyndham Sisters, 1899 0,6%2 000 odwiedzin
    8. 8 A Nude Boy on a Beach (also known as Boy Lying on a Beach), 1878 0,6%2 000 odwiedzin
    9. 9 Nude Egyptian Girl, 1891 0,6%1 800 odwiedzin
    10. 10 Lady Agnew of Lochnaw 0,6%1 800 odwiedzin
    11. 11 Two Girls with Parasols at Fladbury, 1889 0,5%1 600 odwiedzin
    12. 12 Egyptian Woman, 1891 0,5%1 600 odwiedzin
    13. 13 Kapri (znana również jako Dziewczyna z Kapry), 1878 0,5%1 500 odwiedzin
    14. 14 Ulica Wenecja, 1882 0,5%1 500 odwiedzin
    15. 15 Dr. Pozzi at Home, 1881 0,5%1 500 odwiedzin
    16. 16 Head of Christ, 1897 0,5%1 500 odwiedzin
    17. 17 Claude Monet Painting by the Edge of a Wood, 1885 0,4%1 400 odwiedzin
    18. 18 Kaszmir, 1908 0,4%1 300 odwiedzin
    19. 19 Dan les oliviers à Capri, 1878 0,4%1 300 odwiedzin
    20. 150 The Misses Hunter, 1902 ten obraz 0,2%500 odwiedzin

    Razem dzieła te stanowią 14,9% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 1388 dzieł tego artysty, z których 935 zostało obejrzanych co najmniej raz. Ten obraz zajmuje 150 miejsce w rankingu, przyciągając 0,2% uwagi (500 odwiedzin). To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    O tym dziele sztuki

    The Misses Hunter — John Singer Sargent

    A Symphony of Edwardian Elegance

    In the grand tapestry of early twentieth-century portraiture, few works capture the shimmering essence of high society quite like John Singer Sargent’s “The Misses Hunter.” Painted in 1902, this monumental oil on canvas is far more than a mere record of faces; it is an evocative window into the Edwardian era, a time defined by aristocratic grace and a meticulous preoccupation with social refinement. The painting depicts three sisters—Kathleen, Cary Phyllis, and Sylvia Hunter—seated intimately upon a plush, circular confidante sofa. Their presence is anchored by the charming addition of their dog, Crack, who rests near the foreground, lending a touch of warmth and domestic tenderness to an otherwise formal arrangement. As one gazes upon the canvas, there is an immediate sense of being invited into a private, opulent world, where every fold of silk and every subtle shadow whispers of a life lived with profound distinction.

    Sargent, often celebrated as the "Van Dyck of our times," masterfully orchestrates a composition that balances monumental scale with an intimate emotional core. The sheer size of the work—measuring approximately 229 x 230 cm—commands the room, making it an unparalleled centerpiece for any sophisticated interior. While the subjects are positioned closely together, creating a sense of familial unity, Sargent employs a brilliant use of color to guide the viewer's eye. The palette is a sophisticated dance of deep blues, velvety blacks, and creamy tones, but it is the sudden, arresting splash of crimson in one of the sisters' dresses that acts as the painting's heartbeat. This bold choice provides a visual anchor, injecting a vibrant energy into the subdued, luxurious atmosphere of the room.

    The Mastery of Light and Impressionistic Soul

    What truly elevates “The Misses Hunter” from a traditional portrait to a masterpiece of modern technique is Sargent’s ability to blend the rigorous precision of realism with the spontaneous spirit of Impressionism. His brushwork is nothing short of virtuosic; he utilizes loose, flowing strokes that imbue the heavy drapery and fine fabrics with a sense of movement and life. One can almost feel the tactile richness of the textiles—the weight of the silk, the softness of the upholstery, and the delicate texture of the dog's fur. This technique creates a luminous quality, where light does not simply hit the subjects but seems to emanate from within the very layers of pigment.

    The lighting is diffused and warm, casting a gentle glow that softens the edges of the figures and integrates them seamlessly into their opulent surroundings. By blurring the background, Sargent achieves a profound sense of depth, ensuring that while the setting feels grand and expansive, the focus remains unshakeable on the emotional essence of the sisters. This interplay of light and shadow creates an atmosphere of quiet contemplation, inviting the observer to linger on the subtle gradations of tone. For the discerning collector or interior designer, this painting offers a rare opportunity to possess a work that embodies both historical gravity and a timeless, atmospheric beauty that transcends the decades.

    A Legacy for the Modern Collector

    Beyond its aesthetic brilliance, “The Misses Hunter” carries a profound historical weight. Commissioned by the sisters' mother, Mary—a prominent Edwardian hostess and a close friend of both Sargent and the sculptor Rodin—the painting serves as a testament to the interconnectedness of the era's great artistic and social circles. To display a high-quality reproduction of this work is to bring more than just decor into a space; it is to introduce a narrative of prestige, culture, and enduring elegance. Whether placed in a grand salon or a curated study, the painting acts as a focal point of conversation, offering an enduring sense of luxury and a sophisticated connection to the golden age of portraiture.

    Artysta i muzeum

    Artysta

    John Singer Sargent

    Urodzony w Florencja, Włochy

    A Life Immersed in Light and Society

    John Singer Sargent, a name synonymous with the Gilded Age and its shimmering portraits of elegance, was an American artist who spent most of his life cultivating his craft within the European art world. Born in Florence, Italy, in 1856 to American expatriate parents, Fitzwilliam and Mary Newbold Sargent, his upbringing was anything but conventional. The family’s nomadic existence – constantly traversing France, Germany, Italy, and Switzerland – instilled in young John a cosmopolitan sensibility and an early exposure to the artistic treasures of Europe. Rather than formal schooling, his education unfolded within museum halls and ancient churches, fostering a visual literacy that would profoundly shape his artistic vision. This itinerant childhood, while lacking traditional structure, provided a rich tapestry of cultural experiences that fueled his developing talent. His father, a surgeon, and his mother, an amateur artist, encouraged his inclinations, recognizing early on the remarkable acuity of his observational skills. It was clear from a young age that John’s path lay not in medicine or conventional pursuits, but within the realm of art.

    From Parisian Atelier to Portrait Master

    In 1874, at the age of eighteen, Sargent embarked on a pivotal chapter of his artistic development by entering the Paris studio of Carolus-Duran. This mentorship proved transformative. Duran’s emphasis on direct painting – a technique eschewing preliminary sketches in favor of immediate application of paint to canvas – honed Sargent's already impressive technical facility and instilled within him an astonishing ability to capture likenesses with speed and precision. It was a revolutionary approach, encouraging boldness and spontaneity, and it became the hallmark of Sargent’s style. He absorbed Duran’s lessons wholeheartedly, mastering the art of capturing not just physical resemblance but also the very essence of his sitters. Simultaneously, he enrolled at the École des Beaux-Arts, further refining his skills in drawing from casts and life models. However, it was the influence of Spanish masters like Velázquez, encountered during a formative trip to Spain in 1879, that truly ignited Sargent’s artistic imagination. He became captivated by Velázquez’s masterful use of light, brushwork, and psychological insight – qualities he would strive to emulate throughout his career.

    Navigating Fame, Scandal, and Artistic Evolution

    Sargent quickly established himself as a sought-after portraitist in Paris, attracting commissions from the city’s elite. However, his ascent was not without its challenges. The unveiling of Madame X (Portrait of Madame Pierre Gautreau) at the 1884 Salon ignited a scandal that threatened to derail his burgeoning career. The painting's daring depiction of socialite Virginie Amélie Avegno Gautreau – with her pale complexion, suggestive pose, and fallen strap – was deemed provocative and scandalous by Parisian society. Though Sargent later repainted the strap, the damage was done. Disheartened by the controversy, he relocated to London in 1886, where he found a more receptive audience for his talents. In London, he continued to paint portraits of the wealthy and prominent, capturing the opulence and social dynamics of Edwardian society with unparalleled skill. Yet, Sargent’s artistic ambitions extended beyond the confines of commissioned portraiture. He yearned for greater creative freedom and increasingly devoted himself to landscape painting and plein-air studies, embracing an Impressionistic style characterized by loose brushwork, vibrant colors, and a focus on capturing fleeting moments of light and atmosphere. These landscapes reveal a different side of Sargent – one less concerned with social status and more attuned to the beauty of the natural world.

    Influences and Artistic Kinships

    Carolus-Duran: His teacher, who instilled in him a direct painting technique and encouraged spontaneity.

    Diego Velázquez: Sargent deeply admired Velázquez’s mastery of light, brushwork, and psychological insight, particularly evident in his Spanish works.

    Impressionism: The Impressionists' emphasis on capturing fleeting moments and atmospheric effects profoundly impacted his landscape paintings, leading to a looser, more expressive style.

    James Abbott McNeill Whistler: Sargent shared with Whistler an interest in aestheticism and the pursuit of “art for art’s sake,” influencing his approach to composition and color.

    A Lasting Legacy: Beyond Portraiture

    While celebrated as “the leading portrait painter of his generation,” John Singer Sargent’s artistic legacy extends far beyond his masterful depictions of society figures. His major works, such as El Jaleo, a dynamic portrayal of Spanish flamenco dancers, and Carnation, Lily, Lily, Rose, a serene depiction of two young girls in an English garden, demonstrate his versatility and technical brilliance. Later in life, he embarked on ambitious mural projects, including the monumental cycle at the Boston Public Library, showcasing his ability to translate his artistic vision onto a grand scale. His influence can be seen in the work of subsequent generations of artists who admired his technical skill, his bold brushwork, and his ability to capture both physical likeness and psychological depth. The rediscovery of his previously hidden male nudes in the 1980s further broadened our understanding of Sargent’s artistic range and revealed a more complex and nuanced artist than previously recognized. His paintings continue to captivate audiences worldwide, offering a fascinating glimpse into a bygone era while simultaneously transcending time through their enduring beauty and technical mastery. He remains, undeniably, one of the most significant American artists of his generation, whose work continues to inspire and provoke admiration.

    Muzeum

    Tate Britain

    Prezentowane w Londyn, Wielka Brytania

    A Chronicle of British Vision: Unveiling Tate Britain

    Nestled along the Thames’s gentle curve in Millbank, Tate Britain isn't merely a gallery; it’s a living embodiment of British artistic evolution. From its inception as a champion of homegrown talent to its current status as a global beacon of modern and contemporary art, the museum’s story is inextricably linked to the nation’s own journey through time. Founded in 1897 by the philanthropic Henry Tate – a man whose personal collection formed the gallery's very foundation – Tate Britain began with an ambitious mandate: to celebrate the breadth and depth of British artistic heritage. The initial focus was firmly rooted in the traditions of the Tudor and Victorian eras, presenting a comprehensive panorama of art produced within these formative centuries. However, a pivotal shift occurred in the 1930s, driven by a desire to embrace the dynamism of modernism, marking a decisive departure from purely historical representation and establishing Tate Britain as a vital participant in the international dialogue surrounding artistic expression. Today, the museum stands as a testament to this ongoing evolution – a place where the echoes of masters past resonate alongside the bold visions of contemporary artists.

    Architectural Layers: A Dialogue Between Tradition and Innovation

    The building itself is a captivating narrative, a layered composition of neoclassical grandeur and postmodern experimentation. Sidney R. J. Smith’s original design, completed in 1897, immediately proclaimed an air of imperial ambition, mirroring Britain's dominant position on the European artistic stage. Its imposing columns, expansive porticos, and soaring ceilings were deliberately intended to convey prestige and importance. Yet, this classical façade is dramatically juxtaposed with James Stirling’s Clore Gallery (1987), a daring intervention that introduces unconventional materials – polished concrete, steel, and glass – and spatial arrangements – echoing the fluidity of modern art. This purposeful contrast speaks volumes about Tate Britain's commitment to honoring tradition while simultaneously embracing the spirit of experimentation; it’s a visual representation of the museum’s own evolving identity.

    A Treasury of British Art: A Journey Through Six Centuries

    The museum’s collection is nothing short of astonishing, encompassing over six centuries of British artistic expression. From the meticulously crafted panel paintings of the Tudor period – showcasing burgeoning confidence and a nascent sense of national identity, often depicting royal portraits and allegorical scenes – to the emotionally charged portraits of Francis Bacon, grappling with the complexities of human existence, the gallery offers an unparalleled journey through the evolution of British art. Key highlights include J.M.W. Turner’s breathtaking landscapes, capturing sublime beauty with his masterful use of light and color; these aren't merely depictions of nature but profound explorations of atmosphere and emotion. The evocative Pre-Raphaelite paintings celebrating romanticism and mythology – characterized by rich colors, intricate details, and a fascination with medieval legends – are equally captivating. And in more recent times, David Hockney’s vibrant works reflecting post-war Britain’s dynamism, capturing the energy and optimism of a nation rebuilding itself, stand alongside works by contemporary artists pushing the boundaries of artistic expression. The collection extends beyond painting to encompass sculpture, prints, drawings, and decorative arts, providing a holistic understanding of British artistic culture.

    The Enduring Legacy of Turner

    Tate Britain’s relationship with J.M.W. Turner is particularly profound, culminating in an unparalleled collection that stands as a cornerstone of the museum's identity. The gallery holds an astonishingly comprehensive selection of Turner’s work – including “Snow Storm – Steamers on Red Wharf,” a masterpiece that exemplifies his revolutionary approach to landscape painting. This iconic piece, and others within the collection, demonstrate Turner’s extraordinary ability to capture not just the visual appearance of a scene but also its emotional resonance. His innovative use of light, color, and brushstroke created a sense of movement and drama, forever altering the course of British art. The sheer volume and quality of Turner's works at Tate Britain make it an essential destination for any serious student or admirer of this pivotal figure in artistic history.

    Notable Exhibitions & Events: A Hub of Artistic Dialogue

    Tate Britain is intrinsically linked to the prestigious Turner Prize, a nationally recognized award celebrating outstanding achievement in contemporary British art. The gallery hosts the annual exhibition, providing a platform for emerging artists and generating critical discussion about the future of the art world. Throughout the year, Tate Britain presents a diverse range of special exhibitions exploring specific themes, movements, or artists – offering unique insights into British artistic history and contemporary practice. Public programs, including lectures, workshops, family activities, and guided tours, actively engage the community, fostering a deeper appreciation for art and culture. Beyond its traditional role as a museum, Tate Britain functions as a dynamic cultural hub dedicated to fostering creativity and engaging audiences of all ages.

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania The Misses Hunter

    originaluniqueart.com/pl/art/download/john-singer-sargent-the-misses-hunter-8YDG9B-en/

    Jak cytować to dzieło

    MLA
    Sargent, John Singer. The Misses Hunter. 1902, Tate Britain. https://originaluniqueart.com/pl/art/john-singer-sargent-the-misses-hunter-8YDG9B-en/
    APA
    Sargent, John Singer (1902). The Misses Hunter [Painting]. Tate Britain. https://originaluniqueart.com/pl/art/john-singer-sargent-the-misses-hunter-8YDG9B-en/
    Chicago
    John Singer Sargent. The Misses Hunter. 1902. Tate Britain. https://originaluniqueart.com/pl/art/john-singer-sargent-the-misses-hunter-8YDG9B-en/
    Harvard
    Sargent, John Singer (1902) The Misses Hunter. Tate Britain. Available at: https://originaluniqueart.com/pl/art/john-singer-sargent-the-misses-hunter-8YDG9B-en/

    Przyjrzyj się uważnie

    The Misses Hunter — John Singer Sargent

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. Ile twarzy potrafisz odnaleźć? ____ (w naszym katalogu jest 3 — czy zgadzasz się z tą liczbą?)
    4. W naszym katalogu dzieło to znajduje się w kategorii: elegant women, luxury interior, red dress. Czy zgadzasz się z tym opisem? Co warto by dodać lub usunąć?
    5. Wróć do dzieła Korneliasy, Lilie, Lilie, Róże (1885), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Quiz o sztuce

    The Misses Hunter — John Singer Sargent

    Jak dobrze znasz to dzieło?

    Zaznacz jedną odpowiedź dla każdego z 5 poniższych pytań. Każde z nich ma dokładnie jedną poprawną odpowiedź.

    1. 1. What artistic style is predominantly employed by John Singer Sargent in The Misses Hunter?

      • A Cubism
      • B Impressionism
      • C Realism
    2. 2. In which gallery is The Misses Hunter currently housed?

      • A Louvre Museum
      • B Metropolitan Museum of Art
      • C Tate Gallery
    3. 3. What prominent color contributes to the visual impact of the painting, specifically highlighting one of the women?

      • A Green
      • B Yellow
      • C Red
    4. 4. The composition focuses on three figures seated together; what element adds warmth and companionship to the scene?

      • A A large sculpture
      • B An ornate fireplace
      • C A dog
    5. 5. What does The Misses Hunter primarily represent in terms of its historical context – reflecting the values and aesthetics of early 20th-century society?

      • A The Industrial Revolution
      • B Romanticism
      • C High Society Portraiture

    Mój wynik: ____ na 5

    Klucz odpowiedzi — dla nauczyciela

    Ta treść rozpoczyna nową stronę druku, więc można ją po prostu pominąć przy tworzeniu kopii.

    1B · 2C · 3C · 4C · 5C

    Sprawdź każdą odpowiedź, porównując ją z rekordem katalogowym tego obrazu

    Pytania i odpowiedzi

    Jakie są wymiary oryginalnego dzieła „The Misses Hunter” – John Singer Sargent?

    Oryginalny utwór „The Misses Hunter” – John Singer Sargent ma wymiary 229 x 230 cm.

    Co wyjaśnia sytuację prawną dotyczącą praw autorskich do „The Misses Hunter” – John Singer Sargent?

    Status praw autorskich do dzieła „The Misses Hunter” – należy do domeny publicznej – autorskie prawa majątkowe wygasły – wynika z faktu, że artysta zmarł w 1925.

    Czy „The Misses Hunter” – John Singer Sargent to dzieło o jasnej czy ciemnej kolorystyce?

    Jasność dzieła „The Misses Hunter” – John Singer Sargent wynosi deep_shadow, przy luminancji na poziomie Dark.