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Entombment

Imię i nazwisko Klasa Data

Giorgio Vasari, Entombment (1532), Casa Vasari. Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
Giorgio Vasari originaluniqueart.com/pl/artists/giorgio-vasari_pl/
Daty życia artysty
1511 – 1574
Technika malarska
1532
Wymiary oryginału
144 x 113 cm
Miejsce wystawy
Casa Vasari originaluniqueart.com/pl/museums/casa-vasari-arezzo/

W kontekście

Entombment — Giorgio Vasari

Jakie są wymiary?

Oryginalne wymiary to 144 × 113 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Kiedy powstało to dzieło?

  1. 1510
  2. 1520
  3. 1530
  4. 1540
  5. 1550
  6. 1560
  7. 1570

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 63 w chwili śmierci.

Namalowane, gdy artysta miał 21 lat. Artysta dożył 63 lat. 0 z 60 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia Giorgio Vasari (1511–1574) ▲ to dzieło, 1532 każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1546 Główne lata aktywności zawodowej: 1546–1567 Późne dzieła: od 1567

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty

Porównaj z

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: originaluniqueart.com/pl/art/similar/giorgio-vasari-entombment-8Y3KRB-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Black #100a0f

    Paleta w katalogu

    • #100A0F
    • #704126
    • #3A241D
    • #B37C45

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Paleta kolorów
    Earthy Dominująca gama kolorystyczna obrazu.
    Nazwa koloru głównego
    Black
    Nasycenie
    Monochromatic Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Gentle W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Strong Color Unity Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Deep_shadow Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Subtle Color Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa Giorgio Vasari z ostatnich dwunastu miesięcy — łącznie 14 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Chiny 58,2%
    2. 2 Hongkong 8,9%
    3. 3 Singapur 7,6%
    4. 4 Brazylia 6,3%
    5. 5 Stany Zjednoczone Ameryki 5,1%
    6. 6 Hiszpania 2,5%
    7. 7 Włochy 2,5%
    8. 8 Armenia 1,3%
    9. 9 Szwajcaria 1,3%
    10. 10 Niemcy 1,3%
    11. · 4 innych krajów 5,0%

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    20 najczęściej oglądanych dzieł artysty Giorgio Vasari

    1. 1 Ostatnie Spowodowanie, 1572 7,5%
    2. 2 The Last Judgment (detail), 1572 7,5%
    3. 3 Perseus and Andromeda, 1570 6,5%
    4. 4 Annunciation, 1570 5,6%
    5. 5 Allegory of the Immaculate Conception, 1541 5,6%
    6. 6 Marriage at Cana, 1566 5,6%
    7. 7 Annunciation, 1564 4,7%
    8. 8 The 1530 Siege of Florence, 1558 3,7%
    9. 9 Ostatnie Spowodowanie, 1572 2,8%
    10. 10 Childhood of Jupiter, 1556 2,8%
    11. 11 Façade, 1560 2,8%
    12. 12 Studium Malarza, 1563 2,8%
    13. 13 Abraham and the Three Angels 2,8%
    14. 14 Lorenzo il Magnifico among philosophers and scholars, 1558 1,9%
    15. 15 Three river gods 1,9%
    16. 16 Triumphant entrance of Leone X in Florence, 1563 1,9%
    17. 17 Martyrdom of St Stephen, 1560 1,9%
    18. 18 The Adoration of the Magi, 1567 1,9%
    19. 19 Justice, 1542 1,9%
    20. — Entombment, 1532 ten obraz 0,0%

    Razem dzieła te stanowią 72,1% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 72 dzieł tego artysty, z których 41 zostało obejrzanych co najmniej raz. Ten obraz nie został jeszcze obejrzany w tym okresie — zamyka on listę bez przypisanego miejsca w rankingu. To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    Artysta i muzeum

    Artysta

    Giorgio Vasari

    Urodzony w Arezzo, Włochy

    A Life Woven into the Renaissance Fabric

    Giorgio Vasari, born in Arezzo, Tuscany, on July 30, 1511, was more than simply a painter; he was a quintessential embodiment of the Italian Renaissance spirit. His life unfolded as a vibrant tapestry woven with threads of artistic creation, architectural innovation, insightful historical writing, and an unwavering dedication to celebrating the masters who came before him. From his earliest training under Guglielmo da Marsiglia, a skilled artisan in stained glass, young Giorgio’s path was steered towards visual artistry. However, it was his move to Florence at sixteen that truly ignited his potential. Immersing himself within the dynamic circle of Andrea del Sarto and absorbing the influences of Rosso Fiorentino and Jacopo Pontormo, Vasari began a journey that would see him become one of the most influential figures of his era. His formative years were also deeply marked by the patronage and friendship of the powerful Medici family, a relationship that would shape both his career and his perspective on art’s role in society.

    The Artist's Hand and Eye

    Vasari’s artistic style is often categorized as Mannerist, reflecting the prevailing aesthetic trends of the mid-16th century. His paintings are characterized by elongated figures, dynamic compositions, and a sophisticated use of color—qualities highly admired during his lifetime. While perhaps not achieving the same level of enduring fame as some of the artists he chronicled, Vasari’s skill was undeniable. Notable works such as The Studio of the Painter, a fresco housed in Casa Vasari in Arezzo, offer a fascinating glimpse into the artistic practices of the time. The sheer scale and ambition of his frescoes for the Palazzo Vecchio in Florence, undertaken between 1555 and 1572, demonstrate his mastery of large-scale decorative schemes. His final monumental undertaking, The Last Judgement, adorning the cupola of Florence Cathedral—completed after his death by Federico Zuccari—stands as a testament to his unwavering commitment to grand artistic visions. Beyond painting, Vasari’s architectural contributions were equally significant. He designed the elegant loggia of the Palazzo degli Uffizi, transforming it into a public piazza and creating a vital link within Florence's urban landscape. Perhaps most famously, he conceived and oversaw the construction of the Vasari Corridor, a secret passageway connecting the Uffizi Gallery with the Palazzo Pitti—a feat of engineering and architectural ingenuity that continues to captivate visitors today.

    A Historian Forging a Legacy

    However, it is arguably as an art historian that Giorgio Vasari secured his most lasting legacy. His monumental work, Lives of the Most Excellent Painters, Sculptors, and Architects, published in 1550 (with a revised edition in 1568), revolutionized the way art was understood and appreciated. This groundbreaking text wasn’t merely a collection of biographies; it established a narrative framework for the development of Italian Renaissance art, tracing its evolution from the early masters like Cimabue and Giotto to his contemporaries Michelangelo and Raphael. Vasari's work introduced the very concept of the “Renaissance” – a rebirth of classical ideals—and laid the foundation for modern art history as a discipline. While acknowledging that Vasari’s accounts are not without their biases and inaccuracies, particularly concerning artists predating his own time, the impact of Lives remains profound. It provided a crucial historical context for artistic creation, elevating the status of artists from skilled craftsmen to intellectual figures worthy of scholarly attention.

    Influences and Enduring Significance

    Vasari’s artistic development was profoundly shaped by his exposure to the works of Renaissance masters. His visit to Rome in 1529, where he studied the art of Raphael and other High Renaissance artists, proved pivotal. He absorbed their principles of composition, anatomical accuracy, and idealized beauty, incorporating them into his own style. Michelangelo, whom Vasari greatly admired, exerted a particularly strong influence on both his painting and architecture. The grandeur and dynamism characteristic of Michelangelo’s work are evident in many of Vasari’s projects. Beyond specific artists, the broader intellectual currents of the Renaissance—humanism, classical learning, and a renewed interest in empirical observation—also informed Vasari's approach to art and history. Giorgio Vasari died on June 27, 1574, in Florence, leaving behind a multifaceted legacy that continues to resonate today. He was not only a talented artist and architect but also a pioneering historian whose writings shaped our understanding of one of the most transformative periods in Western art history. His work remains essential for anyone seeking to explore the rich cultural heritage of the Italian Renaissance.

    Major Achievements

    The Lives of the Most Excellent Painters, Sculptors, and Architects (1550 & 1568): This seminal text established Vasari as a foundational figure in art history, shaping how we understand the Renaissance.

    Frescoes for Palazzo Vecchio: His monumental frescoes demonstrate his mastery of large-scale decorative schemes and reflect the grandeur of Florentine civic life.

    Design of the Uffizi Gallery Loggia: This elegant loggia transformed the Uffizi into a vibrant public space, showcasing Vasari’s architectural vision.

    Construction of the Vasari Corridor: A remarkable feat of engineering and architecture, connecting the Uffizi with the Palazzo Pitti.

    Restoration of Santa Croce and Santa Maria Novella: His work on these significant Florentine churches reflects his commitment to preserving and enhancing artistic heritage.

    Key Influences

    Early Training:** Guglielmo da Marsiglia (stained glass), Giovanni Pollio Lappoli (humanistic education). These early influences shaped Vasari’s foundational skills and intellectual interests. Renaissance Masters:** Andrea del Sarto, Michelangelo, Raphael. Vasari deeply admired these masters, incorporating their techniques and ideals into his own work. Humanist Thought:** The principles of humanism—emphasizing classical learning, empirical observation, and the value of human potential—guided Vasari’s approach to art and history.

    Muzeum

    Casa Vasari

    Prezentowane w Arezzo, Italy

    A Florentine Jewel of Renaissance Harmony

    Nestled in the heart of Arezzo, Tuscany, the

    Casa Vasari

    stands as a profound testament to the enduring legacy of Giorgio Vasari and his pivotal role in shaping our understanding of the Italian Renaissance. More than just a historic residence, it is a meticulously crafted microcosm of the era's artistic ideals—a place where architecture, painting, and sculpture converge to create an experience both profoundly beautiful and deeply revealing. Originally conceived as a workshop for Vasari’s brother, Pietro, the Casa evolved into a private sanctuary and, crucially, a living laboratory for Vasari’s revolutionary approach to art history and biography. To walk through its doors is to step into a world where the boundaries between life and art are intentionally blurred.

    The building itself is an extraordinary achievement of Renaissance design, reflecting a period when structure was as much about mathematical grace as it was about physical shelter. Constructed between 1537 and 1549, the Casa Vasari is not simply built; it is

    composed

    . Vasari meticulously planned every detail, striving for a harmonious balance between classical restraint and exuberant ornamentation. The façade, a masterful example of Tuscan Renaissance architecture, is dominated by a series of arched windows framed by engaged columns—a deliberate echo of Roman grandeur. Notice the subtle shifts in scale and proportion; Vasari employed precise mathematical ratios to achieve a sense of visual equilibrium, reflecting his deep engagement with humanist principles. The use of terracotta brick lends the building an earthy warmth that contrasts beautifully with the delicate, sophisticated details found above.

    A Sanctuary for Art and Scholarship

    Within the Casa’s walls resides a remarkable collection of paintings that are not merely displayed but are integrated into the very architectural fabric of the house. These works, primarily by Vasari himself alongside those by his brother Pietro and other artists associated with the family, create an immersive environment where every room tells a story. One cannot mention the Casa without speaking of the

    Sala di Giocondina

    (Room of Giocondina), named after a small, exquisite portrait believed to be by Leonardo da Vinci. The room’s proportions were carefully calculated to enhance the impact of the painting, demonstrating Vasari's belief that art should exist within a carefully orchestrated environment rather than in isolation.

    The collection is further enriched by breathtaking frescoes depicting scenes from the lives of Florentine artists—a deliberate act of self-promotion and a foundational element of Vasari’s groundbreaking

    Lives

    . These murals offer invaluable insights into the vibrant Florentine artistic community of the 16th century, turning the walls themselves into a historical narrative. Beyond its visual splendor, the Casa Vasari holds a unique significance as the birthplace of art historical writing. It served as Vasari's primary research space, filled with sketches, notes, and models that document his meticulous process of investigation. It was within these very rooms that he painstakingly pieced together the stories of Michelangelo, Leonardo da Vinci, and Raphael, shaping their reputations and solidifying their place in the canon of Western art.

    A Living Museum of Continuous Discovery

    The Casa Vasari is far from a static monument; it remains a dynamic space dedicated to preserving and interpreting its rich heritage. Throughout the year, the museum hosts a variety of exhibitions that explore different facets of Vasari's work, Renaissance art, and the history of the building itself. These events often incorporate cutting-edge technology, such as virtual reality reconstructions, allowing modern visitors to experience the Casa as it might have appeared during Vasari’s lifetime, bridging the gap between the sixteenth century and the present day.

    For the art lover, the collector, or the interior designer seeking inspiration, the museum offers a masterclass in aesthetic cohesion. Ongoing conservation efforts are crucial to maintaining the integrity of both the architecture and the artworks, with recent restoration work revealing hidden details that have strengthened the building's structural and visual foundations. The Casa Vasari offers a profoundly intimate encounter with one of the most influential figures in art history, providing a rare opportunity to walk in the footsteps of a master craftsman and witness firsthand the birth of modern art criticism.

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania Entombment

    originaluniqueart.com/pl/art/download/giorgio-vasari-entombment-8Y3KRB-en/

    Jak cytować to dzieło

    MLA
    Vasari, Giorgio. Entombment. 1532, Casa Vasari. https://originaluniqueart.com/pl/art/giorgio-vasari-entombment-8Y3KRB-en/
    APA
    Vasari, Giorgio (1532). Entombment [Painting]. Casa Vasari. https://originaluniqueart.com/pl/art/giorgio-vasari-entombment-8Y3KRB-en/
    Chicago
    Giorgio Vasari. Entombment. 1532. Casa Vasari. https://originaluniqueart.com/pl/art/giorgio-vasari-entombment-8Y3KRB-en/
    Harvard
    Vasari, Giorgio (1532) Entombment. Casa Vasari. Available at: https://originaluniqueart.com/pl/art/giorgio-vasari-entombment-8Y3KRB-en/

    Przyjrzyj się uważnie

    Entombment — Giorgio Vasari

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. W naszym katalogu dzieło to znajduje się w kategorii: birth and death. Czy zgadzasz się z tym opisem? Co warto by dodać lub usunąć?
    4. Wróć do dzieła Ostatnie Spowodowanie (1572), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    5. Giorgio Vasari miał około 21 lat, gdy powstało to dzieło. Co w nim przypomina twórczość artysty na tym etapie?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Pytania i odpowiedzi

    Skąd pochodzą odwiedzający „Entombment” – Giorgio Vasari?

    Dla dzieła „Entombment” dostępna jest strona Statystyki wyświetleń. Przedstawia ona miesięczną liczbę odwiedzin tego dzieła oraz innych prac artysty, z podziałem na kraje i języki.

    Co przedstawia „Entombment” – Giorgio Vasari?

    Tematyka dzieła "Entombment" to birth and death.

    Ile lat miał Giorgio Vasari, gdy powstało dzieło „Entombment”?

    Giorgio Vasari stworzył/a "Entombment" w wieku 21 lat. Artysta urodził/a się w 1511, a datowanie dzieła to 1532.