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Rye

Imię i nazwisko Klasa Data

Ivan Ivanovich Shishkin, Rye (1878), Галерея Третьякова. Dzieło w domenie publicznej. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Informacje podstawowe

Artysta
Ivan Ivanovich Shishkin originaluniqueart.com/pl/artists/ivan-ivanovich-shishkin_pl/
Daty życia artysty
1832 – 1898
Obraz olejny
1878
Technika wykonania
Oil On Canvas
Wymiary oryginału
107 x 187 cm
Miejsce odbycia
Галерея Третьякова originaluniqueart.com/pl/museums/galereia-tretiakova-moskwa_pl/
Artistic style
Realistic landscape
Influences
Romanticism
Notable elements
Three views of field
Subject or theme
Rural life, nature

W kontekście

Rye — Ivan Ivanovich Shishkin

Wymiary

Oryginalne wymiary to 107 × 187 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Data powstania

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 66 w chwili śmierci.

Namalowane, gdy artysta miał 46 lat. Artysta dożył 66 lat. 136 z 424 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia Ivan Ivanovich Shishkin (1832–1898) ▲ to dzieło, 1878 każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1873 Główne lata aktywności zawodowej: 1873–1890 Późne dzieła: od 1890

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą być luką w dokumentacji, a nie okresem mniejszej aktywności. Te same lata, w których toczyło się życie artysty

Dzieła podobne

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnej tematyce: originaluniqueart.com/pl/art/similar/ivan-ivanovich-shishkin-rye-8YDSHT-en/

Kolory

Na podstawie analizy obrazu

    Kolor dominujący

    Celadon #b8cfe3

    Paleta w katalogu

    • #B8CFE3
    • #463C29
    • #897C44
    • #D3C46C

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Paleta kolorów
    Neutrals Dominująca gama kolorystyczna obrazu.
    Kolor główny
    Celadon
    Intensywność
    Vivid Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Statement W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Softly Mixed Palette Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Brilliant Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Balanced Soft Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie ogląda się ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa Ivan Ivanovich Shishkin z ostatnich dwunastu miesięcy — łącznie 35 krajów. Skąd pochodzą te dane

    Dziesięć wiodących krajów

    1. 1 Chiny 63,4%
    2. 2 Stany Zjednoczone Ameryki 10,3%
    3. 3 Singapur 4,6%
    4. 4 Turcja 4,1%
    5. 5 Hongkong 2,7%
    6. 6 Szwecja 1,4%
    7. 7 Niemcy 0,9%
    8. 8 Francja 0,9%
    9. 9 Gruzja 0,9%
    10. 10 Włochy 0,9%
    11. · 25 innych krajów 9,9%

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    20 najczęściej oglądanych dzieł artysty Ivan Ivanovich Shishkin

    1. 1 Utro w lesie sosnowym, 1886 3,4%
    2. 2 Oak Grove, 1887 3,4%
    3. 3 The Path through the Woods, 1880 (oil on canvas), 1880 2,4%
    4. 4 Morning in a Pine Forest, 1889 1,9%
    5. 5 Mixed Forest, 1888 1,9%
    6. 6 Firry forest (etude), 1889 1,7%
    7. 7 Backwoods, 1872 1,7%
    8. 8 The Forest Clearing, 1896 1,5%
    9. 9 Piny wood, 1885 1,5%
    10. 10 Sunny pine-tree (etude), 1886 1,4%
    11. 11 Twilight. After Sunset, 1874 1,2%
    12. 12 Edge of the Forest (9) 1,2%
    13. 13 A Rye Field, 1877 1,0%
    14. 14 In the forest of countess Mordvinova, Petergof, 1891 0,9%
    15. 15 Coniferous forest. Sunny day, 1895 0,9%
    16. 16 Mast Tree Grove, 1898 0,9%
    17. 17 Autumn forest, 1876 0,9%
    18. 18 Walk in a forest, 1869 0,7%
    19. 19 To go for mushrooms, 1870 0,7%
    20. 132 Rye, 1878 ten obraz 0,2%

    Razem dzieła te stanowią 29,4% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 617 dzieł tego artysty, z których 281 zostało obejrzanych co najmniej raz. Ten obraz zajmuje 132 miejsce w tym zestawieniu, przyciągając 0,2% tej uwagi. To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    O tym dziele sztuki

    Rye — Ivan Ivanovich Shishkin

    The Soul of the Russian Field: Ivan Shishkin’s “Rye”

    Ivan Ivanovich Shishkin's "Rye," painted in 1878, isn’t merely a depiction of a field; it’s a profound meditation on the relationship between humanity and nature, a cornerstone of Russian landscape painting. This oil-on-canvas masterpiece, currently residing within the hallowed halls of the Tretyakov Gallery in Moscow, captures a quintessential moment in the rural cycle – the golden promise of harvest against the backdrop of an enduring forest. Shishkin, a master of meticulous observation and tonal subtlety, elevates the commonplace to the sublime, inviting viewers into a world brimming with quiet beauty and understated power.

    Shishkin’s artistic journey began under the influence of German Romanticism, yet he swiftly forged his own distinctive style, one characterized by an almost obsessive attention to detail. He wasn't interested in grand vistas or dramatic skies; instead, he focused on the intimate details of the Russian countryside – the textures of bark, the sway of grasses, the subtle shifts in light and shadow. “Rye” exemplifies this approach perfectly. The painting’s power lies not in its scale but in its ability to draw us into a specific, palpable moment. Notice how Shishkin renders the individual stalks of rye, each subtly different in hue and form, creating an impression of immense density and abundance. The trees, rendered with remarkable realism, stand as silent witnesses to centuries of seasons, their weathered forms anchoring the scene in time.

    A Symphony of Light and Tone

    Shishkin’s technique is a testament to his mastery of color and light. He employs a limited palette – primarily ochres, browns, greens, and blues – yet manages to create an astonishing range of tones through careful layering and blending. The painting's luminosity stems from his use of broken brushstrokes, allowing light to penetrate the layers of paint and reflect back onto the canvas. This creates a shimmering effect, particularly noticeable in the field of rye, which seems to pulse with warmth and vitality. The sky, rendered in muted blues and greys, provides a serene counterpoint to the vibrant earth tones below. The artist’s ability to capture the fleeting effects of light – the way it filters through the trees, casts shadows across the field, and illuminates the individual stalks of grain – is truly remarkable.

    Symbolism Woven into the Landscape

    Beyond its purely aesthetic qualities, “Rye” is rich in symbolic meaning. The vast expanse of the rye field represents abundance, fertility, and the promise of a bountiful harvest—a vital element for the Russian peasantry. The forest, with its ancient trees, symbolizes endurance, resilience, and the timelessness of nature. The dirt road that winds through the scene can be interpreted as a path towards prosperity or perhaps a journey into the unknown. The presence of both healthy and decaying trees speaks to the cyclical nature of life and death, reminding us of the constant renewal inherent in the natural world. It’s a subtle but powerful commentary on the interconnectedness of all things.

    A Legacy of Russian Landscape Art

    “Rye” stands as a pivotal work in the history of Russian landscape painting, firmly establishing Shishkin's reputation as one of its foremost practitioners. His meticulous observation and his ability to capture the essence of the Russian countryside profoundly influenced generations of artists who followed. The painting’s enduring appeal lies not only in its technical brilliance but also in its capacity to evoke a sense of nostalgia for a simpler time, a connection to the land, and an appreciation for the beauty of the natural world. Reproductions of this iconic work offer art enthusiasts a chance to bring a piece of Russian artistic heritage into their homes, allowing them to experience the soul of the Russian field firsthand.

    Further Exploration

    For deeper insights into Ivan Shishkin and his remarkable oeuvre, we encourage you to explore resources such as the Tretyakov Gallery’s website (https://www.tretyakovgallery.ru/en/) and online databases like AllPaintingsStore.com (https://AllPaintingsStore.com). You can also delve into the life and work of Shishkin through articles such as “Ivan Ivanovich Shishkin” on Wikipedia (https://en.wikipedia.org/wiki/Ivan_Ivanovich_Shishkin) and explore related works, including "Firry forest (etude)" (https://artvee.com/dl/rye-fields/).

    Artysta i muzeum

    Artysta

    Ivan Ivanovich Shishkin

    Miejsce urodzenia Jelabuga, Rosja

    The Soul of the Russian Forest: A Life in Landscape

    Ivan Ivanovich Shishkin, a name synonymous with the vast and soulful landscapes of Russia, was born into a world steeped in tradition on January 25, 1832, in Yelabuga, Vyatka Governorate. His early life, though rooted in the mercantile pursuits of his father, revealed an innate sensitivity to the natural world—a sensibility that would blossom into a lifelong artistic obsession. After completing his education at the Kazan Gymnasium, Shishkin embarked on a rigorous academic journey, first at the Moscow School of Painting, Sculpture and Architecture for four years, then continuing at the prestigious Saint Petersburg Imperial Academy of Arts from 1856 to 1860. It was here, under the tutelage of renowned masters, that his technical skills were honed, culminating in a gold medal upon graduation—a testament to his exceptional talent and dedication. This academic foundation provided him with the tools to translate his deep connection with nature onto canvas with unparalleled realism.

    A Master of Realism and the Peredvizhniki Movement

    Shishkin’s artistic development was profoundly shaped by his association with the Peredvizhniki, or Wanderers, a group of Russian artists who rejected the constraints of academic tradition in favor of bringing art directly to the people. This movement championed realism and sought to depict life as it truly was—often focusing on social issues and the beauty of the Russian countryside. Shishkin’s landscapes perfectly aligned with this ethos; he wasn't merely painting scenery, but capturing the very essence of Russia’s forests, fields, and skies. He became a member of the Imperial Academy in St. Petersburg and later headed the landscape painting class at the Highest Art School there from 1873 to 1898, influencing generations of artists with his meticulous technique and unwavering commitment to portraying nature's grandeur. His dedication wasn’t simply about accurate depiction; it was about evoking a profound emotional response in the viewer—a sense of awe, tranquility, and connection to the land. The Peredvizhniki valued direct observation and honest representation, rejecting idealized or romanticized views of nature, and Shishkin's work embodied these principles perfectly.

    Iconic Visions: Works That Defined a Nation

    Shishkin’s oeuvre is populated with masterpieces that have become ingrained in the Russian cultural consciousness. Morning in a Pine Forest, perhaps his most famous work—often mistakenly credited as solely his, though featuring bears painted by Konstantin Savitsky—captures a serene yet powerful scene of sunlight filtering through towering pines. The painting’s enduring appeal lies not only in its technical brilliance but also in its symbolic resonance: the forest representing Russia itself, strong, resilient, and untamed. A Rye Field, with its sweeping expanse of golden wheat under a vast sky, exemplifies his ability to convey the scale and beauty of the Russian plains. Rain in an Oak Forest demonstrates his mastery of atmospheric effects, evoking the damp earthiness and somber mood of a forest after a downpour. These works weren’t simply landscapes; they were national symbols, imbued with a sense of pride and belonging. His attention to detail was legendary—every leaf, every blade of grass rendered with painstaking accuracy, yet always serving the larger composition and emotional impact. Other notable paintings include The Oaks (1887), showcasing his skill in depicting ancient trees, and Far on the Plain (1883), a vast panorama capturing the immensity of the Russian countryside.

    Technique and Influences

    Shishkin’s artistic style was characterized by an almost obsessive attention to detail and a commitment to scientific accuracy. He meticulously studied botany and geology, ensuring that every element in his paintings—from the texture of bark to the arrangement of leaves—was rendered with remarkable precision. He often sketched en plein air, directly from nature, capturing the fleeting effects of light and shadow. His work was influenced by the Düsseldorf School of painting, which emphasized linear clarity and precise observation of form. However, Shishkin’s style remained distinctly Russian, infused with a deep love for his homeland's landscapes. He wasn’t interested in creating idealized visions; instead, he sought to portray nature as it truly was—with all its imperfections and complexities. His use of color was particularly noteworthy – muted greens, browns, and blues dominated his palette, reflecting the subtle hues of the Russian forests and fields.

    Legacy and Enduring Influence

    Ivan Ivanovich Shishkin passed away on March 20, 1898, leaving behind a legacy that continues to inspire artists and captivate audiences today. His contributions to Russian landscape painting are immeasurable; he elevated the genre to new heights of realism and emotional depth. His work is prominently featured in numerous museum collections, including the Kartinnaja galerija Tambov and the Yaroslavl Arts Museum, and can be found on platforms like Kramskoy Museum of Fine Arts (Voronezh, Russia) and AllPaintingsStore. Even beyond the art world, his influence extends to scientific circles—a minor planet, 3558 Shishkin, was named in his honor by Soviet astronomer Lyudmila Zhuravlyova in 1978, a fitting tribute to an artist who so profoundly captured the beauty and majesty of the natural universe. *Shishkin’s paintings remain powerful reminders of the enduring connection between humanity and the land—a testament to his skill, vision, and unwavering dedication to portraying the soul of the Russian forest.*

    Muzeum

    Галерея Третьякова

    Wystawa w Moskwa, Rosja

    A Pilgrimage into the Soul of Russia: The State Tretyakov Gallery

    The State Tretyakov Gallery in Moscow isn’t merely a museum; it's an immersive journey into the very heart and soul of Russia itself. Founded in 1856 by Pavel Mikhailovich Tretyakov, a visionary merchant driven by a profound patriotic desire to cultivate a national identity through artistic expression, the gallery began as a deeply personal collection—a testament to his unwavering belief in art’s power to reflect the Russian spirit. This intimate foundation imbues the entire institution with an atmosphere of cherished intimacy, inviting visitors into a space where centuries whisper stories across its hallowed halls. More than just a repository of art; it feels like stepping into a beloved family home brimming with artistic treasures and historical narratives.

    The architectural narrative of the Tretyakov is as compelling as the artworks within. The main building on Lavrushinsky Lane began life as a private residence for the Mamontov family, retaining an intimate scale that belies its transformation into a public institution. Viktor Vasnetsov’s striking façade—a masterpiece of Russian Revival style—evokes a sense of ancient grandeur and national pride, drawing inspiration from folklore and religious traditions woven deeply into Russia's cultural fabric. The building itself seems to rise organically from the earth of Moscow, adorned with intricate details that hint at the nation’s rich heritage. Later expansions, notably the New Tretyakov Gallery on Krymsky Val, offer a striking counterpoint—a modern space designed to house the revolutionary movements and bold experimentation of the 20th and 21st centuries, reflecting a deliberate juxtaposition between tradition and modernity. The contrast is not one of conflict, but rather a powerful statement about Russia’s ongoing evolution.

    Echoes of Faith and Empire: A Journey Through Time

    Wandering through the Tretyakov’s halls is akin to embarking on a chronological odyssey through Russian artistic evolution. The gallery's collection of ancient icons—particularly Theotokos of Vladimir, with its vibrant colors, gilded surfaces, and serene expressions—offers an unparalleled glimpse into the spiritual life of medieval Russia—windows into a world steeped in Byzantine tradition, where symbolism and meticulous craftsmanship converged to create objects of breathtaking beauty and devotional power. These aren’t simply religious images; they are profound cultural artifacts, revealing the beliefs, customs, and artistic sensibilities of a bygone era. The sheer luminosity of these icons, achieved through painstaking layering of gold leaf and pigment, speaks volumes about the devotion invested in their creation – each brushstroke imbued with prayer and reverence.

    Moving forward through the 19th century, one encounters a panorama of Russian life rendered with remarkable realism and emotional depth. Masters such as Ilya Repin capture the social and political currents of Imperial Russia—the struggles of the peasantry, the opulence of courtly life, and the intellectual ferment that characterized the period. Landscapes by Ivan Shishkin evoke the vastness and majesty of the Russian countryside, capturing the soul of the birch forests and the resilience of the people who inhabit them. The atmospheric paintings of Isaac Levitan convey a poignant sense of melancholy beauty, often imbued with a deep connection to nature and human suffering – scenes of solitary figures contemplating the endless expanse of the Russian winter or the quiet dignity of a rural village.

    The Avant-Garde Revolution: Breaking Boundaries

    The early 20th century witnessed a seismic shift in Russian art as artists boldly embraced radical new forms of expression. The Tretyakov Gallery houses a remarkable collection of avant-garde masterpieces that challenged conventional notions of representation and paved the way for modern art worldwide. Kazimir Malevich’s iconic Black Square—a seemingly simple geometric form—became a potent symbol of pure abstraction, rejecting representational imagery in favor of a spiritual exploration of color and shape. Wassily Kandinsky's vibrant compositions, brimming with abstract forms and dynamic energy, explored the profound relationship between art and music, while Marc Chagall’s dreamlike canvases blended elements of folklore, memory, and personal experience into evocative and deeply emotional works. This period wasn’t simply about artistic innovation; it was a direct reflection of the tumultuous social and political upheaval that gripped Russia – a desire to forge a new visual language for a new era.

    The gallery's collection during this time is particularly significant, showcasing not just the finished works but also preparatory sketches and studies, offering insight into the artists’ creative processes. It’s a testament to the daring experimentation that defined this period – an embrace of color, form, and emotion that fundamentally altered the course of art history.

    A Living Legacy: Current Exhibitions and Enduring Appeal

    Today, the State Tretyakov Gallery continues to evolve, hosting dynamic exhibitions that showcase both historical treasures and contemporary creations. Recent displays like “To See the Unknown,” which recontextualizes familiar masterpieces alongside lesser-known works, demonstrate a commitment to fresh perspectives and scholarly inquiry—a dedication to revealing new layers of meaning within established artworks. The gallery’s ongoing efforts to preserve its collection while simultaneously engaging with current artistic trends ensure its continued relevance for generations to come. For art lovers, collectors, and interior designers alike, the State Tretyakov Gallery is more than just a museum; it's an immersive experience, a profound connection to the soul of Russia.

    Useful Links:

    Tretyakov Gallery:

    https://en.wikipedia.org/wiki/Tretyakov_Gallery

    Notable Exhibitions (Recent & Ongoing):

    The gallery regularly hosts temporary exhibitions exploring diverse themes within Russian art history and contemporary practice. Check their website for current events.

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    Odkryj w sieci

    Kod QR prowadzący do strony pobierania Rye

    originaluniqueart.com/pl/art/download/ivan-ivanovich-shishkin-rye-8YDSHT-en/

    Cytowanie dzieła

    MLA
    Shishkin, Ivan Ivanovich. Rye. 1878, Галерея Третьякова. https://originaluniqueart.com/pl/art/ivan-ivanovich-shishkin-rye-8YDSHT-en/
    APA
    Shishkin, Ivan Ivanovich (1878). Rye [Painting]. Галерея Третьякова. https://originaluniqueart.com/pl/art/ivan-ivanovich-shishkin-rye-8YDSHT-en/
    Chicago
    Ivan Ivanovich Shishkin. Rye. 1878. Галерея Третьякова. https://originaluniqueart.com/pl/art/ivan-ivanovich-shishkin-rye-8YDSHT-en/
    Harvard
    Shishkin, Ivan Ivanovich (1878) Rye. Галерея Третьякова. Available at: https://originaluniqueart.com/pl/art/ivan-ivanovich-shishkin-rye-8YDSHT-en/

    Przyjrzyj się bliżej

    Rye — Ivan Ivanovich Shishkin

    Przyjrzyj się bliżej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. W naszym katalogu dzieło to znajduje się w kategorii: field, rye, trees. Czy zgadzasz się z tym opisem? Co warto by dodać lub usunąć?
    4. Wróć do dzieła Utro w lesie sosnowym (1886), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    5. Ivan Ivanovich Shishkin miał około 46 lat, gdy powstało to dzieło. Co w nim przypomina twórczość artysty na tym etapie?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Quiz o sztuce

    Rye — Ivan Ivanovich Shishkin

    Jak dobrze znasz to dzieło?

    Zaznacz jedną odpowiedź dla każdego z 5 poniższych pytań. Każde z nich ma dokładnie jedną poprawną odpowiedź.

    1. 1. What is the primary subject of Ivan Shishkin’s painting ‘Rye’?

      • A A bustling marketplace scene
      • B A detailed portrait of a peasant family
      • C A vast field of ripe rye under a cloudy sky
    2. 2. In what year was Ivan Shishkin’s painting ‘Rye’ created?

      • A 1858
      • B 1878
      • C 1892
    3. 3. Which museum houses the original painting ‘Rye’?

      • A The Louvre Museum, Paris
      • B The Tretyakov Gallery, Moscow
      • C The Metropolitan Museum of Art, New York
    4. 4. What artistic movement is Ivan Shishkin most closely associated with?

      • A Impressionism
      • B Realism
      • C Surrealism
    5. 5. The painting ‘Rye’ exemplifies Shishkin's characteristic style. Which of the following best describes this style?

      • A Bold, vibrant colors and dramatic lighting
      • B Detailed depictions of nature with a focus on realism and tranquility
      • C Abstract forms and symbolic imagery

    Mój wynik: ____ na 5

    Klucz odpowiedzi — dla nauczyciela

    Ta treść rozpoczyna nową stronę druku, więc można ją po prostu pominąć przy tworzeniu kopii.

    1C · 2B · 3B · 4B · 5B

    Sprawdź każdą odpowiedź, porównując ją z rekordem katalogowym tego obrazu

    Pytania i odpowiedzi

    Do jakiego wnętrza polecane jest dzieło „Rye” autorstwa Ivan Ivanovich Shishkin?

    Zalecaną przestrzenią dla „Rye” autorstwa Ivan Ivanovich Shishkin jest Living Room. Sugestia ta może zostać oczywiście dostosowana do Twojego wnętrza.

    Czy dzieło „Rye” autorstwa Ivan Ivanovich Shishkin znajduje się w domenie publicznej i dlaczego?

    Status praw autorskich do dzieła „Rye” – stanowi domenę publiczną – autorskie prawa majątkowe wygasły – wynika z daty śmierci artysty, która przypada na 1898.

    W którym roku powstało dzieło "Rye"?

    Powstanie „Rye” autorstwa Ivan Ivanovich Shishkin datuje się na 1878.