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Self-portrait

Imię i nazwisko Klasa Data

Joaquín Sorolla, Self-portrait (1909). Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
Joaquín Sorolla originaluniqueart.com/pl/artists/joaquin-sorolla_pl/
Daty życia artysty
1863 – 1923
Technika malarska
1909
Technika wykonania
Oil On Canvas
Epoka
19th Century
Artistic style
Impressionist
Influences
Sorolla
Notable elements
Cowboy hat, gun, light
Subject or theme
Self-portraiture

W kontekście

Self-portrait — Joaquín Sorolla

Kiedy powstało to dzieło?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 60 w chwili śmierci.

Namalowane, gdy artysta miał 46 lat. Artysta dożył 60 lat. 329 z 558 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia Joaquín Sorolla (1863–1923) ▲ to dzieło, 1909 każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1901 Główne lata aktywności zawodowej: 1901–1911 Późne dzieła: od 1911

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty

Porównaj z

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: originaluniqueart.com/pl/art/similar/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Black #141013

    Paleta w katalogu

    • #141013
    • #78685B
    • #473F39
    • #C7B3A3

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Paleta kolorów
    Earthy Dominująca gama kolorystyczna obrazu.
    Nazwa koloru głównego
    Black
    Nasycenie
    Monochromatic Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Statement W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Balanced Harmony Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Deep_shadow Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Muted Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa Joaquín Sorolla z ostatnich dwunastu miesięcy — łącznie 48 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Chiny 41,5%
    2. 2 Stany Zjednoczone Ameryki 8,4%
    3. 3 Francja 6,1%
    4. 4 Hiszpania 5,2%
    5. 5 Korea Południowa 4,8%
    6. 6 Singapur 4,8%
    7. 7 Hongkong 4,4%
    8. 8 Rumunia 4,2%
    9. 9 Włochy 3,1%
    10. 10 Wielka Brytania 2,3%
    11. · 38 innych krajów 15,2%

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    20 najczęściej oglądanych dzieł artysty Joaquín Sorolla

    1. 1 Dziewczyna Włoska z Kwiatami, 1886 6,9%
    2. 2 Spacer wzdłuż brzegu morza, 1909 2,0%
    3. 3 Seville, the Dance, 1915 1,5%
    4. 4 Running along the beach, 1908 1,4%
    5. 5 Valencia beach in the morning light, 1908 1,4%
    6. 6 Sewing the Sail, 1896 1,2%
    7. 7 bacante, 1886 1,1%
    8. 8 Midday at Valencia beach, 1904 1,0%
    9. 9 Siesta, 1911 0,9%
    10. 10 On the Rocks at Javea, 1905 0,8%
    11. 11 Nude with Ball, 1887 0,8%
    12. 12 Swimmers, Jávea, 1905 0,8%
    13. 13 Clotilde on the Beach, 1904 0,8%
    14. 14 Coast at Santa Cristina, 1914 0,8%
    15. 15 Rybałowie Walencja, 1916 0,7%
    16. 16 Sieci Rybackie, 1893 0,7%
    17. 17 Sea Idyll, 1908 0,7%
    18. 18 Types of Lagartera or Lagarterana bride, 1912 0,7%
    19. 19 The Horse’s Bath, 1909 0,7%
    20. 417 Self-portrait, 1909 ten obraz 0,1%

    Razem dzieła te stanowią 25,0% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 850 dzieł tego artysty, z których 456 zostało obejrzanych co najmniej raz. Ten obraz zajmuje 417 miejsce w zestawieniu, przyciągając 0,1% tej uwagi. To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    O tym dziele sztuki

    Self-portrait — Joaquín Sorolla

    A Portrait of Resilience: Joaquín Sorolla’s ‘Self-Portrait’

    Joaquín Sorolla y Bastida's 1909 self-portrait is more than just a likeness; it’s a potent distillation of the artist’s life, his spirit, and the very essence of Spain itself. Painted during a period of immense personal upheaval – following the death of his wife and child – this work reveals a profound sense of melancholy tempered by an unwavering gaze and a quiet dignity. The image depicts Sorolla himself, a man defined by his iconic cowboy hat, seated before a simple table laden with a bottle, instantly conjuring images of the Spanish countryside and a life lived outdoors. His hand rests upon a firearm, not as an instrument of aggression, but perhaps as a symbol of protection or simply a familiar tool of his outdoor pursuits – a reflection of his time spent painting landscapes and capturing the light.

    The Radiant Style of Valencian Impressionism

    Technique: Sorolla’s mastery is immediately apparent in his use of alla prima, or “at first sight,” a technique where he builds up the painting directly, layer upon layer, without extensive underpainting. This creates an incredible sense of immediacy and vibrancy, particularly evident in the way light dances across the canvas.

    Color Palette: The dominant hues – warm ochres, yellows, and blues – are characteristic of Valencian Impressionism, a movement Sorolla helped pioneer. He expertly employed broken color to capture the shimmering effects of sunlight, creating an almost palpable sense of warmth and atmosphere.

    Brushwork: Loose, expressive brushstrokes contribute significantly to the painting’s dynamism. They aren't meticulously controlled; instead, they convey a feeling of movement and energy, mirroring Sorolla’s own passionate approach to his art.

    Symbolism and Context – A Man Defined by Light

    The year 1909 was a pivotal one for Sorolla. He had recently returned from Rome, where he'd spent several years studying classical sculpture, but it was back in his beloved Valencia that he truly flourished. The presence of the bottle and the gun speaks to a life lived intensely, a life connected to both leisure and responsibility. The background figure, subtly included, adds another layer of complexity – perhaps representing family or simply the enduring influence of the Spanish landscape. Sorolla’s work during this period is often interpreted as a reflection of his personal struggles, yet it remains remarkably optimistic, imbued with a belief in the restorative power of light and nature.

    Emotional Resonance and Artistic Legacy

    “Self-Portrait” transcends a simple depiction of an individual; it’s a window into the soul of one of Spain's most beloved artists. Sorolla’s ability to capture both vulnerability and strength, sorrow and resilience, is what makes this painting so enduringly captivating. It exemplifies his signature style – a luminous celebration of Spanish light and life. WahooArt offers meticulously crafted hand-painted reproductions that faithfully recreate the brilliance and emotional depth of this iconic work, allowing you to experience Sorolla’s vision firsthand.

    Artysta i muzeum

    Artysta

    Joaquín Sorolla

    Urodzony w Walencja, Hiszpania

    A Life Bathed in Light: The World of Joaquín Sorolla

    Joaquín Sorolla y Bastida, a name synonymous with the radiant light and vibrant energy of Spain, was more than just a painter; he was a chronicler of his nation’s soul. Born in Valencia in 1863, Sorolla's early life was marked by tragedy. Orphaned at the tender age of two following a cholera epidemic that claimed both parents, young Joaquín and his sister were raised by their maternal aunt and uncle. This early experience with loss perhaps instilled within him a profound appreciation for the fleeting beauty of life – a sentiment that would permeate his art. Though hardship shadowed his beginnings, it did not dim the spark of artistic talent that quickly became apparent. He received initial instruction in Valencia, demonstrating an aptitude that led to studies under established artists like Cayetano Capuz and José Benlliure, eventually culminating in a four-year grant to study in Rome. It was there, amidst the classical grandeur of Italy, that Sorolla began to forge his unique artistic path, absorbing influences while simultaneously developing a style distinctly his own.

    From Historical Narratives to Sun-Drenched Realism

    Sorolla’s early work reflected the prevailing academic trends of the time – large-scale historical and mythological scenes. He was initially drawn to grand narratives, producing works like The Return from Fishing (1893), a monumental depiction of fishermen hauling their boat ashore. However, a pivotal shift occurred as he returned to Spain and began to truly observe the world around him. He found himself captivated by the everyday lives of his countrymen, particularly those along the Valencian coast. The intense Mediterranean sunlight, the shimmering sea, and the vibrant energy of the people became his primary subjects. This transition wasn’t immediate; Sorolla continued to explore social realism with works like Sad Inheritance (1899), a powerful depiction of children afflicted by polio bathing in the sea – a painting that garnered significant acclaim but also revealed a darker, more compassionate side to his artistic vision. Sad Inheritance, exhibited at the Universal Exhibition in Paris, brought him widespread recognition and cemented his position as a leading figure in Spanish art. Yet, it was his increasingly focused exploration of light and color, inspired by Impressionism though never fully embracing its tenets, that would define his legacy. He wasn’t merely depicting light; he was attempting to capture its very essence, the way it danced on water, illuminated skin, and transformed ordinary moments into scenes of extraordinary beauty.

    Master of Luminism: A Unique Artistic Voice

    Sorolla's technique became instantly recognizable – a bravura display of brushwork, characterized by loose, energetic strokes that conveyed movement and atmosphere. He worked en plein air whenever possible, directly confronting the challenges of capturing fleeting light conditions. This dedication to painting outdoors resulted in canvases brimming with life and immediacy. His beach scenes, perhaps his most iconic works, are not simply picturesque representations of leisure; they are studies in luminosity, reflections, and the joyful interaction between people and their environment. Paintings like *Children on the Seashore and Sewing the Sail* exemplify this mastery – figures bathed in golden light, rendered with a remarkable sense of spontaneity and vitality. He wasn’t interested in meticulous detail; rather, he sought to convey the impression of reality, prioritizing atmosphere and emotion over precise representation. This approach earned him comparisons to Impressionists like Monet and Renoir, but Sorolla's work possessed a unique Spanish character – a warmth, intensity, and emotional depth that set it apart.

    Key Achievements & Recognition

    1892: Gold medal at the National Exhibition in Madrid for Another Marguerite.

    1894: Acclaimed for The Return from Fishing: Hauling the Boat, acquired by the Musée du Luxembourg.

    1899: Grand Prix and medal of honor at the Universal Exhibition in Paris for Sad Inheritance.

    1900-1923: Extensive exhibitions throughout Europe and the United States, establishing international recognition.

    1912-1928: Commissioned to create Vision of Spain for the Hispanic Society of America (completed posthumously).

    Present Day: Works held in major museums worldwide, including the Museo Sorolla in Madrid.

    Legacy and Enduring Influence

    By the early 20th century, Joaquín Sorolla was internationally renowned. He exhibited widely throughout Europe and the United States, receiving numerous accolades and commissions. His most ambitious undertaking, Vision of Spain, a series of fourteen monumental murals commissioned by the Hispanic Society of America, remains a testament to his artistic vision and technical skill. Though he suffered a stroke in 1920 that curtailed his painting activity, Sorolla’s influence continued to grow after his death in 1923. His work inspired generations of artists, not only in Spain but around the world. Today, his paintings are held in major museums globally, including the Museo Sorolla in Madrid – a former home transformed into a dedicated space for showcasing his art. Sorolla’s legacy extends beyond his technical brilliance; he captured a specific moment in Spanish history and culture, immortalizing the beauty of its landscapes and the spirit of its people. He remains a master of light, color, and emotion—a painter whose work continues to resonate with audiences today, reminding us of the power of art to illuminate our world.

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania Self-portrait

    originaluniqueart.com/pl/art/download/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/

    Jak cytować to dzieło

    MLA
    Sorolla, Joaquín. Self-portrait. 1909, https://originaluniqueart.com/pl/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/
    APA
    Sorolla, Joaquín (1909). Self-portrait [Painting]. https://originaluniqueart.com/pl/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/
    Chicago
    Joaquín Sorolla. Self-portrait. 1909. https://originaluniqueart.com/pl/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/
    Harvard
    Sorolla, Joaquín (1909) Self-portrait. Available at: https://originaluniqueart.com/pl/art/joaquin-sorolla-y-bastida-self-portrait-9GEPYU-en/

    Przyjrzyj się uważnie

    Self-portrait — Joaquín Sorolla

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. W naszym katalogu dzieło to znajduje się w kategorii: self-portrait, cowboy hat, spanish artist. Czy zgadzasz się z tym opisem? Co warto by dodać lub usunąć?
    4. Wróć do dzieła Valencia beach in the morning light (1908), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    5. Joaquín Sorolla miał około 46 lat, gdy powstało to dzieło. Co w nim przypomina twórczość artysty na tym etapie?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Pytania i odpowiedzi

    Czy można pobrać obraz "Self-portrait"?

    „Self-portrait” – Joaquín Sorolla można pobrać ze strony Pobierz plik cyfrowy dzieła jako wysokiej rozdzielczości cyfrowe zdjęcie do pobrania.

    Jaki jest zalecany format i orientacja druku dla "Self-portrait"?

    W przypadku "Self-portrait" zalecanym formatem wydruku jest rozmiar Large w orientacji Portrait.

    Czy "Self-portrait" charakteryzuje się silnym kontrastem światłocienia?

    „Self-portrait” – Joaquín Sorolla prezentuje Statement kontrast między jasnymi a ciemnymi partiami dzieła.